Speaking at a news conference during March, Japan’s Chief Cabinet Secretary Yoshihide Suga said that the government was considering measures to prohibit access to pirate sites. The country’s manga and anime industries were treasures worth protecting, Suga said.

“The damage is getting worse. We are considering the possibilities of all measures including site blocking. I would like to take countermeasures as soon as possible under the cooperation of the relevant ministries and agencies,” he added.

But with no specific legislation that allows for site-blocking, particularly not on copyright infringement grounds, it appeared that Japan might face an uphill struggle. Indeed, the country’s constitution supports freedom of speech and expressly forbids censorship. Earlier this month, however, matters quickly began to progress.

On Friday April 13, the government said it would introduce an emergency measure to target websites hosting pirated manga, anime and other types of content. It would not force ISPs to comply with its blocking requests but would simply ask for their assistance instead.

The aim was to establish cooperation in advance of an expansion of legislation later this year which was originally introduced to tackle the menace of child pornography.

“Our country’s content industry could be denied a future if manga artists and other creators are robbed of proceeds that should go to them,” said Prime Minister Shinzo Abe.

The government didn’t have to wait long for a response. The Nippon Telegraph and Telephone Corp. (NTT) announced yesterday that it will begin blocking access to sites that provide unauthorized access to copyrighted content.

“We have taken short-term emergency measures until legal systems on site-blocking are implemented,” NTT in a statement.

NTT Communications Corp., NTT Docomo Inc. and NTT Plala Inc., will block access to three sites previously identified by the government – Mangamura, AniTube! and MioMio which have a particularly large following in Japan.

NTT said that it will also restrict access to other sites if requested to do so by the government. The company added that at least in the short-term, it will prevent access to the sites using DNS blocking.

While Anitube and MioMio will be blocked in due course, Mangamura has already disappeared from the Internet. The site was reportedly attracting 100 million visits per month but on April 17 went offline following an apparent voluntary shutdown by its administrators.

AnimeNewsNetwork notes that a news program on NHK dedicated to Mangamura aired last Wednesday. A second episode will reportedly focus on the site’s administrators which NHK claims can be traced back to the United States, Ukraine, and other regions. Whether this exposé played a part in the site’s closure is unclear but that kind of publicity is rarely welcome in the piracy scene.

To date, just three sites have been named by the government as particularly problematic but it’s now promising to set up a consultation on a further response. A bill will also be submitted to parliament to target sites that promote links to content hosted elsewhere, an activity which is not illegal under current law.

Two other major access providers in Japan, KDDI Corp. and SoftBank Corp., have told local media that their plans to block pirate sites have not yet been finalized.

“The fact that neglecting the situation of infringement of copyright etc. cannot be overlooked is recognized and it is recognized as an important problem to be addressed urgently,” Softbank said in a statement.

“However, since there is concern that blocking infringes secrecy of communications, we need careful discussion. We would like to collaborate with industry organizations involved in telecommunications and consider measures that can be taken from various viewpoints, such as laws, institutions, and operation methods.”

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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Last year, American satellite and broadcast provider Dish Network targeted two well-known players in the third-party Kodi add-on ecosystem.

In a complaint filed in a federal court in Texas, add-on ZemTV and the TVAddons library were accused of copyright infringement. As a result, both are facing up to $150,000 in damages for each offense.

While the case was filed in Texas, neither of the defendants live there, or even in the United States. The owner and operator of TVAddons is Adam Lackman, who resides in Montreal, Canada. ZemTV’s developer Shahjahan Durrani is even further away in London, UK.

According to the legal team of the two defendants, this limited connection to Texas is reason for the case to be dismissed. They filed a motion to dismiss in January, asking the court to drop the case.

“Lackman and Durrani have never been residents or citizens of Texas; they have never owned property in Texas; they have never voted in Texas; they have never personally visited Texas; they have never directed any business activity of any kind to anyone in Texas […] and they have never earned income in Texas,” the motion reads.

Dish saw things differently, however. The broadcast provider replied to the motion, submitting hundreds of pages of evidence documenting TVAddons and ZemTV’s ties to the United States.

Among other things, Dish pointed the court towards TVAddons own data, which showed that most of its users came from the United States. More than one-third of the total user base were American, it argued.

“The United States was Defendants’ largest market with approximately 34% of all TV Addons traffic coming from users located in the United States, which was three times the traffic from the second largest market.”

Late last week District Court Judge Vanessa Gilmore ruled on the motion to dismiss from both defendants, which is denied.

