Over the past decade, online video streaming has become the preferred media consumption tool for many, and more and more people are getting on board.

While legal streaming tools such as Netflix and YouTube have a massive reach, unauthorized streaming sites and services have grown alongside.

To curb this trend several new anti-piracy initiatives have popped up. These include the Coalition Against Piracy (CAP). The group launched last year as CASBAA’s anti-piracy arm and is now backed by its successor, the Asia Video Industry Association (AVIA).

To get an overview of the latest developments TorrentFreak reached out to AVIA’s Neil Gane, who works as the Coalition Against Piracy‘s General Manager. While he prefers not to mention any specific piracy targets, Gane emphasizes that pirate streaming boxes remain a top enforcement priority.

“I can say that CAP’s immediate focus is on infringing applications and its associated ecosystem, including the preloaded illicit streaming devices (ISD) used to access infringing content,” Gane informs TF.

These illicit streaming devices are boxes pre-configured to stream pirated content. This allows users to watch free movies and TV-shows, or live broadcasts including sports games, which millions do.

The streaming box problem isn’t an easy one to solve. However, Gane hopes that a lot of progress can be made when various industry players and organizations work together.

“There is no one silver bullet to streaming piracy and the infringing APK ecosystem. And there will always be a small number of consumers who prefer to free-ride,” Gane says.

“What is required is a holistic solution with all stakeholders including content producers, distributors and industry associations working together to address this serious and growing problem.”

AVIA already works closely together with similar-minded groups. This includes the Alliance for Creativity and Entertainment, which is very active in the US, with which it shares intelligence and resources. This results in more efficient and effective investigations, Gane notes.

While the entertainment industry has a similar goal, AVIA would also like various governments to work together. By providing the rights enforcement tool and updating copyright law, where needed. Thus far, progress on this front has been slow.

“The impact that intellectual property crimes can have on a country’s economy is now widely accepted. But this recognition does not always result in legislative change and meaningful solutions,” Gane tells TF.

“Unfortunately, some policymakers in Asia have chosen to delay any action on ISDs and the APK infringing ecosystem, whilst the problem grows and enters the consumer mainstream.”

But even when the entertainment industries and governments are aligned, more collaboration is required. In particular from Internet services such as online shopping platforms and payment providers.

There is some progress on this front. For example, PayPal and Mastercard are helping to address the piracy problem in Asia, and so are local e-commerce platforms such as Lazada.

“Working alongside e-market platforms and social media sites where ISDs are commonly traded, as well as disrupting illicit commercial transactions at the point of sale are key components of any anti-piracy strategy,” Gane notes.

“Over the last 8 months CAP has been working closely with popular e-markets in SE Asia as well as local and international payment processors including PayPal and Mastercard.”

Overall, the key term is collaboration. According to Gane, things are going well between local and international industry associations.

AVIA and the Coalition Against Piracy itself are a good example of collaboration too. The latter protects the interests of many major players in the region, including Disney, Fox, HBO Asia, NBCUniversal, Premier League, Turner Asia-Pacific, BBC Worldwide, National Basketball Association, TV5MONDE, Viacom International, and others.

More progress can be made against streaming piracy if governments and Internet services work along as well. That, however, is more easily said than done.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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Running alongside the incredibly popular torrent site The Pirate Bay, Dreamfilm was a Swedish portal that offered content in the increasingly popular streaming format.

With no fancy software needed, the site enjoyed considerable growth, particularly among locals seeking quick and easy access to the latest local and Hollywood movies.

In January 2015 and after capturing millions of visitors, Dreamfilm announced it would close down after one of its administrators was detained by the authorities.

A month later, apparently in response to the upheaval at Dreamfilm, several other sites fell including the country’s second largest torrent site Tankefetast, torrent site PirateHub, and streaming portal Tankefetast Play (TFPlay). Anti-piracy group Rights Alliance described the four linked sites as Europe’s leading players in file-sharing and streaming.

Four men, aged in their 20s and 30s, were eventually hauled to court, with each admitting involvement but confessing no crimes.

The Linköping District Court found them all guilty of copyright infringement offenses and sentenced them to between six to 10 months in jail. They were also ordered to pay a fine of SEK 1,000,0000 (US$109,500) to plaintiffs including the Swedish Film Industry, Nordisk Film, and Walt Disney.

