Two weeks ago, Nintendo filed a lawsuit against the game download portal RomUniverse.

The website, which also allows users to download movies and books, stands accused of massive copyright infringement, including that relating to many Nintendo titles.

“The Website is among the most visited and notorious online hubs for pirated Nintendo video games. Through the Website, Defendants reproduce, distribute, monetize, and offer for download thousands of unauthorized copies of Nintendo’s video games,” the Japanese gaming giant wrote.

In the complaint filed at a federal court in California, Nintendo further stated that the site, which reportedly has 375,000 members, offers downloads for nearly every video game system it has ever produced.

According to the game company, “hundreds of thousands of copies” have been illegally downloaded through RomUniverse. The site, meanwhile, profits from this by offering premium memberships that allow users to download as many games as they want.

The alleged operator of RomUniverse is California resident Matthew Storman. He was served shortly after the action was filed but has yet to file a response to the allegations. Going up against a major company such as Nintendo is no easy feat and to foot the legal bills, Storman is now asking the public for help.

The operator has added a donation option to the RomUniverse homepage and also launched a crowdfunding campaign on GoFundMe, setting a goal of $100,000 to assist with the defense.

“RomUniverse.com was founded in 2009 under the notion that users like you should have easy access to the content that you purchased and the ability to relive those childhood moments.  It is because of this, that I am asking for your help,” Storman writes.

A representative of RomUniverse previously informed TorrentFreak that the site responds to takedown notices, but that it didn’t receive any from Nintendo recently. While it’s not hard to see that pirated games are indeed shared on the site, Storman is determined to put up a fight.

“Now I know what you’re thinking, this one person is going to take on one of the largest console/gaming manufacturers in the world?  And the short answer is YES,” he notes.

“I believe that I have a solid defense, and considering that other romsites have folded and settled, this has never been done before,” Storman adds.

The RomUniverse operator likely refers to the now-defunct ROM sites LoveROMS.com and LoveRETRO.co. These were sued by Nintendo last year and the owners, a married couple, agreed to resolve the matter in exchange for a $12 million consent judgment.

The ‘admin’ of the official discord channel shared the link to the GoFundMe campaign with us, so the crowdfunding campaign is indeed linked to the ROM site. We subsequently requested more information on the forthcoming defense but, at the time of publication, we have yet to hear back.

On the GoFundMe page, Storman notes that he’s not “greedy” or a scammer. He merely wants to defend his rights and those of others in this “unknown” landscape. In the meantime, the site remains online.

While some people may have donated to the site directly, thus far, the crowdfunding campaign on GoFundMe hasn’t gained any traction. After two days, the donation counter is still at $0.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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Last week, chaos was widespread in the ‘pirate’ IPTV market after authorities in Italy took unprecedented action against the operators of Xtream Codes.

Undoubtedly prompted into action by entertainment and media industry groups, the same authorities are now tackling another perceived threat to revenues – piracy of daily newspapers.

In common with the IPTV crackdown, the latest effort is somewhat unusual in that it tackles fairly unconventional methods and techniques for distribution. Rather than above-ground and obvious websites, Italian authorities are chasing down suppliers to and users of various chat groups.

Authorities reportedly have three key individuals on their radar who are suspected of providing digital copies of daily newspapers to WhatsApp and Telegram groups with many thousands of subscribers.

Italy’s Postal and Communications Police recently provided the prosecutor of Cagliari a report with the details of the three men. According to La Repubblica, they include a man from Sardinia born in 1974 and another from Milan born in 1964.

The newspaper titles they reportedly distributed to the groups were available officially via monthly subscriptions costing a few euros. However, one of the suspects, an unemployed computer technician from Turin, somehow managed to crack or ‘steal’ the passwords used to access the newspapers.

After the discovery of this unlawful access and distribution, the publishers of newspaper L’Unione Sarda filed a complaint. Then, in collaboration with the Postal Police, the company placed ‘markers’ in downloaded copies of their paper which allowed them to see where the copies were being distributed.

After identifying two channels distributing their content, the investigators found a third, more important channel. However, when Telegram was approached for assistance, the company failed to respond, so the investigators carried out their own work, “cross-checking financial transactions” of paying channel users to uncover the identity of the channel operator/uploader.

Once identified, the alleged operator received a visit at his home in Turin and was reportedly caught in the act of uploading pirated copies of newspapers, accessed with ‘stolen’ passwords, to the channels being investigated.

