Shivaji Rao Gaekwad, better known as Rajinikanth, is a superstar of Indian cinema, having been active in the industry for decades.

During his time on the silver screen, piracy has been running rampant across India but even he will have been taken by surprise following the events of the past few days.

Rajinikanth’s latest movie, action thriller Darbar, was released theatrically on January 9, 2020, quickly recovering around 75% of its costs during its first weekend alone.

However, on January 12, just three days after its official release, local cable channel Saranya TV took the decision to broadcast a pirated copy of the movie, as illustrated in the image below obtained by Galatta.com.

In common with many local movies, infamous torrent site TamilRockers reportedly leaked Darbar online shortly after its release but subsequent ‘pirate’ broadcasting on cable TV is unusual, particularly during a theatrical window. This has caused outrage at Lyca Productions, the production company behind the movie, which responded by filing a complaint with local police.

“The movie has been receiving good response from the public and it is running successfully in all centers all over the world, in the meantime we are astounded and distressed to know, that the movie was telecasted illegally in a local TV Channel called Saranya TV at Madurai on 12.01.2020 evening,” a statement from Lyca reads.

“Having come to know this, we have officially filed a complaint against the said local TV Channel at The Commissioner Office, Law & Order, Madurai.”

According to the local distributor for the movie, police were swift to act against the operators of Saranya TV. After initial reports that the channel had been closed and its operators had gone on the run, it now appears arrests have been made.

“It is true that the offenders have been arrested, but FIR [First information report] is yet to be registered as the investigation is still in progress,” a statement obtained by Behindwoods reads.

“It appears that they have used 2-3 relay points for broadcasting the film. While a computer system [has] already been seized, the police are now in the process of probing and confiscating other types of equipment, including CPUs, relay hubs and other systems that they were using to telecast the movie.”

In addition to the action against the cable TV company, a Galatta source reports that after the movie was widely shared on Whatsapp, a complaint was filed by Lyca in that direction too.

No official announcement on that front has been made by Lyca but an anti-piracy company is working on its behalf to prevent piracy on the messenger application.

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Online piracy is an issue that affects many industries and indie game development is certainly no exception.

Some developers see piracy as an evil that needs to be rooted out as soon as possible. However, others are more open to some of the motivations behind it and are willing to experiment.

Game developer Shota Bobokhidze, aka ‘ShotX,’ falls in the latter category. The indie developer from Tiblisi, Georgia, runs his one-man company ShotX Studio which just released a new shooter game titled ‘Danger Gazers.’

The release is available on Steam where it currently sells at $9.99. While that’s not an extremely steep price, ShotX realizes the average game fan may not have the financial means to try out all the new titles that come out every month.

This prompted the developer to release a special edition targeting the pirate community. It’s something he already planned to do with the game Kontrakt in 2018, but that idea was canned after The Pirate Bay kept returning server errors.

This time he was more successful. Late last week the torrent made its way onto The Pirate Bay, carrying a special message from the creator.

“This is the latest DRM-free version of Danger Gazers (1.1.0), there’s no catch here, no Steam only features, just the fully functional game,” ShotX writes on The Pirate Bay.

The game can be downloaded for free, no strings attached. The developer’s only request is that people consider buying it if they like what they see, or to support the project in any other way. The same message was later repeated on Reddit where ShotX highlighted his release.

Ironically, the developer’s first post on Reddit was removed, presumably because the moderators assumed it was a pirated version. However, that’s certainly not the case.

This is not the first time that a game developer has plugged his work on a pirate site, but it remains a rarity. To find out more about ShotX’s motivations, we decided to reach out for some additional comments.

The developer informs us that he is all too familiar with piracy. He grew up in a situation where piracy was often the only option to get new software. Today he also sees the other side of the story, as he relies on sales to make a living. However, he still understands that not everyone can easily buy his work.

“The decision to release a torrent came along with the memories of my time spent with pirated software,” ShotX says.

“I remember that I didn’t feel any guilt at all as there was simply no other choice for me at that moment, moreover, had I known that there were other options I could have supported developers with, I’d have done all I could without a second thought.”

