Many users are aware of the tug of war being played between piracy add-on writers on one side and legitimate services on the other that are using Kodi as a platform. Far fewer are aware of the other battle the Kodi project is dealing with on a regular basis. For some reason, when we announced the name Kodi would be replacing the name XBMC back in August of 2014, a number of individuals with what appear to be less than altruistic motives decided to act as trademark trolls. They attempted to register the Kodi name in various countries outside the United States with the goal of earning money off the Kodi name without doing any work beyond sending threatening letters.
We are not entirely sure why the name change prompted this behavior. When we went by XBMC, nobody ever did the trademark squatting thing. So when it started happening with the Kodi name, we were caught flatfooted without any real plan for dealing with these trolls or even tracking their actions.
There have already been lawsuits involving these trolls, though none so far that we have been a party to. A few trolls, after being contacted by us, agreed to hand back their illegitimate trademark registrations. The ones who agreed tended to be helped along by ongoing piracy-related lawsuits against them.
At least one trademark troll has so far not agreed to voluntarily release their grasp on their registration of our trademark and is actively blackmailing hardware vendors in an entire country, trying to become as rich as possible off of our backs and the backs of Kodi volunteers everywhere. His name is Geoff Gavora. He had written several letters to the Foundation over the years, expressing how important XBMC and Kodi were to him and his sales. And then, one day, for whatever reason, he decided to register the Kodi trademark in his home country of Canada. We had hoped, given the positive nature of his past emails, that perhaps he was doing this for the benefit of the Foundation. We learned, unfortunately, that this was not the case.
Instead, companies like Mygica and our sponsor Minix have been delisted by Gavora on Amazon, so that only Gavora’s hardware can be sold, unless those companies pay him a fee to stay on the store. Now, if you do a search for Kodi on Amazon.ca, there’s a very real chance that every box you see is giving Gavora money to advertise that they can run what should be the entirely free and open Kodi. Gavora and his company are behaving in true trademark troll fashion.
We are writing this blogpost today for a few reasons:
First, we want to let the users know that in some countries, trademark trolls are actively trying to make Kodi no longer free. By this we mean that today any user can take a clean and untouched copy of Kodi and distribute it however they please. Sell hardware with it installed. Give it away on USB sticks or online. Or, heck, a person could even sell it if they wanted to. As long as users follow our basic trademark requirements, they can do with Kodi as they please. Trademark trolls want to stop this. They want to make it so that if you want to distribute Kodi, you need to pay them a fee first. Want to sell hardware with Kodi pre-installed? Too bad, fees first. Heck, if they wanted to, they could try to prevent Team Kodi from distributing the software in their country by suing us for trademark infringement.
Second, we want to let the trolls know that we have caught on to this game and will not accept it. We are actively taking the necessary steps to ensure that the Kodi trademark trolls are dealt with appropriately. There is no value proposition in trolling the Kodi name.
And finally, third, while our goal has always been to avoid going to the court to ensure Kodi remains free in countries where trolls are attempting to get rich off of the Kodi name, we will not back down from protecting the free, open source nature of our software. If that time comes for legal action, we hope to have the community’s support.
For the most part, this battle has been waged in lawyers’ offices, rather than on the front page of newspapers, but because the freedom of Kodi hinges on it, it is no less important.
Right now, there is no call to action. There is nothing most of you need to do, save for reminding people that Kodi is free. We only ask that you be prepared for the future, as we move forward in defending the freedom of this software that we all take for granted. And if you happen to notice someone trademark trolling Kodi in your country, let us know.
The UK’s Intellectual Property Office has published its annual IP Crime Report, spanning the period 2016 to 2017.
It covers key events in the copyright and trademark arenas and is presented with input from the police and trading standards, plus private entities such as the BPI, Premier League, and Federation Against Copyright Theft, to name a few.
The report begins with an interesting statistic. Despite claims that many millions of UK citizens regularly engage in some kind of infringement, figures from the Ministry of Justice indicate that just 47 people were found guilty of offenses under the Copyright, Designs and Patents Act during 2016. That’s down on the 69 found guilty in the previous year.
Despite this low conviction rate, 15% of all internet users aged 12+ are reported to have consumed at least one item of illegal content between March and May 2017. Figures supplied by the Industry Trust for IP indicate that 19% of adults watch content via various IPTV devices – often referred to as set-top, streaming, Android, or Kodi boxes.
