While the majority of computing devices come with sophisticated operating systems installed, users will almost certainly need to buy additional software to meet their needs.

Open Source software can usually be obtained for free but millions of users opt for paid products that need to be licensed by the companies offering them.

Of course, piracy is a significant problem for the developers behind the majority of premium products. Most are available from torrent sites or file-hosting platforms, often arriving with a ‘crack’ that allows users to enjoy without paying.

Companies often have sophisticated systems to detect unlicensed products, sometimes with the reasonable aim of attempting to convert pirates into paying consumers. Earlier this year we reported on Corel’s efforts in this space after the company obtained a patent for a system which is able to offer an amnesty to illegal users via a popup.

“The amnesty offer may, for example, agree not to bring criminal charges in exchange for the user purchasing a legitimate copy of the product,” Corel’s patent reads.

“In this manner, the user of the pirated version is given the opportunity to purchase a legitimate copy which, if acted on, increases revenue for the manufacturer.”

While this is fair enough, what happens when it all goes wrong? Earlier this week, TorrentFreak was contacted by an angry Corel customer who was witnessing first hand what can happen when a piracy detection system blows a fuse.

“I am a valid and licensed user and Corel support has records of my license key and right to use this software on my work PC,” he told us.

Despite paying the company as required, he received the following popup instead.

Scary message from Corel

The message couldn’t be more clear. Corel states that the copy in use is illegal and as a result, its functionality has been severely limited. “All save, export and print features will be permanently disabled,” it warns.

According to Corel, all of these problems can be solved with a click of the blue “BUY A LEGAL COPY NOW” button, something that made our contact extremely angry.

“I get this extortion popup and threat to my means to make a living. I feel like Corel has hijacked my computer, my artwork and images and is preventing me from making a living just to sell another upgrade. This is wrong, and something needs to be done about his practice,” he told us.

It’s not surprising that the user was upset at Corel remotely disabling his software. Aside from having a valid license, his work ground to a halt. Initial emails back and forth had him messing around in his computer’s registry in an effort to fix the problem but all the time he was unable to carry on with his job.

“I have owned a licensed copy of Corel PrintShop Pro since 9/2016 and use it multiple times each day for work. I use it for editing and creating graphics and logos for customers that host events and in the medical field for patient wristbands at hospitals and clinics,” he told TF.

“These images are used to identify and even categorize different types of patients and attendees at events. At this time, I’m unable to meet the needs of my customers because I can’t save any new artwork for them. This has now gone on for more than 24 hours.”

Eventually, after lengthy email exchanges, the problem got fixed, albeit after Corel’s customer had been unable to use his software for an extended period. He says that the problem has left a bad taste in his mouth and wonders how many other people are getting the message and, crucially, whether less technical users are paying to have the anti-piracy message removed.

“I’m not sure how [the steps Corel took] corrected my license issue or if it just took me off the ‘hit list’ of victims of what I still feel was some kind of scam. Still no apology from Corel for the problems caused or the delays it forced on me,” he added.

TorrentFreak contacted Corel requesting information and received a response from Gerard Metrailler, EVP of Global Products, whose name is on the patent issued earlier this year.

“Our anti-piracy measures are designed specifically to protect our IP. And as part of this process, we offer an amnesty program on many of our products that gives users an easy way to purchase a legitimate version of our software at an affordable price,” Metrailler explained.

“Unfortunately, some users who believe they are running legitimate versions of our software are surprised to receive a notification that their license is invalid. In many of these cases, the products were purchased from online marketplaces, often at very low prices, and the users were not aware they were buying illegitimate software.

“It’s critical to note that customers should always purchase our software from authorized resellers or Corel directly,” he added.

Given comments on Corel’s forums about unlicensed resellers, early in the week TF checked with the user where he’d obtained his license. According to an original purchase receipt reviewed by TF, it was obtained from the company’s own online store and everything was in order.

Corel did, however, suggest that a customer could receive the anti-piracy warning in error and said any customers who believe they are affected should contact the company right away.

“[I]n the very rare event of a mis-identification, I can assure you that we will work quickly to get the issue corrected. We agree that even one customer affected by a mistake like this is one customer too many,” Metrailler said.

We asked Corel how many customers take them up on their offer of reduced price software as part of an amnesty but the company provided no details. We asked if there were any safeguards to prevent licensed users paying up in error but received no response.

Corel did, however, give TF a contact email address so that their customer can get directly in touch, and we’ve forwarded that to him. In the meantime, directly with the customer and independently of our discussions with him and the company, Corel support offered him a 5% discount on future purchases.

