‘Pirate Sites and Copyright Holders Can Both Profit From Advertising’


A few weeks ago, we reported that anti-piracy company DMCAForce offered a rather unique partnership to torrent and streaming sites.

Where many companies in the advertising industry do their best to avoid sites that are linked to piracy, the San Diego-based company takes the opposite approach.

In an email, the company promised the sites a revenue-sharing opportunity. Instead of removing a link or file, they can remain up, if the site owner agrees to share part of its advertising space.

“DMCAForce recently launched a new way for File Sharing sites to work with content creators. Where you as the file sharing site can distribute their content for free, but in exchange provide the advertising space around the product,” the email read.

It’s a rather intriguing proposal which we were eager to hear more about. DMCAForce had clearly seen our article, as the company used it in its communication to prospective clients, which prompted us to reach out.

We spoke to Mark Bauman, the CEO of DMCAForce. He explained that the company sought a solution to keep both copyright holders and website operators happy.

“We chose this approach as corporations, large to small, constantly pay DMCAForce and our other companies like DigiRegs, for services to remove content all day every day,” Bauman said.

“It’s a loss on the content creators books to pay us, but a necessary job that needs to be done. To further that, it’s a loss on the books of the place it’s taken from, as it is technically ad space for users who are looking for their product.”

When copyright holders have to pay to remove content and site owners lose appealing content and advertising space, nobody wins.

This provided an opportunity for Bauman, who also has a strong footprint in the advertising business. Combining classic anti-piracy tools with advertising expertise, was a logical next step.

“Since I’m also the owner of an Ad Platform; TrafficHaus, which provides advertising and revenue to sites, including torrent sites, I decided it’s time to bridge that gap,” Bauman told us.

So, instead of removing content through takedown notices, the company now offers to show ads around it, with the websites and rightsholders sharing the revenue.

It’s a noteworthy move in a time where more and more advertisers are taking measures to avoid sites with a pirate stigma. The advertising and entertainment industry has been rather active on this front, with help from the Police Intellectual Property Crime Unit and Europol, among others.

Bauman says that his advertising company prefers not to ban or block any sites. It doesn’t want to reward piracy either but sees cooperation between site operators and copyright holders as a win-win.

“We don’t want to reward torrent sites for stealing, and we don’t want to deter their sites from operating,” Bauman said.

This works well, Bauman said. With the adult-oriented site Spankbang.com they were able to bring in $15,000 a month, which is nothing to sneeze at. And with that kind of extra income, copyright holders are happy too.

“Rightsholders liked it, they got a fair rate because we were able to drive solid revenues for their content that they invested in and worked so hard to create,” Bauman said.

With the revenue share model, copyright holders retain full control. If they don’t believe that they are generating enough revenue, they can still remove the content. Also, they can choose to exclude certain works, such as new releases.

This filtering can even be done automatically, through a fingerprinting API, which recognizes infringing content. This can then be removed, replaced, or monetized with ads. This technology can also come in handy when Article 13 (now 17) is implemented, Bauman adds.

The initial tests were conducted with adult-themed content, but DMCAForce is expanding its reach. While Bauman prefers not to name any clients, some music industry companies have shown an interest in the model.

The ultimate goal is to make sure that the system works for everyone involved.

Bauman believes that cooperation is key as pirates will always find a way to upload and share content somewhere. That’s not going to change anytime soon. So instead of fighting it, bringing both sides together may prove to be more fruitful.

“Users are going to steal and share and need somewhere to upload content. They’re just going to do it and there’s no way to stop it. So our stance is to protect content, but leverage it as well,” he said.

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Senators Aim to Help Students, Might Even Reduce Textbook Piracy Too


Free access to information is a very hot topic, particularly in the academic field where many believe that putting studies behind a paywall is unethical.

This has led to the rise of ‘pirate’ sites like Sci-Hub, that aim to provide free access to information and education, for the betterment of the world.

But, when one considers how these sites operate, even this noble aim can prove controversial.

Much of the content offered by these types of platforms infringes copyright. That’s often publishing giants such as Elsevier, who in return have waged war on Sci-Hub in particular. Just this week, yet another blocking order against the site was handed down in France, with operator Alexandra Elbakyan pledging to continue as usual.

But what if there was another way to access academic content, studies, and textbooks without having to resort to piracy?

