Section 115a of Australia’s Copyright Act allows copyright holders to apply for injunctions that force ISPs to prevent subscribers from accessing ‘overseas online locations’ that facilitate access to infringing content.

The legislation has been used on a number of occasions since its adoption in 2015 and as a result, dozens of notorious pirate sites are now inaccessible via regular means. However, pirate sites are often quick to adapt, with mirrors, proxies and other sites popping up to reactivate access.

Additionally, search engines – Google in particular – provide a handy reference guide for those looking for these kinds of resources. The entertainment industries are therefore keen to plug this loophole, to ensure that their web-blocking efforts are as effective as possible. That has resulted in the publication today of proposed amendments to copyright law.

The aims of the Copyright Amendment (Online Infringement) Bill 2018 are fairly straightforward.

Where existing legislation compels ISPs to prevent access to sites listed in an injunction, the amendments attempt to deal with sites that “have started to provide access to the online location after the injunction is made”, meaning that subsequently appearing mirrors and proxies can be dealt with much more quickly.

Turning to the perceived problems with search engines, the amendments will allow rightsholders to apply for injunctions that will not only target infringing ‘online locations’ but also their appearance in search results.

Companies including Google will be required to “take such steps as the Court considers reasonable so as not to provide a search result that refers users to the online location.” Search providers will also be compelled to deal with the subsequent appearance of mirrors and proxies by ensuring that these don’t appear in search results either.

In a statement published this morning, the Department of Communications offered the following summary.

“The Copyright Amendment Bill will ensure a broader range of overseas websites and file-hosting services widely used for sharing music and movies are within the scope of the scheme, and provide a means for proxy and mirror pirate sites to be blocked quickly,” the statement reads.

“The amendments will also further empower copyright owners to seek Federal Court orders requiring search results for infringing sites.”

That search engines are being targeted in this manner is not a surprise. Entertainment industry groups everywhere believe that Google has become a key part of the piracy problem and rhetoric has at times been scathing, particularly in Australia where Village Roadshow chief and outspoken piracy critic Graham Burke has continually slammed the company.

In a TV interview with Sky News Australia yesterday, Burke said that site-blocking is working to an extent but is being undermined by the actions of Google.

“It’s been very effective because the traffic to the blocked sites is down 53% and that’s extremely gratifying. But it should be down 90% and the reason it’s not down 90% is because Google are saying ‘Hey, the front door’s been shut but hey folks, here’s the back door, we’ll lead you round to the backdoor’. In so doing, actually – in my view – they’re facilitating crime,” Burke said.

The Village Roadshow chief added that Google is helping people to circumvent the legislation of the Australian Government and is making it very easy for people to “break the will of the Australian Parliament and Australian courts.”

“If you Google in ‘Watch Mad Max Fury Road’ up will come a whole raft of pirate sites. [Google are] taking people to the proxies, to the mirror sites, of the pirates and they’re doing it unashamedly,” he said.

“Google have no interest in Australian jobs, Australian culture, and the Australian economy. They make protesting noises but it’s a sham.”

Google already and voluntarily demotes pirate sites in search results based on the number of DMCA notices it receives against them. However, should this legislation be adopted, it will be required to remove references to them completely following an injunction, at least in the Australia-facing parts of its service.

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Had it succeeded, the Bangladesh Bank Heist would easily have been the biggest bank robbery in history.

It was carried out almost entirely in the digital realm, using a variety of exploits and malware, in order to leverage access to the SWIFT banking network and the US Federal Reserve.

In Part One, we look at exactly what happened in the Bangladesh heist, and walk through how it was carried out. To help us through the complex story, we hear from Cheryl Biswas, Strategic Threat Intel Analyst in Cyber Security at a Big Four consulting firm.

After covering the how of the robbery, we consider whether trusted systems like SWIFT can remain secure in an information environment replete with radically heterogeneous, eminently hackable device

Cheryl Biswas wishes to make clear that she speaks here on her own behalf Her views do not represent those of her employer.

