Last year several major record labels, represented by the RIAA, filed a lawsuit against ISP Grande Communications accusing it of turning a blind eye to pirating subscribers.

According to the RIAA, the Internet provider knew that some of its subscribers were frequently distributing copyrighted material, but failed to take any meaningful action in response.

Grande refuted the accusations and filed a motion to dismiss the case. The ISP partially succeeded as the claims against its management company Patriot were dropped. The same was true for the vicarious infringement allegations.

The labels were not willing to let go so easily. They pushed on with several new filings, including a motion for summary judgment, arguing that Grande has no safe harbor defense.

In order to enjoy safe harbor protection, the DMCA requires ISPs to adopt and reasonably implement a policy for terminating the accounts of repeat copyright infringers. According to the labels, it is clear that Grande failed to do so. As such, the company should be held directly liable.

Yesterday, US Magistrate Judge Andrew Austin issued his “report and recommendation” on the matter, which delivers a significant setback for the Internet provider.

According to the Judge, the undisputed evidence shows Grande had a policy that allowed it to terminate repeat infringers, but that the ISP failed to act on this for years. As such, the policy was not adopted and reasonably implemented.

“Grande affirmatively decided in 2010 that it would not enforce the policy at all, and that it would not terminate any customer’s account regardless of how many notices of infringement that customer accumulated, regardless of the source of the notices, and regardless of the content of a notice,” Judge Austin writes.

The evidence shows that Grande did not terminate a single repeat infringer between October 2010 and June 2017. This was effectively confirmed by the ISP’s own corporate representative.

“A ‘reasonably implemented’ termination policy requires that the policy be enforced, and not just adopted. Because the evidence is undisputed that Grande never enforced its policy during the relevant time period, it is precluded from raising the DMCA safe harbor defense in this case.

“It is hard to imagine a case in which it is more clear that the DMCA safe harbor is not available,” the recommendation reads.

In its defense, Grande argued that it did enforce a repeat infringer policy after the lawsuit was filed but, according to the Judge, this was “too little too late.”

The Internet provider also argued that terminating customers wasn’t appropriate because the copyright infringement notices sent by Rightscorp were flawed. However, Judge Austin concludes that this is no defense, as there is no evidence that Grande ever considered terminating a user.

On top of that, the concerns regarding Rightscorp’s notices don’t explain why similar complaints from other sources were also disregarded.

“Yet another failure with Grande’s argument about the Rightscorp notices is that it does not address the several hundred thousand copyright infringement notices it received from companies other than Rightscorp,” Judge Austin writes.

In weighing the arguments the Judge looked closely at the BMG v. Cox case, which was very similar. In that matter, the court concluded that Cox didn’t have a safe harbor defense and Judge Austin argues that that same should apply to Grande.

If the U.S. District Court Judge adopts this recommendation, it will be a major win for the labels of the RIAA. Without a safe harbor defense, ISPs are not shielded from contributory liability for the actions of pirating subscribers.

And there is more bad news for the ISP as well.

Grande requested summary judgment in its favor on a variety of liability issues, including direct infringement, willfulness, damages, and ownership of copyright. These are all under recommendation to be denied, except for two limited issues regarding the alleged violation of reproduction or public performance rights.

The RIAA labels also submitted a cross-motion on these liability issues, requesting a ruling in their favor, but that was denied as well. This means that the matters will be decided at trial.

While Judge Austin’s recommendations have yet to be adopted, both reports and recommendations have definitely not improved the outlook for Grande.

A copy of the safe harbor recommendations is available here (pdf), and the recommendations on Grande’s motions for summary judgment and the labels’ cross motions can be found here (pdf).

Update: we clarified that without a safe harbor ISPs aren’t shielded from contributory liability for the actions of pirating subscribers.

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Compared to many other companies in the video industry, Netflix traditionally had a fairly pragmatic approach to the piracy phenomenon.

Now, however, with billions of dollars being spent creating its own content, the company is a major player in the Alliance for Creativity and Entertainment (ACE), a global anti-piracy coalition with considerable influence.

