In recent years website blocking has become one of the most widely-used anti-piracy enforcement mechanisms in the world.

ISPs in several dozen countries are now required to prevent subscribers from accessing a variety of ‘pirate’ sites. While new blocks are added every month, research on their effectiveness has been rather scarce.

Most ‘studies’ promoted by copyright holders conclude that blocking a site does indeed reduce traffic to the affected domains. While this is hardly surprising, less is known about where ‘blocked’ subscribers go instead.

Do they simply give up and stop pirating? Are they finding ways to circumvent blockades? Do they decide to sign up for a paid streaming service such as Netflix? As it turns out, all of the above can be answered positively, according to one of the most details studies on site blocking.

In a paper titled The Effect of Piracy Website Blocking on Consumer Behavior, researchers connected to the Carnegie Mellon University’s IDEA program thoroughly researched the effect of various blocking orders in the UK.

The latest version of the peer-reviewed paper, which will soon be published in the Management Information Systems Quarterly, builds on earlier findings that we’ve reported on in the past.

For example, the researchers found that when ISPs only blocked The Pirate Bay in the UK in 2012, not much happened. Pirates were still pirating but simply switched to alternative sites or Pirate Bay mirrors. Others circumvented the blockades by using VPNs.

Follow-up research, looking at the effect of 19 additional sites that were blocked by UK ISPs in 2013, revealed a different trend. Blocking more sites decreased the numbers of visits to pirate sites, but only cyberlockers.

This was later confirmed with data from an even larger blocking wave from 2014, which also found that visits to other unblocked pirate sites decreased. These data also revealed another interesting trend. The broader blocking effort also increased the number of visits to paid streaming services such as Amazon and Netflix.

2014 block effects

The latest article expands on the last finding by estimating whether the blockades actually increased the number of subscriptions. This, opposed to the possibility that pirates were already subscribed and simply used the legal services more after the blocks.

To do this, the researchers looked at ‘pirates’ who repeatedly visited legal services after the blockades, but didn’t before, and compared this to people who were not pirating. This shows that the blocks increased the number of paid subscriptions to streaming services.

“We show that blocking 53 sites in 2014 caused treated users to decrease piracy and to increase their usage of legal subscription sites by 7-12%. It also caused an increase in new paid subscriptions,” the researchers write in their paper.

“Together, these results imply that supply-side antipiracy enforcement can be effective in turning users of illegal piracy channels toward paid legal
consumption,” the paper adds.

It has to be noted that the estimated increase in subscriptions is relatively small. It’s just 1.1 percentage points higher than in the control group of people who were not affected by the blocks. That said, this translates to around 50,000 new subscribers in the UK, which is pretty significant.

Overall the research finds that there are varying responses to pirate site blockades. Some may circumvent them by using alternative pirate sites or signing up for a VPN, while others increasingly turn to legal alternatives.

In addition to this, one of the main messages is that blocking multiple sites at once is more effective than blocking just a single site. Broader blocks are likely to make it harder for people to find pirated content and, as a result, some people appear to give up.

The researchers illustrate this by pointing at the ‘Hydra’ comparison, which has been used by The Pirate Bay as well in the past. In Greek mythology, the Hydra is a beast that’s particularly hard to kill, as it has multiple heads that can grow back.

“Blocking a single site is akin to decapitating only one of the Hydra’s heads. The result will only be a more diffuse network of piracy sites, with no curb on pirating activity,” the researchers write.

Stabbing the Hydra in the hard is the only way to kill it effectively. While that may be impossible in the pirate ecosystem, cutting off as many heads as possible comes close. Especially if these heads are important sources for other sites.

“Blocking multiple sites at once is akin to decapitating several of the Hydra’s heads. With the network of sites significantly disrupted, this could possibly be a mortal wounding. We have shown that users’ behavior is sufficiently disrupted and that some increase the use of legal channels, and reduce illegal ones,” the paper concludes.

The website blocking research was carried out as part of Carnegie Mellon University’s Initiative for Digital Entertainment Analytics (IDEA), which received a generous donation from the MPAA. However, the researchers stress that their work is carried out independently.

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The rate at which ‘pirate’ sites are being blocked in various countries raises the question of how many more there are left to block.

The answer, it seems, is plenty more yet.

Back in May, yet another application filed in Australia’s Federal Court presented a unique feature – the inclusion of US-based streaming giant Netflix as one of the applicants.