But despite this apparent success, the problem of ‘pirate’ newspapers continues.

According to the Italian Federation of Newspaper Publishers (FIEG), Telegram is refusing to respond to its complaints about “repeat and massive infringement, meaning that there are at least eight additional groups still in existence, servicing an alleged 500,000 ‘pirate’ users.

In a follow-up and subscription-only interview with La Repubblica, Giuseppe Zafarana, general commander of Italy’s Guardia di Finanza (the force behind last week’s IPTV raids), wondered how many pirates would be reading his words without paying for them.

Estimating “several dozen thousand” illegal readers, Zafarana said that they will now be getting the message that they “will know no rest” and these types of anti-piracy actions are only the beginning of a drive to protect cinema, TV, sports and journalistic content.

“We will identify and we will seize the servers, wherever they are, that are used for piracy and we will hit and confiscate the assets of those who enrich themselves by violating copyright,” he said.

Finally, in addition to tackling those who supply pirate content, authorities are also threatening to go after those who consume it too. It was mentioned last week that customers of IPTV providers could be tracked down and given fines and it seems they feel the same way about consumers of ‘pirated’ newspapers too.

Whether that’s bluster will remain to be seen but prosecuting millions of consumers through an already under-pressure legal system is unlikely to be a simple prospect. Perhaps a handful of ‘show trials’ will be the more likely outcome.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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Disney Plus Is Ready To Go Live

Disney Plus is the upcoming streaming service from Disney. The service that will offers other than Disney’s original content also Pixar, Marvel, Star Wars and Nation Geographic content is set to launch this November. But if you are looking to make sure to have a subscription, good news is that you pre-order one. The official launch for the USA and Canada is on November 12th 2019 and the monthly cost is $6.99 a month. You can also opt for the year subscription which will then cost you $69.99. As with most of these services, also Disney Plus is renewed automatically so you may want to mark that down when the free trial expires. Oh yeah, there is a seven day free trial for all new subscribers so you can test the Disney + streaming services.

Disney Plus For Australia and Europe

You can also pre-order Disney Plus if you leave in Australia and New Zealand. Launching on November 19th the service will cost $6.99 / AU$8.99. But no news for Europe yet we still expect Disney to announce official dates and prices. But if you are from one of those regions you can register so you will be updated when the service will be available at the Preview Disney Plus Registration page.

What Will You Get With Disney Plus

Other than the Disney immense catalogue of shows and movies also 21st Century Fox franchise will be part. With shows like The Simpsons which has 30 years of original Seasons. The new and very anticipated shows like Star Wars: The Mandalorian and the Loki TV show have set the expectations highly. And let’s never forget the Disney Animated Classics like the 101 Dalmatians, Big Hero, Frozen, Hercules, Lady and the Tramp, Zootopia just to mention a few and a lot more!


Compatible Devices

Disney Plus would be available on at launch on plenty devices. The full list includes: desktop web browsers, Android mobile devices, Android TV, Chromecast, iPads, iPhones, Apple TV, PlayStation 4, Roku players, Roku TV, and Microsoft’s Xbox One. So you got a lot of options there. On Android TV the Nvidia Shield TV and Xiaomi Mi Box S are confirmed to fully support Disney Plus, let’s wait and see if on other Android TV Boxes that will be a thing too.


Is it legal?

 

After “What exactly is Kodi?”, the second most common question we often get asked is “Is Kodi legal?”.

The two questions are of course linked, but with the recent media reporting concerning piracy the answer to the legality is sometimes not so clear to the man in the street. Due to various 3rd party addons, the app has gained an unwanted reputation as being a “way to get movies and TV shows for free”.

This is not helped at all by certain unscrupulous websites and YouTube bloggers who encourage and perpetuate the myth, simply to increase their traffic from web users and earn more cash from the site sponsors. So it may be worthwhile to try and officially answer the legality question, and at least in part for usage one as well.

 

So what is Kodi?

Put simply the “reference Kodi”, which is the one supplied by Team Kodi and available from our website along with selected official app stores (Google and Windows for example) is a media centre. Underneath the hood is a powerful media player to play back video or audio files, but coupled to that is the flexible user interface and library system for storing and displaying posters, plot and cast information and other supporting metadata.

