This week we have two newcomers in our chart.

6 Underground is the most downloaded movie.

The data for our weekly download chart is estimated by TorrentFreak, and is for informational and educational reference only. All the movies in the list are Web-DL/Webrip/HDRip/BDrip/DVDrip unless stated otherwise.

RSS feed for the articles of the recent weekly movie download charts.

This week’s most downloaded movies are:

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Most reports of copyright-based legal action in the United States center on the unlicensed downloading, sharing, or distribution of movies, TV shows, music and software.

Albeit at a slower rate, other less mainstream materials are also detailed in infringement complaints, notably copyrighted scientific and research papers, often with pirate sites like Sci-Hub or Libgen somewhere in the equation. This week a relatively rare complaint was filed in a US court protesting the illegal sale of copyrighted petroleum industry documents.

The application for a DMCA subpoena, filed at a Delaware district court by powerful oil and gas industry association American Petroleum Institute (API), claims that its authored standards documents are being made available online without its permission.

“For decades, API has authored standards for the safety and quality of products in the petroleum and gas industry. As author, API owns the copyright in these standards and has registered the copyrights with the U.S. Copyright Office,” counsel for API writes.

“The copyrighted standards constitute a very valuable asset to API. Indeed, sales of the API standards to petroleum and gas industry professionals create considerable income for API.”

According to API, others are also benefiting from the sale of its standards. The application lists several problematic domains (e-standard.org, e-stds.org, pdfstandards.org) all of which direct to one main site located at e-standardstore.org.

“This company is not an authorized distributor of API’s standards. Despite not being an authorized distributor, these links display images of API’s logos. This unauthorized use of API’s logos falsely suggests to consumers that this company is an authorized distributor of API standards,” API adds.

The E-Standards.org ‘pirate’ site

As the image above shows, API’s publications are easily discoverable on the infringing site. API says there are at least 1,700 standards for sale in PDF format, which is problematic in itself since the association only offers physical standards which means the downloads must be copies.

“Additionally, API does not permit sales of its standards in PDF format (or any other electronic format) by anyone. Therefore, the sale of downloadable or e-mailed copies of API’s standards are clearly sales of unauthorized copies or scans of API’s publications,” API adds.

API says that after investigating the ‘pirate’ site’s IP addresses, they were determined to be operated by Cloudflare. As a result, API wants the CDN company to immediately terminate its services utilized by E-Standards.org while handing over the personal details of whoever is behind the platform.

From the API subpoena to Cloudflare

The Delaware court quickly signed off on the API subpoena so some type of action by Cloudflare can be expected soon. That being said, this set of domains isn’t only a thorn in the side of API but also various other specialist organizations that author their own standards.

According to Google’s Transparency Report, all of the redirection domains have been the subject of DMCA notices, some of which date back to 2013. The main domain cited by API (E-Standards.org) is also at the center of most additional complaints including those filed by safety company Underwriters Laboratories, International Organization for Standardization (ISO), the National Fire Protection Association, and American Water Works Association.

A copy of the DMCA subpoena to Cloudflare is available here (pdf)

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In 2014, we reported on a lawsuit filed against Tom Kabinet, a Netherlands-based online marketplace for used eBooks.

Fearing that the sale of such content would undermine their business model, the Dutch Publishers Association (NUV) and the General Publishers Group (GAU) sought an injunction to restrain Tom Kabinet from further sales. The request was denied and went to appeal, with a succession of local courts seemingly unable to determine whether the sale of used eBooks is permissible under EU law.

So, in common with other complex copyright matters, questions were sent to the Court of Justice of the European Union (CJEU) to determine whether the principle of exhaustion, whereby a copyright holder’s right of distribution is exhausted after the first sale of a product, applies to eBook content as it does software (pdf).

In September 2019, Advocate General Szpunar delivered his non-binding opinion, advising that exhaustion under Article 4 of the InfoSoc Directive does not exist and that the provision of eBooks falls under the copyright holder’s right of communication to the public.

The CJEU has now handed down its decision which broadly concurs with the opinion of the Advocate General.

“The Court found that the supply by downloading, for permanent use, of an e-book is not covered by the right of ‘distribution to the public’ provided for by Article 4(1) of Directive 2001/29, but that it is covered by the right of ‘communication to the public’ provided for in Article 3(1) of that directive, in which case exhaustion is excluded under paragraph 3 of that article,” the CJEU release reads.

The CJEU decision references an underlying World Intellectual Property Organisation (WIPO) Copyright Treaty, noting that the EU legislature intended that the rule of exhaustion be reserved for the distribution of physical objects, such as paper-based books.

“By contrast, the application of that rule of exhaustion to e-books would be likely to affect the interests of rightholders in obtaining appropriate reward much more than in the case of books on a material medium, since dematerialized digital copies of e-books do not deteriorate with use and are, therefore, perfect substitutes for new copies on any second-hand market,” the Court notes.