According to a March 2018 report, by 2020 the company will have more than 546,000 customers in the Thailand. However, piracy is rampant in the country, something that has led to its placement on the USTR’s Priority and regular Watch Lists in recent years.

To help alleviate this situation and help companies including Netflix, this week the government launched a brand new anti-piracy agency located within the Office of the National Broadcasting and Telecommunications Commission (NBTC).

“The Royal Thai Police (RTP) and the Office of the National Broadcasting and Telecommunications Commission (NBTC) have been charged with a cooperative mission to suppress and prevent the proliferation of counterfeit products and online piracy,” an NBTC statement reads.

“This follows a number of expressions of serious concern from international allies such as the US, Japan, and others whose domestic companies’ IP rights are being infringed in the form of counterfeit handbags, clothes, makeup, electronic devices, and digital piracy.”

During a press conference marking the launch of the Center of Operational Policing for Thailand Against Intellectual Property Violations and Crimes on the Internet Suppression (COPTICS), it was noted that the current procedure (which can sometimes take more than six months from initial complaint through to a court issuing a blocking order) is considered inadequate.

The mission now is to massively speed up the process, with the lofty aim of having sites blocked within a few days of receiving a complaint. Netflix, it appears, will be one of the first companies to test the new system.

Immediately following the launch of the new initiative, three companies – Netflix, Mono Technology Plc, and Major Cineplex Group, plus the Thai Motion Picture Industry Association – filed complaints with the new agency, Bangkok Post reports.

It is not yet clear which platforms have been reported to authorities but according to the government, the content companies must first complain to TACTICS, Thailand’s Action Taskforce for Information Technology Crime Suppression.

Once the copyright complaint has been received and accepted by the police, it will be progressed to the NBTC which will order local Internet service providers to block offending websites and URLs. Once blocks are put in place, police and the NBTC will “monitor and implement proceedings against offenders.”

According to NBTC secretary-general Takorn Tantasith, 2,000 allegedly infringing sites and/or URLs were reported to the authorities between August and December this year, but only 20% were blocked. Just last week, police filed complaints against 744 sites with the NBTC, but just 47 were blocked in that instance.

Curiously, the reason given by Takorn for the low number of blocks is that the remainder “are encrypted from abroad” meaning that they cannot be blocked locally by ISPs, something which is hard to believe. Provoking even more interest is that the majority of the sites are claimed to be run “by Google, YouTube, and Facebook.”

According to Bangkok Post, NBTC has asked representatives of the US embassy to invite management teams from these companies to conduct talks with Thai authorities to address the problems.

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In several countries around the world, notably the United States, Canada, and the UK, rightsholders and their agents send copyright notices to alleged infringers.

In most cases, recipients are accused of downloading and sharing copyright-infringing content using BitTorrent. The notices contain details of the alleged offense along with instructions to cease-and-desist.

These notices, sent to Internet users’ ISPs, are regularly passed on to the subscriber. However, some companies targeting US and Canadian citizens augment their notices with text indicating that a cash settlement is required, ranging from just a few dollars to several hundred.

Many users who see these demands pay up but these notices are unusual in that the original sender has no idea who the subscriber is. This means that some recipients ignore them, with no further consequences.

While the practice operates largely unhindered in the US, over in Canada (where there is a so-called notice-and-notice regime) there has been considerable opposition since its inception in 2015.

ISPs, who have to bear the brunt of the administrative burden, have also cried foul, with TekSavvy recently describing the content of some notices as akin to “scams and spam“, with Bell noting that it would like to see an end to the copyright-notice settlement model.

Back in October, it became clear that the ISPs and other opponents had strong government backing with the publication of a new bill that would prevent the activity from continuing.

Bill C-86, the Budget Implementation Act, has now received royal assent, so there will be some big changes in the Great White North. Section 41.‍25 of the Copyright Act is now amended with the addition of the following;

(3) A notice of claimed infringement shall not contain:

(a) an offer to settle the claimed infringement;
(b) a request or demand, made in relation to the claimed infringement, for payment or for personal information;
(c) a reference, including by way of hyperlink, to such an offer, request or demand; and
(d) any other information that may be prescribed by regulation.