As supplied, reference Kodi does not ship with any media at all, nor are any media-providing addons pre-installed. What it does come with though is a catalogue of vetted and approved addons (our official repo) which can be installed from within the Kodi GUI by the user, enabling access to a selection of legitimate sources.

The intended usage case is that the user will either supply their own media files stored locally on their network for Kodi to access, or that they will install the addons that they wish to use.

 

Then is it legal?

As we supply it, Kodi is totally legal.

If the user is supplying their own media for Kodi to play, then the provenance and legality of that media is their own responsibility, as is any possible consequences of them having it in their possession. Similarly if they actively choose to install an addon within Kodi, it is their decision and responsibility to do so.

Where things become murkier is the area of third party addons. Kodi is designed to be extendable, and addons are available through third party repositories as well as from the official sources. It should be noted firstly that in reference Kodi this third party capability is disabled by default, and must be specifically enabled (along with a warning message and confirmation) by the user before third party sources can be used. If this is enabled, then additional repos can be installed and addons obtained from them. As the name suggests, these third party addons and repos are neither produced by, supported by nor endorsed by Team Kodi.

Sadly there are many third party addons out there which enable access to pirated media or streams, in violation of copyright laws. This has in the past led users who make use of them into legal difficulties alongside legal action being taken against those who write and supply such addons. This of course is something we wish to avoid, as by the nature of the press our name and brand gets associated with their activities, and the infamous “Kodi Box” has become synonymous with piracy (even though there is strictly no such thing, as we do not produce, sell or endorse hardware media devices).

 

How do I spot a dodgy deal?

As with any deal, common sense is your best yardstick. But there are a number of pointers to guide you when things may be less than kosher, be it for a device or for a third party addon:

  • if you are being offered media (TV shows, TV channels, events or movies) for free that you would normally expect to pay for.
  • if you are being offered media that you wouldn’t normally have access to privately (for example movies currently playing in theatres or not yet on DVD/streaming release).
  • if you are being sold a device by someone claiming to be Kodi or officially endorsed by them (for example by their website using our brand name and/or logo).
  • if the device is being sold as preconfigured to enable immediate access to online media sources.
  • if the supplier website or channel is plastered with ads for VPNs and other similar methods to “cover your tracks”, and doubly so if the article says that they are required.
  • if the deal is “too good to be true”.

In the end always ask yourself this question – “if I were offered this in a pub car park or a market, would I buy it?”.

The official built-in repo has been audited by Team Kodi. No addon within it makes use of non-legitimate sources, nor does their code pose a malware risk if installed. As this audit is not done on any other third party source, the user should beware and confirm that they are happy to trust the source before using it, or at least are prepared to accept any repercussions from doing so.

 

So what about torrents, storage sites and builds?

These again can be grey areas in terms of legality and trustworthiness.

Whilst we do allow addons which give access to torrents and web storage sites (OneDrive, Google Drive, Dropbox, Mega etc), we do not allow any into the official repo which come pre-packaged with sources included. Again this comes down to user choice and responsibility. The user can do what he likes with the software, as long as it is done with their understanding of what they are doing and that they take personal responsibility for their actions.

One thing that we do not support at all is builds, as by their very nature they take away that user choice. Even aside from the fact that most are simply there to provide access to pirated media via dodgy addons, they also take away the users consensual choice as to what is being installed on their devices. There has been more than one example of malware being bundled into certain builds, or other unwelcome inclusions which subvert and often break Kodi functionality. As we had nothing to do with such breakages, we of course do not wish to have to support fixing them.

 

The final verdict

So is Kodi legal? As we supply it, the answer is yes.

But as the old saying goes, “it’s not what you have, it’s how you use it”, and in this case also where you got it from. If it has been sourced from elsewhere, or if something has been added or modified since it was obtained, then all guarantees are null and void. We won’t tell you what to do, not to do or how to use our software. We guarantee the reference Kodi we supply, anything beyond that is up to you.





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The Pirate Bay has been both an early adopter and a pioneer when it comes to cryptocurrencies.

The popular torrent site first embraced Bitcoin in 2013 and soon after many other pirate sites followed suit.

The advantage of bitcoin donations is that they are relatively anonymous. This is an upside for the operators, but also a major concern for rightsholders who feared that it may become a stable revenue stream that can’t be touched.

The RIAA, for example, previously told the U.S. Trade Representative that Bitcoin could make it harder to crack down on pirate sites.

