Anyone wanting to develop new skills can find information to do so on the Internet. While many areas can benefit from one-to-one instruction, tutorials on how to accomplish most things under one’s own steam can be found online.

The majority of online tutorials are completely non-controversial but when it comes to learning skills that have the potential to break the law, things get a little more volatile.

This is particularly evident in the online piracy scene. With just a few clicks of a mouse, people can learn how to obtain content without paying for it, learn how to crack software or bypass anti-piracy mechanisms on pay TV, for example. It’s been this way for at least a couple of decades and doesn’t appear to be going away anytime soon.

That’s perhaps why there was such outcry on Reddit this week when a long-standing tutorial on how to pirate Adobe CC was taken down following a copyright complaint.

The tutorial, titled ‘Pirating Adobe CC for Dummies’, was posted in 2016 and was presumably interesting to the many thousands of people who read it, whether they went on to pirate anything or not. However, a takedown notice received by Reddit saw the tutorial removed.

Taken down after two years

The text that now sits in place of the tutorial doesn’t indicate that the takedown notice was sent by Adobe. However, it seems fairly likely the world-famous software company was behind the effort. In any event, Reddit clearly viewed the tutorial as problematic and removed it.

This ignited a very lively discussion about the legality of the tutorial, with people pointing out that it didn’t link to any unauthorized Adobe content, nor did it directly link to any of the tools required to pirate the company’s software.

Perhaps more surprisingly, however, is that many users turned their anger on Reddit’s admins, who were accused of taking the site in a corporate direction while pleasing shareholders with the takedown of content, this tutorial in particular. In fact, many posts discussed where users of /r/piracy could move to, in order to escape perceived censorship on Reddit.

There are several angles to this issue, none of which are straightforward. TorrentFreak showed the original thread to three lawyers at separate companies while pointing out the lack of links to copyrighted content, to see if this aspect might play a role in the validity of the original claim.

None particularly wanted to commit on whether the tutorial itself was illegal but in off-the-record comments, two independently touched on contributory infringement, “a means by which a person may be held liable for infringement even though he or she did not actually engage in infringing activities.”

TorrentFreak also sought comment from the EFF but at the time of publishing, we were yet to receive a response. Clearly, getting definitive answers on the legality of the tutorial itself wasn’t going to be easy but perhaps that’s the distraction here.

After receiving the complaint, Reddit was compelled by law to take the content down. There is, of course, the possibility to file a counter-notice, which would enable the author to challenge Adobe’s assertions of infringement (if that’s who sent the notice) and allow the content to go back up, at least for a while.

However, it is extremely unlikely the author of the tutorial would be prepared to file a counter-notice because that would mean a) identifying him or herself (with a statement including “name, address, and telephone number, and a statement that you consent to the jurisdiction of federal district court for the judicial district in which the address is located”) and b) exposing themselves to a potential lawsuit if the sender wanted to make a point.

This leads, of course, to the inevitable conclusion. Few people who write this kind of tutorial want to be exposed or find themselves on the end of a lawsuit, whether they believe they have the law on their side or not. For most people, expensive lawsuits are not fun and the fight for freedom of speech and access to information often stop when the bills come flooding in.

So, with no counter-claim forthcoming, the tutorial stays down and Reddit keeps its own safe harbor protections, ready to fight another day.

None of this should come as a surprise to anyone. Adobe trying to protect its content? Reddit responding to copyright takedown demands? Piracy tutorial creators not wanting to be part of a lawsuit? A heated debate over freedom of speech? It’s just another day at the office in the copyright world.

Finally, it’s worth noting that the /r/piracy sub-Reddit now has another copyright complaint to add to the increasing tally, despite the best efforts of its moderators who, like Reddit’s admins, may soon have tough choices to make about what content can stay and what must go.

Adobe did not respond to TorrentFreak’s request for comment.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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Earlier this year, several major Hollywood studios, Amazon, and Netflix filed a lawsuit against Dragon Media Inc, branding it a supplier of pirate streaming devices.

Under the flag of anti-piracy group ACE, the companies accused Dragon of using the Kodi media player in combination with pirate addons. As such, the company facilitates mass copyright infringement, it was argued.

It didn’t take long for the legal pressure to have an effect. Soon after the lawsuit was filed Dragon Box halted its sales. The company indicated that it would either shut down or run a lawful business instead.

