Over the past 18 years, ever since P2P clients made their run into the big time, users have been trying to figure out a way to avoid expensive lawsuits.

At the beginning, no real solutions were available, so it was a roll of the dice from start to finish. People either got lucky, or they didn’t. The majority did but a significant number didn’t feel like taking so many chances.

Somewhere along the way, so-called ‘peer-blocking’ applications raised their head. These pieces of software act like a firewall on a user’s computer, with the aim of preventing ‘hostile’ IP addresses from connecting to a torrent client, for example, thus preventing lawsuits.

Over the years, millions of users installed these programs (along with the blocklists containing the supposed IP addresses of anti-piracy groups) believing that no ‘bad players’ could access their machines. Unfortunately for those using them, these blocklists were completely ineffective and remain so today.

Peer-blocking applications should have died a death more than a decade ago but for some inexplicable reason, torrent users on many public forums continue to post about them, asking whether they’re doing the job they’re supposed to and if additional precautions are needed.

Despite plenty of information to the contrary, some still swear by these lists and a few stubbornly believe they are “better than nothing”. If locking every window on a house but leaving the front door open is “better than nothing” to prevent burglars, then it’s difficult to disagree. If making sure is the aim, blocklists should be thrown in the trash can marked ‘placebo’.

The problem is the way these things work. Peer-blocking applications use lists of IP addresses (generally compiled by volunteers) which are thought to be connected to anti-piracy, copyright trolls, government bodies, and others interested in stopping piracy. The aim is that if all of these IP addresses can be blocked, the problem can be solved.

Years ago, when people had less understanding of these matters, blocklists seemed like the tool everyone needed. However, blocklists are massively incomplete, woefully out-of-date, and cannot ever hope to ‘know’ every IP address used by every anti-P2P group. For those that still aren’t convinced, let’s take site-blocking as an example.

When ISPs block ‘pirate’ websites, they prevent users from accessing either their domain names, IP addresses, or DNS. When customers try to access any or all of these things, a firewall on the ISP’s end prevents the connection. No further explanation is necessary because after a decade of blocking, most proficient users generally understand how these things work.

Now think for a moment how easily these blocks are defeated. As soon as an order is handed down, sites can grab a new domain, a new IP address, or have their traffic funneled through any number of proxies and mirrors. Users, for their part, can evade bans by using these modified services or utilizing tools like VPNs. Blocking is very easily bypassed.

Now for the big non-surprise: anti-piracy groups can deploy just as many and more techniques to ensure that their entries on blocklists are out-of-date or completely irrelevant. Their tracking machines can be shifted around IP addresses in the blink of an eye, through datacenters or even residential ISPs, if there is a real need for stealth.

No one anywhere on the planet – no matter how clever or resourceful – has the skill or resources to keep up with these changes and/or make a blocklist that deals with them all. A hundred people couldn’t manage it, nor could a thousand. The information required simply isn’t made public and the result is the publication of blocklists that massively overblock legitimate resources while letting through who-knows-what.

The only real way to ensure that your IP address is never connected to ‘bad players’ while using torrents is to use something like a VPN. Or, of course, don’t share copyrighted content in the first place.

Blocklists have never worked to the extent required and will never work in the future. Anyone who trusts them may as well use a fishing net as a rain hat. It’ll still catch some fish but don’t expect it to keep you dry.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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Anyone even remotely interested in movies and the Internet will have likely stumbled across the Internet Movie Database, or IMDb for short.

The site is an absolute goldmine of information on every imaginable movie, listing everything from cast and crew to user reviews, trailers and trivia, with dozens of additional data points to allow the consumer to research and invest in content.

IMDb is an entirely legal venture but for reasons best known to dozens of content and anti-piracy companies, it is regularly subjected to takedown notices who claim that the service is a pirate site.

For example, early December an anti-piracy outfit working to protect the movie ‘The Wedding Ringer’ for Sony Pictures Entertainment targeted a range of URLs in a notice to Google. Unfortunately, the notice also listed an IMDb URL that offers the legal trailer for the movie.