“I want to ask them if that 5% is good for Photoshop,” the customer commented dryly.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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Academia certainly isn’t our prime focus here at TorrentFreak, but we have mentioned Elsevier repeatedly throughout the years.

With a net income of roughly $3 billion and operating profits exceeding $1 billion, Elsevier is one of the largest academic publishers in the world. One that protects its business with vigor.

The company has sued ‘pirate’ sites “Sci-Hub and “LibGen” for the unauthorized distribution of millions of scientific papers, for example.

This resulted in a million dollar verdict in favor of the publisher, which was also able to seize several domain names. While Sci-Hub and LibGen are still around, Elsevier recently stepped up its game by obtaining an ISP blocking order against the sites in question.

So far, these efforts run parallel to what we see in the media piracy world. Torrent sites such as The Pirate Bay have been sued as well, and are now blocked in countries all over the world.

There is a significant difference though. The major movie studios who sue pirates sites have a good reputation in the industry, while Elsevier is heavily criticized by universities and researchers.

This criticism is far from new, but where the battle was previously fought in op-eds and on social media, it’s now on the agenda of the European Union as well. Pressure is mounting.

The first complaint comes from researchers Dr. Jonathan Tennant and Prof. Dr. Björn Brembs, who referred Elsevier’s parent company RELX Group to the EU Anti-Competition Authority late last month.

A serious allegation, but it turned out to be just the start.

This week, it was followed by a similar call from the European University Association (EUA), which represents over 800 higher education institutions in 47 countries throughout Europe.

In a letter (pdf) to the European Commission, the organization shares its concern about the lack of transparency and competition in Europe’s academic publishing sector, mentioning Elsevier and similar publishers.

One of the main frustrations is that researchers and universities provide the manpower and articles for these publishers, work that’s often funded with public money. This is then sold back to them by the publishers at high prices.

Or as EUA puts it:

“As a well-known allegory says: ‘Imagine a farmer who owns, feeds and milks his cow in order to give away the milk for free to a dairy company – and then finally buys it back in a milk carton at a very high price’. This is the business model of big research publishers.”

While publishers such as Elsevier use copyrights to protect and exploit their work, the nature of the “competition” issue is more complex.

Jonathan Tennant, who filed the first complaint with the EU Anti-Competition Authority, tells TorrentFreak that competition is hard to achieve when every academic article is unique and valuable. The articles are not substitutable, you either have access to it or you don’t.

The second problem is that Elsevier and others keep their pricing agreements secret, often through non-disclosure agreements, which is widely seen as an anti-competitive practice.

“Both of these things together, as well as issues to do with copyright, ‘marketplace’ concentration, obscenely high profits, and vendor lock-in all create an unsuitable ‘market’ around scholarly publishing, which has a negative impact across the entire research sector,” Tennant tells us.

Tennant and Brembs don’t provide any recommendations in their report. They’re leaving it up to the European Commission to decide what’s appropriate, but they believe that banning non-disclosure clauses and providing more transparency are two possible steps.

In an ideal world, one could argue that all academic research should be available for free. In the current system, many researchers don’t have access to some of the research in their field due to financial reasons, which hinders the progress of science.

This is also the main reason why Alexandra Elbakyan started the pirate research library Sci-Hub several years ago. Many researchers rely on it as a source, but Tennant says that he has some sort of love-hate relationship with the controversial pirate library.

“I think what Alexandra and Sci-Hub have done is phenomenal in emphasing the incredible dysfunction in research access from a greedy corporate publishing sector. It has demonstrated that access to knowledge is simple to provide.

“I think it also helps to level the playing field, from an industry whose business model is based on knowledge discrimination based on elite/financial status. For these things, and for being a symptom of a broken industry, I think it is wonderful,” he adds.

However, Tennant argues that it has also had some negative consequences. As founder of Open Science MOOC, he is a strong supporter of Open Access research, where papers are published without paywalls, and believes Sci-Hub may hinder the progress of this movement.

“Because Sci-Hub provides a simple, easy shortcut to free access (not Open Access), it removes some of the incentives for researchers to engage with Open Access in a more sustainable manner. For example, by self-archiving their work for free,” he notes.

That said, Tennant doesn’t think that terms such as ‘piracy’ and ‘theft’ necessarily apply to Sci-Hub. At least, not any more than it could apply to some of the major publishers themselves.

“Sometimes I think that it is the scholarly publishing industry themselves who are the thieves, blackmailing content/copyright from researchers and then preventing access to it as their business model.