Steal This Show aims to release bi-weekly episodes featuring insiders discussing crypto, privacy, copyright and file-sharing developments. It complements our regular reporting by adding more room for opinion, commentary, and analysis.

Host: Jamie King

Guest: Cheryl Biswas

Produced by Jamie King
Edited & Mixed by Lucas Marston
Original Music by David Triana
Web Production by Eric Barch

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In an effort to reduce levels of copyright infringement, content companies and distributors have adopted site-blocking as one of their preferred anti-piracy tools.

The practice is now commonplace across Europe, with many of the main torrent and streaming portals blocked by local ISPs.

In Sweden, ‘pirate’ site blocking became a reality in February 2017 when ISP Bredbandsbolaget (Broadband Company) was ordered to block The Pirate Bay and streaming portal Swefilmer.

That process took a long time to come to fruition. The original lawsuit, filed in 2014 by Universal Music, Sony Music, Warner Music, Nordisk Film, and the Swedish Film Industry, initially went in the ISP’s favor.

A subsequent appeal, however, saw the rightsholders emerge victorious, with Bredbandsbolaget ordered to implement “technical measures” to prevent its customers from accessing the ‘pirate’ sites through a number of domain names and URLs.

For more than a year, other ISPs in Sweden have been able to provide subscribers with access to The Pirate Bay, since the earlier case was targeted at just one ISP. Now, however, local ISP Telia finds itself in a similar position following an order handed down Monday by the Patent and Market Court.

Following an application by a huge coalition of content companies and groups including the Swedish Film Industry, Nordisk Film, Disney, Paramount, Columbia, Disney, and Twentieth Century Fox, Telia must now block subscriber access to several ‘pirate’ sites.

As is often the case, torrent favorite The Pirate Bay heads the list, with streaming platforms Fmovies, Dreamfilm and NyaFilmer following closely behind.

Cited by IDG, Per Strömbäck of the Film and TV Industry Cooperation Committee said that a favorable decision was anticipated.

“The decision was expected and complies with the current legal situation. Now it’s high time that Telia takes the same responsibility in Sweden as it already does in Denmark and Norway,” Strömbäck said.

While the move to site blocking in Sweden hasn’t always plain sailing, last year’s decision in the Bredbandsbolaget case laid down some valuable pointers.

The Court found that under EU law it is possible for copyright holders to obtain an injunction against ISPs whose services are used to commit copyright infringement, noting that the Swedish Copyright Act should be interpreted “in the light of EU law.”

Before deciding on an injunction, the Court also sought to ensure that any blocking would be proportional. Since sites like The Pirate Bay and similar platforms primarily offer illegally-distributed copyright-protected content, a blocking order is now considered an appropriate response.

The decision handed down Monday is an interim measure valid from October 30. From that date, Telia must prevent its subscribers from accessing the sites listed in the complaint and keep those measures in place until the case is finalized. In the meantime, Telia says it is considering its position.

“We are surprised by the news and we are going to analyze the decision to decide if we will appeal,” says Telia spokesperson Iréne Krohn.

“We believe that legislators and courts should make the assessment. Service providers cannot and do not want to decide what’s available on the internet.”

In a reaction to the news, Jon Karlung, CEO of freedom-loving ISP Bahnhof, criticized the court and its decision.

“It is a specialized court without credibility that represents a special interest,” he said.

“[Blocking] does not work technically and, in principle, you can not build a filter for everything you dislike on the internet. You are destroying the core of the internet, to communicate freely.”

The injunction handed down against Bredbandsbolaget last year was the first of its kind in Sweden. It had a time limit of three years and a penalty of around US$56,000 for any breaches. The details on the Telia case will be revealed in due course.

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Last year we highlighted a rather interesting service which makes it easy for anyone to embed a pirated movie.

Requiring only an IMDb number, Vodlocker.to allows anyone to embed videos, many of which are pirated.