This was the first time the company had appeared requesting a blocking application in the region, claiming infringement of its works Santa Clarita Diet and Stranger Things.

Netflix didn’t appear on its own. The application was headed by local movie giant Roadshow Films and supported by other prominent movie companies such as Disney Enterprises, Universal City Studios, Warner Bros., Television Broadcasts Limited, TVBO, and Madman Anime Group.

Together they demanded the blocking of over 130 domains related to close to 90 torrent, streaming, and similar sites by more than 50 local ISPs.

The claims were filed under Section 115a of Australia’s Copyright Act, which can grant injunctions to force local ISPs to prevent their subscribers from accessing overseas-based ‘infringing locations. It’s taken three months, but the content companies have now been successful.

This morning, Justice Thawley in the Federal Court ordered the respondents including Telstra, Optus, TPG, Vocus, and Vodafone, to take “reasonable steps to disable access to the Target Online Locations” within 15 business days. Each ISP will be handed AUS$50 per domain by the applicants to cover compliance costs.

In common with previous orders, the ISPs were given the option to utilize DNS, IP address, and/or URL blocking techniques (or any other technical means agreed in writing between them and the applications) to prevent access to the sites.

Of course, sites often decide to take countermeasures when orders such as this are handed down in order to circumvent blocking, so the order allows the studios to provide additional information so that these can be swiftly dealt with by the ISPs moving forward.

An updated/amended domain and URL list (there can be changes following an original application) is yet to appear in court records. However, the list of sites and domains in the original application can be viewed in our earlier report.

The order handed down this morning can be found here (pdf)

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The Internet Archive (archive.org) is a nonprofit library of millions of free books, movies, software and music.

Founded back in 1996, it’s considered one of the most important sites on the entire Internet, not least for its Wayback Machine which provides an unrivaled history of pages published on the web.

Like all platforms of its type, the Internet Archive contains copyrighted material, some of it present without rightsholders’ permission. While the platform previously stated it has some reservations concerning the DMCA, it acknowledges that ‘safe harbor’ provisions are vital to the existence of libraries such as the one it offers via Archive.org.

Internet Archive is required to respond to properly presented DMCA takedown notices but over in Russia, where the site provides millions of visitors with an invaluable service, things are on the brink of going seriously wrong.

The issues stem from the Internet Copyright Protection Association (AZAPI), an anti-piracy group which in part represents the rights of authors.

According to AZAPI, Archive.org has been making available a pair of audiobooks – Metro 2033 by Dmitry Glukhovsky and Third Eye Diamond by Daria Dontsova – without obtaining permission from rightsholders. It’s unclear whether AZAPI filed simple takedown notices with the Internet Archive to have the titles taken down but the matter eventually went to court.

Digital rights group Roskomsvoboda reports that on May 13, 2019, the Moscow City Court examined the case involving Metro 2033 and decided in AZAPI’s favor. It subsequently issued an order preventing the Internet Archive (Archive.org) from “creating technical conditions” that result in the audiobook detailed by the plaintiff being made available to the public.

According to Roskomsvoboda, whose lawyers are now representing Internet Archive, the digital library was not involved in the initial hearing and was not advised of the outcome. An appeal against that decision is now underway.

Nevertheless, AZAPI, still returned for another bite of the cherry, complaining that another audiobook, Third Eye Diamond by Daria Dontsova, was also being made available via Archive.org.

A hearing in that case took place August 16, with AZAPI stepping up its demands to have Internet Archive (Archive.org) permanently blocked by all ISPs in Russia. However, the case has hit a roadblock due to AZAPI failing to provide evidence that the company behind the audiobook actually has the rights to the work.

As a result, another hearing in the matter is set to take place mid-September. Whether or not the Moscow court will then order Internet Archive to be permanently blocked in Russia remains to be seen but it certainly hasn’t shied away from blocking other huge platforms in the past, Sci-Hub as a prime example.

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Like many other countries in the world, the Philippines are struggling with a relatively high piracy rate.

To counter this threat, lawmakers have started to propose new legislation.

For example, earlier this year we reported that a new bill proposes to strip the licenses of ISPs which fail to bar ‘pirate’ sites. While that goes quite far, it doesn’t address the root of the problem.

According to local Congressman Rufus Rodriguez, the law already makes it clear that piracy is illegal. However, many people simply ignore this position. Among other things, this has previously resulted in the United States adding the country to its annual ‘piracy’ watch list.