The text is pretty straightforward, in that it prohibits demands for settlement in the notices themselves or on a third-party site where such a demand may also be available. This is important since some notices contain hyperlinks that not only lead to demands for cash but also undermine subscriber privacy with the use of tracking code.

The news was welcomed by Canadian law professor Michael Geist, who notes that notices that do not meet the new standards can be withheld by local ISPs without them facing penalties.

However, Geist also cautions that the new amendments contain no punishments for anti-piracy companies that fail to follow the rules.

“The key remaining question is whether ISPs will crackdown on non-compliant notices. Since there is no penalty associated with sending non-compliant notices, subscribers are dependent upon ISPs carefully reviewing notices to ensure that they only forward those that fully comply with the law,” Geist notes.

Considering their earlier opposition, however, it seems unlikely that TekSavvy, Shaw, Rogers, and Bell will have many problems with withholding non-compliant notices.

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While it’s not getting making big headlines in the mainstream media, US courts are still loaded with BitTorrent related lawsuits.

The cases are filed by a small group of copyright holders. To state their claim, these companies generally rely on IP-addresses as evidence.

These IP-address details are collected from BitTorrent swarms and linked to a geographical location using geolocation tools. With this information in hand, rightsholders ask the courts to grant a subpoena, forcing Internet providers to hand over the personal details of the associated account holder.

This process isn’t new and the same tactics have been used for years. While some federal judges have raised doubts about the accuracy and sufficiency of IP-address evidence, many others let the cases continue.

In recent weeks, however, more and more judges have begun to ask questions.

This started after the Ninth Circuit Court of Appeals reached a verdict in Cobbler Nevada v. Gonzales. The Court ruled that identifying the registered subscriber of an IP-address by itself is not enough to argue that this person is also the infringer.

“Because multiple devices and individuals may be able to connect via an IP address, simply identifying the IP subscriber solves only part of the puzzle. A plaintiff must allege something more to create a reasonable inference that a subscriber is also an infringer,” the verdict read.

What this “something more” should be was not clarified, but the order didn’t go unnoticed. In recent weeks several district courts have cited the ruling, requesting copyright holders to come up with “something more” as well.

Just last week, US District Judge Sara Ellis dismissed a complaint Malibu Media had filed for this very reason.

“This Court agrees with the Ninth Circuit and those courts that have found that a plaintiff must allege more than simply the registration of an IP address to an individual in order to proceed against that individual for copyright infringement,” Judge Ellis wrote.

Malibu Media, one of the most prolific filers of BitTorrent lawsuits, was given the opportunity to amend the complaint with new details, but those will have to tie the defendant to the alleged infringement.

The company had already amended the complaint previously, showing that the IP address was the source of a persistent pattern of copyright infringement. That, however, was not enough.

In Nevada, US Magistrate Judge Nancy Koppe also highlighted the Gonzales ruling. A request for a subpoena by Strike 3 Holdings was denied because an IP-address alone is not enough.

“In the context of BitTorrent copyright infringement, the Ninth Circuit has recently held that a plaintiff bears the burden of pleading factual allegations that create a reasonable inference that the defendant is the infringer.

“Hence, a complaint that traces infringement to a particular IP address and pleads that the IP address is registered to the defendant is insufficient to state a claim,” Judge Koppe adds.

Over in Washington, District Judge Thomas Zilly asked for “something more” as well, in an order that spans twelve cases and dozens of defendants. Again, referencing the Appeals Court’s Gonzales ruling.

The rightsholder in those cases, Venice PI, did respond with further details.

The company said that it gathered various other details including download history and the layout of the residence and neighborhood, which make it likely that the account holder is the infringer. Whether that’s good enough remains to be seen.

What’s clear though is that the Appeals Court ruling is being used by courts across the country to demand “something more” than an IP-address alone.

While this is not the end of so-called “copyright trolling” practices just yet, it does make it harder for rightsholders to convince the courts.