The company eventually opted to continue its business by switching to a new subscription service called BlendTV. Although BlendTV’s website claimed that it has all necessary rights and permissions, the Hollywood studios clearly disagreed.

Two months after this switch, Dragon Box informed its customers about another change. The company said it would stop offering BlendTV late November. That, however, was not the end of the matter.

On December 11th, just hours after an unsuccessful mediation in court, Dragon Box relaunched with yet another service called “My TV Hub.” According to the Hollywood studios, this service is not legitimate either.

Frustrated by these repeated ‘comebacks’ the plaintiffs went to court this week, hoping to halt all infringing activity.

“With the freshly minted new My TV Hub service, Defendants continue to knowingly induce the widespread infringement of Plaintiffs’ Copyrighted Works by encouraging Dragon Box customers to access infringing streams through the latest iteration of the Dragon Box Service,” they inform the court.

Logan streaming on My TV Hub

According to the movie companies, none of the services offered Dragon Box were legitimate. Instead, they accuse the vendor of playing a game of whac-a-mole.

“Defendants’ game is clear: every time they are caught marketing an infringing service to their customers, Defendants pull that service down and substitute another in its place,” the plaintiffs inform the California federal court.

“My TV Hub is not licensed to stream Plaintiffs’ Copyrighted Works, just as Blend TV was not before it, and just as the addons Defendants originally utilized was not,” they add.

The plaintiffs ask the court to issue a temporary restraining order, prohibiting the company from selling “My TV Hub” subscriptions. In addition, they don’t want Dragon Box to sell any service that offers copyrighted content provided by a third party.

“Absent injunctive relief, Defendants will continue this game of Whac-a-Mole. Nothing short of a Temporary Restraining Order (‘TRO’) to enjoin this latest service offering, and all similar offerings, will cause Defendants to cease their flagrantly infringing conduct,” the movie companies state.

It’s now up to the court to decide whether a restraining order is justified. At the time of writing, Dragon Box isn’t selling any boxes on its website. Remote controls and keyboards are still available, as well as CBD oil, which was added to the assortment recently.

—-

A copy of the application for a temporary restraining order is available here (pdf).

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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The fact that ISPs around the world are blocking pirate sites to prevent copyright infringement is nothing new. The practice has been going for more than decade.

Aside from voluntary arrangements, such as the one currently playing out in Portugal, ISPs tend to wait for courts to hand down an injunction before blocking a site. In Germany, however, a new situation has raised its head.

On Tuesday, subscribers to Vodafone discovered that they could no longer access streaming portals Burning Series (BS.to) and Serial Stream (S.to). Rather than accessing the thousands of TV shows usually on offer, they were instead met by a blocking message presented by their ISP.

Both sites currently have messages on their main pages, explaining that Vodafone has chosen to block their platforms. In the meantime, local news outlet Tarnkappe has obtained a statement from Vodafone which confirmed that the ISP is blocking the sites.

“Due to the provisions of German and European copyright and telemedia law, access providers such as Vodafone are under certain conditions required by law to block access to websites with illegal content – eg to illegal streaming offers of films and TV series,” spokesperson Volker Petendorf told the publication.

While it’s no surprise to hear of yet another block, further information provided by Vodafone reveals that the block was put in place following a complaint from a rightsholder but without a court ordering a blockade.

Referencing a copyright case which was handled by the Federal Court of Justice (BGH) during the summer, Vodafone now says it believes the decision has a knock-on effect that requires them to block sites in certain circumstances.

As previously reported, in that case the BGH ruled that WiFi providers cannot be held liable for piracy carried out by their users. However, they can be told to prevent access to file-sharing services and even block entire websites, once infringement has been confirmed.

Vodafone believes this applies to them too, since a copyright holder has informed them of an unsuccessful attempt to prevent infringements via the above-mentioned sites.

“Currently, the rights holder of the TV series ‘Das Boot’ has asked Vodafone to block domains that provide access to the ‘s.to’ and ‘bs.to’ websites. The copyright holder has made credible claims to Vodafone that this TV series can be accessed illegally via the Internet portals s.to and bs.to without the necessary consent of the copyright holder and thus illegally,” Vodafone told Tarnkappe.

“The copyright holder has assured us that it is not possible for him to enforce his rights other than by blocking access to these sites. Vodafone, after thorough legal examination, believes that we are currently obliged to block access to these websites in accordance with mandatory legal provisions.”