In 2018, several prestigious European research councils announced a major push for Open Access publishing, with a plan to limit the power of major copyright holders and ‘tear down academia’s paywalls.’

And, just this week, there was more news for academics and students to become cautiously excited about – the reintroduction of the Affordable College Textbook Act.

On Thursday, U.S. Senators Dick Durbin (D-IL), Angus King (I-ME), Tina Smith (D-MN), and Kyrsten Sinema (D-AZ), along with U.S. Representative Joe Neguse (D-CO-02), introduced bicameral legislation with the aim of making high-quality textbooks available to students, professors, and the public, for free.

“One of the most basic higher education costs to students is often overlooked: textbooks,” Durbin said, citing figures from The College Board estimating costs of $1,240 per student, per year.

“In Illinois, we know federal support for open textbooks can be successful. Expanding this program to more states will mean lower costs for students to incur. This bill will help prevent the high cost of textbooks from putting students’ academic success at risk.”

Senator Smith said that when meeting with college students, they often talk about the cost of textbooks and how difficult it is to afford them.

“Sometimes textbooks are so expensive that students take the chance and don’t purchase them at all, and try to make it work without the needed material,” she said. According to U.S. PRIG, 65% of students choose to go without textbooks.

Of course, others resort to piracy too. Over the years we’ve reported on several initiatives to provide free or cheap textbooks to students, but many have either faded away or ended in criminal convictions for their operators.

There are even patents out there that attempt to prevent students from sharing their own books with others. Clearly, open alternatives are preferable to all of the above.

As per information released Thursday, the Affordable College Textbook Act, among other things, has these ambitions, should it eventually pass:

  • Authorizes a grant program, similar to the Open Textbooks Pilot, to support projects at colleges and universities to create and expand the use of open textbooks with priority for projects that will achieve the highest savings for students;
  • Ensures that any open textbooks or educational materials created using grant funds will be freely and easily accessible to the public, including individuals with disabilities;
  • Strengthens existing price transparency so students can easily identify classes that use open textbooks when they register;

While the passing of the Act certainly won’t end piracy overnight, giving students options that don’t involve compromising their already limited finances or forcing them towards popular search engines such as Library Genesis has to be considered a step forward.

More information here and here

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Wrongfully Accused ‘Pirate’ Wants Copyright Holder to Pay Her Bills


Every year, thousands of people are sued in the United States for allegedly sharing pirated video, mostly through BitTorrent.

These efforts, often characterized as “copyright trolling,” share a familiar pattern. After the film companies acquire a subpoena to obtain the personal details of an alleged pirate, they contact this person with a settlement request.

The cases are not intended to go to trial, however. Instead, the copyright holders often drop their complaint like a hot potato when the accused person lawyers up to fight back.

To an outsider, this may sound positive. If the complaint is dropped the legal threat is gone. However, hiring a lawyer is not cheap and without a case, the accused Internet subscriber has to pay the bills out of his or her own pocket.

This scenario has played out many times in the past but a woman from Illinois now has a chance to make the rightsholder pay her bills.

The case in question was filed by Malibu Media, a company best known for its ‘X-Art’ adult films. Malibu accused Najia Khan of pirating eight of these films using her IP-address as evidence. However, the woman fiercely denied the allegations.

With help from attorney Erin Russell, Khan fought back. She denied the claims and submitted two counterclaims. First, she accused Malibu Media of ‘abuse of process’ for suing her without proper evidence. In addition, Khan also requested a Declaratory Judgment of non-infringement.

In the past, such requests haven’t been very successful, but in Khan’s case, the trend was bucked.

In an order issued last week, US District Court Judge Harry Leinenweber dismissed the counterclaim for abuse of process. However, he ruled that the counterclaim for a Declaratory Judgment can proceed.

The Judge sided with the defense and ruled that the accused woman can pursue a final judgment. This gives Khan a chance to argue her case, clear her name, and ask for an award of costs and fees.

“There is tremendous pressure for a defendant to settle, even if the case is meritless. Khan’s counterclaim will offer protection should she choose to challenge Malibu Media’s case on the merits instead of submitting to settlement. As she points out, it also affords an opportunity for her to clear her name,” the Judge wrote.

TorrentFreak spoke to Khan’s attorney Erin Russell who sees this as a big win. If the entire case was simply dismissed, which is what usually happens, her client could only request sanctions, which would be much harder to do.

