Five years ago Popcorn Time took the Internet by storm as the next major piracy trend.

The software amassed millions of users by offering BitTorrent-powered streaming in an easy-to-use Netflix-style interface.

While the original developers shut down their project after a few months following pressure from Hollywood, others forked the application and took over. Several of these forks were shut down as well, but some remained.

Popcorn-Time.to, originally operating from Popcorn-Time.se, is one of the longest standing forks. The application has been around sine 2014 and is still operational today. Over the years it continued development and even launched its own torrent tracker.

With the major Hollywood studios switching their enforcement efforts to pirate streaming boxes, Popcorn Time appeared to be out the spotlight, but it remained on the radar of a group of smaller film companies.

Venice PI, Millennium Funding, and Bodyguard Productions, which own the rights to prominent film titles such as “The Hitman’s Bodyguard,” “London Has Fallen,” and “Once Upon a Time in Venice” are working hard to shut down the site through a federal court in Hawaii.

The case in question was originally filed over a year ago, but in an amended complaint filed a few days ago, the movie companies now identify the alleged mastermind behind the Popcorn Time fork.

The filmmakers believe that Ukranian resident Stanislav Amelychyts is behind the operation. They obtained this name through a former hosting provider, BlackHOST, which served the Popcorn-Time.to website last year.

“Plaintiffs bring this action to stop the massive piracy of their motion pictures brought on by the BitTorrent protocol software application Popcorn Time,” the movie companies write in their complaint.

“Defendant STANISLAV AMELYCHYTS distributes copies of Popcorn time and promotes it for the infringing purpose of ‘watch torrent movies instantly’, including Plaintiffs’ copyright protected Works, via various distribution channels.”

From the complaint

The defendant in question is seen as responsible for pretty much the entire operation, including copies of the software that were distributed through the Google Play store and the uptodown.com website. On the latter site, Popcorn Time was also advertised as a ‘pirate’ tool.

“Here, once again Defendant makes no secret of Popcorn Time’s illegitimate purpose – infringing Copyright protected content by stating ‘Popcorn Time is an app that enables you to watch tons of streaming movies – from classics to new releases…’,” the movie companies write.

Uptodown.com proved to be a pretty popular source too, as the movie companies found out that the Windows and Android versions were downloaded more than 4 million and 12 million times respectively.

What’s interesting about the lawsuit is that it originally started as a case against several anonymous BitTorrent pirates. All but one have been dismissed now. The remaining ‘user’ is Hawaiian resident Clinton Bovee, who is accused of using Popcorn Time and downloading several movies without permission.

The movie companies accuse Bovee of direct copyright infringement and the Ukranian mastermind behind Popcorn Time of contributory copyright infringement.

Through the lawsuit they demand damages, which can go up to $150,000 per pirated film. In addition, the companies request an injunction to shut down Popcorn-Time.to and have the domain transferred to an account under their control.

At the time of writing the court has yet to rule on the request.

While the allegations against Popcorn Time are quite detailed, the only information linking it to the Ukranian defendant comes from hosting company BlackHOST. This could be accurate, but since ‘pirate’ operations rely on fake account info at times, it’s not foolproof.

The Popcorn-Time.to website remains operational at the time of writing. TorrentFreak reached out to the Popcorn Time team for a comment on the allegations, but we haven’t heard back yet.

The attorney for the movie studios has filed similar actions against other alleged pirates and pirate services in the past, including Showbox and Dragon Box.

A copy of the complaint referenced in this article is available here (pdf)

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





Source link


While the vast majority of BitTorrent users will simply visit their favorite pirate site for a list of what is available, very often content hasn’t been released online yet. From simply trying to soon to waiting for a delayed release, checking sites can be a bit hit and miss.

For those looking for more information on whether content has hit the Internet yet, it’s possible to use a so-called PRE Database, or PreDb for short. These sites, which can be automatically or manually maintained, contain lists which detail release names, when they became available online, and other relevant information.

While some PreDb sites sometimes contain links to torrents or NZB files, for example, most toe the line from a copyright perspective. They are simple archives of information that cannot be claimed by copyright holders. That, however, doesn’t stop them from trying.

Recently, TorrentFreak had a discussion with the operator of SweTracker, a PreDb/tracer service that focuses on providing information for Nordic releases.

“As a Nordic user I wanted to see where all the Nordic releases are, where to find them, and who had them first,” he explained.