With all parties dissatisfied with the outcome – sentences too harsh for the defendants and not aggressive enough for the plaintiffs – the case went to appeal. Citing recent clarifications of EU law, the defendants argued that the content offered on the sites was already online and could be accessed in other ways. This, they said, meant the content had not been “made available to a new audience”.

The Court of Appeal, however, sided with the District Court, agreeing that the links on the site targeted a new and unauthorized audience and therefore amounted to copyright infringement. The samples detailed in the case meant that the men committed between 45 and 188 infringements each and were motivated by profit, as determined by the advertising present on the platforms.

Where the Court of Appeal differed in its opinion was on the punishments that should be handed down. The financial penalty was more than quadrupled from SEK 1,000,000 to SEK 4,250,000 (US$465,500) but the immediate jail sentences pressed for and then obtained by the plaintiffs were removed.

Due to the fact that the men were all relatively young, had never been in trouble with the authorities, and were unlikely to offend again, the Court of Appeal wiped out their custodial sentences, replacing them with conditional ones instead.

While this was welcomed by the defendants, the hugely increased damages bill was hard to swallow, despite the movie companies in question originally demanding more than SEK 9,000,000 (US$985,800). The four million damages award, the Court of Appeal ruled, was the amount a hypothetical license to distribute would have cost.

DagensJuridik reports that two out of the four men have now taken their case to the highest court in the land, the Högsta Domstolen (Supreme Court).

Unlike the lower court, the Supreme Court will not determine the guilt or otherwise of the defendants. The hearing will only concern whether the damages award and compensation for the film industry was reasonable when it was set at SEK 4,250,000 (US$465,500).

The Supreme Court will also have no involvement in the conditional sentences previously handed down by the Göta Hovrätt (Court of Appeal). They will stand as previously ordered, with two of the defendants paying daily fines, penalties based on the offender’s daily personal income.

Also under consideration by the Supreme Court is the ruling handed down in the Swefilmer case. In March this year, two men had their sentences increased by the Court of Appeal in Sweden.

After originally being told to serve three years in prison, the main operator of the site had his sentence increased to four years with additional damages on top. The second man’s conditional sentence was augmented with a fine.

Swedish anti-piracy outfit Rights Alliance has long campaigned for harsher sentences for copyright infringement offenses in Sweden, particularly those handed down in connection with file-sharing platforms. It argues that when courts go soft on offenders, it only encourages others to set up similar operations in what is then perceived as a safe(r) haven.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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Every single day, largely automated bots scour the web for references to pirated content.

These links are then reported to various online services, such as Google, requesting the operators to remove the allegedly infringing content.

This works fine, most of the time. But, in common with their human counterparts, these bots aren’t perfect. This was made painfully visible last month when Topple Track had to disable its reporting tool after it triggered a wave of faulty takedown notices.

That was not an isolated incident though. None of these takedown tools are perfect.

Over the past few weeks, we noticed another worrying trend. Suddenly, Google started to receive a lot of DMCA notices for the Internet Movie Database, with the majority of these requests coming from the UK-based reporting agency Entura International.

Since it’s unlikely that the movie site, which has been operating legally for 27 years, had suddenly gone rogue, something else must be up.

We decided to take a closer look at the reports in question, which were sent on behalf of well-known companies including Columbia Pictures, National Geographic, and Sony Pictures Television. Most of the links in these notices indeed reference classic pirate sites.

Good notice

The IMDB links are mostly used as a reference to the original content. However, it appears that due to a bug in the system the IMDb links move to the “infringing content” field when there are no pirate links to report, as shown below.

Bad notice

This is a rather obvious bug. However, after several weeks it has yet to be corrected. As a result, Google has been asked dozens of times to remove legitimate IMDb URLs from its search results.

TorrentFreak reached out to Entura to report this issue, and request a comment, but at the time of writing, we have yet to hear back.

Google, meanwhile, has widely put IMDb on its whitelist. This means that none of the inaccurately reported links have been removed. However, a smaller or relatively unknown site may not be that lucky, when it comes to these type of mistakes.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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There’s a bit of a trend emerging in which gaming companies use copyright legislation against cheaters.

Take-Two Interactive Software, the company behind ‘Grand Theft Auto V’ (GTA V), is one of the players. The company has filed several lawsuits in the US targeting alleged cheaters.

In one case, a New York court recently issued a preliminary injunction ordering a man to stop working on and distributing the ‘Menyoo’ and ‘Absolute’ cheats.