“There are no central authority or banks involved which makes it very difficult to seize or trace Bitcoin funds,” the music industry group wrote in a letter.

While it’s no secret that Bitcoin is indeed fueling some criminal operations, The Pirate Bay’s donations certainly can’t keep the notorious torrent site afloat. Today, more than six years after the site first accepted cryptocurrency donations, it adds up to little more than a small daily tip.

If we take a look at The Pirate Bay’s most recent Bitcoin legacy address, which it started advertising late 2017, we see that a total of 0.49 Bitcoin was received. Translated to US dollars (current value for simplicity purposes), this is $4,838, or $7.63 per day.

The Bitcoin Segwit address looks more promising. Here we see a total of 1.48 BTC coming in. However, on closer inspection, most of that comes from one transaction which was sent by TPB’s old Bitcoin wallet, so we scrapped that.

This leaves us with 0.33, or $3,255, which adds another $5.13 per day. It’s worth noting that more than half of this came from one donation. It came from a rather generous person apparently, as he or she also sent roughly the same amount to ProtonMail.

Bitcoin is not the only cryptocurrency The Pirate Bay accepts of course. The torrent site also lists a Litecoin and Monero address. Monero can’t be tracked, but the Litecoin address received 3.40 LTC, or $252, which is $0.40 per day.

When we add up all these figures we come to a total of $13.16 per day, which clearly can’t keep The Pirate Bay afloat.

That said, the Bitcoin donation income is relatively stable. When we did the same calculations a few years ago, we arrived at a donation average of $9.34 per day. At the time, one Bitcoin was about $425, so if the site didn’t sell any, the value will have gone up remarkably.

That brings us to the unavoidable “what if.” Looking back further, we see other Pirate Bay Bitcoin wallets dating back as far as 2013, which received dozens of BTC. At the time that wasn’t worth that much (1BTC ~ $120, May 2013), but the position is different today. If the team kept those, of course.

Perhaps that’s TPB’s long-term exit strategy. If one Bitcoin eventually reaches a value of over a million dollars, The Pirate Bay crew may start thinking of their retirement and buying an island. Sealand anyone?

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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For as long as peer-to-peer (P2P) networks such as BitTorrent have existed, anti-piracy companies have been monitoring the activities of those who use them.

This is to be expected. Not only do the companies have a vested interest in keeping an eye on what’s going on, by their very nature P2P networks are open and easily trackable.

The rise of streaming piracy – computer servers streaming video directly to end-users – has presented a new problem, however. Unlike P2P systems, there’s no easy way for an anti-piracy company to get in between the user and the server to see what’s going on. Only ISPs can see that data, which is why a recent interview caught our eye.

Friend MTS (FMTS) is an anti-piracy company based in Birmingham, UK. They’re perhaps best known for their live IPTV blocking work carried out on behalf of the Premier League, for which they have to partner to a greater or lesser extent with ISPs in the UK. FMTS tells them which servers to block, and the ISPs carry out it, broadly speaking.

However, in a recent interview, Simon Hanna of FMTS spoke about a different type of collaboration with ISPs, one that has the potential to raise eyebrows among privacy advocates, especially those who hoped all of their Internet traffic would remain completely their business.

Quite soon into the interview, Hanna correctly points out that broad availability of pirated content online tends to give an indication of how popular particular content is but isn’t always a great indicator of how much is actually being consumed.

“Consumption is a much more valuable indicator than pure availability of content and consumption has always been very difficult to monitor. People often throw numbers out but they are guesswork at best and we don’t really put a lot of faith in the numbers that have been made available in the past,” Hanna said.

With this in mind, FMTS say they have developed a system that allows them to work with content owners and ISPs to form a greater understanding of the consumption of media from online ‘pirate’ sources. The company does this by first tracking the servers down from where the content is being streamed and handing this information to the ISPs.

“We can see through our monitoring activities the range of servers that are available globally delivering this pirate content and we can provide that information to an ISP who are monitoring the flows of data requests in and out of the networks all day long,” Hanna explained.

“They can use these lists of IP addresses to really focus on consumption of content from those servers by the broadband subscribers within the ISP network and that will then give information around the scale of the problem.”

Image credit: FMTS

That’s probably a bit of a “wow” moment for many Internet subscribers who believed that once their traffic entered their ISP’s network it wouldn’t be closely monitored until it left to access a BitTorrent swarm, for example.