Even more bizarrely, a company working on behalf of TV company RCN TV filed a strongly-worded notice aiming to protect the TV show “The Law of the Heart“.

“[The URLs contains] an illegal pirated copy of RCN’s copyrighted episodic series La ley del corazon episode/s 01-130. RCN TV has not in any capacity, authorized https://www.imdb.com to distribute its content,” the notice reads.

“RCN hereby requests that based on the DMCA and Google’s own copyright infringement rules, that said portal be removed from its system in order to prevent further abuse and financial losses to our brand as copyright owners.”

The notice lists 132 IMDb URLs, all of which promote and inform the public on the show with none offering any episode for free. Google did the right thing and removed none of them.

But it’s not just foreign companies targeting IMDb with wrongful takedowns. On December 8, an anti-piracy company working for Home Box Office tried to ‘protect‘ the TV show Rellik by removing its IMDb page.

A few days earlier, the same company (this time working for MGM Studios) tried to remove the IMDb page for Get Shorty, while throwing in its Wikipedia page for good measure.

A takedown notice sent on behalf of Columbia Pictures to protect The Amazing Spider-Man 2 didn’t achieve much either.

No, that’s not right…

While most if not all notices that target IMDb are sent in error, there appears to be a common mistake made by some anti-piracy companies.

When sending notices to Google, instead of listing IMDb URLs as the source of the content (it isn’t, but many companies list it as such), they accidentally put IMDb as the infringing URL. This notice sent on behalf of National Geographic lists several such examples.

Google’s Transparency Report lists more than 170 largely bogus DMCA complaints against IMDb, which is something easily prevented with a simple whitelisting of the site’s URL.

What makes things even more ridiculous is that IMDb is owned by Amazon and on every page where legal consumption is possible, the company provides a link where visitors can watch legally using Prime Video. Given that, at the time of writing, the complaints covered more than 4,600 URLs, that’s potentially a lot of lost business via Google search.

Thankfully, as the image below shows, Google’s diligence when reviewing DMCA complaints prevents most notice senders from shooting themselves in the foot. However, it doesn’t take a genius to work out what delisting from IMDb could do for a movie’s sales. Is it really too much effort to whitelist the site?

Google saves the day for hundreds of movies

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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Over the past couple of years, unauthorized IPTV services have been making their presence known in the ‘pirate’ TV space.

As recently reported, pirate IPTV services are accessed by 5.5% of US and Canadian households. The range of content is phenomenal, with few – if any – official entertainment companies in a position to compete.

Such services are typically accessed via set-top boxes, from ubiquitous Android-based platforms through to dedicated IPTV hardware. None of these devices are designed to be infringing but with the addition of third-party services, they can be transformed into piracy powerhouses.

For those looking for a premium IPTV experience, the MAG box range from Ukraine-based Infomir are the tools of choice. The compact devices are used by thousands of consumers to access legitimate content via a beautiful interface but like any such hardware, these boxes can also be used to access infringing streams.

Infomir has understandably distanced itself from this kind of illicit consumption but until now doesn’t appear to have interfered with the choices of its customers. Moving forward, however, it’s clear that will change.

“Infomir is an international company operating in over 150 countries globally. As a manufacturer of multimedia devices, we are subject to copyright and related rights legislation, which we respect and adhere to,” the company says.

“Upon receiving complaints from a copyright holder, Infomir is obliged to restrict access from its devices to any portal suspected of copyright infringement. The restriction will be maintained until the issue with the copyright holder is resolved.”

IPTV services (both legal and less so) often supply a URL which enables MAG and similar devices to access their ‘portal’. These are entered into the device’s setup page, with the box typically being authorized at the provider’s end by verifying its MAC address against a pre-registered one.

However, Infomir appears able to prevent certain portal URLs from being accessed via its set-top devices and there are some unconfirmed reports online which indicate this may be happening already.