“In spite and despite of various laws and regulations in the Philippines on Intellectual Property, intellectual infringement and piracy of intellectual rights are rampant in the country,” Rodriguez writes.

“Due to these situations, the Philippines is under the watch list as one of the countries where intellectual property rights are ignored and piracy of intellectual creations is widespread,” he adds.

Interestingly, the Philippines were removed from the US watch list in 2014, but Rodriguez nonetheless believes that more has to be done. He’s therefore proposing to add ‘intellectual property’ to the country’s mandatory school curriculum. Not just for the older children, but starting at primary school.

According to the representative, it is crucial that the importance of copyright is taught at an early age as well as later in life. By doing so, the Philippine people may gain more respect for rightsholders as well as the law.

“With proper education, it is hoped that piracy will be curtailed and our laws will be strictly implemented,” Rodriguez writes.

The bill, which also proposes several other changes to the national curriculum, was adopted after the first reading in the House of Representatives and is now with the Committee on Basic Education and Culture.

The relevant copyright part of the proposal, which is included in House Bill 3749, reads as follows:

“The teaching of intellectual property ownership, particularly copyright law, is hereby required to be a part of the curriculum of all primary, secondary and tertiary schools in the country.”

While the bill is progressing through the legislative process, it still has a long way to go before being adopted. Rodriguez previously proposed similar copyright-related changes to the curriculum, but these didn’t pass, despite support form the International Intellectual Property Alliance (IIPA).

While copyright classes are not something most people associate with a mandatory curriculum, this type of education is not new. A few years ago several California schools voluntarily added copyright lessons to the curriculum, starting at kindergarten.

This effort, which was backed by major copyright holder groups, was initially criticized for being one-sided and was later upgraded to include more examples of fair use.

A copy of the bill and the associated exemplary note, received by the House of Representatives on August 8, is available here (pdf).

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Those involved in the sale of unlicensed IPTV services appear to be coming under attack from an increasing number of angles.

Just this week, the Alliance for Creativity and Entertainment confirmed that it was behind the closure of previously popular IPTV service Vader Streams.

Just days earlier, the UK’s Federation Against Copyright Theft said it had served cease-and-desist notices in 16 locations to individuals involved in the supply of infringing sports streams, with at least some acting as resellers of ‘pirate’ IPTV services.

Today, another well-known provider is added to the growing list.

IPGuys is a recognized brand in the IPTV space. It has no website of its own, with subscribers to the service gaining access through a network of resellers. For how much longer that will be the case will remain to be seen, as the service is now being sued in the United States.

In a lawsuit filed by DISH Networks and NagraStar yesterday, the broadcaster names Ontario, Canada-based Tomasz Kaczmarek as the operator of IPGuys.

“Kaczmarek operates an illicit streaming service called IPGuys, where he acquires DISH’s satellite broadcasts of television programming and retransmits that programming without authorization to customers of his IPGuys service,” the complaint reads.

According to DISH, Brooklyn, New York-based husband and wife team John and Julia Defoe participate in the “rebroadcasting scheme” by creating and maintaining DISH subscription accounts that are used to supply the IPGuy’s service with DISH’s programming.

The additional Does 1-10 are described as “one or more persons” responsible for DISH subscription accounts that were created with false information and used to supply DISH content to the scheme.

DISH says the accounts were created through a former retailer in Brooklyn named Ratiann Enterprise Inc. and registered to addresses in the same area. The company hopes that the discovery process will enable it to identify the people behind those accounts.

The suit states that DISH used technical means to determine that the content being offered by IPGuys originated from its satellite broadcasts.

“During testing of the IPGuys service, encoded messages delivered as part of DISH’s satellite communications were detected on the DISH Programming retransmitted on the IPGuys service, confirming the DISH Programming provided by Kaczmarek is originating from DISH’s satellite communications and DISH subscriber accounts,” the complaint reads.

Seven of the so-called “seeder accounts” (the accounts that allegedly provided the content to IPGuys) shared one or more credit cards as the source of payment and all had either the same passwords or password hints, DISH adds.

Furthermore, the same credit cards were also used to pay for “at least twenty” additional subscriber accounts established with false information. One of the twenty accounts was held in the name of John Defoe, DISH claims, adding that Kaczmarek sent Julia Defoe “tens of thousands of dollars”, while specifically mentioning DISH.