Releasing the game on The Pirate Bay allows people to try it out for free. This comes with the added advantage of free exposure, which is welcome too, as it’s becoming harder and harder for new games to get noticed.

ShotX says that this certainly wasn’t a planned PR campaign. He just wanted to get the word out and give the free torrent a chance. That said, he does believe that piracy can have a positive exposure impact, which was also the case here.

“It wouldn’t have been effective if it was a planned PR move to get people to buy the product. It was just a kind act that I was lucky enough to get noticed. I’m sure it would have been apparent if it wasn’t so,” he says.

ShotX’s approach worked well. The Reddit post promoting the official torrent reached a broad audience. This resulted in a lot of free downloads but also motivated people to buy the game and spread the word.

“The response so far was amazing,” ShotX says. While he didn’t expect anything in return, the free release actually resulted in a significant revenue boost.

“There was a noticeable boost in sales, some kind individuals even donated twice as much and most importantly all the rest supported me in their own ways by sharing my game and respecting my decision,” the developer adds.

The developer didn’t promote the torrent on his social media or on his official site, as he specifically wanted to reach out to the pirate community. Given the results, this was quite successful.

This shows that some ‘pirates’ are definitely willing to pay under the rights conditions but it doesn’t mean that this is easily repeatable. If all indie developers started releasing torrents it would no longer be something special and could become harder to get noticed once again.

In this case, however, it clearly paid off.

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There are dozens of apps available online today that act as straightforward players of IPTV streams. These usually cause no copyright infringement issues for their operators as they come with no pre-loaded content.

While many can be configured with a premium subscription so that infringing content can be received at the direction of users, others blur the lines by attempting to aggregate links to streams that exist in open form on the Internet.

One of these players was known as UlangoTV. Previously available via Google Play, Amazon, CNET, and many other third-party download sites, variants of the UlangoTV app acted as a search engine for live IPTV streams, which were color-coded to provide additional information.

“Every day thousands of new stream URLs are found, analyzed and classified,” the publisher’s description on CNET reads.

“For the safety of users and for the protection of the content owners, the search results are flagged with color codes: Yellow streams have been known to us for more than 6 months. Typically these ‘official’ streams are without license problems. All registered users can see these streams freely. Blue streams have been known to us for more than 6 weeks. Also these are usually ‘official’ streams without license problems.”

However, as acknowledged by its publisher, not all streams made available in the app could be considered trouble-free.

“Magenta streams are usually short-lived and have only been known to us recently. These streams are likely to originate from unlicensed sources,” the developer noted.

This type of link aggregation teeters fairly close to the edge of legality but with UlangoTV+, a premium and premium plus subscription option offered by the same developer, broadcasters may have considered the line had been crossed.

“So in this app UlangoTV+ we introduced a new option called Premium Plus, which is only available to a few users who want to pay a premium price and now receive handpicked streams with tightly controlled connectivity,” the marketing added.

With no user shortage for the popular app, during October last year an unexpected message appeared on UlangoTV’s Twitter account which indicated that the project had come to an end.

The tweet gave no clear indication of the reason behind the decision to close but now, several months later, we have the strongest message yet that legal threats from entertainment industry groups played a key role.

Users who visit the Ulango.TV domain today get an all-too-familiar message that due to claims of copyright infringement, the site and associated app have been shut down by the Alliance for Creativity and Entertainment.

After the usual countdown timer expires, visitors are redirected to the ACE anti-piracy portal. There is no mention there of the shutdown which tends to suggest that a relatively peaceful agreement was reached with the app’s developer, which would’ve included shutting down and handing over the Ulango domain.

Indeed, domain records show that Ulango.tv is now owned by the Motion Picture Association, which adds to a growing list of dozens of domains taken over as part of the Alliance’s ongoing anti-piracy activities.

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This week we have two newcomers in our chart.

Maleficent: Mistress of Evil is the most downloaded movie.

The data for our weekly download chart is estimated by TorrentFreak, and is for informational and educational reference only. All the movies in the list are Web-DL/Webrip/HDRip/BDrip/DVDrip unless stated otherwise.