“Swenews.info [another release tracking site] still existed back then, but it didn’t say in plain text which specific tracker had the content, so you had to visit all the possible trackers. So then I decided to create my own version of Swenews but detailing the specific tracker. This was about two years ago.”

While many PreDb-style sites monitor for ‘Scene’ releases using information culled from IRC, SweTracker monitors BitTorrent trackers and publishes information on who won the ‘race’ to put content online first. It does not link to any pirate content whatsoever but anti-piracy companies regularly report the site to Google.

No infrining content but the complaints flood in

As the image above shows, SweTracker has been reported to Google many hundreds of times this year alone by anti-piracy companies who clearly cannot tell the difference between reporting news and offering pirate releases for download. SweTracker’s operator says he’s become used to the problem.

“My personal experience with [anti-piracy companies] is that they don’t really know how stuff works. They often state that users can download or stream movies directly from SweTracker, but that’s simply not true,” he explains.

“But, I try to make life easy and do remove the releases they ask me to remove.
They have contacted me via email several times.”

As far as we can tell, this level of cooperation really isn’t needed. However, SweTracker’s operator says that he’s had serious problems in the past when loose-cannon companies erroneously targeted his site.

He reveals that one company took its complaints about his site to Cloudflare and then to his own web-host, which responded by taking down his entire site until all of the files on it could be checked for infringement. This effort took almost a day during which the site was rendered completely inaccessible.

The problems facing SweTracker are not unique, however. There are perhaps a dozen similar sites online currently, with PreDb.org, PreDb.pw, and Pre.Corrupt-Net.org being among the most respected and visited.

PreDb.org states clearly on its main page that “There are absolutely NO downloads of copyright-protected works, hyperlinks to downloads, torrent files, magnet links, nzb files or similar content on any part of this web site” but that doesn’t prevent complaints.

Google’s Transparency Report indicates that at the time of writing, PreDb.org has had 2,204 URLs reported by content and anti-piracy companies, with Google removing the links from its indexes approximately 65% of the time.

A similar situation is faced by PreDb.pw, which has had 1,103 of its URLs reported to Google with requests that the company removes them from its search indexes. At the time of writing, Google has cooperated almost 85% of the time.

Quite why these sites are aggressively targeted isn’t clear, but it seems likely that simply having a release name on the site is enough to classify it as a full-on piracy resource. As we’ve pointed out dozens of times in the past, a simple whitelist could provide a very simple solution to this problem.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





Source link


Following the latest trends is one of the main tasks at the TorrentFreak newsroom and this job continues in the New Year.

While predicting the future isn’t in our job description, we’re not too shy to take a guess or two. After the poor results last year, we might just have a shot in 2019.

Demonoid Makes a Comeback

The first one’s easy, but far from guaranteed. The popular semi-private BitTorrent tracker Demonoid vanished again last year. But it will return.

The site’s owner has been missing in action for a while. However, over the years he has shown to be dedicated to the site and its userbase. The site has made several comebacks in the past and we predict that the same will happen in 2019.

Whether Demonoid will ever return to its glory days, with millions of visitors per week, is doubtful though.

Site Blocking Comes to The US

US-based movie studios have lobbied and litigated for site blocking measures all over the world. This has been quite successful, but on their home turf, all pirate sites remain readily available.

This is particularly ‘problematic’ because US visitors are driving the most traffic to many torrent and streaming portals.

Copyright holders have long feared a SOPA-like backlash if they called on US Internet providers to block sites. However, the tide is slowly turning.

In 2019 we’ll see the start of a broader campaign to bring site-blocking to the US. This is not expected to go easily, but it’s an inevitable move.

The Pirate Bay Goes Underground

For more than a decade, The Pirate Bay has been a thorn in the side of the entertainment industries. This won’t change in the new year, but the pressure will clearly increase.

At the moment, Pirate Bay’s .org domain is safe and Cloudflare is still working with the notorious torrent site as well.

This won’t last. The Pirate Bay will eventually be forced to move ‘underground.’ Instead of operating as a public-facing website, it will serve torrents from the Dark Web, with an .onion domain that can’t be seized.

Game of Thrones Leaks Early

The hit series Game of Thrones will air its final season in 2019. As the most-pirated TV-show in history, it is bound to attract the attention of millions of downloaders.

The makers of the series have taken extreme measures to prevent any storylines from being spoiled but it only requires a small mishap to ruin it all.