“Depends which side of the ethical fence you fall on – private or public gain,” he adds.

Tennant hopes that the European Commission will pick up the ball to end to what he sees as an abuse of power and copyright. Where Sci-Hub tries to “tear down the paywalls” through force, ultimately he believes that it’s more sustainable to change the publishing system itself.

Tennant, who was at a blockchain for science conference this week, has some ideas of his own. Ideally, the future of academic publishing should be open, flexible, and relying on modern technologies.

“My ideal scenario would be a much more granular and lightweight system of continuous editing and review – something like GitHub combined with Stack Exchange combined with Wikipedia,” he says.

“Community-owned, low cost, open source, open everything, sustainable, inherently reproducible, less biased, non-profit, collaborative, instantaneous, fair, and equitable.

“Something like that would be inherently easy to create, should we start again from scratch today,” Tennant concludes.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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The Motion Picture Association of America (MPAA) has protected Hollywood’s interest for nearly a century now.

In recent years the organization’s anti-piracy efforts have made the headlines repeatedly. Not just domestically, but around the world, through its site-blocking efforts for example.

Traditionally, the MPAA obtains most of its revenue from the six major Hollywood studios. The latest public filings show that these membership dues totaled nearly $50 million.

This number is significantly less than before, as we reported earlier, but new information suggests that it may drop even further.

As a result of Disney’s acquisition of 20th Century Fox, the MPAA stands to lose one-sixth of its membership dues. Disney promised to pay Fox’s share for another year after the deal is finalized, but what happens next is uncertain.

According to a report from The Information, the MPAA is now discussing a makeover of the organization.

While no crystalized plans have been released, several insiders said that the group is considering accepting new members, including streaming services such as Netflix and Amazon. This would add more revenue, but also broaden the organization’s mandate.

It is unknown how concrete these plans are or whether the MPAA approached potential new members already. Whatever the eventual direction may be, it won’t be an easy task.

“This can’t just be an economic exercise,” one of the people familiar with the discussions told The Information. “It has to be a come-to-Jesus moment.”

Although Amazon and Netflix have a shared interest with Hollywood on some fronts, both have their differences as well. The MPAA has been at odds with major tech companies over the years, companies that are closely aligned with the streaming giants.

That said, Amazon, Netflix, and the MPAA already work together in another anti-piracy initiative. They are all part of the Alliance for Creativity and Entertainment (ACE), which counts 30 companies in total.

The ACE coalition is, in fact, running on the MPAA’s anti-piracy resources, including personnel. That brings up the next makeover option.

If the MPAA can’t continue in its current form and is unable to add more members, whether those are traditional movie studios or streaming providers, some people suggested that it could fold into ACE.

That’s an even more complex path, perhaps, since the MPAA does more than fighting piracy. But in theory, the MPAA could continue as is in a slimmed down version, while its anti-piracy efforts move to ACE.

For now, it’s all just speculation. But it’s clear that the MPAA has more on its mind than fighting pirates.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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Several Russian tech giants and media companies signed a landmark anti-piracy agreement last week. It’s designed to make infringing content less visible by sanitizing search results and rapidly removing content.

The memorandum was signed by media companies Channel One, the National Media Group, Gazprom-Media, the Internet Video Association, and the Association of Film and Television Producers. Yandex, Rambler Group, Mail.Ru Group, vKontakte, and RuTube signed on the tech platform side.

A centralized database, populated with links to sites that the entertainment industry groups claim are infringing their intellectual property, will be created in a matter of weeks. Search engines and hosting platforms will query the database every five minutes and remove infringing content with six hours.

While the agreement had broad support, Russia’s publishing companies were not present during the initial signing. However, telecoms regular Roscomndazor indicated that other rightsholders and tech companies were welcome to join following a successful application.

The publishers have now shown their hand in a letter from the Russian Book Union to Roscomnadzor head Alexander Zharov.

“I ask you to assist in organizing the signing of a memorandum with the Internet Copyright Association [AZAPI] representing the interests of most major Russian publishing houses,” the letter reads.

“Direct communications between the Internet Copyright Association (AZAPI) and Roskomnadzor will remove links from search engines issued on the basis of a constructive dialogue, without waiting for the adoption of the law to develop an optimal test model.

The memorandum signed last week is valid until September 1, 2019. By then, the signatories expect new copyright legislation to be introduced, enshrining the terms of the memorandum in law.