This turned out to be a welcome feature for many smaller site operators, who use basic scripts to set up a streaming portal with minimal investment. In exchange, Vodlocker can serve some extra ads on these sites, which makes it a win-win for both parties.

More recently, however, it appears that ‘someone’ has added some extra code to the Vodlocker site that does more than streaming video or placing ads. As a result, the embedded videos are also being used to DDoS certain video streaming portals.

Looking at the source of the embed pages, we see a piece of JavaScript that attempts to load content from external sites. This is triggered by unwitting visitors; not once, but dozens of times per second. The smaller sites in question, understandably, collapse under this load.

The script

When we checked the site on Monday, Rainierland.com and Movie2k.st were being targeted, resulting in downtime. Today, the code has been updated and it’s now pointing movie4k.is, which is mostly unreachable as a result.

Movie4k.is attack in action

It’s not clear what the motivation for this attack is, or if Vodlocker is perhaps compromised, but it appears to be an intentional effort to take these streaming sites down.

Before the weekend the German news site Tarnkappe reported that another site, Filmpalast.to, was suffering from a similar DDoS attack.

Many of the sites that rely on these Vodlocker.to embed codes probably have no idea that they are participating in the attacks. The same is true for their visitors, who are unwittingly transformed into an army of stream-watching DDoS bots.

We contacted several of the affected sites for a comment but haven’t heard back. Vodlocker.to has no contact address listed, so we haven’t been able to reach out to the site itself.

The JavaScript-based attack itself isn’t new. Cloudflare previously highlighted the problem, describing it as a growing issue on the Internet.

“If an attacker sets up a site with this JavaScript embedded in the page, site visitors become DDoS participants. The higher-traffic the site, the bigger the DDoS,” Cloudflare explained in a blog post some years ago.

“Since purpose-built attack sites typically don’t have many visitors, the attack volume is typically low. Performing a truly massive DDoS attack with this technique requires some more creativity.”

In this case, there appears to be enough volume to take smaller sites offline. Not only are there a lot of sites who rely on the Vodlocker.to embeds, the visitors generally keep their tabs open for a more than an hour, while they’re watching, continuously hammering away.

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Over the past year there has been a wave of copyright infringement lawsuits against alleged cheaters or cheat makers.

More than a handful have been filed in the US, but there’s also been some action in Australia recently.

In one case, filed last month, GTA V developer Rockstar Games and its parent company Take-Two Interactive are going after several people believed to be linked to the popular “Infamous” cheat.

This lawsuit is notable because the Federal Court of Australia has signed off on several broad enforcement actions. Not only are the defendants restrained from any cheating related activity, they are also the subject of a search and assets freezing order.

The orders are issued against the person or persons known as Christopher Anderson, Cycus Lesser, Sfinktah, Koroush Anderson, and Koroush Jeddian. Per the court’s order, all are prohibited from cheating and can be imprisoned if they refuse to comply.

Restrained

The associated search order identifies two Melbourne premises. It allows a search party to enter the buildings and search, copy, or remove relevant evidence including any computer, electronic storage device, or documents related to “Infamous.” Any cars that are located at these locations can also be searched.

In addition to the search order, the Federal Court also issued a freezing order preventing the defendants from taking out more money than needed for regular expenses.

“You must not remove from Australia or in any way dispose of, deal with or diminish the value of any of your assets in Australia (Australian assets) up to the unencumbered value of AU$286,609.80 (the Relevant Amount),” the order states.

This freezing order also applies to any cryptocurrency and other digital currency, including the money stored in the PayPal account that’s assigned to “Christopher Anderson.”

It is likely that Rockstar Games and Take-Two Interactive will try to obtain copyright infringement related damages, and with the freezing order they can make sure that the money isn’t spent beforehand.

The orders in question were initially not disclosed, but that restriction has now been lifted. From the information we have available the searches were carried out late last month. In a follow-up order, the federal court ruled that the freezing and other orders should remain in place for now.

The defendant(s) have yet to file a defense, which is expected later this month. Whatever the outcome, these orders and actions reveal that GTA V’s developer and its parent company are taking cheating rather seriously.