In respect of whether the supply of used eBooks represents a “communication to the public”, the Court said it considered whether technical means different to those previously used were deployed, or whether the communication was made to a “new public”, i.e an audience that wasn’t taken into account by the copyright holders when they authorized the initial communication to the public.

“In the present case, since the making available of an e-book is generally accompanied by a user license authorizing the user who has downloaded the e-book concerned only to read that e-book from his or her own equipment, it must be held that a communication such as that effected by Tom Kabinet is made to a public that was not already taken into account by the copyright holders and, therefore, to a new public,” the decision reads.

On those grounds, the Court (Grand Chamber) ruled as follows:

The supply to the public by downloading, for permanent use, of an e-book is covered by the concept of ‘communication to the public’ and, more specifically, by that of ‘making available to the public of [authors’] works in such a way that members of the public may access them from a place and at a time individually chosen by them’, within the meaning of Article 3(1) of Directive 2001/29/EC of the European Parliament and of the Council of 22 May 2001 on the harmonization of certain aspects of copyright and related rights in the information society.

The ruling was welcomed by publishing group GAU.

“Now that the European Court of Appeal has followed the argument of the GAU / Media Federation and the conclusion of its AG, it is clear that what Tom Kabinet has done for all these years is contrary to copyright,” a GAU statement reads.

“The decision is not only important for the book sector, but also for the music and film industry, because now also for music and film, downloaded copies may not be resold. The GAU / Media Federation is happy that after many years there is finally clarity about the application of copyright to e-books.

“The GAU / Media Federation will now investigate with authors and publishers what recoverable damage Tom Kabinet has caused,” GAU concludes.

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Manga comics and magazines are huge. Not just in Japan but all over the world.

People used to read them on paper, but digital is the standard today. While that makes these comics more accessible, they’re also easier to pirate.

For years there has been an active ‘scanlation’ community. These are fan-made translations that are shared online. Sharing can begin innocently, by posting a copy on a message board. However, there are also entire sites dedicated to this practice.

These platforms draw millions of users which is something manga publishers are not happy with. While the pirate sites certainly helped to popularize the genre around the globe, it doesn’t help the creators if fans enjoy everything for free.

Earlier this year publishers already pressed MangaRock to change its business model and go legal, and this week it appears that another major scanlation site has thrown in the towel.

Mangastream, which operated in the open for many years, has completely disappeared now. There is no official statement on the site’s homepage. Instead, it’s displaying a generic “name of resolved” error, which means that the domain’s nameservers have been stripped.

There has been no official announcement from the site’s operators. However, the domain name changes coincide with the removal of Mangastream’s official Twitter account. This makes it very plausible that the ‘disappearance’ is intentional.

The recent events are a blow to many manga fans, especially since Mangastream was the source of many scanlations. While the motivation for the shutdown it remains guesswork, several leads point to the Japanese publisher Shueisha, known for the Weekly Shōnen Jump magazine.

Following in the footsteps of Mangastream, Jaimini’s Box announced that it would stop working on Weekly Shōnen Jump, but not on other series.

“If you haven’t seen it already, Mangastream has decided to stop working on WSJ series overall. The important part is, we think it is a good place for us to end too,” the site announced.

“This is a new beginning, and end, to an era of scanlation,” Jaimini’s Box added, pointing its readers to MANGA Plus, the authorized online manga platform that’s owned by Shueisha.

After digging further into the issue TorrentFreak was able to confirm that Shueisha indeed had its eyes set on Mangastream.

Earlier this year the Japanese publisher requested a DMCA subpoena at a US federal court in Maryland, demanding that Cloudflare should hand over all details it holds on the domain name’s owner.

Shueisha hoped that identifying the operators of the site could help the company to protect its copyrights.

“The purpose for which the subpoena is sought is to obtain the identity of alleged infringers and the information obtained therefrom will only be used for the purpose of protecting rights under the Copyright Act,” the attorney informed the court.

This filing dates back to March and it’s the only DMCA subpoena Shueisha requested. It is unclear whether this effort did indeed result in any useful information, as we don’t see a signed order on the docket, but it does confirm that Mangastream had a target on its back.

Paired with Jaimini’s Box’s decision to stop Weekly Shōnen Jump scanlation, it’s likely that Mangastream’s ‘disappearance’ follows legal pressure from the company.

Whatever the reason may be, many of the site’s users are disappointed. A thread started on Reddit generated hundreds of comments and others took their frustration and dismay to Twitter.

There is no record of a federal lawsuit against Mangastream in the US. However, Shueisha did previously team up with other publishers in a legal battle against the operators of the pirate site Hoshinoromi. That case is ongoing.

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