In recent months, Yandex, in particular, has been under increasing pressure to do something about the large amounts of pirate content appearing in search results. Early September, before the signing of the memorandum, the battle again moved to the legal system.

In lawsuits filed with the Moscow City Court, Gazprom-Media outlets including TNT, TV-3, 2×2, complained that Yandex should “stop creating technical conditions that ensure the placement of [copyrighted] works on the Yandex.ru website.”

While that matter is still pending, the agreement reached last week (Yandex and Gazprom-Media both signed) could mean that GazProm-Media withdraws its complaints against Yandex. Speaking with TASS, spokesperson Ekaterina Trofimova declined to rule out the possibility of peace breaking out before the trial, provisionally arranged for December 5, 2018.

Meanwhile, the Russian IPChain Association, which earlier this year signed an agreement to digitize the patent archives of Kyrgyzstan using blockchain technology, has said it’s ready to provide a technological solution for the anti-piracy database detailed in the memorandum.

“The main infrastructure solution for implementing the conditions of the memorandum is, of course, distributed registry technology,” said a letter penned by Maxim Proksh of the government-backed innovation group, Skolkovo Foundation.

“Based on this technology, a number of projects have already been created that have passed the pilot stage and have been commercialized. This is how the IPChain intellectual property management system would work to provide a technological solution for the implementation of the memorandum.”

Through the use of blockchain technology, it’s envisioned that trust will be built between companies like Yandex and Gazprom-Media.

“It is important that the blockchain will create and cultivate an environment of trust between search engines and rightsholders. Flat registries in the form of tables are hopelessly outdated, both technologically and morally,” Proksh added.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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It is no secret that copyright holders are monitoring unauthorized downloads around the world.

In most cases this results in harmless takedown notices but increasingly, these warnings are triggering settlement demands or automated fines.

Rightsholders in the Netherlands are planning similar action. Dutch Filmworks initially said it would send the first settlement demands last Autumn but a year later, this is yet to happen.

Local anti-piracy group BREIN also announced a similar effort, targeting frequent seeders. This campaign isn’t live either.

Considering the above, it came as a surprise when several people received emails demanding a ‘fine’ over alleged illegal downloading in recent days. The emails in question claim to be from the Dutch Government’s Telecom Agency (Agentschap Telecom), which carries some weight.

The emails may look pretty legitimate, especially to people who are unfamiliar with these type of demands, but the Telecom Agency issued a warning today which explains that they are fake.

“There appear to be fake emails in circulation that supposedly come from the Telecom Agency. These are fake e-mails regarding fines for illegal downloading of films. These are bogus e-mails. They are not from the Telecom Agency,” the warning notes.

“Have you received such an e-mail? Do not respond to the message, do not click on any links and never leave your details behind.”

It appears that the scammers are using the news that ‘fines’ will soon be sent out to alleged pirates to add legitimacy to their efforts. Interestingly, this isn’t the first time that this has happened.

Last year we reported on a similar scheme where fake piracy fines were sent out, supposedly on behalf of Dutch Filmworks. This was a scam as well and the movie distributor advised recipients to throw the letters in the trash.

“There is a fake letter in circulation. This letter is NOT sent by Dutch Filmworks. Do not pay and throw the letter away,” the movie Dutch Filmworks warned at the time.

Being a Government agency, it’s unlikely that the Telecom Agency will ever send out piracy fines. These are more likely to come from rightsholders or their representatives.

How far along BREIN and Dutch Filmworks are with their real ‘fine’ schemes remains unknown.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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The entertainment industries have repeatedly accused Google of not doing enough to limit piracy while demanding tougher action.

For its part, Google regularly publishes updates on the extensive measures it takes to limit piracy on its platforms.

The company has today released the latest iteration of its “How Google Fights Piracy” report. It highlights how the company generates billions in revenue for the entertainment industries while at the same time takes measures to counter copyright infringement.

The company explains that its anti-piracy efforts are guided by five principles, starting with more and better legal alternatives.

“Piracy often arises when consumer demand goes unmet by legitimate supply. The best way to battle piracy is with better, more convenient, legitimate alternatives to piracy, which can do far more than attempts at enforcement can,” Google writes.

The other principles include a “follow-the-money” approach, effective and scalable anti-piracy solutions, protection against abuse such as fabricated copyright infringement allegations, and transparency.

A large portion of the report describes Google’s policies and results regarding web search. The company stresses that it doesn’t want to link to any pirated content, but that it relies on copyright holders to pinpoint these URLs.