An overview of the various orders is available here (pdf).

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Every year, trade groups representing movie, TV show, music, video game, and a broad range of other content companies make submissions to the Office of the United States Trade Representative (USTR).

These documents outline sites, services, platforms and other locations that rightsholders believe should be branded “notorious markets” in the USTR’s annual overview of overseas infringing businesses.

The USTR’s final report carries significant weight and often guides the U.S. Government’s attitudes toward foreign governments when it comes to enforcement of intellectual property rights.

The latest submission by the MPAA highlights many of the usual suspects, including The Pirate Bay, RARBG, 1337x, Rutracker, and Torrentz2. However, it also includes a lesser-known Poland-based video site that on closer inspection seems a little out of place.

“Cda.pl is Poland’s most popular piracy website where users from around the world find and view copyright infringing content,” the MPAA wrote.

“It is so big that it is now more popular than several legitimate VOD services in the country. Cda.pl had 68.13 million worldwide visitors with nearly 13 million unique visitors in July 2018 according to SimilarWeb data and currently enjoys a global Alexa rank of 1,477 and a local rank of just 15 in Poland.”

Continuing to paint a picture of blatant piracy, the MPAA highlights that the owner of CDA.pl – CWMedia S.A. – attempts to hide where their site is hosted, using Cloudflare to mask server IP addresses and reverse proxies located at OVH in Poland to “curb rights holders’ ability to identify its precise host.”

While these kinds of claims are common in MPAA filings against ‘pirate’ sites, according to the company the MPAA is well off the mark with its ‘notorious market’ branding. As a result, it will now “intervene in the case” using official channels.

“CDA.pl is a very large and very popular service, often more popular than other VOD services in Poland. Yes it’s true. We’re big and we’re popular,” the site said in a statement.

“On CDA.pl, you can find videos that users have uploaded that breach copyright law. Yes, such cases happen, just like everyone else – we emphasize everyone, including social video websites where users add content. The same problem applies to CDA.pl, as well as YouTube, Dailymotion, Vimeo and others.”

The site says that in common with similar upload platforms, it takes positive steps to deal with infringing content when it becomes aware of it. In accordance with Polish and EU law, CDA.pl says it utilizes a notice-and-takedown system which removes infringing content without delay.

Furthermore, in common with services like YouTube, CDA.pl also provides rightsholders and other interested parties with direct access to tools that allow content to be removed from the platform.

“The law does not require us to do this, but it is a solution that significantly increases the effectiveness of combating illegal content. It is also worth remembering that the content in question can only appear on a specific part of CDA.pl, which is created by users (i.e the so-called user-generated content),” it adds.

The site points out that other areas of its site are dedicated to hosting content provided by verified submitters, partners and copyright holders, including its CDA Premium service which offers paid access to films supplied under licensing agreements made with distributors.

“CDA Premium is one of the most popular services of this type in Poland, and due to licenses, the Company paid PLN 5.4m ($1.45m) to distributors in the first half of this year alone!” the company notes.

On the claim that the CDA.pl uses Cloudflare to hide its location, the company appears to be even more irritated by the MPAA’s report to the USTR, noting that they’re either ignorant of the uses for the technology or are simply acting maliciously.

To clarify, CDA.pl says it uses Cloudflare for two reasons – to protect against DDoS attacks and to speed up the website for end users – and the service is not used to “hide” from anyone. Complaints can easily be made to the company so knowing where a server is located isn’t helpful, it adds.

“The entities whose rights are violated does not need to know the server IP address, he must be able to contact the website administrator for this (all contact details are available on the website). We remind you that you can report problems by e-mail or using the ‘report violation’ button, which is found next to every video on CDA.pl,” the company concludes.

It is relatively rare for a company reported as a ‘notorious market’ to fight back publicly so it will be interesting to see how this develops. Whether the USTR will choose to omit CDA.pl from its final report remains to be seen. Thus far, however, the MPAA isn’t well known for making publication retractions.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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Over the past decades, the entertainment industries have tried out numerous anti-piracy campaigns.