TorrentFreak spoke with Infomir to find out more about this development. Will the company block portals following straightforward copyright complaints, for example, or is a court order required?

“The complaints need not be necessarily backed up by a court order. The form and contents of a copyright complaint must conform to the DMCA requirements,” Infomir Legal Counsel Vladislav Larionov informs TF.

“Our policy is to comply with the EU and US legislation on copyright and take into account best practices in the area of handling of copyright infringement reports. In particular, we only process the reports of copyright infringement that contain all the elements of notification envisaged by the DMCA.”

Some IPTV providers not only provide access to ‘pirate’ streams but also other content that has the potential to be non-infringing, depending on a users’ circumstances. For instance, there could be questions raised over legality when the holder of a UK TV license only accesses BBC One and similar channels via an IPTV service.

Speaking in more general terms, TF asked Infomir if over-blocking is a concern. The company told us that they require detailed complaints from rightsholders to block portals and they give services that are blocked the right to file a counter-complaint.

“We respect the rights of legitimate service providers, and we are concerned that such service providers might be reported by mistake or due to misidentification. That is why we request that copyright infringement reports submitted to us comply with the DMCA and contain a statement under penalty of perjury that the report is true and accurate,” Larionov explains.

“We also review each copyright infringement report to prevent false or abusive ones. Finally, we provide every service provider with a possibility to oppose a copyright infringement report. In case there is a dispute between a copyright holder and a service provider, we will request a court order to maintain access restriction to a portal.”

While copyright holders who file for blocking injunctions in court can be identified fairly easily, discovering who has filed a complaint with Infomir is less straightforward. The company told TF that it cannot provide information on who has requested a block other than to say it is mostly “big copyright holders, anti-piracy associations, and companies that provide copyright management and protection services.”

Finally, it’s not entirely clear how MAG devices are prevented from accessing portal URLs and Infomir informs TF that it won’t provide that information as it might “downgrade” its “access restriction system”. There is already some speculation on specialist forums that firmware updates may be responsible but no clear confirmation is currently available.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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It’s the days between Christmas and New Years eve, and some of our developers found the time do squash down some know issues. We hereby present you v18 RC4 that include several fixes we did past two weeks. There’s not really anything more to say than wish you all a great new year. As you might have guessed by now v18 will not be released in 2018. There are several reason for this, however we feel we shouldn’t rush a release just for the sake of releasing. There’s good hope it will be released very early 2019 once we ironed out the remaining issues we feel should be fixed.

To this point the current v18 version has been proven to be quite solid to use as a daily driver for those who were brave enough to try it out. Of course you should still keep in mind it’s not a final release yet and that on any upgrade a small glitch could happen as we are still doing rework. Once you decide to give it a try it is highly recommended that you create a backup first.

Changes in RC4 (and RC3)

Most notable changes to mention in this Release Candidate:

  • Update documentation regarding Python and Skin develoment: Kodi Doxygen 
  • Fix crash on certain music files that contain ID3v2 UFID frame
  • Do not list non-repo add-ons as “unavailable” in info dialog (the by default included ones)
  • Fix some interface info labels regarding music
  • Fix none responsive when minimising on Mac OSX
  • Fix path for looking up external subtitles
  • Replace vc140 redis with vc141 which fixes crashes on Windows (user should at least install this once)
  • Windows DXVA – fixed color values
  • Fix GUI Notifications rendering
  • Fix watched items in plugins (contains database upgrade)

Of course there are several more changes which are listed on our github repository found here: RC4 changes.

  • Fix crashes by pressing ‘x’ to stop DVD .iso image when “Player Process Info” is displayed
  • Screenshot: simplify logic and bail out if no folder is set
  • Android: remove mpeg4 HD restriction / use dts for unknown pts for mpeg4 (there might be some playback regressions that will be fixed along the way)
  • Change resolution (if required) on application starts (fixes XBXO resolution issues)
  • Android: Reset calibrations if GUI limit changes
  • Android: fix subtitle position problems
  • Fix resolution whitelist issues on Windows
  • Extend option to hide spoilers like text or images from the library view
  • Add support for new iOS devices

Of course there are several more changes which are listed on our github repository found here: RC3 changes.