“At its cutting edge IP crime is innovative. It exploits technological loopholes before they become apparent. IP crime involves sophisticated hackers, criminal financial experts, international gangs and service delivery networks. Keeping pace with criminal innovation places a burden on IP crime prevention resources,” the report notes.
The report covers a broad range of IP crime, from counterfeit sportswear to foodstuffs, but our focus is obviously on Internet-based infringement. Various contributors cover various aspects of online activity as it affects them, including music industry group BPI.
“The main online piracy threats to the UK recorded music industry at present are from BitTorrent networks, linking/aggregator sites, stream-ripping sites, unauthorized streaming sites and cyberlockers,” the BPI notes.
The BPI’s website blocking efforts have been closely reported, with 63 infringing sites blocked to date via various court orders. However, the BPI reports that more than 700 related URLs, IP addresses, and proxy sites/ proxy aggregators have also been rendered inaccessible as part of the same action.
“Site blocking has proven to be a successful strategy as the longer the blocks are in place, the more effective they are. We have seen traffic to these sites reduce by an average of 70% or more,” the BPI reports.
While prosecutions against music pirates are a fairly rare event in the UK, the Crown Prosecution Service (CPS) Specialist Fraud Division highlights that their most significant prosecution of the past 12 months involved a prolific music uploader.
As first revealed here on TF, Wayne Evans was an uploader not only on KickassTorrents and The Pirate Bay, but also some of his own sites. Known online as OldSkoolScouse, Evans reportedly cost the UK’s Performing Rights Society more than £1m in a single year. He was sentenced in December 2016 to 12 months in prison.
While Evans has been free for some time already, the CPS places particular emphasis on the importance of the case, “since it provided sentencing guidance for the Copyright, Designs and Patents Act 1988, where before there was no definitive guideline.”
The CPS says the case was useful on a number of fronts. Despite illegal distribution of content being difficult to investigate and piracy losses proving tricky to quantify, the court found that deterrent sentences are appropriate for the kinds of offenses Evans was accused of.
The CPS notes that various factors affect the severity of such sentences, not least the length of time the unlawful activity has persisted and particularly if it has done so after the service of a cease and desist notice. Other factors include the profit made by defendants and/or the loss caused to copyright holders “so far as it can accurately be calculated.”
Importantly, however, the CPS says that beyond issues of personal mitigation and timely guilty pleas, a jail sentence is probably going to be the outcome for others engaging in this kind of activity in future. That’s something for torrent and streaming site operators and their content uploaders to consider.
“[U]nless the unlawful activity of this kind is very amateur, minor or short-lived, or in the absence of particularly compelling mitigation or other exceptional circumstances, an immediate custodial sentence is likely to be appropriate in cases of illegal distribution of copyright infringing articles,” the CPS concludes.
But while a music-related trial provided the highlight of the year for the CPS, the online infringement world is still dominated by the rise of streaming sites and the now omnipresent “fully-loaded Kodi Box” – set-top devices configured to receive copyright-infringing live TV and VOD.
In the IP Crime Report, the Intellectual Property Office references a former US Secretary of Defense to describe the emergence of the threat.
“The echoes of Donald Rumsfeld’s famous aphorism concerning ‘known knowns’ and ‘known unknowns’ reverberate across our landscape perhaps more than any other. The certainty we all share is that we must be ready to confront both ‘known unknowns’ and ‘unknown unknowns’,” the IPO writes.
“Not long ago illegal streaming through Kodi Boxes was an ‘unknown’. Now, this technology updates copyright infringement by empowering TV viewers with the technology they need to subvert copyright law at the flick of a remote control.”
While the set-top box threat has grown in recent times, the report highlights the important legal clarifications that emerged from the BREIN v Filmspeler case, which found itself before the European Court of Justice.
As widely reported, the ECJ determined that the selling of piracy-configured devices amounts to a communication to the public, something which renders their sale illegal. However, in a submission by PIPCU, the Police Intellectual Property Crime Unit, box sellers are said to cast a keen eye on the legal situation.
“Organised criminals, especially those in the UK who distribute set-top boxes, are aware of recent developments in the law and routinely exploit loopholes in it,” PIPCU reports.
“Given recent judgments on the sale of pre-programmed set-top boxes, it is now unlikely criminals would advertise the devices in a way which is clearly infringing by offering them pre-loaded or ‘fully loaded’ with apps and addons specifically designed to access subscription services for free.”