“Every time I file counterclaims I end up arguing to the judge that this is Malibu’s way of having its cake and eating it, too,” Russell says.

“They want to drag these defendants in on an IP address, then root around, force the person to defend themselves, and then when it starts to look like the defendant is innocent, they want to run off and not pay the defendant their fees.”

While most judges have dismissed such counterclaims, Judge Leinenweber deviated from this common pattern by allowing Khan to prove her innocence. Although she still has to succeed at that, her attorney is confident that she will. If that’s the case, Malibu will have to pay her legal bills.

This is obviously bad news for Malibu, and it certainly isn’t the only recent setback for the adult entertainment company.

Over at the US District Court of New York, a similar piracy case was thrown out before it got properly underway because Malibu filed the original complaint before the copyright registrations of the videos were approved. This is not allowed, as the US Supreme Court recently clarified.

Making matters worse, the court ‘slapped‘ Malibu’s attorney on the wrist for confusing the court by listing the application dates as registration dates. This is “troubling,” Judge Jesse Furman noted, adding that it’s hard to avoid the conclusion that Malibu’s use of the term was “deliberately misleading.”

In Khan’s case, all efforts will now go into proving that she is indeed innocent. This will obviously increase the legal bills, but if Malibu has to pick those up eventually, that’s not her problem.

—
A copy of US District Court Judge Harry Leinenweber’s order on Najia Khan’s counterclaims is available here (pdf).

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Greek Pirate Site Blocks to Expand with RARBG, Torrentz2, and Others


ISP blocking has become a prime measure for the entertainment industry to target pirate sites on the Internet.

The practice has been around for over a decade and has gradually expanded to more than 30 countries around the world.

Last year Greece stepped in. Following a request from EPOE, a local anti-piracy group which represents the interests of major Greek copyright holders, more than three dozen sites were blocked, including The Pirate Bay.

That was only the start, it appears, as Greek music rights organization Grammo has now joined in as well. The group filed a blocking application with the Hellenic Copyright Organization (OPI), a special commission that falls under the Greek Ministry of Culture and Sports.

The targeted sites include the popular torrent sites RARBG.to, Torrentz2.eu, LimeTorrents, and TorrentDownloads. The list is further made up of various pirate linking sites, such as Ellinomania.eu, Warez‐bb.org, Newalbumreleases.net, Boerse.to, Greekddl.net, and Music‐bazaar.com.

Hellenic Copyright Organization reviewed the request and concluded that it meets all requirements.

Grammo, for example, said that it contacted the sites in question, but only received a response from Torrentz2. The torrent site did indeed remove the links, as requested, however, new links pointing to similar content appeared soon after.

According to the Government-affiliated commission, the music group has made it clear that the targeted sites are involved in copyright infringement. This means that ISPs will soon be asked to expand their blocklists with the new domain names.

Before the blockades go live, the respective site owners were informed about the decision. There were given the opportunity to obtain proper licenses within ten days, or alternatively, appeal the decision.

“You may voluntarily comply with the applicant’s request or obtain from the applicant a relevant license within ten (10) working days from the date of receipt of the notification,” Hellenic Copyright Organization writes.

“Alternatively, you may raise your objections to the Committee within five (5) working days from the date of receipt of the notification, sending, at the same time, all the evidence showing, in particular, that there is no infringement,” the letter adds.

The Greek system is different from that of many other countries because it doesn’t involve a court.  It’s an administrative procedure which allows copyright holders to swiftly request pirate site blockades, without the need for lengthy and costly legal proceedings.

Whether the current blockades will help to deter piracy in a meaningful way has yet to be seen. As usual, there are several options to bypass ISP blockades, and the targeted sites themselves often offer alternative domains.

Following the previous blocking request, several popular Greece pirate sites, including Xrysoi, Gamatotv, Tenies-Online, Oipeirates, and Tainio-mania, swiftly moved to new domain names. These remain available today and are among the most-visited sites in the country.

—

A copy of the blocking notification sent to the respective site operators is available here (pdf).

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Canadian ‘Pirate’ Set-Top Box Seller Must Pay CAD$5 million


The increasing popularity of specialized “pirate boxes” has become one of the main anti-piracy priorities in recent years.