From “don’t copy that floppy,” “copyright alerts,” to “get it right,” and everything in between, it has been tried.

The problem with these campaigns is that it’s hard to measure the direct effect. This prompted psychology researchers Joanne Ullman and Clayton Silver from the University of Nevada, Las Vegas, to conduct a controlled experiment.

The results, published in an article titled “Perceived Effectiveness of Potential Music Piracy Warnings” show that some warnings are more effective than others.

The researchers conducted a study where students would see a series of piracy warning labels. These came with one of four icons, depicted below, as well as one of the signal words; NOTICE, IMPORTANT, and STOP. For each of these, five different warning categories were created.

1. Icon + Signal word – No warning
2. Icon + Signal word – “This is illegal”
3. Icon + Signal word – “This is illegal. You may be fined.
4. Icon + Signal word – “This is illegal. You may be monitored.”
5. Icon + Signal word – “This is illegal. You may be monitored and you may be fined.”

4 icons were tested with varying signal words and warnings

The students then had to rate each of these 60 warning messages for perceived effectiveness. These ratings were then analyzed to see if some are believed to work better than others, which was indeed the case.

The computer icon with a download arrow and a slash through it received the highest rating. The one of the right, with the cross and without the computer, was seen as least effective.

“The highest perceived warning effectiveness icon was the computer with the download paired with a slash; whereas, the no computer with the download followed by the cross, had the lowest perceived warning effectiveness,” the researchers write.

As for the signal words, both IMPORTANT and STOP were seen as more effective than NOTICE. This is something senders of infringement ‘notices’ might want to keep in mind.

When it comes to warnings, the combination of “this is illegal” with “you may be monitored and fined” received the highest perceived effectiveness rating. The control group where no warning was shown was the least effective.

These findings suggest that the more explicit warnings work better. Indeed, that’s also the case when the researchers pinpointed the most effective combinations of all, with an example pictured on the right.

The most effective warning includes a computer for context, a download symbol, a slash symbol, the signal words STOP or IMPORTANT, and a message with all consequences (fined and monitored).

It is worth noting that these results are about ‘perceived’ effectiveness. While that’s a decent indicator, it doesn’t say anything about how these warnings would change the behavior of an actual audience of pirates.

This experiment is limited to a small set of warnings, but the researchers believe that developing an effective warning label can help to deter piracy and inform consumers.

The research suggests that explicit warnings are better than vague ones. In addition, we would caution that some campaigns can also go too far. Over the past decade, the “Piracy. It’s a crime” PSA has been mocked and ridiculed for being overly dramatic, without much substance.

Joanne Ullman, lead author of the article, tells us that the “Piracy. It’s a Crime” campaign isn’t particularly informative and therefore not very explicit. Providing explicit information about the risks appears to be most effective.

“This may be of value to some consumers given that we all have varying levels of risk aversion due to personality and/or situational factors,” Ullman says.

“For others, perhaps being reminded of these restrictions would embolden them to take legal and proactive measures to change current policies. The overall aim of this research is to maximize the capacity of people to make sound decisions for themselves.”

Piracy. It’s a Crime

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Since the dawn of time, or at least since 2008 each released version has received a code name next to the version number. Giving each development iteration a code name in a certain category is kind of a tradition that is not only applicable for software but also for hardware. Google does so for Android and Intel also names their chips. Who are we to break this tradition and as such we follow in their steps with a theme that started out with mythical places or  names.

With Kodi v18 Leia heading towards final release (currently in Beta stage) we’ll need a new code name that will be added to v19 which our developers will be working on in due time. Don’t worry we’ll still look after any bug that might pop up in Leia and try to fix it first.

History

Below are the code names we have used in the past to give you an idea.