RSS feed for the articles of the recent weekly movie download charts.

This week’s most downloaded movies are:
Movie Rank Rank last week Movie name IMDb Rating / Trailer
Most downloaded movies via torrents
1 (2) Joker 8.8 / trailer
2 (1) Maleficent: Mistress of Evil 6.8 / trailer
3 (…) Countdown 7.2 / trailer
4 (3) Frozen 2 (DVDScr) 7.2 / trailer
5 (5) Black and Blue 5.9 / trailer
6 (10) Ford v Ferrari (DVDScr) 8.3 / trailer
7 (8) Once Upon a Time … in Hollywood 7.9 / trailer
8 (…) Bombshell 6.7 / trailer
9 (7) Ad Astra 6.9 / trailer
10 (9) The Addams Family 5.8 / trailer

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Megaupload founder Kim Dotcom has announced the development of many projects since the destruction of his file-hosting platform in 2012.

With a stated aim of revolutionizing the file-sharing space, one of the most prominent was initially dubbed Megaupload 2 (MU2). Utilizing investment platform BnkToTheFuture, in 2016 it raised over a million dollars from 354 investors in just two weeks.

MU2 and the associated BitCache platform were originally penciled in for a January 2017 launch but like many complex projects, ultimately missed its target. With the project still under development, MU2 was later renamed K.im, a clear reference to Kim Dotcom’s well-known name and its greatest marketing asset.

Conveniently, Kim Dotcom had previously bought ‘K.im’ back in 2013, acquiring the Isle of Man domain name for a reportedly record-setting $20,000 via Sedo. This was put to use as the project’s main homepage but now, several years later, things are not going to plan.

Visitors to K.im are no longer greeted by all the details of the K.im, Bitcache and associated Kimcoin project. Instead, they are treated to an insecure site (no https) that delivers an anti-Google SEO-based rant penned by Bulgarian expired domain specialist Kalin Karakehayov.

An almost identical piece to that shown above was previously published on Karakehayov’s own domain at Karakehayov.com but the version on K.im replaces references to the original domain with references to K.im.

Having previously used Cloudflare’s services as a front to its hosting, K.im now uses servers in Bulgaria to display the anti-Google sentiments. Unfortunately, due to the GDPR, it’s hard to state conclusively that the domain is now under Karakehayov’s personal control, despite hosting his content.

For the K.im team, however, that detail might be the least of their worries. The entire project has been built around the Kim Dotcom brand and it now seems fairly clear that the K.im domain isn’t under its control anymore. Awkwardly, that is also more than obvious on Twitter, with dozens of Dotcom’s posts mentioning the K.im project and linking to the K.im domain now showing the message “PURE SPAM”.

Whether this PR catastrophe can be reversed is currently unclear but adding insult to injury, the K.im domain has now been put up for sale by its owner on Sedo, the marketplace from where Dotcom bought it. There’s no reserve price but the domain is being offered by an account opened in 2014 with a stated location of ‘Georgia’.

While the apparent loss of this domain can probably be overcome, the future of the entire K.im project is somewhat up in the air.

In November 2019, Bitfinex declared that due to a rapidly evolving “regulatory environment”, the K.im token sale had been indefinitely postponed.

“After careful evaluation, we regret to announce that Bitfinex Token Sales and the K.im team have mutually agreed not to hold the token sale at this time. K.im will defer any decision on whether to create tokens on, or undertake a token issue in relation to the K.im platform until it is fully functional,” the statement read.

Since then, no one associated with the project, including Dotcom himself, has made any public statement on the future of K.im or the Kimcoin token. TorrentFreak has requested comments from both Kim Dotcom and Kalin Karakehayov and will update this article should they arrive.

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American satellite and broadcast provider Dish Network has fought several legal battles against alleged pirate streaming tools in recent years.

The company filed a lawsuit against the people behind TVAddons, for example. More recently the company went after multiple pirate streaming sites and IPTV reseller Boom Media.

In addition to using well-established legal options, the company is also thinking ahead. That became clear this week when we spotted a new patent application from Dish, which envisions a blockchain-based anti-piracy system.