These devices often ship with the popular Kodi media player installed. While Kodi itself is a neutral platform, the devices can turn into a powerful pirate tool when they’re “fully-loaded” with third-party add-ons 

During the spring of 2016, a group of prominent Canadian rightsholders decided to take action to stop the sale of these devices. Bell Canada, Rogers Communications, Videotron and others, took several retailers of such “fully-loaded” set-top boxes to court.

It didn’t take long before the Federal Court in Canada issued an interlocutory injunction against several companies, prohibiting them from selling “fully-loaded” boxes with pirate addons. A subsequent attempt by several vendors to have this ban lifted failed.

In its initial order, the court allowed the rightsholders to add similar vendors to the lawsuit, an opportunity they gladly seized. The list of defendants has since grown to more than 125, including ITVbox.net, MTLFreeTV, WaveTVBox, SOLO IPTV, and Infinity TV. 

A few days ago, the Ontario-based company Infinity TV agreed to settle the case with the rightsholders. The company admits its wrongdoing in a consent judgment signed by Federal Court Judge Denis Gascon. 

Infinity TV operated from infinitytv.ca, which no longer lists any products. It previously sold a pre-loaded streaming box called the “ITV Unit” through which it offered access to “over 300,000+ MOVIES – 20,000+ TV SHOWS – LIVE SPORTS” for a one-time price. 

Infinity TV

According to the consent judgment, the vendor “induced and authorized users of Pre-loaded Set-top boxes to infringe the Plaintiffs’ right to reproduce the Plaintiffs Programs,” which is in violation of the Copyright Act. 

The order also states that Infinity TV sold and distributed equipment that was used to receive “encrypted subscription programming” after it was decoded, which is contrary to Canada’s Radiocommunication Act.

What stands out the most in the mutually agreed judgment is a ‘settlement’ fee of CAD$5 million, which Infinity TV must now pay to the copyright holders to cover various damages and costs. 

CAD$5 million…

This is the first consent judgment in the case according to the Wire Report, which picked up the story late last week. There may have been other monetary settlements in the past, but these are not public.  

In addition to the CAD$5 million Infinity TV now owes, the consent order also includes a permanent injunction. This prohibits the company from selling any infringing fully-loaded set-top boxes, infringing IPTV subscriptions, including its “ITV Unit.”

Just a few months ago, Infinity TV’s website promised that something would be “coming soon,”  but this message has since disappeared.

—

Copies of the consent judgment (pdf) and the amended Statement of Claim (pdf) were obtained by TorrentFreak with help from attorney James Plotkin and stagiaire Fabienne Lajoie.

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German Court: If Parents Cover For Their Kid’s Piracy, They Become Liable


Hundreds of thousands of German citizens (and quite possibly more) have been hit with settlement notices over the past 15 years.

The country is one of the most risky places in the world to share files without the permission of copyright holders, as plenty of Internet users have found to their detriment.

One such case, dating back to 2011, saw Universal Music send a letter to a family whose Internet connection was used to share the Rihanna album ‘Loud’. However, the case wasn’t straightforward.

The parents, to whom the letter was addressed, stated that they had no interest whatsoever in the R&B star. However, one of their three children did, and the parents actually knew which one had committed the infringement.

Relying on a local law that protects family members from having to testify against each other, the parents refused to hand over the identity of their infringing offspring. However, after the case was heard by the Munich Court of First Instance, they were themselves held liable and ordered to pay almost 3,900 euros.

The case then headed to the Federal Court of Justice (Bundesgerichtshof – BGH) which resulted in another win for Universal.

The BGH upheld the decision of the Munich Court in 2017 and held the parents liable for infringement, reasoning if the parents knew who had committed the offense but refused to identify them, they should pay the fine themselves. But the show wasn’t over just yet.

The case then progressed to the Federal Constitutional Court (Bundesverfassungsgerichts – BVerfG ) which handed down its decision Wednesday.

Siding with the judgments of the lower courts, the BVerfG said that if the parents don’t want to identify which of their children committed the offense, then it is they who must be held liable and face the consequences.

“The fundamental right to respect for family life under Article 6 (1) of the Basic Law does not preclude a civil-procedural obligation on Internet access holders to disclose which family member used the connection if copyright infringement was committed via the connection,” the decision reads.

“On the basis of this ruling, the 2nd Chamber of the First Senate, with a decision released today, did not accept the constitutional complaint of a parent against a conviction for damages and reimbursement of charges, who knew which of their children had made copyrighted music available to the public, but in a civil case had not revealed that.