If FMTS’ statement is what it seems, some ISPs might be following their customers’ broadband usage habits a little bit more intimately than previously thought.

On the plus side, at least as far as individual subscribers are concerned, FMTS say they don’t look at or care about “the individuals themselves”. They’re not looking for any personally identifiable information and are just trying to get a handle on the volume of content being consumed.

Whether dual broadband/TV supplying companies are more interested in this data remains open to question, however.

“Because inevitably, if a large proportion of the ISP’s broadband subscribers are actually consuming content, they are not paying for the associated operator’s TV services,” Hanna added.

In many cases, of course, the broadband provider/ISP is also a supplier of TV content to the same customers – Sky, Virgin Media, and BT in the UK, for example. There’s no claim that these ISPs are indeed teaming up with FMTS in this project but any and all might be interested in the information it reportedly makes available.

“We work with content owners to basically go out and find pirate sources of the content. We can then real-time update these lists, feed this information into the ISPs and the ISPs can then use this information to generate the reporting real-time but with the flow monitoring, more in-depth reports of three-months plus worth of data, to actually get a real picture of consumption habits, both of TV channels but also specific events and pieces of content,” Hanna revealed.

FMTS says that monitoring consumption is important because it allows action previously taken to reduce availability to be measured at the end where it really matters.

“If you can then reduce the availability, then inevitably you should be able to reduce the consumption but you keep monitoring to observe that you do actually have this effect. If you can reduce the availability and reduce the consumption, chances are you would expect you would then preserve and reinforce your pay-TV revenues,” Hanna concluded.

The full interview, which covers many aspects of anti-piracy activity, from general enforcement to fingerprinting and watermarking, can be viewed here.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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When President Clinton signed the Digital Millenium Copyright Act (DMCA) into law in 1998, its goal was to ready copyright law for the digital age.

The law introduced safe harbors for Internet services (DMCA Section 512), meaning that they can’t be held liable for their pirating users as long as they properly process takedown notices and deal with repeat infringers.

Today the four-letter acronym is known around the world and the United States appears keen to export it in future trade agreements. Most recently, a DMCA-style provision was added to the  United States-Mexico-Canada Agreement (USMCA), which covers a wide variety of trade issues including copyright-related topics.

While this would have been welcomed by rightsholders twenty years ago, the situation looks quite different today. The music industry, in particular, believes that the DMCA is obsolete, dysfunctional, and even harmful. For these reasons, major industry groups would like to see it replaced with something ‘better.’

When the first draft of the USMCA was published, the RIAA made this clear in no uncertain terms. “Modern trade treaties should advance the policy priority of encouraging more accountability on public platforms, not less,” RIAA President Mitch Glazier said.

The issue was crucial enough to be specifically mentioned in the RIAA’s lobbying disclosures at the U.S. House and Senate. This may have had an effect, as this week the concerns were picked up by the House Judiciary Committee.

In a letter to the U.S. Trade Representative (USTR), the Judiciary Committee points out that Section 512 of the DMCA is widely debated and that “some” have called on Congress to update it.

The Committee notes that the U.S. Government conducted an in-depth review over the past years of which the results are expected soon. This may in part be impacted by the European Union’s new Copyright Directive which hints at potential upload filters and increases in liability for online service providers.

“The U.S. Copyright Office is expected to produce a report on Section 512 around the end of this year, the result of a multi-year process that started in 2015. Moreover, the European Union has recently issued a copyright directive that includes reforms to its analogous safe harbor for online platforms, which may have an impact on the U.S. domestic policy debate,” the letter reads.

The Judiciary Committee doesn’t take a position in this debate but it stresses that adding the widely contested safe harbor language to the USMCA and other trade agreements, would not be wise at this point.

“[W]e find it problematic for the United States to export language mirroring this provision while such serious policy discussions are ongoing,” the letter, signed by House Judiciary Committee Chairman Jerrold Nadler and Ranking Member Doug Collins reads.

“For that reason, we do not believe a provision requiring parties to adopt a Section 512-style safe harbor system of the type mandated by Article 20.89 should continue to be included in future trade agreements,” the letter adds.

The Committee urges the USTR to take the matter seriously and consider the possible changes that are coming. This largely reflects the position of several major copyright industry groups, including the RIAA.