According to the company, piracy has become increasingly problematic. It’s not just limited to dedicated pirate sites but also plagues legitimate platforms such as YouTube and Facebook, it notes.

“The distribution of infringed material on content sharing platforms such as Facebook and YouTube has grown rapidly,” Dish writes in its patent application.

“For example, viewers can easily find links to live sporting events, hosted on someone’s Facebook account, find the newest episodes of their favorite series on YouTube or Dailymotion or even join groups like `mobile movies` on Telegram..,” the company adds.

Dish writes that “millennials” and the “next generation” are increasingly turning their backs on the traditional bundle service system, opting for less-costly alternatives instead. These cheaper alternatives include the consumption of unlicensed content on legitimate services.

While most large companies have their own anti-piracy solutions, these often have shortcomings, such as requiring rightsholders to actively search for pirated content. While a few large outfits use hash recognition to automatically detect content, those systems are often proprietary and not freely available.

The new patent application envisions a technology that is supposed to be superior. While it can’t really be used to stop pirate sites, it proposes a blockchain-based anti-piracy system that legitimate services can use to check whether the content is published with permission, or not.

“The inventors have conceived and reduced to practice a software and/or hardware facility that can be used by content owners to assert ownership of content so that copyright friendly websites and services can take action against copyright piracy effectively, efficiently and is scalable,” Dish writes.

“The facility makes available to all content owners watermarking/fingerprinting technology so an identifier can be embedded in the content. The facility utilizes blockchain technology to add information related to each unique identifier in a database and allows an authorized user (e.g., the owner) to update the information through a blockchain transaction.”

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There are several practical implementations possible, but it’s clear that Dish is in favor of a widely available system that sites and services can use to determine whether content is authorized. The watermark or fingerprint-based system should interact with a blockchain to verify ownership details.

Without a practical implementation, it’s hard to determine whether this approach will succeed or not. However, blockchain-based copyright management itself is not a new idea, as others have proposed this as well. The same is true for watermarking and fingerprinting.

It’s interesting to see that Dish is actively pursuing an alternative anti-piracy approach. Time will tell if it comes to fruition, and if so, how effective it will be. One thing’s almost guaranteed though, there will be plenty of attempts by pirates to get around it.

A copy of the patent application titled “Content anti-piracy management system and method” is available here (pdf).

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Over the past several years, adult entertainment company Malibu Media has been one of the most active copyright litigants in the United States. Targeting large numbers of alleged file-sharers, the company has received potentially huge sums in cash settlements.

But while the company usually makes the headlines for its file-sharing cases, a dispute with a former business partner is now shining a light behind the scenes. This week, Florida-based The Lomnitzer Law Firm sued California-based Malibu Media over their business dealings.

According to the lawsuit, in May 2017 Lomnitzer and Malibu entered into an agreement for the former to provide legal services to the latter.

While the precise details are to be submitted under seal, the outline is that Lomnitzer would coordinate Malibu’s litigation against pirates across the United States, receive settlements and pay them into a trust account, pay court filing fees, pay process server fees and investigators, and pay expenses related to the deposition of Malibu.

The law firm claims that it issued invoices to Malibu on a regular basis, using money in the trust account to pay some while dispensing settlement funds back to Malibu. However, the lawsuit claims that a date currently unknown, Malibu “began a program of circumventing the agreement.”

According to the complaint, this came in the form of instructing attorneys in other jurisdictions, that were previously instructed by Lomnitzer, to “bypass” the law firm. This involved sending settlement money directly to Malibu rather than Lomnitzer, “while still expecting the Firm to pay court filing fees, process server fees, etc., all incurred for and on behalf of and for the benefit of Malibu.”

Faced with these circumstances, on August 30, 2019, Lomnitzer terminated its representation of Malibu. Since then it claims to have received invoices from third-parties incurred as a result of its representation of Malibu while its own invoices to Malibu itself (totaling more than $262,500) remain unpaid.