Atlantis
8.10  (15 November 2008)

Babylon
9.04 Babylon (6 May 2009)

Camelot
9.11 Camelot (24 December 2009)

Dharma
10.0 (18 December 2010)
10.1 (10 March 2011)

Eden
11.0 Eden (24 March 2012)

Frodo
12.0 (9 January 2013)
12.1 (18 March 2013)
12.2 (3 May 2013)
12.3 (24 December 2013)

Gotham
13.0 (4 May 2014)
13.1 (5 June 2014)
13.2 (17 August 2014)

Helix
14.0 (23 December 2014)
14.1 (1 February 2015)
14.2 (28 March 2015)

Isengard
15.0 (21 July 2015)
15.1 (16 August 2015)
15.2 (19 October 2015)

Jarvis
16.0 (21 February 2016)
16.1 (24 April 2016)

Krypton
17.0 (4 February 2017)
17.1 (23 March 2017)
17.2 (21 May 2017)
17.3 (24 May 2017)
17.4 (22 August 2017)
17.5 (24 October 2017)
17.6 (15 November 2017)

Leia
18.0 (Soon)

M******
19.0 (In a far distant future….)

As you can see we now arrived at the next version that will start with the letter M. We thought it might be a good idea to ask the users to send in suggestions on what the next code name should be. You can post your suggestions on our forum: Kodi v19 Name Suggestion. So up to you to suggest a great code name that will be added to Kodi v19. The team will take all suggestions in consideration and picks the most appropriate.





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Following persistent complaints from copyright holders that Russian Internet giant Yandex has failed to keep ‘pirate’ links to TV shows out of its search results, several major broadcasters filed a lawsuit with the Moscow City Court.

Gazprom-Media outlets including TNT, TV-3, 2×2, and Super asked the Court to have ISPs block Yandex’s video indexing platform. The Court complied and gave Yandex until August 30 to remove all of the offending content.

Yandex responded with a refusal to comply, insisting that the law had been misinterpreted and that search engines are not covered by existing legislation. Content should be removed by the sites hosting it, Yandex claimed.

Soon after, however, Yandex changed direction. Fearing that its entire site would be blocked for non-compliance, Yandex removed links to the content and filed an appeal with the Moscow City Court. The search giant wanted the interim order rejected in respect of the TV shows owned by TV3 but the appeal failed.

A second appeal by Yandex concerning links to the TNT TV show ‘House Arrest’ also failed this week. According to a TASS report, the Court dismissed the company’s request to have the preliminary measures protecting the show lifted.

Late August, Yandex found itself responding to further legal action initiated by the TV channels. The lawsuits required the company to “stop creating technical conditions that ensure the placement of works on the Yandex.ru website” or face fines of 10,000 rubles ($150) for each instance of infringement of House Arrest and several other TV shows.

The Moscow City Court says it will begin hearing these cases next week.

“According to the results of the preliminary hearings, consideration of the claim of TNT-TV Network versus Yandex LLC is scheduled for October 15 at 11:00 Moscow time,” the Court said in a statement.

On the same date, the Court will also hear arguments in the lawsuit filed against Yandex by the TV channels Super, TV3 and 2×2. Each seeks to prevent Yandex from linking to infringing copies of their shows in search results or face fines.

The cases against Yandex have caused an element of confusion in Russia over the limits of current copyright law. In September, Deputy Prime Minister Maxim Akimov said that the country’s anti-piracy legislation needs to be “improved” following the Yandex/Gazprom dispute.

Meanwhile, rightsholders and tech companies have been attempting to thrash out the terms of a memorandum to deal with piracy moving forward. TASS reported Friday that Yandex is prepared to sign first but only if companies including Google, YouTube, and Mail.ru group members vKontakte and others follow.

“We are in favor of an early resolution of the issue and are ready to be the first to sign the memorandum on the condition that the document will enter into force only after it has been signed by other participants,” Yandex said.

The comments follow a meeting this week attended by telecoms watchdog Roscomnadzor, Yandex, Mail.ru Group, plus rightsholder representatives Gazprom-Media and the Association of Film and Television Producers. With the parties still a distance apart on the issue of piracy, Mail.ru suggested the adoption of DMCA-like system to counter infringing content.