Denied

At the time of writing, there is no additional information available as to how Judge Gilmore reached her decision. However, it is clear that the case will now move forward.

This lawsuit is one of several related to Kodi-powered pirate steaming boxes. While TVAddons and ZemTV didn’t sell any fully loaded boxes directly, Dish argues that they both played a significant role in making copyright-infringing content available.

Earlier this year, the manufacturer of the streaming device DragonBox was sued in a separate case by Netflix, Amazon and several major Hollywood studios.

A few days ago Dragon Media denied all piracy allegations in the complaint, but the lawsuit remains ongoing. The same is true for a related case against Tickbox, another Kodi-powered box manufacturer.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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In recent years, piracy streaming tools and services have become a prime target for copyright enforcers.

This is particularly true for the Alliance for Creativity and Entertainment (ACE), an anti-piracy partnership forged between Hollywood studios, Netflix, Amazon, and more than two dozen other companies.

After taking action against Kodi-powered devices Tickbox and Dragonbox, key ACE members have now filed a similar lawsuit against the Florida-based company Set Broadcast, LLC, which sells the popular IPTV service SET TV.

The complaint, filed at a California federal court on Friday, further lists company owner Jason Labbosiere and employee Nelson Johnson among the defendants.

According to the movie companies, the Set TV software is little more than a pirate tool, allowing buyers to stream copyright infringing content.

“Defendants market and sell subscriptions to ‘Setvnow,’ a software application that Defendants urge their customers to use as a tool for the mass infringement of Plaintiffs’ copyrighted motion pictures and television shows,” the complaint reads.

In addition to the software, the company also offers a preloaded box. Both allow users to connect to live streams of TV channels and ‘on demand’ content. The latter includes movies that are still in theaters, which SET TV allegedly streams through third-party sources.

“For its on-demand options, Setvnow relies on third-party sources that illicitly reproduce copyrighted works and then provide streams of popular content such as movies still exclusively in theaters and television shows.”

From the complaint

The intended use of SET TV is clear, according to the movie companies. They frame it as a pirate service and believe that this is the main draw for consumers.

“Defendants promote the use of Setvnow for overwhelmingly, if not exclusively, infringing purposes, and that is how their customers use Setvnow,” the complaint reads.

Interestingly, the complaint also states that SET TV pays for sponsored reviews to reach a broader audience. The videos, posted by popular YouTubers such as Solo Man, who is quoted in the complaint, advertise the IPTV service.

“[The] sponsored reviewer promotes Setvnow as a quick and easy way to access on demand movies: ‘You have new releases right there and you simply click on the movie … you click it and click on play again and here you have the movie just like that in 1 2 3 in beautiful HD quality’.”

The lawsuit aims to bring an end to this. The movie companies ask the California District for an injunction to shut down the infringing service and impound all pre-loaded devices. In addition, they’re requesting statutory damages which could go up to several million dollars.

At the time of writing the SET TV website is still in the air, selling subscriptions. The company itself has yet to comment on the allegations.

A copy of the complaint is available here (pdf), courtesy of GeekWire.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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Team voting has concluded and the following nominees are elected to the project board:

  • cvh is our forum admin and resident DVB/Tvheadend expert
  • davu is a forum super-moderator and enthusiastic bug hunter
  • lrusak has been the project technical lead over the last two years
  • milhouse is well known for his bleeding edge community test images
  • xe is our IRC channel admin and a FOSS advocate

In statistics: 22/22 team members cast their vote. 1/5 of the board are Canadian, 2/5 are German, 2/5 are from the UK. 3/5 board members are also Team Kodi members. 4/5 board members come from the original group that forked from OpenELEC. 5/5 board members have contributed something to our GitHub repo. 3/5 board members (cvh, lrusak, milhouse) will serve a 24-month term while 2/5 board members (davu, xe) will serve a 12-month term.

Thanks to all team members for voting (and agreeing to be team-members) and congratulations! to our new board members 🙂



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SET TV IS BEING SUED BY AMAZON, NETFLIX AND OTHER MAJOR STUDIOS

Set TV is being sued by major studios and in particular the long list includes: Amazon Content Services, LLC; Columbia Pictures Industries, Inc.; Disney Enterprises, Inc.; Netflix Studios, LLC; Paramount Pictures Corporation; Sony Pictures Television Inc.; Twentieth Century Fox FilmCorporation; Universal City Studios Productions LLLP; Universal Cable Productions LLC; Universal Television LLC and Warner Bros. Entertainment Inc.

