As one of the most-visited sites on the entire Internet, Reddit needs little introduction.

The site has millions of daily visitors who read and contribute to countless discussions on every conceivable (and often inconceivable) topic.

In the piracy space, Reddit’s /r/piracy sub-Reddit is an invaluable source of information. It has close to 350,000 subscribers, making it one of the largest piracy-focused discussion platforms on the Internet. As such, many users feel the section is precariously placed.

As detailed previously, this often controversial forum is regularly subject to conjecture about its future, with many worrying that it may be shut down for breaching Reddit’s global rules, mainly after receiving too many copyright complaints.

The truth, however, is that /r/piracy is run by pragmatic individuals who work extremely hard to ensure that their baby is run not only in compliance with the law, but actually in excess of its requirements.

It’s important to know that /r/piracy is NOT the Wild West. It has a strict set of rules in place, including that people do not request or link to pirated or copyrighted content. Having this in place is important, since that’s what keeps the section in line with the law and out of trouble.

However, what’s most important is how the sub-Reddit deals with repeat offenders. Most ISPs and service providers now have such policies in place to keep the law from the door but most people won’t appreciate just how tough /r/piracy itself is now being policed.

In a recent discussion, moderator ‘dysgraphical’ revealed that he now effectively operates a zero-tolerance policy, not only for people posting links to infringing content but also people who request the same.

“I’m very proactive in temporarily banning first time offenders of rule 3 [posting or requesting infringing content), and permanently banning any spam or intent to sell/distribute personal information. As long as the community keeps reporting rule breaking posts, we’re fine,” he wrote.

That’s worth highlighting again. Most online platforms will tolerate three, four, or more actual infringements of copyright before taking firm action, while ISPs tend to err on the side of caution by only taking action against subscribers who’ve had multiple infringement allegations made against them.

While this may sound harsh to those who feel all content should be free (and they should have the freedom to both request and obtain it), they aren’t running Reddit, they aren’t in charge of any sub-Reddits, or the ones that will suffer if a section is shut down for repeat infringements.

In addition, /r/piracy has automated tools in place that aim to catch people breaking the rules (which go beyond the requirements of the law) and the law itself. These so-called ‘automoderators‘ aim to catch infringing posts immediately while making the mods’ life that little bit easier.

“Automod catches a ton of request posts and automatically deletes them everyday. All together with manual mod and automod removals, about ~25 posts are removed daily for breaking the rules,” dysgraphical explains.

“The issue is that there will always be people attempting to circumvent the rules by oddly rewording their titles. For what it’s worth, they get the banhammer whenever I catch them.”

Again, this is worth repeating. Those who simply have no respect for the rules of /r/piracy not only face suspension for a first offense, but also face a permanent ban if they attempt to outwit the system that protect the sub-Reddit’s future.

TF has a system in place that’s able to monitor requests and other rule-breaking posts and capture copies of them before they are automatically deleted. It isn’t perfect, but we can confirm that /r/piracy and its mods (both human and machine) are very diligent.

To some, it may seem counter-intuitive for /r/piracy to be so tough on piracy itself, but the entire future of the discussion platform is reliant on strictly policing the platform. If those in charge loosened their grip, there’s little doubt that a minority of people who simply refuse to read the rules would be responsible for the forum being banned by Reddit.

However, it’s clear that since the opposite is true, the reality of the situation is much less precarious than some might assume.

“Contrary to the fearmongering that Redditors love contriving, we have never been contacted by the Admins for any copyright infringement or sitewide rule violation,” dysgraphical adds.

“They have deleted a few posts here and there at their own discretion and have notified the OPs but we (mod team) have never received any complaints or notices for that matter.”

For a community of almost 350,000 subscribers that is some record (especially given the topic), and one the moderators of /r/piracy should be proud of. There are thousands of dedicated platforms to choose from if people want to engage in actual piracy but sacrificing /r/piracy to the gods would only serve to stifle entirely legal discussion.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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Most entities behind user-generated upload platforms know that lawsuits are always a possibility and accept them as a risk of doing business.

YouTube, for example, knows that it can be sued but since the company follows applicable law to the letter, it’s not a straightforward prospect for opponents. It also has the deepest of deep pockets.