“Family protection is not intended to escape tactical considerations of personal liability for infringement of intellectual property rights,” the Court added. “The mere fact of living with other family members does not automatically lead to a disclaimer for the subscriber.”

While this sounds very much like a defeat for the parents in question, the ruling also clarifies points of law which may prove of importance to others who might find themselves in a similar position in the future.

Knowing who committed an infringement and refusing to hand over their information leads to liability, but not knowing who did so may produce a more favorable outcome, says Cologne-based lawyer Christian Solmecke.

“The Internet subscriber is not obliged to make any specific inquiries within the family. However, if he himself determines who the perpetrator is, then he must also name them – even if they come from his family environment,” Solmecke notes.

“The ruling leads to the conclusion that parents are now better off if they theoretically entertain the possibility that their children have committed the crime, but at the same time declare that they do not know the true culprit.

“If the parents know the culprit, they must betray him or they are liable themselves. If they do not know the culprit, the parents are released from liability,” the lawyer concludes.

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Aussie Music Industry in Court to Demand Stream-Ripping Site Blocks


With the rise of sites of YouTube, anyone can stream videos and songs directly to their browser. It’s convenient, quick, and should generate revenue for the site and copyright holders.

However, many people prefer to have content saved on their local machines, so millions turn to so-called ‘stream-ripping’ sites.

In basic terms, these platforms allow users to download or ‘rip’ content for offline use, something which negates the need to return to YouTube for repeat plays.

While this helps with bandwidth costs and might even be good for the environment, copyright holders – music labels in particular – tend to lose revenue as a result. Furthermore, users having a library of offline songs can reduce the need for services such as Spotify, for example.

This has led to the practice of stream-ripping being labeled not only as piracy, but one of the most serious forms of piracy facing the music industry today. As a result, platforms that offer stream-ripping services are now seen in the same light as torrent sites once were.

In an effort to prevent stream-ripping by Australian citizens, Music Rights Australia, backed by the Australasian Performing Right Association (APRA), Sony Music, Universal Music, and Warner Music, are requesting a block of several stream-ripping services.

The application first became public in January and the parties were in Federal Court again today, arguing for ISP blocks against four sites – 2conv, Flv2mp3, FLV.to, Convert2mp3. All are based overseas, one of the requirements for blocking under Australian Copyright Law.

Convert2mp3 is Germany-based and was previously declared illegal and blocked in a first-of-its-kind case in Denmark. The other three are all based in Russia and have recently been embroiled in legal action with labels in the United States. Thus far, they have emerged on top, but not without controversy (1,2).

According to barrister Rob Clarke, licenses are not available from APRA for anyone in Australia to download music content for free from YouTube, neither have the owners of YouTube been granted licenses to facilitate that.

ComputerWorld reports that in Court, Clark read from 2conv’s description of its own service, declaring that the service “converts your videos to mp3 and other formats from YouTube in just a couple of clicks.”

“They’re not your videos!” he said.

While some people may indeed download videos they own from YouTube, the music groups contend that the vast majority of people are doing so in order to amass offline libraries of music. This is particularly assisted by desktop apps published by the Russian sites that allow people to process downloads from YouTube in batches, Clark added.

The barrister also noted that the terms of service on 2conv (and indeed Flv2mp3 and FLV.to) require users to have “necessary licenses” to download content but according to ComputerWorld, Clarke poured cold water on the statement.

“We say that that’s a meaningless warranty,” he said. “The owners of this website know very well that, given they’re telling people to copy URLs from the YouTube website, those people don’t have any licenses, permissions and so on to go about downloading those videos.”

Before recent amendments to the Copyright Act, “online locations” outside Australia with a strict “primary purpose of infringing” could be blocked by ISPs. That definition was expanded last November so that sites “with the primary effect” of infringing or facilitating infringement could also be blocked.

The labels clearly hope that the Federal Court will find in their favor in this stream-ripping application and there is no doubt that the chances of that will have been increased following the recent changes to the law.

The domains requested to be blocked by ISPs in the original application are as follows:

2conv.com
Flv2mp3.by
Flv2mp3.com
Flv2mp3.org
Convert2mp3.net
Flvto.biz
Flvto.com

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Anti-Piracy Firm MUSO Argues Against DRM, In Favor of Takedowns


According to a December 2018 report, the video games industry was set to generate around $135 billion last year.