With sellers beginning to clean up their advertising, it seems likely that detection will become more difficult than when selling was considered a gray area. While that will present its own issues, PIPCU still sees problems on two fronts – a lack of clear legislation and a perception of support for ‘pirate’ devices among the public.
“There is no specific legislation currently in place for the prosecution of end users or sellers of set-top boxes. Indeed, the general public do not see the usage of these devices as potentially breaking the law,” the unit reports.
“PIPCU are currently having to try and ‘shoehorn’ existing legislation to fit the type of criminality being observed, such as conspiracy to defraud (common law) to tackle this problem. Cases are yet to be charged and results will be known by late 2017.”
Whether these prosecutions will be effective remains to be seen, but PIPCU’s comments suggest an air of caution set to a backdrop of box-sellers’ tendency to adapt to legal challenges.
“Due to the complexity of these cases it is difficult to substantiate charges under the Fraud Act (2006). PIPCU have convicted one person under the Serious Crime Act (2015) (encouraging or assisting s11 of the Fraud Act). However, this would not be applicable unless the suspect had made obvious attempts to encourage users to use the boxes to watch subscription only content,” PIPCU notes, adding;
“The selling community is close knit and adapts constantly to allow itself to operate in the gray area where current legislation is unclear and where they feel they can continue to sell ‘under the radar’.”
More generally, pirate sites as a whole are still seen as a threat. As reported last month, the current anti-piracy narrative is that pirate sites represent a danger to their users. As a result, efforts are underway to paint torrent and streaming sites as risky places to visit, with users allegedly exposed to malware and other malicious content. The scare strategy is supported by PIPCU.
“Unlike the purchase of counterfeit physical goods, consumers who buy unlicensed content online are not taking a risk. Faulty copyright doesn’t explode, burn or break. For this reason the message as to why the public should avoid copyright fraud needs to be re-focused.
“A more concerted attempt to push out a message relating to malware on pirate websites, the clear criminality and the links to organized crime of those behind the sites are crucial if public opinion is to be changed,” the unit advises.
But while the changing of attitudes is desirable for pro-copyright entities, PIPCU says that winning over the public may not prove to be an easy battle. It was given a small taste of backlash itself, after taking action against the operator of a pirate site.
“The scale of the problem regarding public opinion of online copyright crime is evidenced by our own experience. After PIPCU executed a warrant against the owner of a streaming website, a tweet about the event (read by 200,000 people) produced a reaction heavily weighted against PIPCU’s legitimate enforcement action,” PIPCU concludes.
In summary, it seems likely that more effort will be expended during the next 12 months to target the set-top box threat, but there doesn’t appear to be an abundance of confidence in existing legislation to tackle all but the most egregious offenders. That being said, a line has now been drawn in the sand – if the public is prepared to respect it.
The full IP Crime Report 2016-2017 is available here (pdf)
https://dimitrology.com/wp-content/uploads/2017/09/kodi-tablet.png363650Dimitrologyhttps://dimitrology.com/wp-content/uploads/2019/11/WEBSITE-LOGO-2020-SMALL.pngDimitrology2017-09-08 12:58:522017-09-08 12:58:52New UK IP Crime Report Reveals Continued Focus on ‘Pirate’ Kodi Boxes
Founded way back in 2006, SwePiracy grew to become one of the most famous private torrent sites on the Swedish scene. Needless to say, it also became a target for anti-piracy outfits.
Six years after its debut and following an investigation by anti-piracy group Antipiratbyrån (now Rights Alliance), during 2012 police in Sweden and the Netherlands cooperated to shut down the site and arrest its operator.
In early 2016, more than four years on, SwePiracy’s then 25-year-old operator appeared in court to answer charges relating to the unlawful distribution of a sample 27 movies between March 2011 and February 2012. The prosecution demanded several years in prison and nearly $3.13 million (25 million kronor) in damages.
SwePiracy defense lawyer Per E. Samuelsson, who previously took part in The Pirate Bay trial, said the claims against his client were the most unreasonable he’d seen in his 35 years as a lawyer.
In October 2016, three weeks after the full trial, the Norrköping District Court handed down its decision. Given some of the big numbers being thrown around, the case seemed to turn out relatively well for the defendant.
While SwePiracy’s former operator was found guilty of copyright infringement, the prosecution’s demands for harsh punishment were largely pushed aside. A jail sentence was switched to probation plus community service, and the millions of dollars demanded in damages were reduced to ‘just’ $148,000, payable to movie outfit Nordisk Film. On top, $45,600 said to have been generated by SwePiracy was confiscated.