Then there’s Travis McRea, the former leader of the Pirate Party of Canada and the brains behind what is now becoming one of the world’s most controversial eBook platforms, Ebook.bike.

McRea also understands he could be sued for his activities but informs TorrentFreak he is actually looking forward to the day. It seems clear; McRea is on a mission.

After launching a movie torrent site in 2011, the keen pilot is now in the eBook market. His site is simple and free to use but authors and publishers are furious that he appears to hold no licenses for the content on his platform. Not unlike YouTube, however, McRea says he’s DMCA compliant, so doesn’t need any.

Earlier this week, McRea appeared on BBC Radio’s You and Yours show, facing off against Joanne Harris (MBE), the author of the award-winning novel Chocolat.

McRea told the show that his website isn’t based around the idea of copyright infringement but was actually designed “by authors, for authors” and is a group effort to share books. He also insisted that he isn’t hiding behind the DMCA, stating that it’s not a “cover my butt answer” and authors he knows are actually uploading content to his platform.

Joanne Harris, whose books also appeared on EBook.bike without permission, countered by saying she has never encountered any author who uploads content to McRea’s site.

“It is copyright theft, it’s not sharing. Sharing is when an author decides to put their own book online for purposes of their own,” she said.

“I’ve been involved in a three-day Twitter conversation with many, many hundreds of people who are very annoyed that their books are there. I haven’t yet met one defending the site.”

The conversation then moved to McCrea’s claim that content is taken down quickly. Harris said her publisher doesn’t believe the system is good enough and it had been trying to take down content “over several weeks”, while insisting that McRea hasn’t been “consistent in taking things down.”

McCrea disagreed and reiterated that the website isn’t dedicated to copyright infringement, it’s there to help authors. He also said that personal attacks on Twitter against his family mean that authors are unlikely to step forward to support him.

“My mother, my girlfriend – notably not my father – all had their public information shared on Twitter, doxxing the people who come to my aid. These are the people who are around me. So why would anyone willingly want to come up and defend me against these baseless attacks if this is what they’re going to be met with?” McRea complained.

Having listened to the show, TorrentFreak spoke with McRea who told us that he wasn’t happy with the final broadcast.

“I didn’t hear the final interview, I didn’t like the way the interview went. There were technical issues and all my questions were worded with a bias,” he said.

“I get that I’m going to have an uphill battle but at least from the sound booth the interview sounded like a hit piece.” 

That being said, an uphill battle appears to be exactly what McRea is gunning for.

“My statement remains what it always was. I want someone to sue me. I want to win that case and then have legal precedent which should let me start finding ad partners, not having to deal with as much BS,” he told TF.

Wanting to be sued is usually at the bottom of most people’s bucket list, but McCrea is clearly no ordinary player. He told us that living Canada means that he’s not compelled to follow the terms of the DMCA but does so out of choice. For those still unhappy, he’s throwing down the gauntlet.

“While we stay committed to following all US copyright laws and ensuring we maintain our DMCA compliance, I would like to reiterate that I am a Canadian and my focus is on upholding the laws of my country. It just has always been that the DMCA provides the best framework for how to handle copyright complaints,” he said.

“I use the DMCA because it offers the best framework, not because I feel I’m obligated to. If they feel I’m liable, come sue me.”

While McRea is certainly taking a tough stance, in a follow up he told us that he’s also developing policies and tools to help both authors and users to better understand their rights while using his website.

“I’m also working on a copyright tool that can be built into ebooks like a robots.txt file which allow authors to specify what platforms their book can be uploaded to. Ebook Bike will search for that file and honor it if it exists,” he concludes.

Whether publishers will now take McCrea up on his offer to battle this out in court will remain to be seen. Public standoffs like this are very rare indeed, particularly when legal precedents are there for the taking.

It’s unclear whether the former Pirate Party leader has the resources to take on a giant like Harper Collins, for example, but his confidence suggests he may have a plan. We’ll have to wait to find out the details.

The full BBC show, You and Yours, can be heard here, (skip to 30m40s)

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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For most people, search engines such as Google are an essential tool to enjoy the web in all its glory.