This will become apparent again in 2019. At least one episode of the new Game of Thrones’ final season will leak before it airs. This won’t be due to some sophisticated hacking attempt, but rather through a mishap somewhere in the distribution process.

Google Starts Issuing Piracy Warnings

Google has taken countless anti-piracy measures in recent years. However, many rightsholders are still not content.

Ideally, they would like the search engine to remove pirate sites from search results altogether. Google has made it clear that this would be a step too far, but there is something else they can do.

In the next year, Google will add “infringement” alerts to the search engine as well as the Chrome browser. As a result, users will see a warning message when they attempt to visit a site for which Google has received thousands of takedown requests.

The measure will be similar to the warnings Google displays for sites that serve “malware” or other potentially unwanted software.

—-

Happy New Year!

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





Source link


Over the past 18 years, ever since P2P clients made their run into the big time, users have been trying to figure out a way to avoid expensive lawsuits.

At the beginning, no real solutions were available, so it was a roll of the dice from start to finish. People either got lucky, or they didn’t. The majority did but a significant number didn’t feel like taking so many chances.

Somewhere along the way, so-called ‘peer-blocking’ applications raised their head. These pieces of software act like a firewall on a user’s computer, with the aim of preventing ‘hostile’ IP addresses from connecting to a torrent client, for example, thus preventing lawsuits.

Over the years, millions of users installed these programs (along with the blocklists containing the supposed IP addresses of anti-piracy groups) believing that no ‘bad players’ could access their machines. Unfortunately for those using them, these blocklists were completely ineffective and remain so today.

Peer-blocking applications should have died a death more than a decade ago but for some inexplicable reason, torrent users on many public forums continue to post about them, asking whether they’re doing the job they’re supposed to and if additional precautions are needed.

Despite plenty of information to the contrary, some still swear by these lists and a few stubbornly believe they are “better than nothing”. If locking every window on a house but leaving the front door open is “better than nothing” to prevent burglars, then it’s difficult to disagree. If making sure is the aim, blocklists should be thrown in the trash can marked ‘placebo’.

The problem is the way these things work. Peer-blocking applications use lists of IP addresses (generally compiled by volunteers) which are thought to be connected to anti-piracy, copyright trolls, government bodies, and others interested in stopping piracy. The aim is that if all of these IP addresses can be blocked, the problem can be solved.

Years ago, when people had less understanding of these matters, blocklists seemed like the tool everyone needed. However, blocklists are massively incomplete, woefully out-of-date, and cannot ever hope to ‘know’ every IP address used by every anti-P2P group. For those that still aren’t convinced, let’s take site-blocking as an example.

When ISPs block ‘pirate’ websites, they prevent users from accessing either their domain names, IP addresses, or DNS. When customers try to access any or all of these things, a firewall on the ISP’s end prevents the connection. No further explanation is necessary because after a decade of blocking, most proficient users generally understand how these things work.

Now think for a moment how easily these blocks are defeated. As soon as an order is handed down, sites can grab a new domain, a new IP address, or have their traffic funneled through any number of proxies and mirrors. Users, for their part, can evade bans by using these modified services or utilizing tools like VPNs. Blocking is very easily bypassed.

Now for the big non-surprise: anti-piracy groups can deploy just as many and more techniques to ensure that their entries on blocklists are out-of-date or completely irrelevant. Their tracking machines can be shifted around IP addresses in the blink of an eye, through datacenters or even residential ISPs, if there is a real need for stealth.

No one anywhere on the planet – no matter how clever or resourceful – has the skill or resources to keep up with these changes and/or make a blocklist that deals with them all. A hundred people couldn’t manage it, nor could a thousand. The information required simply isn’t made public and the result is the publication of blocklists that massively overblock legitimate resources while letting through who-knows-what.

The only real way to ensure that your IP address is never connected to ‘bad players’ while using torrents is to use something like a VPN. Or, of course, don’t share copyrighted content in the first place.

Blocklists have never worked to the extent required and will never work in the future. Anyone who trusts them may as well use a fishing net as a rain hat. It’ll still catch some fish but don’t expect it to keep you dry.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





Source link


Anyone even remotely interested in movies and the Internet will have likely stumbled across the Internet Movie Database, or IMDb for short.

The site is an absolute goldmine of information on every imaginable movie, listing everything from cast and crew to user reviews, trailers and trivia, with dozens of additional data points to allow the consumer to research and invest in content.