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It’s safe to say that Swedish ISP Bahnhof is one of the most aggressive companies when it comes to defending its customers from interference initiated by outside parties.

The ISP is an outspoken critic of copyright trolls and has taken a number of measures to ensure that it’s extremely difficult for them to identify Bahnhof subscribers. It also believes in the open Internet and by extension is against site-blocking efforts on copyright grounds.

In November, however, it became clear that Bahnhof would be joining the ranks of other blocking ISPs after a court ordered it to block a series of domain names following a complaint from academic publisher Elsevier.

At the time, CEO Jon Karlung told TorrentFreak that the “horrifying” decision, which targets Sci-Hub domains including sci-hub.tw, sci-hub.mu, sci-hub.se, libgen.io, “goes against the soul of the Internet.”

A clearly incensed Karlung then did something that has never been done before. In a retaliatory move, he prevented his subscribers from accessing the official Elsevier.com website directly, sending them instead to a landing page containing an advisory notice about blocking and an option to click through. This was done to give the publisher a taste of its own medicine.

The maverick businessman didn’t stop there though. On top, he ordered his team to ensure that users of the court’s network could no longer access Bahnhof’s website. These protests were designed to provoke a debate about net neutrality and that, it now transpires, is something that will come to pass.

An announcement by the Swedish Post and Telecom Authority (PTS), which acts as the national watchdog for the electronic communications and postal sectors, reveals that it has launched an investigation into Bahnhof’s actions.

“The Post and Telecom Agency (PTS) is investigating whether the internet service provider Bahnhof has taken measures to influence access to websites,” PTS says.

“A key rule in EU regulations in this area is that all traffic on the Internet should be treated equally by providers of internet connection services. PTS’s task is to monitor and ensure that the provisions on an open internet, also called network neutrality, are complied with.”

Noting that Bahnof has implemented measures that have restricted access to websites, PTS says it is now investigating whether Bahnhof breached net neutrality rules.

After being adopted on November 25, 2015 and coming into force on April 30, 2016, Regulation (EU) 2015/2120 enshrined net neutrality provisions into EU law, including non-discriminatory traffic management.

PTS says it will seek to detemine if Bahnhof’s actions are in line with the Telecoms Single Market Regulation, noting that ISPs may not block, alter, or discriminate against specific content.

ISPs in the EU are, however, able to implement traffic management measures beyond those that are normally considered “reasonable” in order to comply with legal requirements, such as blocking sites in response to a court order.

Speaking with TorrentFreak, Karlung says the situation can be interpreted as “the essence” of irony.

“Bahnhof gets a legal threat to block sites out there somewhere on this huge computer network called the Internet. We block the sites because in reality there is no legal chance to win cases against the copyright mob, since the judge and court are corrupt, and it also comes with a package of astronomic fines,” he explains.

Karlung says that the PTS appears most interested in the ‘counter-blocking’ of Elsevier, which he characterizes as a “fine opportunity” to tell people about the dangers of site-blocking which targets “the soul and core” of the Internet.

“[Blocking] also jeopardizes the principle for ISP’s to be able to operate services. The ISP can never be responsible for content, or what people are doing somewhere out there on the Internet.”

Bahnhof’s CEO says he hasn’t yet seen any formal questions or demands from PTS about his company’s “counter-blocking” but it’s clear he’ll relish the chance to bring this issue to the attention of a wider audience.

“We will of course not let this go unnoticed, and I heartfully thank PTS for this fine opportunity,” Karlung concludes.

PTS says it will be sending questions to Bahnhof which will require a response by January 17, 2018.

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Privately raising cash to bring ideas and projects to fruition can be a daunting task. Convincing potential investors is rarely easy, with many demanding a large piece of the final pie in return.

To help solve this problem, in 2009 US-based Kickstarter was born, a site that has developed into a global crowdfunding platform where anyone can throw a few dollars at projects they believe could enjoy future success.

According to current stats, the site has received pledges exceeding four billion dollars from more than 15.5 million backers, which have funded more than 155,000 individual projects. One of those is campaign formerly known as The Monster Book of Monsters Film Project.