Currently included

The past RC1 and RC2 release articles include the most notable changes we have done in v18. There are of course many smaller changes and improvements that we can’t even remember. I guess you will just have to try and find out eventually. For a more extensive list you can visit our wiki page v18 (Leia) changelog which will be update along the way. From now on all v18 releases will not contain any big new features as we are focussed on bug fixing or improvements only.

Make sure to also go through our news sections which contain all past announcements regarding the Leia release and some highlights of what it will contain.

 

The V18 Leia t-shirt

Inspired by the galaxy far, far away theme, our resident artist Sam went above and beyond and designed perhaps the coolest Kodi announce video of all time.

[youtube https://www.youtube.com/watch?v=u9gVaeb9le4?modestbranding=0&html5=1&rel=1&autoplay=0&wmode=opaque&loop=0&controls=1&autohide=0&showinfo=0&theme=dark&color=red&enablejsapi=0]

We loved his work so much that we’re modelling the Kodi 18 shirt after it along with more art to come. Here it is, our newest, coolest shirt: K-18L
(Available in several shirt colours and not just black or white)

Kodistore

 

Release time

Since we now started the RC cycle a final release will be on the near horizon. When the final release will actually be is yet unknown as it all depends on the stability now more people will start using the v18 builds.

That’s about it for now and we’ll go back at improving this upcoming v18 release. Should you wish to give it a try a new version is readily available each day as well as nightly version. We can certainly recommend trying it out however take in mind that it’s not fully production and living room ready yet (take a backup). So far a guestimate of several tens of thousands users already use it so it can’t be that bad can it. You can get it from the download page clicking on the platform of choice and hitting the “pre release” tab. For Android and Windows we have an easy to use download add-on which you can find in our repository.

Go to the Official download page and choose the platform of choice and you will find these builds under the pre release tab.
 

Donations or getting involved

Getting involved is quite easy. Simply take the plunge and start using v18.0 Leia. If you use this version, we encourage you to report problems with these builds on our forum first and after that, if asked and the bug is confirmed, submit the issue on Github (following this guide: How to submit a bug report). Do note that we need detailed information so we can investigate the issue. We also appreciate providing support in our Forums where you can. You can of course also follow or help promote Kodi on all available social networks. Read more on the get involved page.
If you do appreciate our work feel free to give a small donation so we can continue our effort. Just find the big “Donate” button at the top of the website. All donations go towards the XBMC foundation and are typically used for travel to attend conferences, any necessary paperwork and legal fees, purchase necessary hardware and licenses for developers and hopefully the yearly XBMC Foundation Developers Conference.

 

May the source be with you…..





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As one of the most iconic game manufacturers in the world, Nintendo has been fighting piracy for many years.

Most action is taken by the company’s in-house anti-piracy division or through trade groups such as the ESA.

However, this month the City of London Police also offered a helping hand.

The dedicated Police Intellectual Property Crime Unit (PIPCU) arrested a 43-year-old man at a residence in Lowestoft, accusing him of being a prominent ‘modder’ of Nintendo Switch consoles.

“PIPCU officers arrested and cautioned a 43 year old man at an address on Rotterdam Road, Lowestoft in relation to copyright offenses. Hard drives, microchips and computer equipment were seized at the same address,” PIPCU announced.

The police note that “modders” are criminals. However, in this case, the suspect was cautioned and no further action was taken.

According to PIPCU, piracy is not a victimless crime. Not only are the games companies impacted directly, but people who sell modded consoles are at risk as well.

Some games may not work on modded consoles, PIPCU warns, and downloading pirated files is a risky endeavor as well, since people may run into malware and viruses.

“If you’re looking to buy a Nintendo console as a Christmas gift, make sure you know who you are buying from, otherwise you could get more than you bargained for,” PIPCU’s Detective Constable Daryl Fryatt says.