IMDb is an entirely legal venture but for reasons best known to dozens of content and anti-piracy companies, it is regularly subjected to takedown notices who claim that the service is a pirate site.

For example, early December an anti-piracy outfit working to protect the movie ‘The Wedding Ringer’ for Sony Pictures Entertainment targeted a range of URLs in a notice to Google. Unfortunately, the notice also listed an IMDb URL that offers the legal trailer for the movie.

Even more bizarrely, a company working on behalf of TV company RCN TV filed a strongly-worded notice aiming to protect the TV show “The Law of the Heart“.

“[The URLs contains] an illegal pirated copy of RCN’s copyrighted episodic series La ley del corazon episode/s 01-130. RCN TV has not in any capacity, authorized https://www.imdb.com to distribute its content,” the notice reads.

“RCN hereby requests that based on the DMCA and Google’s own copyright infringement rules, that said portal be removed from its system in order to prevent further abuse and financial losses to our brand as copyright owners.”

The notice lists 132 IMDb URLs, all of which promote and inform the public on the show with none offering any episode for free. Google did the right thing and removed none of them.

But it’s not just foreign companies targeting IMDb with wrongful takedowns. On December 8, an anti-piracy company working for Home Box Office tried to ‘protect‘ the TV show Rellik by removing its IMDb page.

A few days earlier, the same company (this time working for MGM Studios) tried to remove the IMDb page for Get Shorty, while throwing in its Wikipedia page for good measure.

A takedown notice sent on behalf of Columbia Pictures to protect The Amazing Spider-Man 2 didn’t achieve much either.

No, that’s not right…

While most if not all notices that target IMDb are sent in error, there appears to be a common mistake made by some anti-piracy companies.

When sending notices to Google, instead of listing IMDb URLs as the source of the content (it isn’t, but many companies list it as such), they accidentally put IMDb as the infringing URL. This notice sent on behalf of National Geographic lists several such examples.

Google’s Transparency Report lists more than 170 largely bogus DMCA complaints against IMDb, which is something easily prevented with a simple whitelisting of the site’s URL.

What makes things even more ridiculous is that IMDb is owned by Amazon and on every page where legal consumption is possible, the company provides a link where visitors can watch legally using Prime Video. Given that, at the time of writing, the complaints covered more than 4,600 URLs, that’s potentially a lot of lost business via Google search.

Thankfully, as the image below shows, Google’s diligence when reviewing DMCA complaints prevents most notice senders from shooting themselves in the foot. However, it doesn’t take a genius to work out what delisting from IMDb could do for a movie’s sales. Is it really too much effort to whitelist the site?

Google saves the day for hundreds of movies

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





Source link


Over the past couple of years, unauthorized IPTV services have been making their presence known in the ‘pirate’ TV space.

As recently reported, pirate IPTV services are accessed by 5.5% of US and Canadian households. The range of content is phenomenal, with few – if any – official entertainment companies in a position to compete.

Such services are typically accessed via set-top boxes, from ubiquitous Android-based platforms through to dedicated IPTV hardware. None of these devices are designed to be infringing but with the addition of third-party services, they can be transformed into piracy powerhouses.

For those looking for a premium IPTV experience, the MAG box range from Ukraine-based Infomir are the tools of choice. The compact devices are used by thousands of consumers to access legitimate content via a beautiful interface but like any such hardware, these boxes can also be used to access infringing streams.

Infomir has understandably distanced itself from this kind of illicit consumption but until now doesn’t appear to have interfered with the choices of its customers. Moving forward, however, it’s clear that will change.

“Infomir is an international company operating in over 150 countries globally. As a manufacturer of multimedia devices, we are subject to copyright and related rights legislation, which we respect and adhere to,” the company says.

“Upon receiving complaints from a copyright holder, Infomir is obliged to restrict access from its devices to any portal suspected of copyright infringement. The restriction will be maintained until the issue with the copyright holder is resolved.”

IPTV services (both legal and less so) often supply a URL which enables MAG and similar devices to access their ‘portal’. These are entered into the device’s setup page, with the box typically being authorized at the provider’s end by verifying its MAC address against a pre-registered one.

However, Infomir appears able to prevent certain portal URLs from being accessed via its set-top devices and there are some unconfirmed reports online which indicate this may be happening already.

TorrentFreak spoke with Infomir to find out more about this development. Will the company block portals following straightforward copyright complaints, for example, or is a court order required?