“THE MONSTER BOOK OF MONSTERS is a collection of 100 stories from around the world, inspired by the legendary book from the Harry Potter universe,” the Kickstarter read until recently.

“These aren’t your everyday Werewolves and Wendigos either. Each story is told by the survivor of an encounter with a unique and mysterious creature more wild and varied than you can imagine. From the twisted minds of 70 authors including Amazon Best Sellers: Tobias Wade, Blair Daniels, Tara Devlin, and P.F. McGrail. As well as numerous Reddit NoSleep award winners.”

The initial campaign

The idea of the campaign is to raise funds that will go towards a ‘sizzle reel’, a short video highlighting a vision and tone for a proposed movie or TV show.

“This reel will be pitched to large production companies in an effort to launch a horror inspired anthology TV series. The more money raised- the better the reel!” the Kickstarter reads.

The campaign had a modest target of just $3,997 dollars, which was easily reached a few days ago and well in advance of the January 1, 2019 deadline. However, the project appears to have landed on the radar of Warner Bros. who expressed displeasure at the Harry Potter references in the fundraiser.

In a takedown notice sent to Kickstarter, the movie company alleged copyright infringement by the campaign due to its use of a book title featured in the movie Harry Potter and the Prisoner of Azkaban.

Citing itself as the owner of “The Harry Potter series of books and motion pictures, and all elements contained therein. Including, but not limited to, the ‘Monster Book of Monsters’,” Warner demanded action from the crowd-funding platform.

“This project identifies itself as ‘inspired by the legendary book from the Harry Potter universe’ and uses the original title created by Ms. Rowling,” Warner complained.

While it’s unclear whether Kickstarter temporarily took the campaign down, the complaint from Warner certainly prompted the team behind it into action. References to all things Harry Potter have now been removed, as the image below shows.

More Warner-friendly now…

Additionally, the text proclaiming that “THE MONSTER BOOK OF MONSTERS is a collection of 100 stories from around the world, inspired by the legendary book from the Harry Potter universe” has now been transformed into a more basic “collection of 100 horror stories from around the world.”

Finally, the campaign has also amended its end goal statement. That was originally to have a “‘NoSleep’ inspired TV show”, a reference to Reddit’s NoSleep sub where people share their own scary stories. The edited aim is to have a straightforward “horror TV show”, although references to Reddit elsewhere in the campaign remain.

Warner Bros. are notoriously protective over their lucrative Harry Potter interests. Earlier this year the company’s lawyers told an annual Harry Potter festival held in Denmark that it could no longer use names and images related to the Harry Potter movies.

In 2009, Warner Bros. took action against a London-based single-mother after she dared to organize a Harry Potter-themed Halloween dinner. It’s unclear whether the sarcastically rebranded “Generic Wizard” night managed to sell out as planned.

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Following the example of the United States, the EU now has its very own piracy watch list.

The plan was first announced in January by the European Commission, which asked various stakeholders for input.

This eventually resulted in a 40-page report in which various pirate sites and third-party intermediaries are identified. There’s a fair bit of overlap with the US report, as both highlight familiar brands such as The Pirate Bay and Rapidgator.

The goal of the report is similar as well.

“The aim is to encourage the operators and owners as well as the responsible local enforcement authorities and governments to take the necessary actions and measures to reduce the availability of IPR infringing goods or services on these markets,” it reads.

Initially, we saw the EU watchlist as yet another pirate site overview, but on closer inspection, something stood out. The list mentions 1channel.ch as a pirate site.

“1channel.ch (previously Primewire.ag) is one of the most visited linking or referrer sites globally offering links to allegedly illicit copies of blockbuster films and television programmes,” it reads.


1channel.ch

According to the report, the notorious pirate site has an Alexa rank of 1,238, with more than 531.8 million visits during an undefined period. Certainly not something to sniff at.