Currently, both BS.to and S.to have notices up on their main pages detailing ways that Vodafone’s DNS-based block can be circumvented.

“Some internet service providers, such as Vodafone, block access to Burning Series and censor your Internet access. Therefore, we recommend that you change your DNS name servers to the IP addresses of Google 8.8.8.8 and 8.8.4.4 or Cloudflare 1.1.1.1 and 1.0.0.1,” BS.to notes.

Vodafone suggests that should the legal situation change in the future, the blocks against both sites will be lifted.

This is the third time this year that Vodafone has blocked pirate sites.

In August the ISP blocked access to Libgen after publishing giants Elsevier, Springer, and Macmillan obtained an injunction from the Munich Regional Court. In February, following a complaint from a movie distribution company, Vodafone blocked streaming portal Kinox.to.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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So, the sun starts to set on 2018, and another year draws to a close. At the same time, we stand ready to launch Kodi 18 “Leia” in the very near future, which opens a new chapter in how Kodi is structured, how it functions, how it’s used. It seems like an appropriate time to stop and draw breath, then, and take a look backwards: what’s been good, what’s been bad, the what-went-wells, the where-do-we-still-have-challenges.

First up, then, the positive stuff

Internally, there have been very many changes and improvements to Kodi’s core code that, while not immediately obvious on the outside, make life a lot easier to both maintain and expand the application. Architectural changes, such as the move towards Python 3; support for Python scrapers and binary addons; movement of functionality out of a global/core approach and into a more local/modular system; improvements to the Videoplayer such as shader support and overall speed/quality improvements. And it’s not all about the code itself: documentation has been revamped, with some superb work and good ideas on how we can better keep track of how Kodi is built.

The Kodi Team continues to grow, with new members joining us in every capacity. That allows us to be more structured with our internal processes, as well as (e.g.) bringing in more Google “Summer of Code” students to work on specific elements of the code. Indeed, a shout goes out to those GSoC students this year: good work, done professionally, seen through to the end, rolled into the application. As some of them joined us this year at DevCon, we’ve put effort into making that meeting more structured, constructive, focused, and more accessible to the new Team members so they feel more welcome, more quickly. We have an active team of round-the-clock moderators who work to keep our forum in shape – violations, spam, noise. Add a sprinkle of automation here and there and, hopefully, users can find what they need and get the community help they want without getting buried.

One of the eternal challenges in any large, dispersed organisation – perhaps made more so when everyone is a volunteer – is internal team communication. We’ve made active steps this year to improve this: new internal tools, more collaboration, more organisation, greater transparency and openness. We all know how the open source community can have some famous and pretty public disagreements; while we still have our fair share of these within the team, we’ve generally put a lid on the worst of these, diverting energy into the application instead of internal arguments. This also extends to external communication and interaction sometimes: having spent some time on self-reflection, we’re a lot more aware of how we come across to new developers and contributors, and how attitude can impact directly on people’s willingness and ability to contribute. We’re continuing to work on how we use GitHub and the pull request process, for example, to hopefully get more contributions, more quickly – submitted, reviewed and committed.

Extending the idea of external communication, we’ve made some major updates to the wiki, many of which reflect the significant functionality changes we’ve seen. We have the new forum, and new paste site, and generally a much more usable and polished public face. Linked to the submission/merge process as well, we’ve actively sought to get more external testing of changes through mirrors and nightly/test builds, all of which combines to give more stable code and a better user expereince all round.

Now, for a lot of users, much of that might be all well and good – “what about the application features, though?”, I hear you cry. Fear not, kind reader, for there has been much work there as well. From platform support, such as H.265/HEVC on Pi and collaboration with Android SoC vendors, to DRM support and possibilities that opens up for official content add-ons; a return to our roots with Xbox One support; the release of the long-awaited retroplayer gaming support as part of the official Kodi build; a significant re-work of our music and related library capabilities. Some of these are admittedly more revolutionary than others, but all of them build a more solid, stable, expandable platform for future releases.

 

Is everything perfect, though? No, of course not. Any retrospective has to really look at where we still need to improve.