From here, DISH begins to tackle some of the resellers of the IPGuys service, which offered the roughly $15 per month packages to the public. The primary sellers are named in the suit as Romie IPTV World, IPTV Bazaar, GetIPTVOnline and IPGuys-Live. Two secondary sellers are named as The Napster and Miracle Media Box Media.

DISH states that Kaczmarek and the Defoes were given notice by the company that their activities violated various aspects of the Federal Communications Act back in April 2019, but the IPGuys service continued to operate.

As a result, DISH is now demanding a broad permanent injunction against all defendants, plus actual or statutory damages of between $10,000 and $100,000 per violation, plus costs.

DISH’s complaint against the IPGuys operation can be found here (pdf)

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Week in and week out YouTube’s users upload millions of hours of videos. As with any user-generated content site, this also includes copyright-infringing content.

YouTube tackles this by processing takedown notices and using its Content-ID system to automatically remove allegedly infringing content. However, according to some prominent copyright holders, this is not good enough.

In Austria, this complaint is at the center of a lawsuit between the local television channel Puls 4 and YouTube. In an initial order last summer, the court ruled that the video platform can be held directly liable for users’ copyright infringements. YouTube was not seen as a neutral intermediary and should do more to prevent infringing uploads.

The court noted that YouTube takes several motivated actions to actively organize and optimize how videos are displayed. By doing so, it becomes more than a neutral hosting provider. Therefore, it can’t rely on a safe harbor defense.

This ruling was overturned by the Higher Regional Court of Vienna earlier this year. According to the appeal court, YouTube doesn’t have an “active role” as its search, categorization, and advertising service are seen as part of the normal business models of hosting platforms, which do not make the company liable.

Puls4 was disappointed with this ruling and immediately decided to take the case to the Supreme Court. This case is still pending but before it rules on the matter, the highest Austrian court is seeking input from the European Court of Justice (CJEU) on several crucial questions.

The questions haven’t been published publicly on CJEU’s website yet, but TorrentFreak obtained a copy of the Portuguese versions and IP KAT did the same with the German questions. These questions reveal, as expected, that the EU’s highest court will have to decide the boundaries of Europe’s safe harbors.

The first question, for example, asks if a video host, under Article 14 of the EU’s Electronic Commerce Directive 2000, takes on an “active role” that can make it liable for copyright infringements when it categorizes videos, makes suggestions by topic, and uses targeted advertising, among other things. 

The EU Court is further asked to clarify whether Articles 12 to 14 of the EU’s Electronic Commerce Directive mean that providers are shielded from liability, even when their activity is seen as a communication to the public.

In addition, the Austrian Supreme Court wants to know if a court-ordered injunction only applicable if a service provider has actual knowledge of infringements which have been confirmed by a court?

The latter appears to deal with the question of whether sites such as YouTube have to remove content merely based on metadata (to prevent repeated uploads), as opposed to pointing out specific infringing content. That’s important because, in the Puls4 case, YouTube was not aware of any the contested infringements.

The CJEU’s decision will be a crucial one in the ongoing legal debate about the potential liability of third-party intermediaries such as video hosting providers.

Puls4 previously stressed that it believes that EU law is on its side. Among other things, the company pointed out other relevant CJEU decisions, including the case regarding the infringing nature of The Pirate Bay. In addition, it believes that recent developments regarding liability under the proposed Article 17 of the new EU copyright directive will help its cause.

Interestingly, this isn’t the only YouTube-related case on CJEU’s agenda. A German court also referred various copyright infringement-related questions last year. The Austrian Supreme Court was aware of this referral but believes that its questions deserve to be handled separately.

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Two years ago, Epic Games decided to take several Fortnite cheaters to court, accusing them of copyright infringement.

Several of these lawsuits have been settled but there is one that proved to be somewhat of a challenge.

One of the alleged cheaters turned out to be a minor who’s also accused of demonstrating, advertising and distributing the cheat via his YouTube channel. The game publisher wasn’t aware of this when it filed the lawsuit, but the kid’s mother let the company know in clear terms.

“This company is in the process of attempting to sue a 14-year-old child,” the mother informed the Court back in 2017.

The letter was widely publicized in the press but Epic Games didn’t back off. Due to his young age, the Carolina District Court ordered that the kid, who operated the “Sky Orbit” YouTube channel, should only be referred to by his initials C.R. The case itself continued, however, albeit slowly.

Since C.R. didn’t retain an attorney or otherwise respond in court, Epic filed a motion for default judgment. The court didn’t accept this right away, however, instead deciding that the mother’s letter should be treated as a motion to dismiss the case.