The defendant, Georgia resident David Zipperer, didn’t deny his involvement and said he had already ceased working on the cheats. However, he had to find a lawyer as Take-Two was not letting the case go easily.

Following a referral from the EFF, Zipperer received “pro bono” help from attorney Joel Rothman. That didn’t last long. After a failed attempt to transfer the case to another district or otherwise resolve the case, the attorney is withdrawing from the case.

According to the attorney, Take-Two is increasing the costs and time for Zipperer’s defense, to “shake him free” of his pro bono counsel.

“I do not have the resources to go up against Kirkland & Ellis in scorched-earth discovery in a pro bono case. I cannot afford the time and money to fly around the country taking the depositions of Take-Two employees,” Rothman wrote to the court.

The attorney discussed a possible settlement with Take-Two, but the “tens of thousands” of dollars the company wants is not something his client can pay, he says.

“My client has no money. He swore to this Court that the money he earned from selling ‘cheat menus’ was used to support his family, that the money is gone, and that he has none left.

“He is an unemployed day laborer with a ninth-grade education who taught himself to write code. I have told this over and over to Take-Two’s lawyers, but they continue to demand a pound of flesh from Zipperer.”

Rothman, therefore, asked the Court to halt the discovery proceedings for thirty days so his client can find a new attorney, or prepare to represent himself.

Take-Two clearly sees things differently. A day after the attorney’s request was filed the company submitted a scathing reply, painting an opposing picture. According to the company, Zipperer has repeatedly misled the Court regarding his financial situation.

Through a subpoena, they learned that the defendant’s profits exceed $100,000 and that the most recent payment only dates a few months back. Some of the profits were spent on expensive electronic equipment and other personal purchases.

“Mr. Zipperer clearly has significantly more resources than he has repeatedly represented to this Court. We believe that these PayPal records reflect only a small fraction of the proceeds Mr. Zipperer has received from his illegal businesses,” the company writes.

Take-Two says that the case should not be delayed any further, also because there’s a chance that this will help the defendant to hide his assets.

“There are many litigants who need legal services and who legitimately do not have the means to pay for them. Mr. Zipperer is not one of them,” the company informs the Court.

“He is a man that has collected over a hundred thousand dollars by distributing an infringing work that harmed Take-Two and its customers who wanted to play Take-Two’s game without being ‘griefed’.”

After reviewing the submissions from both sides the Court sided with Take-Two (pdf), which means that the case won’t be delayed.

While Take-Two’s approach, in this case, may seem aggressive, it’s not always that way. Earlier this week it settled its case with Christopher Pei, who worked on the Infamous and Menyoo cheats. While Pei admits the infringing activities, both parties agreed to pay their own costs.

Meanwhile, Take-Two also filed a new lawsuit late last week. The company sued (pdf) Florida resident Jhonny Perez, accusing him of copyright infringement by creating and distributing the cheating tool “Elusive.”

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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The LibreELEC 9.0 Alpha cycle has continued and releases for Amlogic and Slice hardware have been added additionally to the test cycle. We official support now Khadas VIM (AML S905X) and the LePotato (AML S905X) too. There are no plans to release LibreELEC 9.0 images for NXP/iMX6 hardware as support was removed from Kodi some months ago. Support will be reinstated in a future LibreELEC release and we will update you on progress with the next-generation Kodi video pipeline (which makes that possible) soon.

Alpha releases are important to the team because we cannot test every scenario and sometimes sidestep issues without realising. The project needs a body of regular testers to go find the problems we miss. Testing will be particularly important for LibreELEC 9.0 as Kodi v18 includes substantial internal changes to VideoPlayer and introduces new retro-gaming capabilities.

TEST NOTES

Our current focus is the OS core and we are more interested in hardware and driver bugs than Kodi problems. Please report the issues you find by starting a thread in the forums or use our bug tracker. Raspberry Pi users are reminded that dtoverlay=lirc-rpi has now been deprecated. Please read the infrared remotes wiki page  before updating.

** CAUTION **

Alpha builds exist for hands-on testing not a hands-off experience. If you run Alpha builds you must be willing to report issues and engage the LibreELEC and Kodi developers in hunting bugs. If you have no idea what a debug log is or “wife acceptance factor” is critical, these builds are not for you. If you want to run Alpha builds please make a backup and store it somewhere off-box first. Your failure to make a backup is not our problem.