We’ve made great steps forwards on communication: we can still do much more. We need to streamline our internal tools so people get to know about what they need and not drown ourselves in noise (forum, Slack, GitHub, email…). We’ve been working on internal policies to resolve issues between team members – we’re not a company, we don’t have an HR department, so we need to simply agree “the rules of the road” that govern attitude and acceptable behaviour (hey, we’ve all been on the Internet long enough, you know what it’s like sometimes!). That in turn touches on the external communication and attitudes towards people: we still need to complete the pivot from “this sucks…” to “thanks for the contribution, might I suggest…”. Streamlining the code, documenting it better, modularising it, making it easier to offer up changes without spending five years familiarising yourself with all aspects of the code base – all of these will hopefully help on this aspect.

GSoC has been a success for us, as covered above. But we always need more developers and new ideas. We need to become a more attractive project to work on and work with. We need to be more accepting of change, more welcoming of criticism or suggestions, more open and transparent about how, why and where things happen in what is increasingly an enormous, “black box” project from the outside. While all projects of this type are revolving doors of contributors, we lost some core talent this last year; similarly, though, some people have rejoined the Team, resurrecting some of their passion for Kodi and what it could become. The hippy in all of us would like less drama, more love, and for everyone to just get along, all of the time. 

And, finally, we need to work more on the vision for Kodi. It’s true that we’ve been painted with the piracy brush for too long. As we introduce new features, as the DRM functionality beds in, we have to hope that this changes, and we can get back to the primary reason most of us work on this application: because we genuinely believe it is, and will remain, the best one-stop home entertainment and multimedia platform in the world.

 

Those were our thoughts. Maybe you have your own – in the spirit of openness and communication, then, perhaps you can share those ideas with us through all of the normal channels.

In the meantime, as you ponder Life, the Universe, and Everything, we wish you a peaceful end to 2018. Whatever you celebrate at this time of year, whether you celebrate anything at all, we wish you well for now and the future. 

Thank you for sharing the journey with us.

Team Kodi.

 





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Last year several major record labels, represented by the RIAA, filed a lawsuit against ISP Grande Communications accusing it of turning a blind eye to pirating subscribers.

According to the RIAA, the Internet provider knew that some of its subscribers were frequently distributing copyrighted material, but failed to take any meaningful action in response.

Grande refuted the accusations and filed a motion to dismiss the case. The ISP partially succeeded as the claims against its management company Patriot were dropped. The same was true for the vicarious infringement allegations.

The labels were not willing to let go so easily. They pushed on with several new filings, including a motion for summary judgment, arguing that Grande has no safe harbor defense.

In order to enjoy safe harbor protection, the DMCA requires ISPs to adopt and reasonably implement a policy for terminating the accounts of repeat copyright infringers. According to the labels, it is clear that Grande failed to do so. As such, the company should be held directly liable.

Yesterday, US Magistrate Judge Andrew Austin issued his “report and recommendation” on the matter, which delivers a significant setback for the Internet provider.

According to the Judge, the undisputed evidence shows Grande had a policy that allowed it to terminate repeat infringers, but that the ISP failed to act on this for years. As such, the policy was not adopted and reasonably implemented.

“Grande affirmatively decided in 2010 that it would not enforce the policy at all, and that it would not terminate any customer’s account regardless of how many notices of infringement that customer accumulated, regardless of the source of the notices, and regardless of the content of a notice,” Judge Austin writes.

The evidence shows that Grande did not terminate a single repeat infringer between October 2010 and June 2017. This was effectively confirmed by the ISP’s own corporate representative.

“A ‘reasonably implemented’ termination policy requires that the policy be enforced, and not just adopted. Because the evidence is undisputed that Grande never enforced its policy during the relevant time period, it is precluded from raising the DMCA safe harbor defense in this case.

“It is hard to imagine a case in which it is more clear that the DMCA safe harbor is not available,” the recommendation reads.

In its defense, Grande argued that it did enforce a repeat infringer policy after the lawsuit was filed but, according to the Judge, this was “too little too late.”

The Internet provider also argued that terminating customers wasn’t appropriate because the copyright infringement notices sent by Rightscorp were flawed. However, Judge Austin concludes that this is no defense, as there is no evidence that Grande ever considered terminating a user.

On top of that, the concerns regarding Rightscorp’s notices don’t explain why similar complaints from other sources were also disregarded.

“Yet another failure with Grande’s argument about the Rightscorp notices is that it does not address the several hundred thousand copyright infringement notices it received from companies other than Rightscorp,” Judge Austin writes.