Among other defenses, the mother highlighted that the EULA, which the game publisher relies heavily upon in the complaint, isn’t legally binding. The EULA states that minors require permission from a parent or legal guardian, which was not the case here.

The court reviewed these arguments but concluded that they were not sufficient to dismiss the case. After that ruling things went quiet. Neither C.R. nor his mom responded, which prompted Epic Games to file a motion for a default judgment again.

Epic isn’t looking for any massive damages, but it mainly wants C.R. to refrain from any future infringing activities. This includes cheating as well as posting videos on YouTube where this type of activity is promoted.

Generally speaking, such motions are easily granted, since there is no opposing party to dispute any claims. However, in this case, the court decided differently, with the age of the alleged cheater playing an important role.

The Federal Rules of Civil Procedure do not allow default judgments against minors who haven’t been represented. Epic tried to cover this by arguing that the mother’s letter counted as representation, but the North Carolina Court disagrees.

In his order denying the motion for default judgment, US District Court Judge Malcolm J. Howard mentions that the court previously emphasized that the letter in question was not seen as an “official appearance by anyone on behalf of the minor defendant.”

“In light of the circumstances herein, based on the facts currently before the court, and pursuant to Rule 55 of the Federal Rules of Civil Procedure, the court must deny plaintiff’s motion for default judgment,” Judge Malcolm J. Howard concludes.

This means that after roughly two years, Epic is back to square one and that the accused cheater will ‘walk’ free.

Whether C.R. is still involved in any cheating activity is unknown. His original “Sky Orbit” YouTube account is no longer active though, and a backup was deleted as well, due to “multiple third-party claims of copyright infringement.”

A copy of the order denying the motion for a defauly judgment is available here (pdf).

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In February, several major Hollywood studios filed a lawsuit against Omniverse One World Television.

Under the flag of anti-piracy group ACE, the companies accused Omniverse and its owner Jason DeMeo of supplying of pirate streaming channels to various IPTV services.

Omniverse sold live-streaming services to third-party distributors, such as Dragon Box and HDHomerun, which in turn offered live TV streaming packages to customers. According to ACE, the company was a pirate streaming TV supplier, offering these channels without permission from its members.

Omniverse disagreed with this characterization and countered that it did everything by the book. It relied on a deal from the licensed cable company Hovsat, which has a long-standing agreement with DirecTV to distribute a broad range of TV-channels with few restrictions.

As time went on, however, it transpired that the streaming provider was clearly worried about the legal threat. After several of its distributors distanced themselves from the service, Omniverse decided to wind down its business.

An earlier statement that the service was “fully licensed” was replaced by more reserved language. In a court filing in June, Omniverse said that if any infringement took place, it was without the company’s explicit knowledge.

“To the extent there was any infringement, such infringement was, on information and belief, without malice or bad intent by Omniverse or its management and was caused or contributed to by third-parties such as HovSat,” the company stated.

Fast forward a few weeks and the case remains unresolved. According to recent court records, Omniverse would like to settle the matter. It has made several offers to do so, but the Hollywood studios were not interested. Instead, ACE would like to know all the ins and outs of the alleged infringements.

To break this impasse, Omniverse asked the court to compel the Hollywood studios to engage in a mediation process yesterday. At the same time, the company would like to bring the ongoing discovery efforts to a halt.

According to the court filing, the ACE members were willing to agree to a stipulated judgment where the streaming provider would admit certain wrongdoings. However, this goes too far according to Omniverse, which fears that the rightsholders could use this to fuel a criminal investigation.

“The parties have exchanged drafts of a stipulated judgment, but the parties reached an impasse when Plaintiffs demanded that Defendants admit to what amounts to egregious conduct in exchange for settlement,” Omniverse writes.

“Defendants fear Plaintiffs intend to use such a stipulated judgment as part of a criminal investigation against Defendants. To resolve the impasse, Defendants proposed a mediation, which Plaintiffs have flatly refused,” the company adds.

The mention of a potential criminal investigation is new. While it’s not a secret that Hollywood studios have referred several streaming piracy cases to the Department of Justice, Omniverse was never mentioned in this regard. Whether the streaming provider has any concrete indication that it’s a criminal target is unknown.

The request to compel mediation was submitted “ex parte,” meaning that ACE’s members weren’t made aware of it beforehand. However, the rightsholders were quick to respond.