“Google does not want to include links to infringing material in our search results, and we make significant efforts to prevent infringing webpages from appearing,” the company writes.

“The heart of those efforts is cooperation with creators and rightsholders to identify and remove results that link to infringing content and to present legitimate alternatives.”

Aside from removing more than three billion URLs in recent years, the search engine also helps to promote legal alternatives. This includes “knowledge cards” (which, incidentally, have featured pirate links too), as well as offering copyright holders SEO advice.

Earlier this year we reported that the number of takedown notices was starting to decrease for the first time in years, and Google confirms that observation in its report.

“The number of URLs listed in takedown requests decreased by 9%, reversing a long-term trend where the number of URLs requested for removal increased year-over-year,” the company writes.

Last year, Google was asked to remove 882 million URLs in total, of which 95% were removed. In addition, more than 65,000 sites that were flagged persistently have been demoted in search results, lowering their visibility.

This demotion measure is “extremely effective” according to the search giant.

“Immediately upon launching improvements to our demotion signal in 2014, one major torrent site acknowledged traffic from search engines had dropped by 50% within the first week,” Google notes, citing a TorrentFreak report.

Perhaps more importantly, Google’s demotion measures also passed the tests that were carried out under the Voluntary Code of Practice that Google entered into alongside Microsoft and major UK rightsholder organizations.

This agreement was signaled by the rightsholders as a landmark deal and, reportedly, Google is doing well.

Thus far, four rounds of tests have been carried out to check whether search engines sufficiently limit the availability of infringing content. These are based on guidelines set by the UK’s Intellectual Property Office (IPO). Google passed them all.

“Thanks to the demotion signal and our other efforts to surface legitimate results in response to media-related queries, Google Search has passed the test every time with flying colors — scoring considerably under the thresholds agreed with the IPO,” Google reveals.

This suggests that the search engine doesn’t have much to fear from the UK Government, which previously warned that “legislative” measures could follow if search engines didn’t step up their game.

While Google says that it’s doing its best, the company is convinced that search is not a major driver to pirate sites and stresses that they don’t control what is on the web.

The company reiterates its earlier position that removing entire domains from search results is unacceptable, as that would restrict access to legitimate content as well. Similarly, “filtering” the entire web for pirated content is not an option either.

“It is a myth that Google could create a tool to filter the web for allegedly infringing material and remove images, video, and text from our search results proactively. Such a system is both infeasible and unnecessary,” Google writes.

Aside from search, Google has also removed content from its other services including YouTube, Google Drive, and Google images. Some of these services were extensively abused by streaming sites last year, but Google says it has taken steps to counter this.

Finally, no anti-piracy report these days would be complete without a Kodi mention. The streaming software, which is perfectly legal in its own right, is regularly used in combination with third-party piracy add-ons.

Google, which banned the term Kodi from its auto-complete feature, says it removed several set-top boxes with “suspicious” add-ons from Google Shopping. In addition, the Play Store is closely monitored to flag apps with pre-installed pirate Kodi add-ons before they appear online.

In closing, Google notes that it remains committed to fighting piracy on all fronts, albeit not at all costs.

“Through continued innovation and partnership, we’re committed to rolling back bad actors while empowering the creative communities who make everything we love about the internet today.”

A copy of the most recent “How Google Fights Piracy” report is available here (pdf).

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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While Hollywood has yet to have any ‘pirate’ sites blocked by Internet service providers in the United States, over in Europe the picture is rather more intense.

At least 17 countries in the European Union now have active site-blocking programs, at last count blocking more than 1,800 sites and 5,300 related domains. This week, action by several major Hollywood studios came to fruition, adding Romania to the list.

In July 2017, Twentieth Century Fox, Universal City Studios, Universal Cable, Warner Bros., Paramount Pictures, Disney, Columbia Pictures, and Sony Pictures targeted multiple Romanian ISPs with demands to block three pirate sites.

Of course, top of the list was The Pirate Bay, the torrent site with a reputation for being the galaxy’s most resilient, despite being blocked all around the world by dozens of ISPs. Also targeted were Filmehd.net and Filmeonline2013.biz, two movie and TV show streaming portals that are particularly popular with locals.

According to a brief decision published by the Romanian Ministry of Justice, several ISPs including market leader RCS & RDS, Telekom Romania, UPC Romania, Digital Cable Systems, AKTA Telecom, and Nextgen Communication were defendants in the case and are now required to block a long list of domains (see below).

The decision, which is underpinned by a ruling on site-blocking handed down by the European Court of Justice in 2017, is the first of its kind in Romania.