In weighing the arguments the Judge looked closely at the BMG v. Cox case, which was very similar. In that matter, the court concluded that Cox didn’t have a safe harbor defense and Judge Austin argues that that same should apply to Grande.

If the U.S. District Court Judge adopts this recommendation, it will be a major win for the labels of the RIAA. Without a safe harbor defense, ISPs are not shielded from contributory liability for the actions of pirating subscribers.

And there is more bad news for the ISP as well.

Grande requested summary judgment in its favor on a variety of liability issues, including direct infringement, willfulness, damages, and ownership of copyright. These are all under recommendation to be denied, except for two limited issues regarding the alleged violation of reproduction or public performance rights.

The RIAA labels also submitted a cross-motion on these liability issues, requesting a ruling in their favor, but that was denied as well. This means that the matters will be decided at trial.

While Judge Austin’s recommendations have yet to be adopted, both reports and recommendations have definitely not improved the outlook for Grande.

A copy of the safe harbor recommendations is available here (pdf), and the recommendations on Grande’s motions for summary judgment and the labels’ cross motions can be found here (pdf).

Update: we clarified that without a safe harbor ISPs aren’t shielded from contributory liability for the actions of pirating subscribers.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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Compared to many other companies in the video industry, Netflix traditionally had a fairly pragmatic approach to the piracy phenomenon.

Now, however, with billions of dollars being spent creating its own content, the company is a major player in the Alliance for Creativity and Entertainment (ACE), a global anti-piracy coalition with considerable influence.

According to a March 2018 report, by 2020 the company will have more than 546,000 customers in the Thailand. However, piracy is rampant in the country, something that has led to its placement on the USTR’s Priority and regular Watch Lists in recent years.

To help alleviate this situation and help companies including Netflix, this week the government launched a brand new anti-piracy agency located within the Office of the National Broadcasting and Telecommunications Commission (NBTC).

“The Royal Thai Police (RTP) and the Office of the National Broadcasting and Telecommunications Commission (NBTC) have been charged with a cooperative mission to suppress and prevent the proliferation of counterfeit products and online piracy,” an NBTC statement reads.

“This follows a number of expressions of serious concern from international allies such as the US, Japan, and others whose domestic companies’ IP rights are being infringed in the form of counterfeit handbags, clothes, makeup, electronic devices, and digital piracy.”

During a press conference marking the launch of the Center of Operational Policing for Thailand Against Intellectual Property Violations and Crimes on the Internet Suppression (COPTICS), it was noted that the current procedure (which can sometimes take more than six months from initial complaint through to a court issuing a blocking order) is considered inadequate.

The mission now is to massively speed up the process, with the lofty aim of having sites blocked within a few days of receiving a complaint. Netflix, it appears, will be one of the first companies to test the new system.

Immediately following the launch of the new initiative, three companies – Netflix, Mono Technology Plc, and Major Cineplex Group, plus the Thai Motion Picture Industry Association – filed complaints with the new agency, Bangkok Post reports.

It is not yet clear which platforms have been reported to authorities but according to the government, the content companies must first complain to TACTICS, Thailand’s Action Taskforce for Information Technology Crime Suppression.

Once the copyright complaint has been received and accepted by the police, it will be progressed to the NBTC which will order local Internet service providers to block offending websites and URLs. Once blocks are put in place, police and the NBTC will “monitor and implement proceedings against offenders.”

According to NBTC secretary-general Takorn Tantasith, 2,000 allegedly infringing sites and/or URLs were reported to the authorities between August and December this year, but only 20% were blocked. Just last week, police filed complaints against 744 sites with the NBTC, but just 47 were blocked in that instance.

Curiously, the reason given by Takorn for the low number of blocks is that the remainder “are encrypted from abroad” meaning that they cannot be blocked locally by ISPs, something which is hard to believe. Provoking even more interest is that the majority of the sites are claimed to be run “by Google, YouTube, and Facebook.”

According to Bangkok Post, NBTC has asked representatives of the US embassy to invite management teams from these companies to conduct talks with Thai authorities to address the problems.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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In several countries around the world, notably the United States, Canada, and the UK, rightsholders and their agents send copyright notices to alleged infringers.

In most cases, recipients are accused of downloading and sharing copyright-infringing content using BitTorrent. The notices contain details of the alleged offense along with instructions to cease-and-desist.