Updates since v8.90.003 ALPHA:

– added official Khadas VIM and LePotato support
– added images to the test cycle for for WeTek devices (Core, Play 1, Play 2, Hub), Odroid_C2 and for Slice 1 + 3
– updated to Kodi 18 Beta 1 (v2)
– updated Raspberry Pi to latest 4.14 Kernel and added back the HEVC optimisations that allows HEVC playback at the RPi
– a lot more updates and fixes, have a look at the full changelog

LibreELEC 9.0 Alpha 004 (Kodi 18 Beta 1)

To update an existing installation from within the Kodi GUI select manual update in the LibreELEC settings add-on and then check for updates; select the LibreELEC 9.0 channel and then the 8.90.004 release. To create new install media please use our simple USB/SD Creator App. The following .img.gz files can also be used to create install media or update the old fashioned way:

RPi 2/3 LibreELEC-RPi2.arm-8.90.004.img.gz (info)

RPi 0/1 LibreELEC-RPi.arm-8.90.004.img.gz (info)

Generic LibreELEC-Generic.x86_64-8.90.004.img.gz (info)

Odroid_C2 LibreELEC-Odroid_C2.arm-8.90.004.img.gz (info)

KVIM LibreELEC-KVIM.arm-8.90.004.img.gz (info)

LePotato LibreELEC-LePotato.arm-8.90.004.img.gz (info)

Slice LibreELEC-Slice.arm-8.90.004.img.gz (info)

Slice3 LibreELEC-Slice3.arm-8.90.004.img.gz (info)

WeTek_Core LibreELEC-WeTek_Core.arm-8.90.004.img.gz (info)

WeTek_Hub LibreELEC-WeTek_Hub.arm-8.90.004.img.gz (info)

WeTek_Play LibreELEC-WeTek_Play.arm-8.90.004.img.gz (info)

WeTek_Play_2 LibreELEC-WeTek_Play_2.arm-8.90.004.img.gz (info)



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The DMCA’s “repeat infringer” issue is a hot topic in US courts, leading to much uncertainty among various Internet services.

Under the DMCA, companies are required to implement a reasonable policy to deal with frequent offenders.

This applies to residential ISPs but also to websites that host user-uploaded content, such as video and image hosting platforms. Services that fail to implement a repeat infringer policy risk being held liable for the piracy activities of their users.

This is what happened to Cox previously. While the ISP settled its case last week, the issue is not off the agenda. In fact, a related matter is currently before the US Supreme Court.

The petition was submitted by adult content producer Ventura Content. The company previously lost its case against the video upload site Motherless.com, through which hundreds of thousands of copyright infringing videos were made public.

Ventura argued that the sole operator of the site was liable, as he failed to write down the details of the site’s repeat infringer termination policy. However, the Court of Appeals for the Ninth Circuit disagreed.

The fact that the details of the policy were not spelled out doesn’t mean that Motherless has no safe harbor protection, the Court concluded, noting that this may be different for large companies. In addition, Motherless was not required to keep a log of all infringements, as long as the operator keeps track of these in his head.

The adult company was obviously not happy with this outcome. It requested an ‘en banc’ rehearing review of the published opinion, but that was denied as well. The next logical step, therefore, was to take the matter to the Supreme Court.

“Plain and simple, the lower courts are in a state of DMCA disarray,” Ventura writes in its recent Supreme Court petition.

“The result of the DMCA disarray is that abject bootlegging in the offline, brick-and-mortar world remains unlawful, but the same conduct online by an OSP-turned publisher garners absolute summary judgment immunity.”

From the petition

The adult company is asking the Supreme Court to take on the case, noting that various circuit courts have issued conflicting decisions. For example, in the present case an “I Know It When I See It” policy was good enough for a summary judgment in its favor, while MP3tunes was previously denied the same because it failed to monitor users.

Ventura asks the Supreme Court to clearly define a standard which can be uniformly applied by lower courts. At the moment it appears that there is too much room for interpretation, which causes confusion and seemingly conflicting decisions.

This vagueness has been recognized in previous “repeat infringer” cases. To illustrate this, even judges themselves are not clear what a repeat infringer actually is, as the DMCA doesn’t clearly define it.

“How does somebody know a third party is an infringer? ‘Cause you say so?” Judge Shedd previously said in a BMG vs. Cox hearing.