This mention stands out because 1channel.ch hasn’t been a “pirate” site since late 2017, when the domain was bought by Marshall Domains LTD. The company in question specializes in buying domain names in auction that the previous owner has allowed to expire and are expected to generate a decent amount of traffic, which is monetized in various ways.

TorrentFreak spoke to the owner, David Marshall, who also happens to own the Primewire.ag domain that was mentioned in the EU’s watchlist. Both domains were bought in an auction and now link to 123movies.com.

“I noticed that 1channel.ch was expiring and backordered it at various places such as park.io and realtime.at, as I knew they would still be receiving valuable type-in traffic that could be monetised legally,” Mr. Marshall says.

While 123movies is a pirate brand as well, Mr. Marshall’s version tries to do the opposite. It’s a movie information portal with Amazon Prime affiliate links in some locations, hoping to turn lost pirates into paying customers.

123movies.com

To be fair, this redirect was not in place when the research for the watchlist report was conducted. This took place between 18 June and 20 July 2018. However, 1channel.ch already linked to a parked page or an advertising feed at the time and was no longer a pirate site.

In addition, the EU Commission notes that their watchlist includes “examples of reported marketplaces or service providers whose operators or owners are allegedly resident outside the EU.” However, a simple Whois search would have shown that Mr. Marshall’s business is in the UK.

As for the Primewire.ag domain, that was not serving any pirated content during the stated research period either, although that domain wasn’t bought at an auction until August 2018.

It’s unclear how both domains ended up in the report. They were both linked to pirate sites in the past but it’s likely that the commission put too much focus on outdated info.

Mr. Marshall says tells TorrentFreak that the legal 1channel.ch certainly doesn’t have more than a quarter billion visits, nor is it hosted in Switzerland, or masked behind a reverse proxy service, as the EU watchlist claims.

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In many developed countries, rightsholders are in dispute with search engines over the appearance of pirated content in search results and other indexes.

Back in August, TV companies under the Gazprom-Media umbrella filed complaints at the Moscow City Court, demanding that Yandex remove links to infringing content. Yandex initially refused to comply but under threat of ISP blocking, eventually took preventative action.

In September, the TV channels filed another four lawsuits against Yandex. The companies asked the Court to order the search provider to “stop creating technical conditions that ensure the placement of [infringing] works on the Yandex.ru website.”

At the time, it was reported that the underlying aim of Gazprom Media was to reach a settlement agreement with Yandex, which would see the search company take action against infringing content. That aim, it seems, is well on the way to being achieved.

The press service of Gazprom reports that settlement agreements have been reached in four lawsuits, two featuring TV3 and Super TV and another two featuring TNT and 2×2.

The settlements are directly linked to the landmark Memorandum of Cooperation signed by Russia’s most powerful tech companies and several major media companies early November.

The agreement will see the formation of a central database of infringing sites which will provide information on what content tech companies should remove from their indexes. The database will be queried every few minutes, with search platforms removing infringing links visible in Russia within six hours.

Commenting on the settlements, Gazprom Media said that the cooperation agreement signed last month represents another important step towards “the development of civilized content consumption.”

Reports circulating mid-November indicated that Yandex had already started to comply with the memorandum’s terms by deleting links to infringing content.

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Over the past two decades, the Software Alliance (BSA) has represented major software companies including Adobe, Apple, Microsoft and Oracle, in their fight against under-licensed businesses.

This has resulted in audits at thousands of companies worldwide, whose computers are carefully inspected to see if the business owner has failed to pay his or her dues.

Some of these audits have been controversial and the evidence collection process has raised eyebrows as well. Especially BSA’s explicit attempts to convince people to report companies in exchange for hard cash.

In recent years, the industry group has actively solicited such tips from the public. Legitimate leads are then followed up with a thorough investigation or audit, something many companies are contractually obliged to agree to.

If unlicensed software is found during an audit, BSA tries to negotiate a settlement. This is what happened with an unnamed Australian manufacturing company, CRN reports.

It’s not clear what type of software was used improperly. What we do know is that the ‘tip’ came from an anonymous informant who presumably works or worked at the company in question.