The decision is not yet final and can be appealed within 30 days to the Bucharest Court of Appeal. It is not clear if any of the ISPs intend to do so.

The decision requires the defendant ISPs to implement what appears to be a straightforward DNS blocking regime on fixed-line services. This means that customers of the affected ISPs may be able to switch to a secondary DNS provider (such as Google or OpenDNS) to evade the blocks, once they’ve been put in place.

As revealed earlier this year, The Pirate Bay is now being blocked in at least 19 countries, including Argentina, Australia, Belgium, Denmark, Finland, France, Greece, Iceland, Indonesia, Ireland, Italy, Malaysia, Netherlands, Norway, Portugal, Spain, Sweden, and the United Kingdom.

As a result of this widespread blocking, there are now hundreds of ways to access the site, via alternative domains, mirrors, proxies, VPNs and even Tor. A huge ecosystem of third-party sites has sprung up to facilitate access to the site, with new domains appearing on a regular basis.

That goes some way to explaining why the Romanian order is so lengthy. Not only does it block ThePirateBay.org, but dozens of other domains, as listed below.

Domains to be blocked according to the latest Romanian decision

FilmeHD – filmehd.net

FilmeOnline2013 – filmeonline2013.biz

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For roughly two decades, copyright holders have been sending ISPs takedown notices to alert account holders that their connections are being used to share copyrighted material.

These notices are traditionally nothing more than a warning, hoping to scare file-sharers into giving up their habit. In recent years, this has slowly changed.

In the past, AT&T and other ISPs said that they would never terminate accounts of customers without a court order, arguing that only a court can decide what constitutes a repeat infringement.

However, after rightsholders filed several high profile lawsuits against ISPs, many companies have revised their policies. This also appears to be the case at AT&T, which reportedly plans to terminate its first customers over piracy allegations.

The ISP, which is the third-largest broadband provider in the US, plans to terminate over a dozen persistent ‘pirates’ next week, Axios reports.

The customers in question have received repeated warnings for pirating through P2P networks, usually BitTorrent. AT&T states that it reached out to educate them about copyright infringement and prevent the issue from reoccurring, apparently without result.

“A small number of customers who continue to receive additional copyright infringement notifications from content owners despite our efforts to educate them, will have their service discontinued,” an AT&T spokesperson said, commenting on the news.

AT&T is by no means the only ISP that terminates persistent pirates, but it’s a noteworthy step since the company is no longer convinced that a court order is required to do so.

This lack of clarity is, in part, due to the language in the Digital Millennium Copyright Act (DMCA) that deals with takedown notices.

The DMCA requires ISPs to “… adopt and reasonably implement a policy that provides for the termination in appropriate circumstances of subscribers and account holders of the service provider’s system or network who are repeat infringers.”

The term “repeat infringer” is open to interpretation. Are these infringers by a court’s standards, or merely based on allegations from copyright holders?

Where AT&T previously said that a court order was needed, it will now terminate customers based on allegations from copyright holders.

There is little doubt that many of the repeatedly flagged subscribers have a ‘pirate’ in their household. That said, without a proper judicial review of the evidence, there’s more room for error.

AT&T and several other ISPs previously took part in the Copyright Alert System. Together with the MPAA and RIAA, they agreed to send warning notices to alleged pirates, escalating repeat infringers through a series of “mitigation” measures.

Ironically, this scheme didn’t require any of the ISPs to terminate any subscribers, although AT&T threatened to do so.

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This week we have five newcomers in our chart.

Incredibles 2 is the most downloaded movie.

The data for our weekly download chart is estimated by TorrentFreak, and is for informational and educational reference only. All the movies in the list are Web-DL/Webrip/HDRip/BDrip/DVDrip unless stated otherwise.

RSS feed for the articles of the recent weekly movie download charts.

This week’s most downloaded movies are:
Movie Rank Rank last week Movie name IMDb Rating / Trailer
Most downloaded movies via torrents
1 (…) The Equalizer 2 6.9 / trailer
2 (…) The Meg 5.9 / trailer
3 (1) Incredibles 2 8.0 / trailer
4 (…) The Nun (subbed HDRip) 5.7 / trailer
5 (…) Mile 22 6.1 / trailer
6 (3) Alpha 6.9 / trailer
7 (…) Papillon 7.0 / trailer
8 (2) The Spy Who Dumped Me 6.2 / trailer
9 (10) BlacKkKlansman 7.7 / trailer
10 (4) Christopher Robin 7.6 / trailer

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