The adult producer obviously hopes that if the Supreme Court takes on the case, which is far from certain, it will work out in its favor. If not, they fear that things will only get worse.

“The lower courts, acting out of a fear of derailing the internet’s development have instead given birth to a new monster: the OSP publisher that is brazenly rich only from others’ content, never pays for any content it publishes, knows the content is infringing, has full control over what is published on its platform, does not have to terminate known repeat infringers because unwritten ‘I Know Repeat Infringement When I See It’ policies suffice, and thus enjoys full immunity from copyright law,” Ventura writes.

“It is time for this Court to bring balance to the DMCA, which never intended, nor facially permits, such staggering dissonance between online and offline liability standards,” the company concludes.

A copy of Ventura Content’s petition to the US Supreme Court is available here (pdf).

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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Based in the Netherlands, anti-piracy group BREIN has been fighting copyright infringement of all kinds since it was founded around 20 years ago.

One of its key activities in more recent years has been tackling file-sharing sites. BREIN has taken on the very largest of platforms, such as The Pirate Bay, and has been a major player in testing EU legislation in key areas, particularly in relation to the ‘making available’ right.

But while BREIN has tackled some of the largest issues, it hasn’t shied away from dealing with sites of all size. Its latest victim, it seems, is the (now former) leading Dutch Usenet indexing community Place2Home.net.

With roots reaching back more than half a decade, Place2Home.net was a community of mainly Dutch file-sharers focused on content available on the worldwide Usenet (newsgroup) system. Its members shared links to content including movies, TV shows, music and books, which attracted the negative attention of BREIN, as visitors to the site now discover.

“This site has been closed by order of the BREIN foundation,” a notice there now reads.

“Over the past few years thousands of (recent) films, TV series, music, games and e-books have been made available on this website. The making available of copyright-protected works infringes the copyrights and neighboring rights of the copyright holders to those works.”

For many years, pure downloading of pirate content was allowed in the Netherlands. However, that all changed in 2014 when the European Court of Justice ruled that the “piracy levy” used to compensate rightsholders was unlawful. Almost immediately, the Dutch government outlawed downloading. Uploading has always been illegal.

“Downloading from unauthorized sources is also prohibited in the Netherlands, just like unauthorized uploading,” the notice on Place2Home correctly adds.

The details of when and how the operators of Place2Home were discovered have not yet been announced but we do know that they have reached some kind of settlement with BREIN. If past cases are anything to go by, a cash sum is likely to be due to BREIN, in an amount relevant to the activities of the site balanced with its operators’ ability to pay.

Back in May, Place2Home.org, which acted as the sister site to the .net variant, also disappeared after being targeted by BREIN. While .net was focusing on Usenet, .org focused on torrents, becoming the largest private site in the Netherlands. It too was forced into a settlement agreement with BREIN and hasn’t been seen since.

Back in September 2017, it became clear that both variants of Place2Home were on BREIN’s radar. The anti-piracy group revealed it had tracked down and settled with prolific uploaders connected to the Libra Release Team who had uploaded content to both sites.

At the time of publication, BREIN hadn’t yet responded to our request for comment.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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A dramatic situation is developing around billion dollar Internet company Yandex and several major Russian broadcasters.

Gazprom-Media and others claim that Yandex isn’t doing enough to keep ‘pirate’ content out of its search results. After reaching a brick wall with the search company, the broadcasters filed a copyright infringement complaint with the Moscow City Court, the entity responsible for handling ISP blocking requests.

Late last week, the Court handed down a decision compelling Yandex to remove links to pirated TV shows belonging to Gazprom-Media outlets including TNT, TV-3, 2×2, and Super. The Court gave Yandex until the end of today to remove the content or find itself blocked throughout Russia. It’s now clear that Yandex will not comply.

According to a statement from the company, Yandex believes that the law is being misinterpreted. While under current legislation pirate content must be removed from sites hosting it, the removal of links to such content on search engines falls outside its scope.

“In accordance with the Federal Law On Information, Information Technologies, and Information Protection, the mechanics are as follows: pirated content should be blocked by site owners and on the so-called mirrors of these sites,” Yandex says.

“We consider the claims against us to be unreasonable and not in accordance with the law and we will appeal the decision of the Moscow City Court.”

A Yandex spokesperson told Interfax that the company works in “full compliance” with the law and is open to finding a cooperative solution.