The suit was filed Friday in U.S. District Court in Central California, and the all-star list of plaintiffs includes Amazon, Netflix, Disney, 20th Century Fox, Sony Pictures, Columbia Pictures, Universal and Warner Bros. The defendant, Set TV also now as Setvnow, advertises itself as a way to cut the cord from cable by offering more than 500 live channels and access to a big library of video on-demand programming for $20 a month. The lawsuit also mentioned an $89 set-top box, but a link to it on Set TV’s website is broken.

“For the customers who use Setvnow, the service provides hallmarks of using authorized streaming services — a user-friendly interface and reliable access to popular content — but with a notable exception: the customers only pay money to Defendants, not to Plaintiffs and other content creators upon whose copyrighted works Defendants’ business depends.”

Set TV offered 500 channels including premium networks and international channels for just $20 a month. And quite frankly, they really looked as a legitimate service.

What this means to the customers?

Absolutely nothing. They have decided to cut the snake’s head off to make an example for all the other IPTV providers. Set TV is probably also the only IPTV service which pushed so much advertisement to the media online but not only. SET TV is in fact making so much news on the internet that it seemed like it was just a matter of time, when the hammer will strike.

The studios are asking for an injunction to stop the allegedly pirated material from streaming. The group also argues it is entitled to “$150,000 per work infringed by virtue of Defendants’ willful, knowing, and material contribution to infringement.”

Read the full lawsuit here: Studios v. Set TV.


Source: GeekWire


With more than 150 million registered accounts, Steam is much more than just a game distribution platform.

For many people, it’s also a social hangout and a communication channel.

Steam’s instant messaging tool, for example, is widely used for chats with friends. About games of course, but also to discuss lots of other stuff.

While Valve doesn’t mind people socializing on its platform, there are certain things the company doesn’t want Steam users to share. This includes links to the cloud hosting service Mega.

Users who’d like to show off some gaming footage, or even a collection of cat pictures they stored on Mega, are unable to do so. As it turns out, Steam actively censors these type of links from forum posts and chats.

In forum posts, these offending links are replaced by the text {LINK REMOVED} and private chats get the same treatment. Instead of the Mega link, people on the other end only get a mention that a link was removed.

Mega link removed from chat

While Mega operates as a regular company that offers cloud hosting services, Steam notes on their website that the website is “potentially malicious.”

“The site could contain malicious content or be known for stealing user credentials,” Steam’s link checker warns.

Potentially malicious…

It’s unclear what malicious means in this context. Mega has never been flagged by Google’s Safe Browsing program, which is regarded as one of the industry standards for malware and other unwanted software.

What’s more likely is that Mega’s piracy stigma has something to do with the censoring. As it turns out, Steam also censors 4shared.com, as well as Pirate Bay’s former .se domain name.

Other “malicious sites” which get the same treatment are more game oriented, such as cheathappens.com and the CSGO Skin Screenshot site metjm.net. While it’s understandable some game developers don’t like these, malicious is a rather broad term in this regard.

Mega clearly refutes that they are doing anything wrong. Mega Chairman Stephen Hall tells TorrentFreak that the company swiftly removes any malicious content, once it receives an abuse notice.

“It is crazy for sites to block Mega links as we respond very quickly to disable any links that are reported as malware, generally much quicker than our competitors,” Hall says.

Valve did not immediately reply to our request for clarification so the precise reason for the link censoring remains unknown.

That said, when something’s censored the public tends to work around any restrictions. Mega links are still being shared on Steam, with a slightly altered URL. In addition, Mega’s backup domain Mega.co.nz still works fine too.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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Blocking alleged pirate sites is usually a question of proving that they’re involved in infringement and then applying to the courts for an injunction.

In Europe, the process is becoming easier, largely thanks to an EU ruling that permits blocking on copyright grounds.

As reported over the past several years, Russia is taking its blocking processes very seriously. Copyright holders can now have sites blocked in just a few days, if they can show their operators as being unresponsive to takedown demands.

This week, however, Russian authorities have again shown that copyright infringement doesn’t have to be the only Achilles’ heel of pirate sites.

Back in 2006, online gambling was completely banned in Russia. Three years later in 2009, land-based gambling was also made illegal in all but four specified regions. Then, in 2012, the Russian Supreme Court ruled that ISPs must block access to gambling sites, something they had previously refused to do.

That same year, telecoms watchdog Rozcomnadzor began publishing a list of banned domains and within those appeared some of the biggest names in gambling. Many shut down access to customers located in Russia but others did not. In response, Rozcomnadzor also began targeting sites that simply offered information on gambling.