“If you buy a gaming console that gives illegal access to pirated content, you could be exposed to malware and identity crime,” he adds, urging consumers to “Play safe” and “play fair.”

The announcement specifically mentions Christmas, which is a popular time of year for the video game industry. As such, Nintendo will be happy with the police assistance.

That said, Nintendo itself is also taking action against “modders.” Earlier this month the company filed a lawsuit against alleged sellers of modded consoles and pirated games in the US. This case remains pending.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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At the end of the year, movie industry insiders traditionally receive their screener copies, which they use to vote on the Oscars and other awards.

As is tradition, quite a few of these advance screeners copies will leak onto various pirate sites.

In recent years release group Hive-CM8 has drawn quite a bit of attention, due to both the timing and volume of their releases.

Movie pirates were particularly well-served three years ago. On and before Christmas, high-quality copies of some of the hottest Hollywood productions appeared online, with some titles even beating their official theatrical release.

Following massive outrage from Hollywood, release group Hive-CM8 offered an apology, promising not to release any movies too early in the future. And indeed, in the two years that followed the bulk of the screener copies leaked after the new year.

This season, no screeners have been sighted at all. That’s not a record yet, which goes to 2016/2017 when it took until January 3rd, but it’s clear that pirates are growing impatient.

A quick scan through various pirate sites, and even on social media, shows that the hopes of some were dashed this Christmas. As always, the anticipation already started days before the festivities kicked off.

Where’s Hive-CM8

Apparently, some people associate Christmas with screener leaks, or the other way around.

Not Christmas…

Then there are those who push their luck even further by putting several titles of screener leaks on their wishlist for Santa. In this case, it includes The Favourite and Suspiria.

The Wishlist

Some more words of encouragement followed on Christmas day, but it soon became clear that neither strategy paid off.

No word has come from Hive-CM8 or any other release group this year. The question that remains is whether they are holding back, or if there’s simply nothing to release, yet.

Sorry

At TorrentFreak we have no further details on the matter. However, what we can say is that for well over a decade multiple screener copies have ended up online. So a season without screener leaks would be truly unprecedented.

The most likely scenario is that the groups aren’t ready yet, or they’re delaying releases intentionally, something Hive-CM8 hinted at in the past.

Whatever the reason is, after Christmas the disappointment slowly started to turn into more impatience and anger on social media.

Where?

Others are handing this round to Hollywood…

Who will be the ‘winner’ at the end of the screener season has yet to be determined though.

Hollywood won..

After the 2016/2017 season, this has been the longest screener draught in recent history. However, in that year well over a dozen screener copies eventually leaked online.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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After long negotiations, the Canadian Government agreed earlier this year that the country’s current copyright term will be extended by 20 years.

This change was part of the trade deal negotiations with the US and Mexico. By extending copyright protection to life plus 70 years, ‘rightsholders’ will be able to generate more profit, the argument goes.

While that may work in theory, Canadian singer Bryan Adams believes that large intermediaries such as the major record labels will benefit the most. Creators often sign away their rights early on, which means that they don’t benefit from any extensions.

In a brief to the Standing Committee on Canadian Heritage, Adams notes that copyright law is out of balance. As such, large companies stand to benefit more from a copyright extension than individual creators.

One of the problems, according to Adams, is the fact that intermediaries hold the bigger bargaining chip. Creators who want to earn a living may sign away their rights in their first deal, something they may regret later on.

“Creators deal with one or few intermediaries; they sign up creators all the time. Creators striking a first deal sign anything that is presented to them; an intermediary rarely needs to sign up this creator,” Adams writes.

“Copyright law is about balance, a balance which was and remains at risk between creators and intermediaries. Copyright law works not so much for creators as for intermediaries; extending the duration of copyright will benefit them, not creators.”

The imbalance can be easily addressed, according to Adams. While it may be too late to revert the agreed copyright extension, there’s a change that will put more power in the hands of creators. And it only requires changing one word in the Copyright Act.