With clever algorithms, the company offers a gateway to billions of sites, many of which would otherwise remain undiscovered.

This also includes many ‘pirate’ sites. While there are plenty of people who don’t mind seeing these show up in search results, their presence is a thorn in the side of copyright holders.

At the beginning of this decade, this problem was hardly recognized. When Google published its first transparency report, it received just a few thousand requests per day. Today, that number has grown to well over two million.

For years this number kept going up and up. While that trend was broken recently, the total now adds up to an impressive figure.

Google’s transparency report shows that copyright holders have asked the company to remove four billion links to alleged copyright-infringing content. The majority or these requests, more than 90%, were indeed removed or put on a preemptive blacklist.

The four billion links were reported by 168,180 copyright holders who identified 2,283,811 separate domains. These domains also include false positives, including websites of The White House, the FBIDisney, Netflix, the New York Times, and even TorrentFreak.

4 Billion…

Most reported links do indeed point to copyrighted material, however. Google typically takes these out of their search engine softly after a request comes in. This means that the takedown process works as intended. However, it remains controversial.

Several major copyright groups see the huge number of reported links as evidence that their efforts are futile. No matter how many links they submit, there are always new ones to find the next day.

“Every day we have to send new notices to take down the very same links to illegal content we took down the day before. It’s like ‘Groundhog Day’ for takedowns,” RIAA CEO Cary Sherman described the situation previously.

Ideally, the major copyright groups would like Google to remove all results from known pirate sites. However, the search engine believes that this goes a step too far, warning that it could lead to overbroad censorship.

“When it comes to entire websites, Google may demote a site in our search results if we receive enough copyright removal notices for it, but we do
not remove full sites from search results for copyright infringement.”

“Although this would reduce our operational burden, whole-site removal is ineffective and can easily result in the censorship of lawful material,” Google wrote in its latest overview of anti-piracy measures, published late last year.

Google itself is not completely apathetic to the piracy issue. It does ‘demote’ sites for which it has received a substantial number of takedown notices. These will then appear lower in search results. The demotion ‘signal’ can weigh even stronger for specific keywords, such as recently released films.

This demotion strategy gives copyright holders a “powerful tool against rogue sites,” Google notes. When new pirates sites appear, copyright holders can target these with takedown notices, after which Google will demote them.

As such, the four billion reported links will likely be five billion by the end of next year.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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Like most regions in the world, Russia has an online piracy problem, with millions of citizens regularly using pirate sites to access free movies, music, TV shows, and other content.

Russia is already a world-leader when it comes to site-blocking but if new proposals are written into law, life for pirate site owners could become much more difficult.

Back in 2018 the Ministry of Culture began mulling amendments to copyright law and this week it became clear that it has a tightened site-blocking regime in mind, along with other significant changes.

Local publication RBC had the opportunity to review the draft, which includes measures for the blocking of sites where pirated content is made available, without rightsholders having to go to court as they do now.

Instead, they will be able to go directly to the web hosts of sites making content available without a license, with instructions to block platforms, if they are unresponsive to takedown demands.

Furthermore, if the amendments are approved, owners of platforms where pirated content is made available will be compelled to sacrifice their anonymity. All such sites will be required to publish the names, addresses, and other contact details of their owners.

It isn’t yet clear how this requirement will be enforced, or how contact details will be checked for authenticity. However, it seems unlikely that company names and/or home addresses (in the case of individuals) will be willingly given up, particularly when site operators are already breaking the law by knowingly hosting or linking to infringing content.

The draft amendments were agreed by the Ministry of Communications and Mass Media, telecoms watchdog Roscomnadzor, and the Ministry of Economic Development, after consultation with entertainment industry companies, RBC reports.

News of the amendments arrives just days after authorities held talks with major rightsholders, hosting platforms, and search providers, with the aim of writing the terms of an anti-piracy memorandum into law.

The currently voluntary agreement aims to create an ever-growing centralized database of infringing content to enable hosting platforms and search engines to take down media and links both quickly and efficiently.

According to comments made this week by Sergey Selyanov, head of the Association of Film and Television Producers, the memorandum is working as planned.