Fast forward more than six years and Russia is still taking a hard line against gambling operators. However, it now finds itself in a position where the existence of gambling material can also assist the state in its quest to take down pirate sites.

Following a complaint from the Federal Tax Service of Russia, Rozcomnadzor has again added a large number of ‘pirate’ sites to the country’s official blocklist after they advertised gambling-related products and services.

“Rozkomnadzor, at the request of the Federal Tax Service of Russia, added more than 250 pirate online cinemas and torrent trackers to the unified register of banned information, which hosted illegal advertising of online casinos and bookmakers,” the telecoms watchdog reported.

Almost immediately, 200 of the sites were blocked by local ISPs since they failed to remove the advertising when told to do so. For the remaining 50 sites, breathing space is still available. Their bans can be suspended if the offending ads are removed within a timeframe specified by the authorities, which has not yet run out.

“Information on a significant number of pirate resources with illegal advertising was received by Rozcomnadzor from citizens and organizations through a hotline that operates on the site of the Unified Register of Prohibited Information, all of which were sent to the Federal Tax Service for making decisions on restricting access,” the watchdog revealed.

Links between pirate sites and gambling companies have traditionally been close over the years, with advertising for many top-tier brands appearing on portals large and small. However, in recent times the prevalence of gambling ads has diminished, in part due to campaigns conducted in the United States, Europe, and the UK.

For pirate site operators in Russia, the decision to carry gambling ads now comes with the added risk of being blocked. Only time will tell whether any reduction in traffic is considered serious enough to warrant a gambling boycott of their own.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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It has been a tumultuous few weeks for Facebook, and some would say quite rightly so. The company is a notorious harvester of personal information but last month’s Cambridge Analytica scandal really brought things to a head.

With Facebook co-founder and Chief Executive Officer Mark Zuckerberg in the midst of a PR nightmare, last Tuesday the entrepreneur appeared before the Senate. A day later he faced a grilling from lawmakers, answering questions concerning the social networking giant’s problems with user privacy and how it responds to breaches.

What practical measures Zuckerberg and his team will take to calm the storm are yet to unfold but the opportunity to broaden the attack on both Facebook and others in the user-generated content field is now being seized upon. Yes, privacy is the number one controversy at the moment but Facebook and others of its ilk need to step up and take responsibility for everything posted on their platforms.

That’s the argument presented by the American Federation of Musicians, the Content Creators Coalition, CreativeFuture, and the Independent Film & Television Alliance, who together represent more than 650 entertainment industry companies and 240,000 members. CreativeFuture alone represents more than 500 companies, including all the big Hollywood studios and major players in the music industry.

In letters sent to the Senate Committee on the Judiciary; the Senate Committee on Commerce, Science, and Transportation; and the House Energy and Commerce Committee, the coalitions urge Congress to not only ensure that Facebook gets its house in order, but that Google, Twitter, and similar platforms do so too.

The letters begin with calls to protect user data and tackle the menace of fake news but given the nature of the coalitions and their entertainment industry members, it’s no surprise to see where this is heading.

“In last week’s hearing, Mr. Zuckerberg stressed several times that Facebook must ‘take a broader view of our responsibility,’ acknowledging that it is ‘responsible for the content’ that appears on its service and must ‘take a more active view in policing the ecosystem’ it created,” the letter reads.

“While most content on Facebook is not produced by Facebook, they are the publisher and distributor of immense amounts of content to billions around the world. It is worth noting that a lot of that content is posted without the consent of the people who created it, including those in the creative industries we represent.”

The letter recalls Zuckerberg as characterizing Facebook’s failure to take a broader view of its responsibilities as a “big mistake” while noting he’s also promised change.

However, the entertainment groups contend that the way the company has conducted itself – and the manner in which many Silicon Valley companies conduct themselves – is supported and encouraged by safe harbors and legal immunities that absolve internet platforms of accountability.

“We agree that change needs to happen – but we must ask ourselves whether we can expect to see real change as long as these companies are allowed to continue to operate in a policy framework that prioritizes the growth of the internet over accountability and protects those that fail to act responsibly. We believe this question must be at the center of any action Congress takes in response to the recent failures,” the groups write.

But while the Facebook fiasco has provided the opportunity for criticism, CreativeFuture and its colleagues see the problem from a much broader perspective. They suck in companies like Google, which is also criticized for shirking its responsibilities, largely because the law doesn’t compel it to act any differently.