In a filing submitted a few hours ago they object to the request. Instead, the Hollywood studios want to complete the discovery process, so they can find out more about the infringing activity. When that’s done, they are open to mediation.

The rightsholders further point out that, while the Omniverse brand may have ceased operating, the company’s CEO appears to be involved in another potentially troublesome IPTV service, OSTV Now, which is set to launch next month.

“While Defendants represented to the Court that they have ceased operations, it appears that Defendant DeMeo is merely shifting from one infringing operation (Omniverse) to another (OSTV Now), advertised as a new ‘One-Stop For TV Entertainment’ to launch on September 1.

“Whatever the branding, Defendants appear to be continuing their infringing practices. These and other important facts are exactly why discovery needs to move forward,” the studios add.

The new “OSTV Now” service doesn’t mention Omniverse CEO Jason DeMeo by name. However, as Lightreading pointed out previously, the service is promoted on DeMeo’s personal website.

Given the potential threat and several outstanding questions the studios have, they ask the court to deny Omniverse’s request to compel mediation at this stage of the case.

“Only when the facts are known to both sides (not just Defendants) can the parties meaningfully engage in a mediation. Defendants’ ex parte is a transparent attempt to avoid the very discovery that would reveal those facts, seemingly so they can continue infringing in the meantime,” they write.

Unlike Omniverse, the rightsholders make no mention of a potential criminal case. Whether that threat is indeed warranted, has yet to be seen.

A copy of Omniverse’s ex parte request to compel mediation is available here (pdf) and a copy of the Hollywood studios’ response can be found here (pdf).

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There are several large IPTV providers with brands that are well known across the unlicensed industry. One of those was Vader, otherwise known as Vader Streams, or just Vaders.

Notable for its Darth Vader logo, the platform served large numbers of direct customers and subscription re-sellers with at least 1,300 TV channels and a library of VOD content running close to 3,000 titles.

This May, however, something went seriously wrong.

“We have no choice but to close down Vader. We can’t reveal much publically, but by now some of you should know through the other means what happened,” a notice posted to the site’s Telegram channel read.

“We tried everything in our power to avoid this, to avoid any outage, but enough people worked against us.”

With that, Vader went down, never to appear again. As highlighted in our subsequent review of the Vader closure, we had strong suspicions that anti-piracy giant the Alliance for Creativity and Entertainment (ACE) had become involved.

We’d obtained an unverified copy of what looked like a cease-and-desist notice, apparently sent by ACE members to Vader, over its VOD content. Unable to confirm its authenticity, we made a decision not to publish it.

However, it’s now 100% clear that ACE, the global anti-piracy company made up of dozens of powerful content companies, did indeed shutter Vader. And it’s now evident why they refused to comment.

ACE proceeded against Vader through a secret court proceeding in Canada through which it obtained a so-called “Anton Piller” order, a civil search warrant that grants plaintiffs no-notice permission to enter a defendant’s premises in order to secure and copy evidence to support their case, before it can be destroyed or tampered with. A similar process was used against TVAddons founder Adam Lackman in 2017.

While the case against Lackman is moving forward at glacial speed more than two years later, the Vader matter now appears to be over. After obtaining a permanent injunction from the Federal Court in Canada, ACE has shuttered the service and landed Vader with a bill for $10 million in damages.

According to ACE, Vader must also “cede administrative control” over its entire “piracy infrastructure”, permanently cease-and-desist from doing anything in future connected to offering, selling, or promoting unlicensed streams, and/or developing, updating, hosting or promoting any Kodi add-ons connected to pirated content.

“On behalf of all ACE members, I applaud the Court’s decision to permanently put an end to piracy operations conducted by Vader Streams,” Charles Rivkin, Chairman and CEO of the Motion Picture Association of America, said in a statement.

“Actions like these can help reduce piracy and promote a dynamic, legal marketplace for creative content that provides audiences with more choices than ever before, while supporting millions of jobs in the film and television industry.”

Robert Malcolmson, Senior Vice President Regulatory Affairs and Government Relations, Bell Canada – a prominent ACE member – described the action by the Federal Court as “strong and appropriate”, adding that “illegal streaming services like Vader Streams cause serious harm to creators and distributors, the entire broadcasting and cultural sectors and ultimately Canadian consumers.”

While ACE says that Vader must “cede administrative control” over its entire “piracy infrastructure”, it remains unclear what that means in real terms.