Almost immediately both sides announced an appeal, with the defendant demanding a more lenient sentence and the prosecution naturally leaning the other way. This week the case was heard at the Göta Court of Appeal, one of the six appellate courts in the Swedish system.
“We state that the District Court made an inaccurate assessment of the damages. So the damages claim remains at the same level as before,” Rights Alliance lawyer Henrik Pontén told Sweden’s IDG.
“There are two different approaches. We say that you have to pay for the entire license [for content when you infringe]. The District Court looked at how many times the movies were downloaded during the period.”
According to Pontén, the cost of such a license is hypothetical since there are no licenses available for distributing content through entities such as torrent sites, which have no mechanisms for control and no limits on sharing. That appears to have motivated the prosecution to demand a hefty price tag.
In addition to Rights Alliance wanting a better deal for their theoretical license, the official prosecutor also has issues with the amount of money that was confiscated from the platform.
“The operator has received donations to run the site. I have calculated how much money was received and the sum that the District Court awarded was almost half of my calculations,” Henrik Rasmusson told IDG.
Only time will tell how the Court of Appeal will rule but it’s worth noting that the decision could go either way or might even stand as it is now. In any event, this case has dragged on for far too long already and is unlikely to end positively for any of the parties involved.
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Adult publisher Perfect 10 has developed a reputation for being a serial copyright litigant.
Over the years the company targeted a number of high-profile defendants, including Google, Amazon, Mastercard, and Visa. Around two dozen of Perfect 10’s lawsuits ended in cash settlements and defaults, in the publisher’s favor.
Perhaps buoyed by this success, the company went after Usenet provider Giganews but instead of a company willing to roll over, Perfect 10 found a highly defensive and indeed aggressive opponent. The initial copyright case filed by Perfect 10 alleged that Giganews effectively sold access to Perfect 10 content but things went badly for the publisher.
In November 2014, the U.S. District Court for the Central District of California found that Giganews was not liable for the infringing activities of its users. Perfect 10 was ordered to pay Giganews $5.6m in attorney’s fees and costs. Perfect 10 lost again at the Court of Appeals for the Ninth Circuit.
As a result of these failed actions, Giganews is owned millions by Perfect 10 but the publisher has thus far refused to pay up. That resulted in Giganews filing a $20m lawsuit, accusing Perfect 10 and President Dr. Norman Zada of fraud.
With all this litigation boiling around in the background and Perfect 10 already bankrupt as a result, one might think the story would be near to a conclusion. That doesn’t seem to be the case. In a fresh announcement, Perfect 10 says it has now appealed its case to the US Supreme Court.
“This is an extraordinarily important case, because for the first time, an appellate court has allowed defendants to copy and sell movies, songs, images, and other copyrighted works, without permission or payment to copyright holders,” says Zada.
“In this particular case, evidence was presented that defendants were copying and selling access to approximately 25,000 terabytes of unlicensed movies, songs, images, software, and magazines.”
Referencing an Amicus brief previously filed by the RIAA which described Giganews as “blatant copyright pirates,” Perfect 10 accuses the Ninth Circuit of allowing Giganews to copy and sell trillions of dollars of other people’s intellectual property “because their copying and selling was done in an automated fashion using a computer.”
Noting that “everything is done via computer” these days and with an undertone that the ruling encouraged others to infringe, Perfect 10 says there are now 88 companies similar to Giganews which rely on the automation defense to commit infringement – even involving content owned by people in the US Government.
“These exploiters of other people’s property are fearless. They are copying and selling access to pirated versions of pretty much every movie ever made, including films co-produced by treasury secretary Steven Mnuchin,” Nada says.
“You would think the justice department would do something to protect the viability of this nation’s movie and recording studios, as unfettered piracy harms jobs and tax revenues, but they have done nothing.”
But Zada doesn’t stop at blaming Usenet services, the California District Court, the Ninth Circuit, and the United States Department of Justice for his problems – Congress is to blame too.
“Copyright holders have nowhere to turn other than the Federal courts, whose judges are ridiculously overworked. For years, Congress has failed to provide the Federal courts with adequate funding. As a result, judges can make mistakes,” he adds.
For Zada, those mistakes are particularly notable, particularly since at least one other super high-profile company was shut down in the most aggressive manner possible for allegedly being involved in less piracy than Giganews.