It’s undoubtedly a huge market, and a growing one too. The 2018 forecasts outperform 2017’s figures by almost 11%.

Of the three major sectors – mobile, PC, and console – the latter enjoyed the largest growth, with revenues increasing around 15% on the previous year. Perhaps coincidentally, perhaps not, the latter is the least affected by piracy, with most major consoles relatively secure against pirate players.

The same cannot be said about PC titles, however. This sector accounts for 25% of the global market, according to market analysts Newzoo, but still managed growth in 2018, increasing revenues by 3.2% to $33.4 billion. Nevertheless, PC games piracy is widespread, largely due to the relatively open nature of its native platform.

To combat this issue, games companies often deploy (to a greater or lesser extent) some kind of Digital Rights Management (DRM) solution. These software-based systems are designed to defeat attempts to ‘crack’ gaming titles, but evidence shows that effectiveness can vary greatly.

One of the most formidable and notorious systems is Denuvo. Countless articles have been written about the DRM solution, with many arguing it harms the gaming experience and only has a negative effect on genuine buyers.

Many publishers, however, see it as the last line of defense against pirates determined to download free games whenever they can. The big question, of course, is whether it achieves that goal.

While Denuvo is undoubtedly fiendish and impossible for Joe Public to defeat, dedicated cracking teams see it as a mountain to be climbed and time and again they’ve shown that it can be scaled – quickly too. On the other hand, Denuvo claims that AAA games not using its technology face huge losses.

Interestingly, anti-piracy company MUSO published a piece today that suggests that there may be a more consumer-friendly alternative to DRM.

Titled “DRM, The Cracks Are Starting to Show” and written by Adam Hitchen, Technical Services Executive at MUSO, the piece questions whether DRM is the right approach to PC game piracy, especially given both the apparent ease it’s now being cracked and the restrictions it places on genuine players – such as having to remain online for a game to play.

Highlighting the leak of what would’ve been a Denuvo-protected Devil May Cry 5 recently, which fell to pirates on the very first day of its release (while revealing a performance advantage without the protection), Hitchen asks:

“With this precedent set, combined with the frustration it induces in players, is DRM really worth it?

“Games studios and distributors need to protect their content online, and take a stand against piracy, but the chosen strategy should not undermine the core product or hijack the conversation around a release,” Hitchen adds.

“Gaming creates huge and passionate fan bases which need to be nurtured; fans should not be left feeling as though their gameplay is being hindered.”

Given that Denuvo is arguably the most successful DRM around today, the fact that it’s regularly being cracked close to ‘Day One’ for major AAA gaming titles must be a concern for those who believe that DRM is the only way to protect their investment. MUSO, however, believes there is another way.

“With immediate availability of cracks to work-around DRM, and hackers choosing to proactively target releases using DRM, it’s time to change the conversation,” the company says.

“Content protection strategies should be non-invasive and data-driven. Rather than embedding mechanisms within the games themselves, studios can effectively remove illegal content as it appears by crawling for copies.

“Taking this approach keeps fans onboard, doesn’t impact gameplay and still ensures that piracy is stamped out – the things that really matter,”
Hitchen concludes.

There’s no doubt that this is a highly controversial topic that has no simple solutions or indeed any perfect ones. One way or another it appears that PC content is going to be pirated. But MUSO’s piece definitely raises some good points.

If DRM, like Denuvo, is going to regularly fall very close to a game’s release date moving forward, it becomes somewhat useless. While some titles will remain protected, it currently seems like the cracking groups are the ones with the power.

They increasingly appear to be the arbiters of whether time gets put into cracking games – or not. This is not the balance of power games publishers relish when investing millions into their new creation.

However, will they be prepared to take MUSO’s advice by releasing DRM-free content into the market to keep paying customers happy, in the hope of rendering pirate copies inaccessible with takedowns?

MUSO clearly hopes so – but then it would because this is one of the company’s areas of expertise. The company is right that this problem for the gaming industry perhaps needs a fresh set of eyes but in the meantime, many eyes will be turning to Google’s Stadia.

This cloud-based gaming system seems to have the potential – one day in the distant future – to deal with the piracy problem once and for all. Until then it’s takedowns or DRM or both – and pirates don’t like either of them.

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US Court Orders 27 Pirate Site Operators to Pay $1 Million Each in Damages


ABS-CBN, the largest media and entertainment company in the Philippines, has scored yet another legal victory in the United States.