Finally, local search giant Yandex has reportedly developed and launched its own set of tools for detecting pirated content online. Using information being made available in the recently-established piracy database, Yandex is using machine learning to “clean up” its own search results. The company is currently declining to offer any additional details.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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In 2012, file-hosting site Megaupload was shut down by the United States government and founder Kim Dotcom and several associates were arrested in New Zealand.

For the past seven years, the US government has been engaged in a battle to extradite Dotcom, so that he can face trial in the US on several counts including copyright infringement, racketeering, and money laundering.

Dotcom has fought back every step of the way and in 2016, filed an eight-point statement of claim for judicial review, aimed at “attacking the underpinnings of the extradition process” by filing an eight-point statement of claim for judicial review.

In a 22-page High Court ruling (pdf) handed down in December 2017, Justice Timothy Brewer sided with the US and rejected seven out of the eight causes of action, stating they were either not reasonably arguable or were abuses of process.

The eighth point, which wasn’t challenged by the US, concerns the decision by the Deputy Solicitor-General in June 2017 to direct that clones be made of the electronic devices seized from Mr Dotcom’s homes so they could be sent to the US.

Dotcom appealed but the Court of Appeal dismissed the action. Dotcom then sought permission to appeal that decision at the Supreme Court. In a judgment handed down this morning by Justices William Young, O’Regan and Ellen France JJ, the Supreme Court denied leave to appeal.

“The applicant [Dotcom] argues that the criteria for the grant of leave to appeal in s 74 of the Senior Courts Act 2016 are met in relation to the present application either because the application raises matters of general and public importance or because a substantial miscarriage of justice may occur if leave is not granted,” the judgment reads.

“We are not persuaded that the proposed appeal raises matters of general and public importance.”

Dotcom argued that a miscarriage of justice would take place if he was denied permission to appeal. However, the Supreme Court said that was not correct.

“The applicant is seeking to challenge concurrent findings in the Courts below on almost every point that would be in issue if leave were granted. We do not see the arguments foreshadowed by the applicant in his application for leave and the submissions in support of that application as having sufficient prospects of success to justify the grant of leave,” the judgment adds.

After dismissing Dotcom’s application for a hearing at the Supreme Court on the matter, the Court then ordered him to pay $2,500 to the US Government to cover its costs.

Thus far, Dotcom hasn’t commented publicly on the judgment but did find a report published here on TF yesterday darkly amusing. Safe harbor for YouTube, but not him, apparently.

https://platform.twitter.com/widgets.js

The judgment can be obtained here (pdf)

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YouTube downloaders, often called stream rippers, are seen as the largest piracy threat to the music industry. As such, record labels are doing their best to shut them down.

In 2017, YouTube-MP3, the world’s largest ripping site at the time, went offline after being sued, and several others folded in response to increased legal uncertainty.

Last summer, a group of major record labels, helped by the RIAA, targeted two of the larger stream-rippers that remained online. FLVTO.biz, 2conv.com, and their owner Tofig Kurbanov were sued for copyright infringement at a Virginia District Court.

While the record labels hoped for an easy win, their lawsuit didn’t go as planned. Kurbanov, who resides in Russia, fought back with a motion to dismiss. He argued that the Virginia federal court lacked jurisdiction over a site that’s managed from abroad.

The Court agreed with this assessment. In a verdict released this January, US District Court Judge Claude M. Hilton dismissed the case. The Court carefully reviewed how the sites operate and found no evidence that they purposefully targeted either Virginia or the United States.

“As the Websites are semi-interactive, the interactions with the users are non-commercial, and there were no other acts by the Defendant that would demonstrate purposeful targeting, the Court finds that Defendant did not purposefully avail himself of the benefits and protections of either Virginia or the United States,” the verdict read.

The record labels and the RIAA were disappointed with the outcome and swiftly announced they would appeal. This week they submitted their opening brief which argues that the District Court came to the wrong conclusion.

The record labels state that the site owner’s contacts with Virginia or with the United States are well established. The stream ripping sites transmit hundreds of millions of infringing files to U.S. devices and are monetized by ads which are partly targeted at U.S visitors.