The bottom line according to Lomnitzer’s suit is that Malibu owes the law firm $280,05.32 plus additional interest accruing after December 31, 2019. It is demanding a judgment from the court to that end, an order allowing it to use funds in the trust account towards that amount, plus an order “confirming the Firm’s lien against all proceeds of all pending litigation in which Malibu is a Plaintiff.”

To address the allegations that other law firms are paying settlements directly to Malibu rather than Lomnitzer, Malibu’s former legal team are also seeking an order to prevent Malibu from “disbursing any settlement monies from any and all pending litigation nationwide to anyone other than the Firm.”

On top, of course, Lomnitzer is demanding attorney fees and costs plus any other relief the court deems “just and proper”.

The lawsuit filed by Lomnitzer against Malibu can be found here (pdf)

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During the early years, The Pirate Bay promoted an ‘official’ clothing store, which sold t-shirts and hoodies for reasonable prices.

This site has since disappeared, but it’s not hard to find Pirate Bay-themed clothing elsewhere. Dozens of vendors have copied the iconic logo to sell cheap merchandise to fans.

However, when the Switzerland-based fashion brand Vetements joined in with their own variant last year, they upped the ante.

Experts regard Vetements as one of the 10 hottest fashion brands at the moment, which means that it can only be afforded by the happy few. That’s also the case for their Pirate Bay clothing.

The company started by selling a fashionable hoodie for just under $900 and it currently has a whole range of Pirate Bay clothing, including a €550 t-shirt and €540 shorts. The top item, however, must be the comfortable hacker hoodie dress, which currently goes for €980.

“Channelling the theme of a digital dystopia, the piece has a print of ‘The Pirate Bay’ — one of the biggest services for torrenting digital content,” Vetements explains, noting that it pairs well with some sneakers.

Vetements seem to understand that their clothing is overpriced, but as long as it sells they have little to complain about. What they may not be happy with though, is that counterfeiters are using their Pirate Bay design to create cheap knock-offs.

Apparently, the Pirate Bay hoodie was hot enough to be ripped off, as people have been openly requesting cheaper replicas online. This demand was filled by several ‘unauthorized’ vendors including the well-known rep-store Reon District, which now sells a ‘pirated’ Pirate Bay hoodie for a fraction of the price.

These ‘copyright-infringing’ Pirate Bay hoodies come in different qualities and prices. The Reon one is still not cheap, selling at €130, but does it match up to the original quality? At TorrentFreak, we are in no position to review it, but luckily someone else took up the challenge.

Reddit user ‘plexor666’ posted the findings in the FashionReps subreddit, a community of hundreds of thousands of knock-off enthusiasts. The detailed side-by-side comparison shows that the copy is pretty decent, but not perfect. The wash tag, for example, has a plastic feel and the wrong font.

Whether these differences are worth €750 is up for debate. However, based on two reviews, including one from the Redditor above, it’s a pretty good copy. Only the ‘thick’ cords may need a replacement.

“Reon’s hoodie is amazing, nobody will call it out. Only thing that really bothers me are the thick cords on the hood. Looks really shitty I will look for a replacement,” plexor666 writes.

These open discussions are quite common in the subreddit, as opposed to /r/piracy which is under heavy pressure from rightsholders. Counterfeiting is not new for Vetements either. That said, they might not appreciate their Pirate Bay gear being pirated.

It’s hard to see what’s next, but at this point, it wouldn’t surprise us if Vetements sued Reon over their ‘pirated’ hoodie. Or perhaps it may be more fitting if they try to have the domain seized, or blocked by ISPs. True Pirate Bay style.

And perhaps The Pirate Bay can then take action against Vetements for copying its logo without permission?

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This week we have three newcomers in our chart.

Maleficent: Mistress of Evil is the most downloaded movie.

The data for our weekly download chart is estimated by TorrentFreak, and is for informational and educational reference only. All the movies in the list are Web-DL/Webrip/HDRip/BDrip/DVDrip unless stated otherwise.

RSS feed for the articles of the recent weekly movie download charts.