“The best mechanism for interaction between Internet sites and copyright holders, in our opinion, is the international DMCA format, which regulates copyright with the development of new technologies,” the company said, adding that removing content within 24 hours of a copyright complaint is an accepted standard.

Mail.ru told TASS that while it already adheres to a strict policy when removing pirate content and believes further measures aren’t needed, it remains open to further discussion with rightsholders. Yandex reiterated that all parties need to be on board for an agreement to be reached.

“We oppose piracy and consider it necessary to develop a solution that will be transparent and equally applicable to all key Internet services on the market,” Yandex added in a statement.

“Such an approach should be fixed at the legislative level. Before the relevant law enters into force, the decision can be formalized as an industry memorandum.”

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Last year Epic Games started to sue several Fortnite cheaters, accusing them of copyright infringement.

With these lawsuits the company hopes to stop the cheaters and send a clear message to others who do the same. However, Fortnite cheating remains rampant.

This week Epic Games continued its efforts by suing a rather prominent target, Golden Modz, who they’ve identified as Brandon Lucas. With more than 1.7 million subscribers on YouTube, he is the most high profile target we’ve seen thus far.

The complaint, filed at a North Carolina Federal Court, accuses ‘Golden Modz’ of copyright infringement and also names Colton Conter, a.k.a. ‘Exentric,’ as a second defendant.

“This is a copyright infringement, breach of contract, and tortious interference case in which the Defendants are infringing Epic’s copyrights by injecting unauthorized cheat software (‘cheats’ or ‘hacks’) into the copyright protected code of Epic’s popular video game Fortnite®,” Epic Games writes.

Both defendants have displayed their use of cheats in various YouTube videos. By using these cheats, they inject code into the game which modifies the original, which is a clear violation of copyright law, according to Epic Games.

Even worse, Golden Modz also stands accused of selling cheats online through the websites goldengodz.com and gtagods.com, which are often advertised in his gameplay videos.

“Lucas is operating these websites and selling these cheats and accounts for his own personal enrichment. He posts videos of people using the cheats for the same reason. His ill-gotten gains come at the expense of Epic and members of the Fortnite community.”

Cheats for sale

Golden Modz and Exentric team up on occasion, which appears to be the case in this video. They refer to their cheats as magical powers, informing viewers where to buy these, while hosting giveaways as well.

“At the end of the stream, I’m gonna do a three month of Fortnite magical powers giveaway. Definitely not cheats – wink wink – its magical powers okay,” Golden Modz notes.

According to Epic Games and the video’s title, there is little magical about these powers.

“In some of their YouTube videos, Defendants play (sometimes together) in duos and squads, and joke that the cheat software gives its users ‘magical’ powers, allowing them to ‘troll’ Fortnite by killing dozens of other players and ‘win’ the game,” the complaint reads.

Teaming up

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The complaint points out several videos where the defendants showcase their hacks and cheats. Epic has asked YouTube to remove several of these, which hasn’t gone unnoticed.

In fact, last month Golden Modz uploaded a video titled “I am getting sued by fortnite…” which, as it turns out, was rather prophetical. In the video, he notes that many other YouTubers are creating these videos, and he doesn’t really see his actions as problematic.

“I’m almost kind of feeling I’m being discriminated against by Epic Games you know I’m just a kid that’s making YouTube videos and a lot of people were enjoying this,” Golden Modz said.

Epic Games clearly disagrees and the company wants to be compensated for its losses. They’re suing both defendants for copyright infringement and breach of contract, adding several other claims including contributory copyright infringement against Golden Modz specifically.

“Defendants should be permanently enjoined from continuing to engage in the conduct complained of herein, their profits should be disgorged, and they should be ordered to pay Epic’s damages, attorneys’ fees, and costs related to this action,” Epic writes.

A copy of the complaint, obtained by TorrentFreak, is available here (pdf).

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