“The complaints need not be necessarily backed up by a court order. The form and contents of a copyright complaint must conform to the DMCA requirements,” Infomir Legal Counsel Vladislav Larionov informs TF.

“Our policy is to comply with the EU and US legislation on copyright and take into account best practices in the area of handling of copyright infringement reports. In particular, we only process the reports of copyright infringement that contain all the elements of notification envisaged by the DMCA.”

Some IPTV providers not only provide access to ‘pirate’ streams but also other content that has the potential to be non-infringing, depending on a users’ circumstances. For instance, there could be questions raised over legality when the holder of a UK TV license only accesses BBC One and similar channels via an IPTV service.

Speaking in more general terms, TF asked Infomir if over-blocking is a concern. The company told us that they require detailed complaints from rightsholders to block portals and they give services that are blocked the right to file a counter-complaint.

“We respect the rights of legitimate service providers, and we are concerned that such service providers might be reported by mistake or due to misidentification. That is why we request that copyright infringement reports submitted to us comply with the DMCA and contain a statement under penalty of perjury that the report is true and accurate,” Larionov explains.

“We also review each copyright infringement report to prevent false or abusive ones. Finally, we provide every service provider with a possibility to oppose a copyright infringement report. In case there is a dispute between a copyright holder and a service provider, we will request a court order to maintain access restriction to a portal.”

While copyright holders who file for blocking injunctions in court can be identified fairly easily, discovering who has filed a complaint with Infomir is less straightforward. The company told TF that it cannot provide information on who has requested a block other than to say it is mostly “big copyright holders, anti-piracy associations, and companies that provide copyright management and protection services.”

Finally, it’s not entirely clear how MAG devices are prevented from accessing portal URLs and Infomir informs TF that it won’t provide that information as it might “downgrade” its “access restriction system”. There is already some speculation on specialist forums that firmware updates may be responsible but no clear confirmation is currently available.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





Source link


It’s the days between Christmas and New Years eve, and some of our developers found the time do squash down some know issues. We hereby present you v18 RC4 that include several fixes we did past two weeks. There’s not really anything more to say than wish you all a great new year. As you might have guessed by now v18 will not be released in 2018. There are several reason for this, however we feel we shouldn’t rush a release just for the sake of releasing. There’s good hope it will be released very early 2019 once we ironed out the remaining issues we feel should be fixed.

To this point the current v18 version has been proven to be quite solid to use as a daily driver for those who were brave enough to try it out. Of course you should still keep in mind it’s not a final release yet and that on any upgrade a small glitch could happen as we are still doing rework. Once you decide to give it a try it is highly recommended that you create a backup first.

Changes in RC4 (and RC3)

Most notable changes to mention in this Release Candidate:

  • Update documentation regarding Python and Skin develoment: Kodi Doxygen 
  • Fix crash on certain music files that contain ID3v2 UFID frame
  • Do not list non-repo add-ons as “unavailable” in info dialog (the by default included ones)
  • Fix some interface info labels regarding music
  • Fix none responsive when minimising on Mac OSX
  • Fix path for looking up external subtitles
  • Replace vc140 redis with vc141 which fixes crashes on Windows (user should at least install this once)
  • Windows DXVA – fixed color values
  • Fix GUI Notifications rendering
  • Fix watched items in plugins (contains database upgrade)

Of course there are several more changes which are listed on our github repository found here: RC4 changes.

  • Fix crashes by pressing ‘x’ to stop DVD .iso image when “Player Process Info” is displayed
  • Screenshot: simplify logic and bail out if no folder is set
  • Android: remove mpeg4 HD restriction / use dts for unknown pts for mpeg4 (there might be some playback regressions that will be fixed along the way)
  • Change resolution (if required) on application starts (fixes XBXO resolution issues)
  • Android: Reset calibrations if GUI limit changes
  • Android: fix subtitle position problems
  • Fix resolution whitelist issues on Windows
  • Extend option to hide spoilers like text or images from the library view
  • Add support for new iOS devices

Of course there are several more changes which are listed on our github repository found here: RC3 changes.

Currently included

The past RC1 and RC2 release articles include the most notable changes we have done in v18. There are of course many smaller changes and improvements that we can’t even remember. I guess you will just have to try and find out eventually. For a more extensive list you can visit our wiki page v18 (Leia) changelog which will be update along the way. From now on all v18 releases will not contain any big new features as we are focussed on bug fixing or improvements only.