Pointing to the now-infamous Megaupload case, Perfect 10 notes that the Department of Justice completely shut that operation down, filing charges of criminal copyright infringement against Kim Dotcom and seizing $175 million “for selling access to movies and songs which they did not own.”
“Perfect 10 provided evidence that [Giganews] offered more than 200 times as many full length movies as did megaupload.com. But our evidence fell on deaf ears,” Zada complains.
In contrast, Perfect 10 adds, a California District Court found that Giganews had done nothing wrong, allowed it to continue copying and selling access to Perfect 10’s content, and awarded the Usenet provider $5.63m in attorneys fees.
“Prior to this case, no court had ever awarded fees to an alleged infringer, unless they were found to either own the copyrights at issue, or established a fair use defense. Neither was the case here,” Zada adds.
While Perfect 10 has filed a petition with the Supreme Court, the odds of being granted a review are particularly small. Only time will tell how this case will end, but it seems unlikely that the adult publisher will enjoy a happy ending, one in which it doesn’t have to pay Giganews millions of dollars in attorney’s fees.
Last year, the European Commission published its long-awaited proposal to modernize EU copyright law. Among other things, it will require online services to do more to fight piracy.
Specifically, Article 13 of the proposed Copyright Directive requires online services to monitor and filter pirated content, in collaboration with rightsholders.
This means that online services, which deal with large volumes of user-uploaded content, must use fingerprinting or other detection mechanisms to block copyright infringing files, similar to YouTube’s Content-ID system.
The Commission stressed that the changes are needed to support copyright holders. However, many legal scholars, digital activists, and members of the public worry that they will violate the rights of regular Internet users.
They believe that mandatory filters ignore established case law and human rights. This critique is now, in part, backed up by questions from several EU member states.
Authorities in Belgium, Czech Republic, Finland, Hungary, Ireland and the Netherlands have recently sent a series of questions to the Council Legal Service, requesting clarification on several issues.
The document (pdf), published by Statewatch, asks whether a mandatory piracy filter is proportionate and compatible with existing law.
“Would the standalone measure/ obligation as currently proposed under Article 13 be compatible with the Charter of Human Rights […] in the light of the jurisprudence of the CJEU that aims to secure a fair balance in the application of competing fundamental rights?
“Are the proposed measures justified and proportionate?” the member states add.
Specifically, the member states suggest that the filters may hinder people’s right to freedom of expression and information, the right to protection of personal data, and freedom to conduct a business.
One of the problems is that such filters work by monitoring the communications of all citizens uploading to platforms, which would go against existing EU law. In the Sabam v Netlog case, the European Court of Justice ruled that hosting sites can’t be forced to filter copyrighted content, as this would violate the privacy of users and hinder freedom of information.
The letter, which was sent on July 25, also stresses that important copyright exceptions, such as parody and the right to quote, are not taken into account.
“The [Commission’s] proposal does not provide for appropriate measures that would enable these users to actually benefit from public interest copyright exceptions. It is important to point out that certain exceptions to copyright, such as e.g. parody or the quotation right are the embodiment in copyright of fundamental rights other than the right to property.”
This is not the first time that member states have responded critically to the proposal. Tweakers notes that the Dutch Government previously stressed that there should be a better balance between the rights of consumers and copyright holders.
The recent letter from the six member states backs up many of the questions that have been asked by activists, scholars and members of the public, including the “Save the Meme” campaign. These critics hope that the proposal will be changed substantially, ideally without mandatory piracy filters, when it’s voted on in the EU Parliament.
https://dimitrology.com/wp-content/uploads/2017/07/caution-featured.jpg2501200Dimitrologyhttps://dimitrology.com/wp-content/uploads/2019/11/WEBSITE-LOGO-2020-SMALL.pngDimitrology2017-09-06 15:55:512017-09-06 15:55:51Mandatory Piracy Filters Could Breach Human Rights, EU Members Warn
The seventh season of Game of Thrones has brought tears and joy to HBO this summer.
It was the most-viewed season thus far, with record-breaking TV ratings. But on the other hand, HBO and Game of Thrones were plagued by hacks, leaks, and piracy, of course.
While it’s hard to measure piracy accurately, streaming in particular, piracy tracking outfit MUSO has just released some staggering numbers. According to the company, the latest season was pirated more than a billion times in total.