If the current verdict stands, the companies fear that Internet pirates will have “carte blanche” to facilitate copyright infringement, as they will remain out of the reach of U.S. courts.

“The result of the district court’s ruling is that the only court in which U.S. record companies can bring suit to challenge millions of instances of U.S.-based online piracy is in Rostov-on-Don, Russia, where Kurbanov purportedly resides,” the labels write. 

“The district court’s decision thus gives carte blanche to Internet pirates to set up shop outside of the United States, safe in the knowledge that they are  effectively immune from the reach of U.S. courts seeking to vindicate the rights of U.S. plaintiffs for violations of U.S. copyright law, even as they cater to U.S. users.”

In their opening brief the labels reiterate that FLVTO.biz and 2conv.com have millions of US-based users, including hundreds of thousands in Virginia. The interactions with these users are repeated and interactive, they say.

The District Court previously ruled that the number of U.S. users is irrelevant, as the sites’ contacts with these people are “unilateral” and “non-commercial. The site does generate income from US users through ads, but that was not enough to be seen as a commercial contract.

The labels clearly disagree with this conclusion, calling it absurd.

“To isolate the content from the revenue generating advertisements as the district court did here would be to say that Google, Facebook, Snapchat, and countless other Internet companies’ relationships with their users is non-commercial. That position is absurd,” they counter.

The labels further point out that the sites used a U.S.-based advertising firm, U.S.-based domain registrars and, until recently, U.S.-based servers. In addition, the site owner registered a DMCA agent with the U.S. Copyright Office, which isn’t typical for a site that doesn’t target the U.S.

“Appellee has, for example, registered a DMCA agent with the U.S. Copyright Office—the only purpose of which is to seek to qualify for the DMCA’s safe harbor defense to claims of copyright infringement in U.S. courts,” the brief reads.

Based on these arguments the labels ask the appeals court to overturn the District Court’s verdict. Or, as an alternative, vacate it to allow for jurisdictional discovery.

Tofig Kurbanov and his legal team have yet to respond to the accusations. They don’t believe that U.S. courts have jurisdiction over the sites and its owner, and will likely make that clear during the weeks to come.

A copy of  the record labels’ opening brief is available here (pdf).

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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On an average day, roughly half a million hours of video are uploaded to YouTube. As with any user-generated content site, this also includes copyright-infringing content.

YouTube processes takedown notices and uses its Content-ID system to automatically remove allegedly infringing content to address this.

However, major copyright holders are not all happy with the platform’s efforts. Record labels want to see more compensation, for example, and others want YouTube to do more to prevent pirated videos from appearing on the site.

In Austria, this led to a lawsuit between the local television channel Puls 4 and YouTube. In an initial order last summer, the court ruled that the video platform can be held directly liable for users’ copyright infringements. YouTube was not seen as a neutral intermediary and should do more to prevent infringing uploads.

The court noted that YouTube takes several motivated actions to actively organize and optimize how videos are displayed. By doing so, it becomes more than a neutral hosting provider. Therefore, it can’t rely on a safe harbor defense.

“Through the connections, sorting, filtering and linking, in particular by creating tables of contents according to predefined categories, determining the surfing behavior of users and creating a tailor-made surfing proposal, offering help etc, YouTube leaves on the role of a neutral intermediary and therefore cannot claim the host provider privilege,” the court wrote.

YouTube disagreed with the ruling and appealed the matter at the Higher Regional Court of Vienna. The video service maintained that, as a neutral hosting provider, it’s protected under the safe harbor provisions of the Austrian E-Commerce Act.

After a careful review of the case, the Higher Regional Court of Vienna agreed with YouTube, overturning the previous order. According to the appeal court, YouTube doesn’t have an “active role” and is therefore shielded from liability through its safe harbor defense.

The Court doesn’t dispute that YouTube provides search, categorization, and advertising services. However, these are seen as part of the normal business model of hosting platforms, which do not make the company liable.

“If it had to forgo structuring and search options in order to avoid a damaging ‘appropriation’ of video content, its video platform would lose all user-friendliness,” the Court writes in its decision.