“We will work with market participants to find a solution within the existing legal framework,” Yandex said.

In the midst of this serious situation, Yandex insists that it stands for an “honest Internet” in which legal content is made available and rightsholders earn their rightful share from it. Now, however, the action by the TV companies and the Court has undermined that.

“In response to the TV channels’ complaint, the Moscow City Court has passed rulings that are fundamentally contrary to its own previous practice on this issue. Worse still, they do not solve the problem of unauthorized content, since resources with such content will be available in other search systems, social networks and so on,” Yandex says.

But despite Yandex filing an appeal against the Court’s decision, there appears to be no escape from it being wiped from the Russian Internet in a matter of hours. Telecoms watchdog Roscomnadzor says that it is obliged to act on the instructions of the Court and will instruct ISPs around the country to disabled access to Yandex.

“Roskomnadzor is required to comply with the court’s decision, which introduced preliminary provisional [blocking] measures against Yandex’s resource, regardless of the company’s appeal against this decision,” a spokesperson said.

But while executing a potentially devastating block on the one hand, Roscomnadzor is also offering to help mediate a peaceful solution to this growing dispute.

“We are ready to assist in finding points of interaction between companies,” Deputy Head of Roskomnadzor Vadim Subbotin told Interfax.

“I hope that in the pre-trial procedure, Yandex will take steps to resolve this conflict before the blockade, I very much hope that this will be done in cooperation with the rights holders,” he said.

Absent some last-minute miracle, it seems Yandex is doomed to preliminary blocking measures sometime today. While these usually last for an initial 15 days, the big question is how they will be carried out.

It’s unclear if a precise element of the service can or will be targeted (i.e Yandex.ru/video/ and/or Yandex.video) or whether Roscomnadzor will go down the Telegram route and block everything.

Ominously, Rosomnadzor is already warning that it doesn’t know what effect the blocks will have on Yandex’s other services.

Update: Fearing a complete block of its entire service, Yandex has complied with the order of the Moscow City Court. The company’s statement can be found below (translated from Russian)

Today, August 30, 2018, the deadline for the execution of instructions, which Roscomnadzor sent to Yandex on the basis of the Moscow City Court’s rulings, expires. In the instructions we are required to remove from yandex.ru “illegally posted information” – TV shows, the rights to which belong to the TV channels of the group “Gazprom-Media”.

We continue to believe that the requirements are not justified and do not correspond to current legislation and practice of its application. We will challenge them in court.

In the absence of measures on our part, there is a risk that Roscomnadzor will apply a block to Yandex.Video. Blocking Yandex.Video would lead to inaccessibility of all yandex.ru, since this service is located at https://yandex.ru/video/, and most providers can block traffic only by domain name – in the case of Yandex. Video is yandex.ru.

In order to minimize the risk of blocking, because of which Yandex users would suffer, we have decided to remove from search all links to pages with contentious works.

In fact, the requirements presented to us are impracticable. Yandex does not post content on the network and, therefore, can not delete it. In addition, Yandex does not have the ability to determine the existence of rights to content from a particular site.

Accordingly, Yandex can not separate controversial content from legal content. Therefore, among the deleted links, there may be links to resources where the content is placed by the rightholder. As a result, users will have lost the opportunity to find legal content on Yandex, and the resources of Gazprom-Media, it is possible, have lost some of their traffic.

Moreover, the claims made do not solve the problem of piracy. Illegal content can still be easily found with the help of other search engines, social networks and media hosting. Pirate sites that host illegal content are still available.

A good solution to the piracy problem must satisfy two principles: transparency and balance. We ourselves are copyright holders and we will work with other rights holders, regulators and other industry players to create a system in which both these principles will be observed.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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Despite having some of the toughest laws on the planet for tackling the appearance of pirate content, the copyright infringement wars in Russia appear to be intensifying.

Last week, to protest the existence of ‘pirate’ content in search results, major broadcasters Gazprom-Media, National Media Group (NMG), and others removed their TV channels from Yandex’s ‘TV Online’ service. The media companies said that they would only allow their content to appear again if Yandex removes pirated content completely.

With no clear sign of removals underway, it was later revealed that Gazprom-Media had filed a copyright infringement complaint with the Moscow City Court, the entity responsible for handling ISP blocking requests.