Right now, Canadian copyright reverts to a creator’s heirs 25 years after “death.” By changing the word “death” to “assignment”, creators terminate a copyright assignment while they’re still alive.

This means that the starting artists who signed away their rights to an album to a major label at 20 years of age, can get those rights back at 45. It’s a major change, but not unprecedented, as the US has a similar copyright-termination policy after 35 years.

Adams’ recommendation

Adams already discussed the proposal earlier this year when he appeared before the Standing Committee on Canadian Heritage, but the brief he submitted discusses the advantages in great detail.

Among other things, he stresses that the change in termination policy would empower creators, which will also be good in light of the planned copyright extension.

“Including a termination right in Canadian copyright law would help to ensure that real world copyright law works more in favor of creators. It would also help reduce some of the unintended effects of the upcoming extension of copyright.

“Canada is now more or less duty-bound to increase copyright protection by 20 years, to ‘life + 70’. Extending the duration of copyright essentially enriches large firms of intermediaries. It does not put money in the pockets of most creators,” Adams notes.

By granting a copyright termination right the expected benefits of an extension don’t go to the intermediaries. At the same time, creators will be able to profit more from their work. It’s a giant step forward and only requires changing a single word in the Copyright Act.

A full copy of Adams’ brief, first highlighted by professor Michael Geist, is available here (pdf).

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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On December 22, famous cracking group CPY released a ‘cracked’ copy of City Patrol: Police online. While there doesn’t seem to be much to be excited about gaming-wise, the controversy around the release itself is quite extraordinary.

When release groups ‘crack’ a game, they release the title with an NFO (info) file. These text offerings contain information about the game itself and further details about the ‘pirate’ release, such as the protection defeated – Denuvo, for example.

The NFO released with City Patrol: Police is extremely special. Written by CPY, it contains a wall of text the group appears to have found embedded in the game’s files. CPY suggests the message was put there by anti-piracy outfit Valeroa.

The previously-hidden message

There is plenty of speculation as to what the above means but it seems likely that the partially-redacted names in the message allegedly placed there by Valeroa identify people in The Scene. That being said, CPY seemed fairly happy to re-publish the details, knowing full well that the information would be made public.

If we begin on the basis that the information and the assumptions about who put what where are even remotely accurate, it raises the question where the information was obtained from. If one adds two and two, the most likely explanation is that Valeroa either has connections with current Scene members or might even be active themselves, if only in an observational capacity.

Again, working on the basis that the speculation has some truth, absolutely no-one should be surprised that an anti-piracy company has pirate connections.

Nobody on this planet knows pirates better than pirates so it should be flat-out expected that some Scene members, past or present, will have crossed to ‘the other side’ to make some proper money from what are undoubtedly great skills.

And, one has to remember, this shift of personnel can have a big effect. Not only does a coder get to legitimize his or her skills while earning a decent living for their family, the process also drains some of the brains from the competition, a valuable tool in the overall war.

Indeed, TF is informed that prominent Scene members involved in software cracking were coaxed away to develop an anti-piracy technology for physical media in the 2000s. Even after changes in company identities and the passing of many years, they still appear to be working in similar business areas. Surprising? Not at all.

But it’s not just former pirates that are targeted by these kinds of companies. Just this week, the topic of discussion on the site Tuts4You was the ‘revelation‘ that a respected reverse-engineer had gone to work for Denuvo. While some people might find that objectionable, who better to recruit than someone who has the perfect skills for the job?

With all that said, the kind of behavior and posturing suggested in the CPY NFO is not conducive to peaceful co-existence. People’s identities in The Scene are (or perhaps should be) closely guarded secrets but even Sceners are human. Many have let their guards down because they’re super-comfortable with other members, have a close connection with them outside of The Scene, or have made a mistake or two along the way.

By suggesting identities are known in this fashion, it’s a bit like saying: “We know who you are – your move.” Trouble is, that’s what often happens. Someone makes a move, which prompts another one, which invariably leads to disaster. One only has to look at the GOD / IGG-Games fiasco for a recent example.