To put this into perspective, this means that on average each episode was pirated 140 million times, compared to 32 million views through legal channels.
The vast majority of the pirate ‘views’ came from streaming services (85%), followed by torrents (9%) and direct downloads (6%). Private torrent trackers are at the bottom with less than one percent.
Pirate sources
Andy Chatterley, MUSO’s CEO and Co-Founder, notes that the various leaks may have contributed to these high numbers. This is supported by the finding that the sixth episode, which leaked several days in advance, was pirated more than the season finale.
“It’s no secret that HBO has been plagued by security breaches throughout the latest season, which has seen some episodes leak before broadcast and added to unlicensed activity,” Chatterley says.
In addition, the data shows that despite a heavy focus on torrent traffic, unauthorized streaming is a much bigger problem for rightsholders.
“In addition to the scale of piracy when it comes to popular shows, these numbers demonstrate that unlicensed streaming can be a far more significant type of piracy than torrent downloads.”
Although the report shares precise numbers, it’s probably best to describe them as estimates.
The streaming data MUSO covers is sourced from SimilarWeb, which uses a sample of 200 million ‘devices’ to estimate website traffic. The sample data covers thousands of popular pirate sites and is extrapolated into the totals.
While more than a billion downloads are pretty significant, to say the least, MUSO is not even looking at the full pirate landscape.
For one, Muso’s streaming data doesn’t include Chinese traffic, which usually has a very active piracy community. As if that’s not enough, alternative pirate sources such as fully-loaded Kodi boxes, are not included either.
It’s clear though, which doesn’t really come as a surprise, that Game of Thrones piracy overall is still very significant. The torrent numbers may not have grown in recent years, but streaming seems to be making up for it and probably adding a few dozen million extra, give or take.
—
Total Global Downloads and Streams by Episode
Episode one: 187,427,575
Episode two: 123,901,209
Episode three: 116,027,851
Episode four: 121,719,868
Episode five: 151,569,560
Episode six: 184,913,279
Episode seven (as of 3rd Sept): 143,393,804
All Episode Bundles – Season 7: 834,522
TOTAL (as of 3rd September) = 1,029,787,668
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With millions of visitors per day, YouTube-MP3.org is one of the most visited websites on the Internet.
The site allows its visitors to convert YouTube videos to MP3 files, which they can then listen to where and whenever they want. The music industry sees such “stream ripping” sites as a serious threat to its revenues, worse than traditional pirate sites.
In an attempt to do something about it, a coalition of record labels, represented by the RIAA, took YouTube-MP3 to court last year.
A complaint filed in a California federal court accused the site’s operator of various types of copyright infringement. In addition, the labels accused the site of circumventing YouTube’s copying protection mechanism, violating the DMCA.
“Through the promise of illicit delivery of free music, Defendants have attracted millions of users to the [YouTube-MP3] website, which in turn generates advertising revenues for Defendants,” the labels complained.
Today, a year later, both parties have settled their differences. While there haven’t been many updates in the court docket, a recent filing states that both parties have agreed to a settlement.
The details of the deal are not public, but YouTube-MP3 is willing to take all the blame. In a proposed final judgment, both parties ask the court to rule in favor of the labels on all counts of the complaint. In addition, the site’s owner Philip Matesanz agreed to pay a settlement amount.
On all counts
In addition to the order, a proposed injunction will prohibit the site’s operator from “knowingly designing, developing, offering, or operating any technology or service that allows or facilitates the practice commonly known as “streamripping,” or any other type of copyright infringement for that matter.
This injunction, which RIAA and YouTube-MP3 both agreed on, also states that the site’s domain name will be handed over to one of the record labels.
“Defendants are ordered to transfer the domain name www.youtube-mp3.org to the Plaintiff identified in, and in accordance with the terms of, the confidential Settlement Agreement among the parties,” it reads.
If the owner refuses to comply, the registrar will be ordered to sign over the domain name, which means that there’s no escaping.
While the court has yet to sign the proposed judgment and injunction (pdf), it is clear that YouTube-MP3 has thrown in the towel and will shut down. At the time of writing the site remains online, but this likely won’t be for long.
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Back in January, China’s Ministry of Industry and Information Technology announced that due to Internet technologies and services expanding in a “disorderly” fashion, regulation would be needed to restore order.
The government said that it would take measures to “strengthen network information security management” and would embark on a “nationwide Internet network access services clean-up.”