These notices, sent to Internet users’ ISPs, are regularly passed on to the subscriber. However, some companies targeting US and Canadian citizens augment their notices with text indicating that a cash settlement is required, ranging from just a few dollars to several hundred.

Many users who see these demands pay up but these notices are unusual in that the original sender has no idea who the subscriber is. This means that some recipients ignore them, with no further consequences.

While the practice operates largely unhindered in the US, over in Canada (where there is a so-called notice-and-notice regime) there has been considerable opposition since its inception in 2015.

ISPs, who have to bear the brunt of the administrative burden, have also cried foul, with TekSavvy recently describing the content of some notices as akin to “scams and spam“, with Bell noting that it would like to see an end to the copyright-notice settlement model.

Back in October, it became clear that the ISPs and other opponents had strong government backing with the publication of a new bill that would prevent the activity from continuing.

Bill C-86, the Budget Implementation Act, has now received royal assent, so there will be some big changes in the Great White North. Section 41.‍25 of the Copyright Act is now amended with the addition of the following;

(3) A notice of claimed infringement shall not contain:

(a) an offer to settle the claimed infringement;
(b) a request or demand, made in relation to the claimed infringement, for payment or for personal information;
(c) a reference, including by way of hyperlink, to such an offer, request or demand; and
(d) any other information that may be prescribed by regulation.

The text is pretty straightforward, in that it prohibits demands for settlement in the notices themselves or on a third-party site where such a demand may also be available. This is important since some notices contain hyperlinks that not only lead to demands for cash but also undermine subscriber privacy with the use of tracking code.

The news was welcomed by Canadian law professor Michael Geist, who notes that notices that do not meet the new standards can be withheld by local ISPs without them facing penalties.

However, Geist also cautions that the new amendments contain no punishments for anti-piracy companies that fail to follow the rules.

“The key remaining question is whether ISPs will crackdown on non-compliant notices. Since there is no penalty associated with sending non-compliant notices, subscribers are dependent upon ISPs carefully reviewing notices to ensure that they only forward those that fully comply with the law,” Geist notes.

Considering their earlier opposition, however, it seems unlikely that TekSavvy, Shaw, Rogers, and Bell will have many problems with withholding non-compliant notices.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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While it’s not getting making big headlines in the mainstream media, US courts are still loaded with BitTorrent related lawsuits.

The cases are filed by a small group of copyright holders. To state their claim, these companies generally rely on IP-addresses as evidence.

These IP-address details are collected from BitTorrent swarms and linked to a geographical location using geolocation tools. With this information in hand, rightsholders ask the courts to grant a subpoena, forcing Internet providers to hand over the personal details of the associated account holder.

This process isn’t new and the same tactics have been used for years. While some federal judges have raised doubts about the accuracy and sufficiency of IP-address evidence, many others let the cases continue.

In recent weeks, however, more and more judges have begun to ask questions.

This started after the Ninth Circuit Court of Appeals reached a verdict in Cobbler Nevada v. Gonzales. The Court ruled that identifying the registered subscriber of an IP-address by itself is not enough to argue that this person is also the infringer.

“Because multiple devices and individuals may be able to connect via an IP address, simply identifying the IP subscriber solves only part of the puzzle. A plaintiff must allege something more to create a reasonable inference that a subscriber is also an infringer,” the verdict read.

What this “something more” should be was not clarified, but the order didn’t go unnoticed. In recent weeks several district courts have cited the ruling, requesting copyright holders to come up with “something more” as well.

Just last week, US District Judge Sara Ellis dismissed a complaint Malibu Media had filed for this very reason.

“This Court agrees with the Ninth Circuit and those courts that have found that a plaintiff must allege more than simply the registration of an IP address to an individual in order to proceed against that individual for copyright infringement,” Judge Ellis wrote.

Malibu Media, one of the most prolific filers of BitTorrent lawsuits, was given the opportunity to amend the complaint with new details, but those will have to tie the defendant to the alleged infringement.

The company had already amended the complaint previously, showing that the IP address was the source of a persistent pattern of copyright infringement. That, however, was not enough.

In Nevada, US Magistrate Judge Nancy Koppe also highlighted the Gonzales ruling. A request for a subpoena by Strike 3 Holdings was denied because an IP-address alone is not enough.

“In the context of BitTorrent copyright infringement, the Ninth Circuit has recently held that a plaintiff bears the burden of pleading factual allegations that create a reasonable inference that the defendant is the infringer.