Make sure to also go through our news sections which contain all past announcements regarding the Leia release and some highlights of what it will contain.

 

The V18 Leia t-shirt

Inspired by the galaxy far, far away theme, our resident artist Sam went above and beyond and designed perhaps the coolest Kodi announce video of all time.

[youtube https://www.youtube.com/watch?v=u9gVaeb9le4?modestbranding=0&html5=1&rel=1&autoplay=0&wmode=opaque&loop=0&controls=1&autohide=0&showinfo=0&theme=dark&color=red&enablejsapi=0]

We loved his work so much that we’re modelling the Kodi 18 shirt after it along with more art to come. Here it is, our newest, coolest shirt: K-18L
(Available in several shirt colours and not just black or white)

Kodistore

 

Release time

Since we now started the RC cycle a final release will be on the near horizon. When the final release will actually be is yet unknown as it all depends on the stability now more people will start using the v18 builds.

That’s about it for now and we’ll go back at improving this upcoming v18 release. Should you wish to give it a try a new version is readily available each day as well as nightly version. We can certainly recommend trying it out however take in mind that it’s not fully production and living room ready yet (take a backup). So far a guestimate of several tens of thousands users already use it so it can’t be that bad can it. You can get it from the download page clicking on the platform of choice and hitting the “pre release” tab. For Android and Windows we have an easy to use download add-on which you can find in our repository.

Go to the Official download page and choose the platform of choice and you will find these builds under the pre release tab.
 

Donations or getting involved

Getting involved is quite easy. Simply take the plunge and start using v18.0 Leia. If you use this version, we encourage you to report problems with these builds on our forum first and after that, if asked and the bug is confirmed, submit the issue on Github (following this guide: How to submit a bug report). Do note that we need detailed information so we can investigate the issue. We also appreciate providing support in our Forums where you can. You can of course also follow or help promote Kodi on all available social networks. Read more on the get involved page.
If you do appreciate our work feel free to give a small donation so we can continue our effort. Just find the big “Donate” button at the top of the website. All donations go towards the XBMC foundation and are typically used for travel to attend conferences, any necessary paperwork and legal fees, purchase necessary hardware and licenses for developers and hopefully the yearly XBMC Foundation Developers Conference.

 

May the source be with you…..





Source link


As one of the most iconic game manufacturers in the world, Nintendo has been fighting piracy for many years.

Most action is taken by the company’s in-house anti-piracy division or through trade groups such as the ESA.

However, this month the City of London Police also offered a helping hand.

The dedicated Police Intellectual Property Crime Unit (PIPCU) arrested a 43-year-old man at a residence in Lowestoft, accusing him of being a prominent ‘modder’ of Nintendo Switch consoles.

“PIPCU officers arrested and cautioned a 43 year old man at an address on Rotterdam Road, Lowestoft in relation to copyright offenses. Hard drives, microchips and computer equipment were seized at the same address,” PIPCU announced.

The police note that “modders” are criminals. However, in this case, the suspect was cautioned and no further action was taken.

According to PIPCU, piracy is not a victimless crime. Not only are the games companies impacted directly, but people who sell modded consoles are at risk as well.

Some games may not work on modded consoles, PIPCU warns, and downloading pirated files is a risky endeavor as well, since people may run into malware and viruses.

“If you’re looking to buy a Nintendo console as a Christmas gift, make sure you know who you are buying from, otherwise you could get more than you bargained for,” PIPCU’s Detective Constable Daryl Fryatt says.

“If you buy a gaming console that gives illegal access to pirated content, you could be exposed to malware and identity crime,” he adds, urging consumers to “Play safe” and “play fair.”

The announcement specifically mentions Christmas, which is a popular time of year for the video game industry. As such, Nintendo will be happy with the police assistance.

That said, Nintendo itself is also taking action against “modders.” Earlier this month the company filed a lawsuit against alleged sellers of modded consoles and pirated games in the US. This case remains pending.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





Source link


At the end of the year, movie industry insiders traditionally receive their screener copies, which they use to vote on the Oscars and other awards.

As is tradition, quite a few of these advance screeners copies will leak onto various pirate sites.

In recent years release group Hive-CM8 has drawn quite a bit of attention, due to both the timing and volume of their releases.

Movie pirates were particularly well-served three years ago. On and before Christmas, high-quality copies of some of the hottest Hollywood productions appeared online, with some titles even beating their official theatrical release.