One of the initial targets was reported as censorship-busting VPNs, which allow citizens to evade the so-called Great Firewall of China. Operating such a service without a corresponding telecommunications business license would constitute an offense, the government said.
The news was met with hostility, with media and citizens alike bemoaning Chinese censorship. Then early July, a further report suggested that the government would go a step further by ordering ISPs to block VPNs altogether. This elicited an immediate response from local authorities, who quickly denied the reports, blaming “foreign media” for false reporting.
But it was clear something was amiss in China. Later that month, it was revealed that Apple had banned VPN software and services from its app store.
“We are writing to notify you that your application will be removed from the China App Store because it includes content that is illegal in China, which is not in compliance with the App Store Review Guidelines,” Apple informed developers.
With an effort clearly underway to target VPNs, news today from China suggests that the government is indeed determined to tackle the anti-censorship threat presented by such tools. According to local media, Chinese man Deng Mouwei who ran a small website through which he sold VPN software, has been sentenced to prison.
The 26-year-old, from the city of Dongguan in the Guangdong province, was first arrested in October 2016 after setting up a website to sell VPNs. Just two products were on offer but this was enough to spring authorities into action.
A prosecution notice, published by Chinese publication Whatsonweibo, reveals the university educated man was arrested “on suspicion of providing tools for illegal control of a computer information system.”
It’s alleged that the man used several phrases to market the VPNs including “VPN over the wall” and “Shadow shuttle cloud”. The business wasn’t particularly profitable though, generating just 13957 yuan ($2,133) since October 2015.
“The court held that the defendant Deng Mouwei disregarded state law, by providing tools specifically for the invasion and illegal control of computer information systems procedures,” the Guandong Province’s First People’s Court said in its ruling, handed down earlier this year but only just made public.
“The circumstances are serious and the behavior violated the ‘Criminal Law of the People’s Republic of China Article 285.”
Article 285 – don’t interfere with the state
“The facts of the crime are clear, the evidence is true and sufficient. In accordance with the provisions of Article 172 of the Criminal Procedure Law of the People’s Republic of China, the defendant shall be sentenced according to law.”
Under Chinese law, Article 172 references stolen goods, noting that people who “conceal or act as distributors” shall be sentenced to not more than three years of fixed-term imprisonment, or fined, depending on circumstances. Where VPNs fit into that isn’t clear, but things didn’t end well for the defendant.
For offering tools that enable people to “visit foreign websites that can not be accessed via a domestic (mainland) IP address,” Deng Mouwei received a nine-month prison sentence.
News of the sentencing appeared on Chinese social media over the weekend, prompting fear and confusion among local users. While many struggled to see the sense of the prosecution, some expressed fear that people who even use VPN software to evade China’s Great Firewall could be subjected to prosecution in the future.
Whatever the outcome, it’s now abundantly clear that China is the midst of a VPN crackdown across the board and is serious about stamping out efforts to bypass its censorship. With the Internet’s ability to treat censorship as damage and route round it, it’s a battle that won’t be easily won.
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At TorrentFreak we regularly write about website blocking efforts around the globe, usually related to well-known pirate sites.
Unfortunately, our own news site is not immune to access restrictions either. While no court has ordered ISPs to block access to our articles, some are doing this voluntarily.
This is especially true for companies that provide Wi-Fi hotspots, such as Datavalet. This wireless network provider works with various large organizations, including McDonald’s, Starbucks, and airports, to offer customers free Internet access.
Or rather to a part of the public Internet, we should say.
Over the past several months, we have had several reports from people who are unable to access TorrentFreak on Datavalet’s network. Users who load our website get an ominous warning instead, suggesting that we run some kind of a criminal hacking operation.
“Access to TORRENTFREAK.COM is not permitted as it is classified as: CRIMINAL SKILLS / HACKING.”
Criminal Skills?
Although we see ourselves as skilled writing news in our small niche, which incidentally covers crime and hacking, our own hacking skills are below par. Admittedly, mistakes are easily made but Datavalet’s blocking efforts are rather persistent.
The same issue was brought to our attention several years ago. At the time, we reached out to Datavalet and a friendly senior network analyst promised that they would look into it.
“We have forwarded your concerns to the proper resources and as soon as we have an update we will let you know,” the response was. But a few years later the block is still active, or active again.
Datavalet is just one one the many networks where TorrentFreak is blocked. Often, we are categorized as a file-sharing site, probably due to the word “torrent” in our name. This recently happened at the NYC Brooklyn library, for example.