This week, a Florida district court issued a default judgment against 27 defendants who operate websites that offer links to copyright-infringing streams of ABS-CBN content.

The lawsuit, filed last December, targets more than three dozen domain names, including dramaofw.ch, vidco.su, pinoyflixtv.com, pinoytvlovershd.com, and tambayand.com.

The domains are connected to streaming portals that specialize in Philippine content. These sites attract visitors from all over the world, including the United States, where they target people of Philippine origin.

“Defendants’ websites operating under the Subject Domain Names are classic examples of pirate operations, having no regard whatsoever for the rights of ABS-CBN and willfully infringing ABS-CBN’s intellectual property,” the company wrote in its original complaint.

One of the sites

Despite facing hefty damages, none of the site operators turned up in court. This prompted ABS-CBN to file for a default judgment which was granted by US District Judge William Dimitrouleas this week.

In his verdict, the Judge orders the 27 defendants to each pay $1 million in damages, for willfully violating ABS-CBN’s trademark. In addition, four of the defendants received an additional $30,000 in copyright infringement damages on top, as requested.

The order

ABS-CBN’s most recent win follows a pattern of similar verdicts in recent years. With these lawsuits, the company has managed to score dozens of millions in damages from a wide variety of streaming sites with relative ease.

While this sounds like a success story, it is unknown whether the Philippine media company has managed to recoup any damages from the defendants, who are generally not known by name.

In order to get at least some money from the defendants, ABS-CBN also obtained an injunction against the advertisers of the pirate sites. These services, including Google Adsense, RevenueHits, and Popads, will have to hand over the outstanding revenue of these sites to the media giant within a week.

The permanent injunction further requires the domain name registrars and registries of the sites to transfer the domain names to ABS-CBN.

At the time of writing, many of the domain names, including the .net and .com ones, redirect to a “serving notice” page with the case details. Websites with the former Sovjet Union’s .SU extension, remain accessible for now. 

Whether the $1 million in damages and the injunction will deter all defendants from continuing remains to be seen.

Some of the names of the websites in this lawsuit are similar to ones ABS-CBN targeted previously. If the operators remain unknown, they may simply continue their business with a new domain.

—

A copy of the default judgment is available here (pdf). A list of all the affected domain names, with the associated defendant number, is available below.

1 cinesilip.su
1 pariwikitv.su
1 pinoyhd.su
2 dilsediltakdrama.net
3 dramaofw.su
3 dramaofw.ch
4 filikulamo.tk
5 filipinoshows.su
5 filipinotvshows.su
5 ofwpinoytambayan.su
6 fullpinoymovies.net
7 lambingansu.net
8 pariwiki.su
8 vidco.su
9 pinoy1tvhd.su
10 pinoyako.co
11 pinoychannelflix.su
12 pinoychannelofw.su
13 pinoyflixtv.com
14 pinoylambingan.info
15 pinoymovies.site
16 pinoytambayanchannel.com
17 pinoytambayanlambingans.com
18 pinoytambayanlive.su
18 cinesilipsu.net
19 pinoytvb.com
20 pinoytvlovershd.com
21 pinoytvplus.com
22 pinoytvreplay.su
23 pinoytvreplays.co
24 sunjerhd.com
25 tambayand.com
25 lqnabc.info
25 tambayane.com
26 telebesyon.com
27 yztv.online
27 yztv.pw

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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Presenting KodiTV MultiPass


This is going to be short and sweet: we proudly present KodiTV™ MultiPass!

Starting at 00:00 UTC, our servers will deploy an update to your Kodi install if you’re in North America (Canada not included) or Europe. Unfortunately the broadcasting rights don’t allow us to offer the service to other regions yet. More on that later.

KodiTV™ offers the best of all major content providers, combined in one single add-on. Starting now, we will support five streaming providers, with more to come:

  • Netflix
  • HULU
  • HBO
  • Amazon Prime
  • Youtube Premium

KodiTV™ add-on will give you four subscription tiers:

  • Micropass: $0.99 per movie and $0.29 per TV show episode from any of our content providers (any content provider)
  • MultiPass: $14.99/month from up to three of our content providers (providers selectable each month)
  • Megapass: $23.99/month all providers right at your finger tips
  • Monsterpass : watch everything for $199 a year (unlimited tier)

Have fun! ;

Tags: 
Community Updates





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