If the language is indeed removed or changed it will be a major setback for Internet services and various digital rights groups. This includes the Re:Create Coalition, which welcomed the inclusion of these protections last year.

A copy of the letter sent by the House of Representatives Committee on the Judiciary to the USTR is available here (pdf).

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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When pirate sites are taken down following legal action, it’s not uncommon for the plaintiffs to try and take control of their domains.

The practice has been going on for years, with domains like isoHunt.com and the affiliated Podtropolis.com still redirecting to an anti-piracy page operated by the MPAA.

More recently we’ve reported on the Alliance for Creativity and Entertainment (which is headed up by the MPAA or MPA America as it’s now known) taking over domains previously used to offer ‘pirate’ IPTV services. They include OneStepTV, TVStreamsNow and DoozerIPTV but none of these ‘seizures’ have been reported by the organization.

Behind the scenes, however, many more additional takeovers are taking place, all without fanfare.

Visitors to former IPTV provider BestTVStream, for example, are now being directed to ACE’s anti-piracy portal. The signs suggest that the service may have come to some agreement with ACE which included handing over its domain to MPA A, but no public details are available.

A similar scenario faces former customers of IPTV provider XCaliberTV who are now being informed that the service has been shut down due to copyright infringement before being diverted to ACE’s site in the same manner.

Exactly the same can be said of More Media Solutions, which operated from MoreMediaBox.com. One day last month it was working, the next it began diverting to ACE, with no one saying a word.

One of the more curious ‘seizures’ involves two domains with the same initial name – rveal.biz and rveal.xyz. According to a capture by the Wayback Machine, the former of these domains previously diverted to Rveal.com, which is a still-functioning site offering Android-style TV boxes. Previously, it appears that Rveal sold devices that claimed to provide access to premium content for free.

We contacted Rveal for comment a little while back but in common with similar inquiries placed with some former operators of other apparently ‘seized’ or ‘commandeered’ domains, we received no response.

We cannot draw any firm conclusions from that silence but not wanting to say much – if anything at all – does seem to be the norm in many of these domain cases, both before, during, and after ‘seizure’. The Vaders.tv and Minihosts.org takedowns were well-publicized, but many others are quietly being dealt with, quite probably with the agreement of the parties involved.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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ROKU 2019 Lineup

Roku has officially presented to the public the Roku 2019 lineup of streaming devices. The two most popular devices by Roku are the Roku Ultra and the revamped Roku Express. Both are popular for different reasons since they are also prices on the two extremes.

ROKU Express +

Starting at $29.99 the Roku Express is the most affordable Roku device and is intended for the first time users that get in touch with this new world. It can only stream in HD, so no 4K. This version is smaller even than the previous version, which quite frankly was already small.

ROKU Ultra 2019

The Ultra on the other hand looks exactly the same as the previous model and it is priced for $99.99. Not that pricey for the flagship device of Roku. On the inside though, now is powered by a faster quad-core CPU and more memory. The company states that the Roku Ultra is 17 percent faster when launching channels and up to 30 percent when loading apps. Also the remote has changed a little by introducing 2 fully-customizable shortcut buttons (buttons 1 and 2).

On the back of the device we find an Ethernet port, microSD slot and USB port as well. The “lost remote” button is also present which is beloved by a lot of users.

Roku Ready To Extend Overseas

While Roku’s popularity goes through the roof right now in the US, they didn’t received the same attention overseas. That is about to change since Roku is determined to extend their global presence. The new Roku Express, Premiere and Streaming Stick are coming to Latin America and the UK as a first attempt. More will also follow.

Roku 2019 Lineup

Roku OS 9.2 new voice capabilities

  • Set sleep timers on Roku TVs: Roku TV customers can use their voice remote or Roku mobile app to quickly set a sleep timer on their TV by saying things like “Go to sleep at 11 p.m.”
  • Search by movie quotes: Enjoy finding movie results by searching for the top quotes from thousands of popular movies across the Roku platform.
  • 4K in Roku search: Use Roku Voice to say “4K movies” to see results for a variety of popular 4K movies. Entering a text search for “4K” will now return results including the 4K Movies & TV Zone.
  • Support for Roku Media Player: Customers who use the Roku Media Player to play their personal music, movies and photos can now use Roku Voice to find, play and control stored files by using commands such as “Play,” “Skip,” and more.
  • Control multiple Roku devices with Amazon Alexa and Google Assistant: Customers who use Alexa-enabled devices and/or Google Assistant to control their Roku device can now control multiple Roku devices in their homeDirect-to-playback. “Play Brooklyn Nine Nine.” Hulu opens and starts playing immediately.