“We work in a competitive industry and while we’re all trying to get ahead, it didn’t feel right using infringing copies of software to give the business an unfair competitive advantage,” the informant reportedly told BSA.

“The decision to report the business ultimately came down to my personal morals and ethics. I don’t believe it’s right to use software without paying for it.”

It’s unclear whether the informant also raised the issue internally, but that doesn’t matter anymore. The BSA followed up the lead which eventually led to a significant AU$160,000 settlement.

The whistleblower, tipster, or rat, depending on which side you’re on, fared well too.

BSA says that the information it receives from informants is invaluable. It plays a critical role in identifying misbehaving companies and holding them accountable, so it’s worth a reward.

“BSA is grateful to the informant for doing the right thing, and have provided the informant with a reward of AU$10,000 for his assistance in this matter,” BSA told CRN.

This is not the first reward BSA has given out, there have been many others in the past. The scale of the award usually depends on the settlement amount. It’s usually good enough for a nice vacation though, as this old BSA ad also suggests.

BSA’s old Facebook campaign.

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This September, the European Parliament backed the controversial Article 13 proposals, something that was met with a chorus of support from the entertainment industries, the music sector in particular.

The final text of Article 13 is yet to be finalized so the EU Parliament will need to vote again, once that’s completed. However, as Article 13 mutates to address the concerns of opponents, rightsholders have been expressing concern that the changes will actually strengthen the position of major online content sharing service providers (OCSSPs) such as YouTube.

Last week, major rightsholders including the MPA and the Premier League warned that as it stands, Article 13 will create a new safe harbor for services that take measures to prevent infringement. Now, even more dissenting voices are making their opinions known.

In an open letter to the European Commission, Parliament and Council, more rightsholders and content groups including IFPI – a previously staunch supporter of Article 13 – say the proposals are going in the wrong direction.

“We have reviewed the European Commission text/non-papers on article 13 and we have serious concerns about the direction of travel,” the groups write.

“As we reach the very final stages of this process, and negotiators seek to finalize a compromise text, we urge you to remember that the overall aim of the original European Commission proposal was to correct the distortion of the digital market place caused by User Upload Content (UUC) services, which enable users to upload content onto their sites and then profit from the availability of creative content without returning fair revenues to rightsholders, who create and invest in such content.”

The groups say that the solution to the so-called ‘Value Gap’ lies in holding OCSSPs liable for communication to the public when copyrighted works are made available from their platforms while excluding them from the safe harbors available in Article 14 of the E-Commerce Directive.

“We continue to believe that only a solution that stays within these principles meaningfully addresses the Value Gap/Transfer of Value. Moreover, licensing needs to be encouraged where the rightsholders are willing to do so but at the same time not be forced upon rightsholders,” the groups write, noting that proposals that deviate from the above “should be dismissed.”

As things stand, the current proposal text put forward by the European Commission would need “fundamental changes to achieve the Directive’s aim to correct the Value Gap/ Transfer of Value”, the groups note.

Underlining the predicament the entertainment industries now find themselves in, the letter warns that the liability exceptions currently on the table could leave rightsholders in a worse position than they’re in today.

“Any ‘mitigation measures’, should they be offered to OCSSPs, must therefore be clearly formulated and conditional on OCSSPs taking robust action to ensure the unavailability of works or other subject matter on their services,” the groups add.

“To that end, while it may be appropriate for rightsholders or their representatives to give services access to reasonably necessary identifying information concerning unauthorised works or other subject matter, unclear or open-ended provisions potentially obliging rightsholders to play the main role in preventing unauthorized uses of their works fail to provide the necessary legal certainty and therefore fail to provide a meaningful solution to the Value Gap/ Transfer of Value.”

The full letter is available here (pdf)

Update: Julia Reda MEP reports that the trilogue negotiations closed Thursday with no overall agreement but it “still seems like most negotiators want an #Article13 that requires #UploadFilters.”

Also of note is that companies that have a turnover of 10 million euros were previously excluded from the terms of Article 13. Reda says they are now included.

The next trilogue is planned for third week of January, Reda adds. More information here.

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