“The less users are able to find videos of interest to them amid the vast multitude of uploaded videos (several hundred million in this case), the less it would make sense even to visit such a video platform,” it adds.

Puls 4 cited the GS Media/Sanoma case, where the European Court of Justice ruled that posting infringing hyperlinks, during the course of business, can lead to liability. However, that doesn’t apply in this case, the Court notes, as YouTube wasn’t aware of the infringing nature of the videos.

In summary, the Higher Regional Court of Vienna concludes that, as a hosting platform, YouTube benefits from the safe harbor privilege. This means that it’s not liable for uploads of users and Puls 4’s complaint is dismissed as a result.

The outcome is good news for YouTube, as the order from the lower court severely threatened the operation of the video platform. However, it is not the end of the road yet.

Higher Regional Court of Vienna allows the case to be appealed at the Supreme Court and Puls 4 informs TorrentFreak that it will use this opportunity.

Puls 4 stresses that the current decision does not take into account relevant decisions of the CJEU, including the case regarding the infringing nature of The Pirate Bay. Nor does it reference the recent developments regarding liability under the proposed Article 13 of the EU copyright directive.

“Puls4 will therefore definitely file an appeal to the Supreme Court,” a company spokesperson informs TorrentFreak.

A German court referred various copyright infringement related questions to the European Court of Justice a few months ago. Since this involves YouTube directly, the Austrian Supreme Court will likely consider the pending outcome in this case too.

A copy of the Higher Regional Court of Vienna’s verdict is available here (pdf)

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Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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Distribution and uploading of copyrighted content without an appropriate license is illegal in most countries of the world.

It is seen as the most damaging form of infringement, largely on the basis that this fuels illicit downloading.

Straightforward downloading of movies, TV shows and other unlicensed content is rarely, if ever, policed, even when such activity is proscribed under law, as is the case in the EU following rulings from the European Court of Justice.

In Japan, however, new legislation under consideration by the government would’ve taken things to a whole new level. Criminalizing the unlicensed downloading of all content – including the pasting of lyrics or taking of screenshots – struck fear into Internet users and experts alike.

With serious punishments under consideration (up to two years in prison and fines of two million yen – US$18,000), serious alarm bells were sounded, with academics coming out strongly in opposition. Now, however, the government has become sufficiently unsettled and has shelved the proposals altogether.

The planned copyright amendments were set to be submitted to the Diet on March 8, 2019 but Japan’s ruling Liberal Democratic Party (LDP or Jimintō) put the brakes on the proposals the day before they were due to be submitted.

Early this morning the Japanese government took the decision not to submit the bill to the Diet at all, after executives failed to approve it.

“We have yet to eliminate the worries of both copyright holders and [internet] users,” said House of Councillors lawmaker Masaaki Akaike, as cited by Mainichi. “We should work on it anew.”

The proposals also contained measures to deal with ‘pirate’ indexing sites (known locally as “leech sites”) which don’t host any infringing content themselves but provide hyperlinks to content hosted elsewhere. Estimates suggest that around 200 such sites exist in Japan.

The aim was to criminalize the act of knowingly linking to copyrighted content, or linking to the same when site operators should “reasonably be expected” to know that the content is infringing. Unlike the anti-downloading provisions, plans to criminalize site operators with sentences of up to five years in prison were met with little opposition.

If approved, the revisions to Japan’s copyright law were set to take effect on January 1, 2020, but it’s now unclear whether that target will be met.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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Last month the European Parliament and Council agreed on the final text of the EU Copyright Directive.

This includes the controversial Article 13 and Article 11, which opponents condemn as “upload filters” and “link tax” proposals respectively.

Many organizations in the creative and publishing sectors are of a different opinion. They see the copyright reform plans as a much-needed step in the right direction of an Internet that treats creators more fairly.

With the final vote just two weeks away, a massive coalition of 243 organizations representing a wide variety of rightsholders is calling on the European Parliament to adopt the plans.

“We, the undersigned organisations, representing authors, composers, writers, journalists, performers and others working in all artistic fields, news agencies, book, press, scientific and music publishers, audiovisual and independent music producers call on the European Parliament to adopt the Directive on Copyright in the Digital Single Market,” the letter reads.