Following massive outrage from Hollywood, release group Hive-CM8 offered an apology, promising not to release any movies too early in the future. And indeed, in the two years that followed the bulk of the screener copies leaked after the new year.

This season, no screeners have been sighted at all. That’s not a record yet, which goes to 2016/2017 when it took until January 3rd, but it’s clear that pirates are growing impatient.

A quick scan through various pirate sites, and even on social media, shows that the hopes of some were dashed this Christmas. As always, the anticipation already started days before the festivities kicked off.

Where’s Hive-CM8

Apparently, some people associate Christmas with screener leaks, or the other way around.

Not Christmas…

Then there are those who push their luck even further by putting several titles of screener leaks on their wishlist for Santa. In this case, it includes The Favourite and Suspiria.

The Wishlist

Some more words of encouragement followed on Christmas day, but it soon became clear that neither strategy paid off.

No word has come from Hive-CM8 or any other release group this year. The question that remains is whether they are holding back, or if there’s simply nothing to release, yet.

Sorry

At TorrentFreak we have no further details on the matter. However, what we can say is that for well over a decade multiple screener copies have ended up online. So a season without screener leaks would be truly unprecedented.

The most likely scenario is that the groups aren’t ready yet, or they’re delaying releases intentionally, something Hive-CM8 hinted at in the past.

Whatever the reason is, after Christmas the disappointment slowly started to turn into more impatience and anger on social media.

Where?

Others are handing this round to Hollywood…

Who will be the ‘winner’ at the end of the screener season has yet to be determined though.

Hollywood won..

After the 2016/2017 season, this has been the longest screener draught in recent history. However, in that year well over a dozen screener copies eventually leaked online.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





Source link


After long negotiations, the Canadian Government agreed earlier this year that the country’s current copyright term will be extended by 20 years.

This change was part of the trade deal negotiations with the US and Mexico. By extending copyright protection to life plus 70 years, ‘rightsholders’ will be able to generate more profit, the argument goes.

While that may work in theory, Canadian singer Bryan Adams believes that large intermediaries such as the major record labels will benefit the most. Creators often sign away their rights early on, which means that they don’t benefit from any extensions.

In a brief to the Standing Committee on Canadian Heritage, Adams notes that copyright law is out of balance. As such, large companies stand to benefit more from a copyright extension than individual creators.

One of the problems, according to Adams, is the fact that intermediaries hold the bigger bargaining chip. Creators who want to earn a living may sign away their rights in their first deal, something they may regret later on.

“Creators deal with one or few intermediaries; they sign up creators all the time. Creators striking a first deal sign anything that is presented to them; an intermediary rarely needs to sign up this creator,” Adams writes.

“Copyright law is about balance, a balance which was and remains at risk between creators and intermediaries. Copyright law works not so much for creators as for intermediaries; extending the duration of copyright will benefit them, not creators.”

The imbalance can be easily addressed, according to Adams. While it may be too late to revert the agreed copyright extension, there’s a change that will put more power in the hands of creators. And it only requires changing one word in the Copyright Act.

Right now, Canadian copyright reverts to a creator’s heirs 25 years after “death.” By changing the word “death” to “assignment”, creators terminate a copyright assignment while they’re still alive.

This means that the starting artists who signed away their rights to an album to a major label at 20 years of age, can get those rights back at 45. It’s a major change, but not unprecedented, as the US has a similar copyright-termination policy after 35 years.

Adams’ recommendation

Adams already discussed the proposal earlier this year when he appeared before the Standing Committee on Canadian Heritage, but the brief he submitted discusses the advantages in great detail.

Among other things, he stresses that the change in termination policy would empower creators, which will also be good in light of the planned copyright extension.

“Including a termination right in Canadian copyright law would help to ensure that real world copyright law works more in favor of creators. It would also help reduce some of the unintended effects of the upcoming extension of copyright.

“Canada is now more or less duty-bound to increase copyright protection by 20 years, to ‘life + 70’. Extending the duration of copyright essentially enriches large firms of intermediaries. It does not put money in the pockets of most creators,” Adams notes.

By granting a copyright termination right the expected benefits of an extension don’t go to the intermediaries. At the same time, creators will be able to profit more from their work. It’s a giant step forward and only requires changing a single word in the Copyright Act.

A full copy of Adams’ brief, first highlighted by professor Michael Geist, is available here (pdf).

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





Source link