Roku vs Android TV vs Apple vs Amazon

It is getting always harder to compete in the living room set top box each day. With the already established Android TV lineups which keeps growing and receiving a lot of love from the big boys and Amazon, the addition of Disney+ and Apple+ and a mix of other players, the game for the TV Box will be a hard one to compete. But that is all for the best of the consumer and I personally love it. Google already plans to release Google Stadia to the Android TV, Apple is also ready to launch Apple Arcade on the Apple TV and who knows what else should we expect in the year 2020 that looks that will be the year of the TV Box / Set Top Box.


TVAddons was once the go-to place for the vast majority of Kodi addons, regardless of who authored them or how they were ultimately used.

Visitors to the platform today, which is still doing relatively well, find a much more sober operation, with listed addons carefully vetted, to weed out any that might help end-users breach copyright law.

This current mode of business is the result of two punishing lawsuits, one filed against founder Adam Lackman in the US by DISH Networks and the other in Canada. While the former was settled in 2018, the latter – filed by media giants Bell Canada, TVA, Videotron, and Rogers – is very much alive.

Progression in the lawsuit appears glacial with an end nowhere in sight. This week Lackman informed TorrentFreak that the companies don’t appear to be in a mood to settle as DISH had done before them. As a result, every legal twist and turn contributes to the mountain of debt Lackman says he’s struggling beneath.

At several points since the case began, Lackman has turned to TVAddons‘ users and other supporters to help raise funds. He believes it’s worth putting up a fight but the Canadian is clearly facing an uphill battle.

Unable to bankroll him any further, his original legal team quit, leaving him with two separate bills of CAD$83,991 and CAD$38,989 to settle before he can move on.

“I was lucky enough to find my original lawyers, however their firms couldn’t handle devoting the time needed unless they were to be paid in full within a timely manner. They couldn’t afford to ignore other business while defending my case on credit,” he explains.

In his latest fundraising effort, launched this week, he’s seeking a total of CAD$171,981 – an amount which includes close to CAD$50,000 to cover some of the plaintiffs’ legal fees, previously awarded to them by the court.

If Lackman raises the full amount anytime soon, he will only break even, leaving him to raise additional funds to continue the fight. Even then, it appears that future battles will have to take place supported by a relatively tight budget.

“As of now I am acting in my own defense, with the help of some legal experts in the background,” he told us recently. “I am looking for new potential representation, but regardless the current debt is not one that I can comfortably carry.

“By defending myself, I hope to avoid incurring too much additional debt. I’m obviously not capable of doing all the paperwork on my own, so I’m getting help with that. I’m hoping that the court recognizes this and protects my right to a fair trial in the process.”

Given the scale of the debt and Lackman’s apparent inability to pay, he says the specter of bankruptcy is never far away. He seems keen to avoid that, not least since his adversaries would achieve an immediate victory.

“I could easily go into bankruptcy right now, but then the plaintiffs would win by default. I feel the fight is too important, and my defense is too strong, to give up now,” he says.

However complicated and expensive the case has become, Lackman believes that he has the law on his side. While TVAddons indexed code that could scrape external sources for content, he insists that the site never hosted or directly linked to any infringing material.

But more importantly, Lackman says, the companies suing him and/or their affiliates never sent the platform a takedown notice before taking action, something he describes as a “prerequisite to their claim being eligible for damages.”

While that assertion may yet prove correct, having that definitively determined by a court of law is proving a supremely costly endeavor. Lackman is working under the assumption that the plaintiffs are trying to break him financially, a theory supported by Pirate Bay co-founder Peter Sunde.

“To this day the copyright cartels are still suing people for anything they dislike,” he wrote on Twitter this week, commenting on the TVAddons case.

“It’s a mob using bullying methods, trying to force people into bankruptcy so they can’t defend themselves and thus the cartel wins on financial walkover.”

Whether that doomsday scenario will play out in Lackman’s case seems wholely dependent on whether people donate to his latest and future fundraisers. At the time of writing, he’s just $2,471 closer to his $171,981 goal.

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