Even partially ‘doxxing’ people can have catastrophic results, particularly when it’s done in a malicious way. The scope for retaliation is very high indeed and as such nobody truly wins. Mutual destruction is not a successful outcome in any war, no matter how bitter.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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At the end of every year we take a look at the most-downloaded TV-episodes among torrenting pirates.

The list was headed by Game of Thrones for six years in a row, but this reign has now come to an end.

With no new GoT episodes in 2018, the title was up for grabs and The Walking Dead has seized this opportunity.

This doesn’t come as a complete surprise, as the AMC series was already the runner-up since 2014.

Episodes of The Walking Dead are downloaded millions of times. The show has a steady following and is currently in its ninth season. The series may continue for a few more years as the producers previously said that they have enough material to keep it alive for several more seasons.

Apart from the change at the top, there are a few small changes. Most of the entries in the top ten have been featured in the list at least once before in previous years. Titans is the best-ranked newcomer in fifth place.

It’s worth noting that BitTorrent traffic only makes up a small portion of the piracy landscape. A lot of people use streaming sites and services nowadays, which generally do not report viewing stats.

Finally, while Game of Thrones is excluded this year it doesn’t mean that the show isn’t being pirated. GoT torrents remain the most sought-after season bundles on torrent sites.

In fact, if all downloads from previous episodes and seasons would count, GoT would likely still be on top. This is also what IKnowWhatYouDownload suggests. We, therefore, have no doubt that it will return for a grand finale next year when the final season airs.

Below we have compiled a list of the most torrented TV-shows worldwide (most shared single episode). The ranking is compiled by TorrentFreak based on several sources, including statistics reported by public BitTorrent trackers and the DHT network. Full season downloads are not included.

Most downloaded TV-shows on BitTorrent, 2018

rank last year show
torrentfreak.com
1 (2) The Walking Dead
2 (3) The Flash
3 (4) The Big Bang Theory
4 (8) Vikings
5 (…) Titans
6 (10) Arrow
7 (…) Supernatural
8 (…) Westworld
9 (…) DC’s Legends of Tomorrow
10 (9) Suits

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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Day in and day out copyright holders are flooding Google with DMCA takedown notices, pointing out links to pirated content.

While the volume has started to decrease over the past year or two, the numbers are still dazzling.

In 2018, copyright holders have reported around 700 million allegedly infringing links to the search engine. Most of these are processed swiftly, making the URLs unfindable in search results.

Since Google started counting in 2011, more than 160,000 copyright owners have used Google’s takedown tool. Together, they submitted more than 3.8 billion URLs. However, on closer inspection, it becomes clear that a small number of rightsholders are responsible for a lot of the action.

The UK music industry group BPI tops the list of most prolific ‘copyright owners’. It reported 425 million URLs over the years, which is more than 10% of all the reported pages.

The music groups APDIF Mexico and APDIF Brazil are listed in second and third place, with 252 million and 247 million reported links respectively. This means that the top three copyright owners are good for more than a billion reported links.

Top 3 “copyright owners.”

It’s clear that the high number of reported URLs is mostly driven by a small group of rightsholders.

To illustrate that, we found that the top 0.0001% of the most active copyright owners, which are 16 organizations, have reported more than 50% of all URLs.

It’s important to note that many of the reported links are not even in Google’s search results. Google processes non-indexed links and puts them on a blacklist, so they won’t be added in the future.

According to Google, the three reporting organizations (not copyright owners) that submitted the most URLs in 2017, all had non-index rates of more than 98%. As such, the billions of reported URLs don’t necessarily say something about the number of infringing links in Google’s index.

“While we will continue to act on these notices, they suggest that the volume of URLs we block is not a good proxy for the number of allegedly infringing links we serve,” Google previously noted.

It will be interesting to see how the takedown request volume evolves over time. Will the downward trend continue, or could the number of reported URLs start to grow again?

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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