“Google, another major global platform that has long resisted meaningful accountability, also needs to step forward and endorse the broader view of responsibility expressed by Mr. Zuckerberg – as do many others,” they continue.

“The real problem is not Facebook, or Mark Zuckerberg, regardless of how sincerely he seeks to own the ‘mistakes’ that led to the hearing last week. The problem is endemic in a system that applies a different set of rules to the internet and fails to impose ordinary norms of accountability on businesses that are built around monetizing other people’s personal information and content.”

Noting that Congress has encouraged technology companies to prosper by using a “light hand” for the past several decades, the groups say their level of success now calls for a fresh approach and a heavier touch.

“Facebook and Google are grown-ups – and it is time they behaved that way. If they will not act, then it is up to you and your colleagues in the House to take action and not let these platforms’ abuses continue to pile up,” they conclude.

But with all that said, there is an interesting conflict that develops when presenting the solution to piracy in the context of a user privacy fiasco.

In the EU, many of the companies involved in the coalitions above are calling for pre-emptive filters to prevent allegedly infringing content being uploaded to Facebook and YouTube. That means that all user uploads to such platforms will have to be opened and scanned to see what they contain before they’re allowed online.

So, user privacy or pro-active anti-piracy filters? It might not be easy or even legal to achieve both.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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Even though they generally aren’t paying for the content they consume, don’t fall into the trap of believing that all pirates are eternally grateful for even poor quality media.

Without a doubt, some of the most quality-sensitive individuals are to be found in pirate communities and they aren’t scared to make their voices known when release groups fail to come up with the best possible goods.

This week there’s been a sustained chorus of disapproval over the quality of pirate video releases sourced from Amazon Prime. The anger is usually directed at piracy groups who fail to capture content in the correct manner but according to a number of observers, the problem is actually at Amazon’s end.

Discussions on Reddit, for example, report that episodes in a single TV series have been declining in filesize and bitrate, from 1.56 GB in 720p at a 3073 kb/s video bitrate for episode 1, down to 907 MB in 720p at just 1514 kb/s video bitrate for episode 10.

Numerous theories as to why this may be the case are being floated around, including that Amazon is trying to save on bandwidth expenses. While this is a possibility, the company hasn’t made any announcements to that end.

Indeed, one legitimate customer reported that he’d raised the quality issue with Amazon and they’d said that the problem was “probably on his end”.

“I have Amazon Prime Video and I noticed the quality was always great for their exclusive shows, so I decided to try buying the shows on Amazon instead of iTunes this year. I paid for season pass subscriptions for Legion, Billions and Homeland this year,” he wrote.

“Just this past weekend, I have noticed a significant drop in details compared to weeks before! So naturally I assumed it was an issue on my end. I started trying different devices, calling support, etc, but nothing really helped.

“Billions continued to look like a blurry mess, almost like I was watching a standard definition DVD instead of the crystal clear HD I paid for and have experienced in the past! And when I check the previous episodes, sure enough, they look fantastic again. What the heck??”

With Amazon distancing itself from the issues, piracy groups have already begun to dig in the knife. Release group DEFLATE has been particularly critical.

“Amazon, in their infinite wisdom, have decided to start fucking with the quality of their encodes. They’re now reaching Netflix’s subpar 1080p.H264 levels, and their H265 encodes aren’t even close to what Netflix produces,” the group said in a file attached to S02E07 of The Good Fight released on Sunday.

“Netflix is able to produce drastic visual improvements with their H265 encodes compared to H264 across every original. In comparison, Amazon can’t decide whether H265 or H264 is going to produce better results, and as a result we suffer for it.”

Arrr! The quality be fallin’

So what’s happening exactly?

A TorrentFreak source (who tells us he’s been working in the BluRay/DCP authoring business for the last 10 years) was kind enough to give us two opinions, one aimed at the techies and another at us mere mortals.

“In technical terms, it appears [Amazon has] increased the CRF [Constant Rate Factor] value they use when encoding for both the HEVC [H265] and H264 streams. Previously, their H264 streams were using CRF 18 and a max bitrate of 15Mbit/s, which usually resulted in file sizes of roughly 3GB, or around 10Mbit/s. Similarly with their HEVC streams, they were using CRF 20 and resulting in streams which were around the same size,” he explained.

“In the past week, the H264 streams have decreased by up to 50% for some streams. While there are no longer any x264 headers embedded in the H264 streams, the HEVC streams still retain those headers and the CRF value used has been increased, so it does appear this change has been done on purpose.”