The full list of supporters includes popular names such as Thomson Reuters, The Independent, the Association of Independent Music, Getty Images, PRS for Music, SACEM, Eurocinema, and many, many others.

The different groups have a shared goal of better copyright protection but some elements of the Copyright Directive may apply more to some than others.

The music groups, for example, are likely to be the most focused on Article 13. This requires for-profit Internet platforms to license content from copyright holders or, if that is not possible, ensure that infringing content is taken down and not re-uploaded to their services.

For their part, news publishers will be more interested in Article 11. This allows these organizations to charge Internet platforms, such as Google, Facebook, and Twitter, for displaying snippets of their content to the public at large.

The joint letter the groups released this week mentions neither article, only the Copyright Directive in general. However, they make it very clear that the proposed changes are needed to create a fair and sustainable Internet.

“This Directive has been long sought to create a much-needed level playing field for all actors of the creative sector in the European Digital Single Market, whilst giving citizens better access to a wider array of content,” the letter reads.

“This is an historic opportunity. We need an internet that is fair and sustainable for all. This is why we urge policymakers to adopt the Directive quickly, as agreed in trilogue negotiations,” it adds.

The sheer number of organizations show that there is broad support for the Copyright Directive in the creative community.

But there is plenty of opposition as well. Earlier today we mentioned that the UN’s Special Rapporteur on freedom of opinion and expression has raised the alarm over Article 13 and its de facto filtering requirements.

In the days to come, we will likely see more calls for support while protests look set to escalate.

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A copy of the letter including the full list of signatories is available below. 

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With Bollywood, India has a thriving movie industry that’s worth billions of dollars and is known all around the world.

At the same time, the country also has one of the highest piracy rates, which is seen as a major threat to the industry.

Pirated copies of films swiftly make their way onto the Internet and are sold on physical media around the country. In many cases, these leaks occur just hours after a movie premieres in theaters.

In an effort to curb this activity, India’s Government recently amended the Cinematograph Act, making it illegal to record or transmit movies and movie audio without permission. Those who do, face a three-year prison sentence.

As with any law, the effectiveness depends on implementation and enforcement. This is something that has yet to be fleshed out and various prominent voices from the local movie industry are calling on the Government to take strict action.

“Everything boils down to implementation. Police feel piracy is not a priority. If the government can ensure plastic ban overnight, why not show the same vigor in this issue,” movie producer G. Dhananjayan told the Times of India.

The local newspaper ran an article last week on the new anti-piracy measures. Aside from the calls for stricter enforcement, the publication also delivered a bombshell. Apparently, movie piracy is frequently facilitated by the industry itself.

According to a Tamil cinema DVD seller, who spoke on the condition of anonymity, piracy is mostly an inside job. The source explains that movie companies are leaking each other’s films, as a competitive move.

“People from rival production companies or those from the creative department secretly release the movie online or circulate it as DVDs to hit the collection at the box office,” the source said.

This sounds like a Wild West story, but the allegations don’t stop there. Another source said that the local censor board and distribution houses are also on the piracy bandwagon.

“Another industry source said insiders in the censor board and distribution houses sell these copies for up to `5 lakh. The copies are uploaded on private portals that have dedicated passkeys,” the Times of India reports.

“For a few lakhs of rupees, these copies can be downloaded and replicated on DVD,” the newspaper adds.

When it comes to recording video and audio at movie theaters, it is believed that some movie industry insiders work in tandem with theater owners to leak high profile films. As a result, some films appear online just hours after their official premiere.

At TorrentFreak, we can’t verify any of these claims independently, but it does put the various arrests of Indian movie theater owners in a different perspective.

Indian police have apprehended several theater owners in the past. Late last year the Indian Film Exhibitors Association called on the Madras High Court to put a halt to these overbroad crackdowns, stressing that the arrestees were innocent.

However, based on the sources referenced by the Times of India, there are some rogue cinema owners out there.

All in all, it is clear that Bollywood’s piracy problem is rather complex, and that shutting down a few websites is certainly not going to cut it. The new anti-camming law may help, but if the industry itself is corrupted, there’s still a long way to go.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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