According to the media giant, the Court subsequently handed down a decision which now compels Yandex to remove links to pirated TV shows belonging to Gazprom-Media.

In a follow-up, telecoms watchdog Roscomnadzor, which is responsible for ordering ISPs to block sites, contacted Yandex with an instruction to remove infringing content from its Yandex.video service.

While mostly unknown to Western Internet users, the index is heavily populated with pirated content, especially TV shows and movies. As the image below shows, its ‘featured’ content section (which appears without any prompting) is populated by pirate content of recent movies.

According to Interfax, Yandex was informed that under the relevant anti-piracy legislation, it needs to remove content owned by Gazprom-Media channels including TNT, TV-3, 2×2, and Super, as instructed by the Moscow City Court. Yandex did not respond to a request for comment.

In a statement to Interfax Tuesday, Deputy Head of Roskomnadzor Vadim Subbotin warned that Yandex.video (which is also available under Yandex.ru/video/) will be blocked Thursday night (August 30) if the pirate links aren’t removed.

“If Yandex does not take measures, then according to the law, the Yandex.Video service must be blocked. There’s nowhere to go,” Subbotin said. “Let’s wait for the execution of the decision, we will hold consultations with them.”

Sites accused of copyright infringement are given three days to respond to a notice ordering them to take action. Time runs out for Yandex tomorrow night.

“On Thursday evening, these three days will expire,” Subbotin added.

It isn’t clear why Yandex didn’t immediately respond to the orders of the Moscow City Court but despite its standing as a prominent service, it appears it won’t be allowed any extra room for maneuver.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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The DMCA is a particularly useful tool for copyright holders who want to make sure that infringing copies of their work are not widely distributed.

Whether it’s a copy of a pirated song, an ebook, or a photo, the DMCA covers it all.

The majority of the takedown requests filed on an average day are fairly mundane. However, there are those that raise eyebrows, which includes the recent efforts of Columbia Pictures.

The movie studio is planning to distribute the upcoming ‘Holmes and Watson‘ movie, a highly anticipated release among Sherlock fans. So, when the first promotional poster appeared online a few days ago, they jumped all over it.

The poster, featuring Will Ferrell and John Reilly as Holmes and Watson, shows both men signaling their initials. On top of that is a large red title that reads “Holmies,” as shown in this Reddit post.

Following a series of news articles, the poster was shared on Facebook, Reddit, and Twitter. This isn’t something out of the ordinary, as the same happens with other prominent movies. What’s unusual, however, is that the posters have begun to ‘disappear.’

Several news sites that reported on and linked to the poster have removed the image and Slashfilm even took the entire article down. Around the same time, several copies shared on Twitter disappeared too.

Gone

As it turns out, Twitter removed the promotional posters following a DMCA notice. TorrentFreak received a copy of a takedown request which anti-piracy company Entura sent to Twitter on behalf of Columbia Pictures.

Some of the reported uploads

The unusual takedowns haven’t gone unnoticed. Twitter user Sloth Mom has been particularly vocal after one of her tweets was targeted.

“Apparently Columbia Pictures didn’t like me tweeting the poster of the upcoming Holmes and Watson movie with the comment ‘I’m here for it’ for… Reasons? Good going Columbia, now anyone seeing that tweet won’t know what I’m here for,” she Tweeted.

This sparked a lively debate with people condemning Columbia Pictures. But, while it’s clear that Columbia Pictures doesn’t want the poster to be promoted, the question that remains is why?

TorrentFreak reached out to Entura for more details on the matter. At the time of writing we have yet to hear back, leaving us with little more than speculation.

There are of course many possible explanations. The most likely option we’ve seen thus far refers to the “Holmies” title that’s on the original poster. Apparently, that term is also used for ‘groupies‘ of the Aurora shooter James Holmes.

“Err, ‘Holmies’ also means ‘fans of the kid who shot up that DARK KNIGHT theater’ so they might be freaking out and try to scrub the poster from existence,” Twitter user Standing Leaf writes.

Holmies…

If that’s the case, Paramount Pictures is using the DMCA requests with an ulterior motive. Understandable, perhaps, but the affected recipients who risk losing their account over too many strikes won’t like that.

“Even if that’s true, it’s a disgusting overreach to threaten people’s social media accounts over sharing a promotional poster,” Sloth Mom puts it.

Again, without an official explanation, this all remains guesswork. Perhaps a good detective can get to the bottom of it though.

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