In layman’s terms, our source believes that Amazon had previously been using an encoding profile that was “right on the edge of relatively good quality” which kept bitrates relatively low but high enough to ensure no perceivable loss of quality.

“H264 streams encoded with CRF 18 could provide an acceptable compromise between quality and file size, where the loss of detail is often negligible when watched at regular viewing distances, at a desk, or in a lounge room on a larger TV,” he explained.

“Recently, it appears these values have been intentionally changed in order to lower the bitrate and file sizes for reasons unknown. As a result, the quality of some streams has been reduced by up to 50% of their previous values. This has introduced a visual loss of quality, comparable to that of viewing something in standard definition versus high definition.”

With the situation failing to improve during the week, by the time piracy group DEFLATE released S03E14 of Supergirl on Tuesday their original criticism had transformed into flat-out insults.

“These are only being done in H265 because Amazon have shit the bed, and it’s a choice between a turd sandwich and a giant douche,” they wrote, offering these images as illustrative of the problem and these indicating what should be achievable.

With DEFLATE advising customers to start complaining to Amazon, the memes have already begun, with unfavorable references to now-defunct group YIFY (which was often chastized for its low quality rips) and even a spin on one of the most well known anti-piracy campaigns.

You wouldn’t download stream….

TorrentFreak contacted Amazon Prime for comment on both the recent changes and growing customer complaints but at the time of publication we were yet to receive a response.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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Of all the major torrent sites that dominated the Internet at the beginning of this decade, only a few remain.

One of the sites that fell prey to ever-increasing pressure from the entertainment industry was isoHunt.

Founded by the Canadian entrepreneur Gary Fung, the site was one of the early pioneers in the world of torrents, paving the way for many others. However, this spotlight also caught the attention of the major movie studios.

After a lengthy legal battle isoHunt’s founder eventually shut down the site late 2013. This happened after Fung signed a settlement agreement with Hollywood for no less than $110 million, on paper at least.

Launching a new torrent search engine was never really an option, but Fung decided not to let his expertise go to waste. He focused his time and efforts on a new search project instead, which was unveiled to the public this week.

The new app called “WonderSwipe” has just been added to Apple’s iOS store. It’s a mobile search app that ties into Google’s backend, but with a different user interface. While it has nothing to do with file-sharing, we decided to reach out to isoHunt’s founder to find out more.

Fung tells us that he got the idea for the app because he was frustrated with Google’s default search options on the mobile platform.

“I find myself barely do any search on the smartphone, most of the time waiting until I get to my desktop. I ask why?” Fung tells us.

One of the main issues he identified is the fact that swiping is not an option. Instead, people end up browsing through dozens of mobile browser tabs. So, Fung took Google’s infrastructure and search power, making it swipeable.

“From a UI design perspective, I find swiping through photos on the first iPhone one of the most extraordinary advances in computing. It’s so easy that babies would be doing it before they even learn how to flip open a book!

“Bringing that ease of use to the central way of conducting mobile search and research is the initial eureka I had in starting work on WonderSwipe,” Fung adds.

That was roughly three years ago, and a few hours ago WonderSwipe finally made its way into the App store. Android users will have to wait for now, but the application will eventually be available on that platform as well.

In addition to swiping through search results, the app also promises faster article loading and browsing, a reader mode with condensed search results, and a hands-free mode with automated browsing where summaries are read out loud.

WonderwSwipe

Of course, WonderSwipe is nothing like isoHunt ever was, apart from the fact that Google is a search engine that also links to torrents, indirectly.

This similarity was also brought up during the lawsuit with the MPAA, when Fung’s legal team likened isoHunt to Google in court. However, the Canadian entrepreneur doesn’t expect that Hollywood will have an issue with WonderSwipe in particular.

“isoHunt was similar to Google in how it worked as a search engine, but not in scope. Torrents are a small subset of all the webpages Google indexes,” Fung says.

“WonderSwipe’s aim is to find answers in all webpages, powered by Google search results. It presents results in extracted text and summaries with no connection to BitTorrent clients. As such, WonderSwipe can be bigger than isoHunt has ever been.”

Ironically, in recent years Hollywood has often criticized Google for linking to pirated content in its search results. These results will also be available through WonderSwipe.

However, Fung says that any copyright issues with WonderSwipe will have to be dealt with on the search engine level, by Google.

“If there are links to pirated content, tell search engines so they can take them down!” he says.

WonderSwipe is totally free and Fung tells us that he plans to monetize it with in-app purchases for pro features, and non-intrusive advertising that won’t slow down swiping or search results. More details on the future plans for the app are available here.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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