At the time of the shutdown, Vader said that it was “going to make sure, no Email, IP, account + reseller name goes to the wrong hands. Everything will be wiped clean and that’s all.”

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Last year, Cox ended its piracy liability lawsuit with music company BMG, agreeing to a “substantial settlement.”

The ISP is now in the clear, however, Cox is still caught up in another lawsuit filed by a group of major music companies, all members of the RIAA.

The music outfits, including Capitol Records, Warner Bros, and Sony Music, argue that Cox categorically failed to terminate repeat copyright infringers and that the ISP substantially profited from this ongoing ‘piracy’ activity. All at the expense of the record labels and other rightsholders.

Over the past several months, both parties have conducted discovery and the case is currently scheduled to go to trial in December. While there were talks of a potential settlement a few weeks ago, things look rather different now.

Last week we reported that the ISP canceled a scheduled settlement discussion. As a result, the music outfits called for sanctions, accusing the ISP of gamesmanship. Now, it’s Cox’s turn to ask for sanctions, this time with a formal request.

Cox submitted a motion for discovery sanctions at the Virginia federal court, where it accuses the plaintiffs of relying on unsubstantiated evidence.

The concerns relate to the piracy evidence which the music companies are relying on. This is the data that was used to send copyright infringement notices to Cox, pointing out how its subscribers allegedly shared infringing material. As such, it is the basis of the “repeat infringer” claims that are central to the lawsuit.

The data in question was collected by the anti-piracy firm MarkMonitor, which keeps a close eye on global BitTorrent activity. For the lawsuit, these infringement allegations were summarized in two spreadsheets. However, Cox notes that underlying evidence has since been deleted.

“MarkMonitor failed to retain critical portions of this evidence, and the document that Plaintiffs intend to rely on is, at best, a partial and inaccurate summary of these analyses,” Cox informs the Court.

As such, Cox requests sanctions. Specifically, it asks the court for a ruling that the piracy evidence in question can’t be used to back up any claims.

“Because Plaintiffs’ agent destroyed the underlying data, leaving no way to assess the accuracy of this summary, Cox respectfully requests that the Court enter discovery sanctions against Plaintiffs in the form of a preclusion order prohibiting Plaintiffs from relying on the incomplete and unreliable MarkMonitor evidence.”

According to Cox, MarkMonitor deleted data which showed that claimed copyright infringements were indeed linked to copyrighted files. These data concern the “matching” logs it received from the fingerprinting service Audible Magic.

During discovery, Cox learned that MarkMonitor used data from Audible Magic to reach its infringement conclusions. A subsequent subpoena explained how this worked, and a deposition of Audible Magic later revealed that MarkMonitor deleted the transaction logs.

“Ultimately, Cox learned in a deposition on the last day of discovery that MarkMonitor did not produce the transaction logs at issue or the relevant database because it had destroyed them,” Cox informs the Court.

The deleted data was crucial according to the ISP, as it’s the only way to prove that the alleged infringements detailed in the spreadsheet are correct. In addition, the routinely deleted data “strongly suggests” that MarkMonitor’s spreadsheet is inaccurate.

“The destroyed Audible Magic data was undeniably material and foundational to the MarkMonitor Spreadsheet,” Cox notes.

The ISP backs up its ‘inaccuracy’ claims in redacted parts of its memorandum, mentioning that it was a “coin flip” whether or not a claimed infringement actually took place.

Coin flip

Cox argues that the record labels withheld unfavorable information so sees no other option than to scrap the spreadsheets as evidence. In their current form, they can’t be backed up.

“Because Plaintiffs failed to preserve and produce the best and most complete—indeed, the only—evidence of the alleged direct infringements, the Court should preclude Plaintiffs from relying on the ‘236 and ‘431 Spreadsheets, and any derivative documents, which are merely incomplete and inaccurate summaries of what the data would have shown,” Cox concludes.

It the Court agrees with Cox and excludes the piracy data as evidence, the case could be severely impacted.

Interestingly, this isn’t the first time that Cox has complained about spoilt evidence. The company did the same a few years ago in the BMG case, after it found out that anti-piracy company Rightscorp destroyed older versions of its piracy tracking code.

At the time the Court ruled that sanctions were indeed appropriate. However, the copyright infringement claims were not disregarded and Cox’s request to dismiss the case in its entirety was denied.

A copy of Cox’s memorandum in support of the motion for discovery sanctions and to preclude the MarkMonitor evidence is available here (pdf).

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