This week’s most downloaded movies are:
Movie Rank Rank last week Movie name IMDb Rating / Trailer
Most downloaded movies via torrents
1 (…) Maleficent: Mistress of Evil 6.8 / trailer
2 (1) Joker 8.8 / trailer
3 (…) Frozen 2 (DVDScr) 7.2 / trailer
4 (2) Zombieland Double Tap 7.1 / trailer
5 (…) Black and Blue 5.9 / trailer
6 (4) Jexi 6.2 / trailer
7 (3) Ad Astra 6.9 / trailer
8 (6) Once Upon a Time … in Hollywood 7.9 / trailer
9 (9) The Addams Family 5.8 / trailer
10 (8) Ford v Ferrari (DVDScr) 8.3 / trailer

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The Tribler client has been around for nearly 15 years. During that time it has developed into the only truly decentralized BitTorrent client out there.

Even if all torrent sites were shut down today, Tribler users would still be able to find and add new content.

The project is managed by dozens of academic researchers, which is a guarantee for continued development. In recent years alone, the Tribler team added a built-in Tor network to the client, as well as a blockchain that can function as an internal currency.

This week Delft University of Technology announced that its research group has secured an additional €3.3 million to continue building an ‘Internet-of-Trust.’ A large part of this new cash flow will be used to improve the Tribler client.

With financial backing secured for the years to come, project leader Professor Johan Pouwelse has set some big goals. With Tribler, he hopes to lay the groundwork for a new ecosystem that can replace the powerful multi-billion dollar companies that currently dominate the entertainment industries.

Pouwelse wants to put the artists back in control. They, and only they, should be in charge of monetizing and distributing content.

This idea isn’t new. Artists increasingly want to take back their rights. Taylor Swift, for example, spoke up when she learned that her former record label wanted to prevent her from performing her own songs. Meanwhile, Imogen Heap is trying to create a fairer music ecosystem powered by a blockchain.

Professor Pouwelse has followed these developments closely and believes that artists should ultimately be in control of their own work. This means cutting out the middlemen.

“Every artist should be self-published and self-promoted. Without profiteers, more artists will earn their living from their passion. Without profiteers, fans will get more content creation from their idols,” Pouwelse says.

“The music industry is driven by intermediaries that keep the biggest slice of the pie to themselves. Pioneers such as Imogen Heap are creating new business models where artists receive fair compensation for their creativity.”

The ideal to overthrow powerful entertainment industry companies sounds very much like The Pirate Bay’s message during the mid-2000s. However, while Tribler’s torrent client does list a lot of Pirate Bay content, its goal isn’t to advocate piracy.

On the contrary, decentralization may be a step towards limiting piracy, as content can become much cheaper when artists distribute it directly. Right now labels, but also YouTube, Apple, Twitch and many other platforms, take a big cut. According to Pouwelse, that’s a waste of money.

The professor sees a future where content storage and distribution are put back into the hands of individuals. It’s a world where people set their own rules instead of being dictated to by major companies, which also includes Google and Facebook, which often restrict what people can publish.

While this all sounds very ambitious and promising, there is a major problem. In theory, it’s not hard for creators, or people in general, to store and publish everything themselves. The real problem is the exposure and adoption of decentralized alternatives.

Tribler does indeed have all the crucial elements for an artist to release an album and keep 100% of the profits. But when there are only a few thousand users on the platform, these profits are minimal. In fact, they would likely make more if they only made 5% through the regular “middlemen” channels.

This is a real dilemma. In order for decentralized alternatives to work, they need a substantial user base, one that can rival the existing options. Getting there at once will require a miracle of sorts.

Pouwelse understands the challenges but firmly believes that change is possible, especially when BitTorrent and the blockchain work in tandem.

“BitTorrent has not eliminated the golden profits that sit between the artist and your ears. BitTorrent and blockchain are perhaps the perfect mixture for change in the entertainment industry.

“Blockchain might be powerful enough to break the corporate stranglehold on the business and set artists free,” Pouwelse adds.

Whether this vision will eventually become a reality is uncertain. However, the Triber project does provide an excellent use case for what’s possible when it comes to decentralized publishing. In addition, it will also aid the development of other decentralized digital infrastructures.

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