“Hence, a complaint that traces infringement to a particular IP address and pleads that the IP address is registered to the defendant is insufficient to state a claim,” Judge Koppe adds.

Over in Washington, District Judge Thomas Zilly asked for “something more” as well, in an order that spans twelve cases and dozens of defendants. Again, referencing the Appeals Court’s Gonzales ruling.

The rightsholder in those cases, Venice PI, did respond with further details.

The company said that it gathered various other details including download history and the layout of the residence and neighborhood, which make it likely that the account holder is the infringer. Whether that’s good enough remains to be seen.

What’s clear though is that the Appeals Court ruling is being used by courts across the country to demand “something more” than an IP-address alone.

While this is not the end of so-called “copyright trolling” practices just yet, it does make it harder for rightsholders to convince the courts.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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It’s safe to say that Swedish ISP Bahnhof is one of the most aggressive companies when it comes to defending its customers from interference initiated by outside parties.

The ISP is an outspoken critic of copyright trolls and has taken a number of measures to ensure that it’s extremely difficult for them to identify Bahnhof subscribers. It also believes in the open Internet and by extension is against site-blocking efforts on copyright grounds.

In November, however, it became clear that Bahnhof would be joining the ranks of other blocking ISPs after a court ordered it to block a series of domain names following a complaint from academic publisher Elsevier.

At the time, CEO Jon Karlung told TorrentFreak that the “horrifying” decision, which targets Sci-Hub domains including sci-hub.tw, sci-hub.mu, sci-hub.se, libgen.io, “goes against the soul of the Internet.”

A clearly incensed Karlung then did something that has never been done before. In a retaliatory move, he prevented his subscribers from accessing the official Elsevier.com website directly, sending them instead to a landing page containing an advisory notice about blocking and an option to click through. This was done to give the publisher a taste of its own medicine.

The maverick businessman didn’t stop there though. On top, he ordered his team to ensure that users of the court’s network could no longer access Bahnhof’s website. These protests were designed to provoke a debate about net neutrality and that, it now transpires, is something that will come to pass.

An announcement by the Swedish Post and Telecom Authority (PTS), which acts as the national watchdog for the electronic communications and postal sectors, reveals that it has launched an investigation into Bahnhof’s actions.

“The Post and Telecom Agency (PTS) is investigating whether the internet service provider Bahnhof has taken measures to influence access to websites,” PTS says.

“A key rule in EU regulations in this area is that all traffic on the Internet should be treated equally by providers of internet connection services. PTS’s task is to monitor and ensure that the provisions on an open internet, also called network neutrality, are complied with.”

Noting that Bahnof has implemented measures that have restricted access to websites, PTS says it is now investigating whether Bahnhof breached net neutrality rules.

After being adopted on November 25, 2015 and coming into force on April 30, 2016, Regulation (EU) 2015/2120 enshrined net neutrality provisions into EU law, including non-discriminatory traffic management.

PTS says it will seek to detemine if Bahnhof’s actions are in line with the Telecoms Single Market Regulation, noting that ISPs may not block, alter, or discriminate against specific content.

ISPs in the EU are, however, able to implement traffic management measures beyond those that are normally considered “reasonable” in order to comply with legal requirements, such as blocking sites in response to a court order.

Speaking with TorrentFreak, Karlung says the situation can be interpreted as “the essence” of irony.

“Bahnhof gets a legal threat to block sites out there somewhere on this huge computer network called the Internet. We block the sites because in reality there is no legal chance to win cases against the copyright mob, since the judge and court are corrupt, and it also comes with a package of astronomic fines,” he explains.

Karlung says that the PTS appears most interested in the ‘counter-blocking’ of Elsevier, which he characterizes as a “fine opportunity” to tell people about the dangers of site-blocking which targets “the soul and core” of the Internet.

“[Blocking] also jeopardizes the principle for ISP’s to be able to operate services. The ISP can never be responsible for content, or what people are doing somewhere out there on the Internet.”

Bahnhof’s CEO says he hasn’t yet seen any formal questions or demands from PTS about his company’s “counter-blocking” but it’s clear he’ll relish the chance to bring this issue to the attention of a wider audience.

“We will of course not let this go unnoticed, and I heartfully thank PTS for this fine opportunity,” Karlung concludes.

PTS says it will be sending questions to Bahnhof which will require a response by January 17, 2018.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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