After a reader kindly informed the library that we’re a news site, we were suddenly transferred from the “Peer-to-Peer File Sharing” to the “Proxy Avoidance” category.
“It appears that the website you want to access falls under the category ‘Proxy Avoidance’. These are sites that provide information about how to bypass proxy server features or to gain access to URLs in any way that bypass the proxy server,” the library explained.
Still blocked of course.
At least we’re not the only site facing this censorship battle. Datavelet and others regularly engage in overblocking to keep their network and customers safe. For example, Reddit was recently banned because it offered “nudity,” which is another no-go area.
Living up to our “proxy avoidance” reputation, we have to mention that people who regularly face these type of restrictions may want to invest in a VPN. These are generally quite good at bypassing these type of blockades. If they are not blocked themselves, that is.
When you make a documentary about Kim Dotcom, someone who’s caught up in one of the largest criminal copyright infringement cases in history, the piracy issue is unavoidable.
And indeed, the topic is discussed in depth in “Kim Dotcom: Caught in the Web,” which enjoyed its digital release early last week.
As happens with most digital releases, a pirated copy soon followed. While no filmmaker would actively encourage people not to pay for their work, director Annie Goldson wasn’t surprised at all when she saw the first unauthorized copies appear online.
The documentary highlights that piracy is in part triggered by lacking availability, so it was a little ironic that the film itself wasn’t released worldwide on all services. However, Goldson had no direct influence on the distribution process.
“It was inevitable really. We have tried to adopt a distribution model that we hope will encourage viewers to buy legal copies making it available as widely as possible,” Goldson informs TorrentFreak.
“We had sold the rights, so didn’t have complete control over reach or pricing which I think are two critical variables that do impact on the degree of piracy. Although I think our sales agent did make good strides towards a worldwide release.”
Now that millions of pirates have access to her work for free, it will be interesting to see how this impacts sales. For now, however, there’s still plenty of legitimate interest, with the film now appearing in the iTunes top ten of independent films.
In any case, Goldson doesn’t subscribe to the ‘one instance of piracy is a lost sale’ theory and notes that views about piracy are sharply polarized.
“Some claim financial devastation while others argue that infringement leads to ‘buzz,’ that this can generate further sales – so we shall see. At one level, watching this unfold is quite an interesting research exercise into distribution, which ironically is one of the big themes of the film of course,” Goldson notes.
Piracy overall doesn’t help the industry forward though, she says, as it hurts the development of better distribution models.
“I’m opposed to copyright infringement and piracy as it muddies the waters when it comes to devising a better model for distribution, one that would nurture and support artists and creatives, those that do the hard yards.”
Kim Dotcom: Caught in the Web trailer
The director has no issues with copyright enforcement either. Not just to safeguard financial incentives, but also because the author does have moral and ethical rights about how their works are distributed. That said, instead of pouring money into enforcement, it might be better spent on finding a better business model.
“I’m with Wikipedia founder Jimmy Wales who says [in the documentary] that the problem is primarily with the existing business model. If you make films genuinely available at prices people can afford, at the same time throughout the world, piracy would drop to low levels.
“I think most people would prefer to access their choice of entertainment legally rather than delving into dark corners of the Internet. I might be wrong of course,” Goldson adds.
In any case, ‘simply’ enforcing piracy into oblivion seems to be an unworkable prospect – not without massive censorship, or the shutdown of the entire Internet.
“I feel the risk is that anti-piracy efforts will step up and erode important freedoms. Or we have to close down the Internet altogether. After all, the unwieldy beast is a giant copying machine – making copies is what it does well,” Goldson says.
The problems is that the industry is keeping piracy intact through its own business model. When people can’t get what they want, when, and where they want it, they often turn to pirate sites.
“One problem is that the industry has been slow to change and hence we now have generations of viewers who have had to regularly infringe to be part of a global conversation.
“I do feel if the industry is promoting and advertising works internationally, using globalized communication and social media, then denying viewers from easily accessing works, either through geo-blocking or price points, obviously, digitally-savvy viewers will find them regardless,” Goldson adds.
And yes, this ironically also applies to her own documentary.
The solution is to continue to improve the legal options. This is easier said than done, as Goldson and her team tried hard, so it won’t happen overnight. However, universal access for a decent price would seem to be the future.
Unless the movie industry prefers to shut down the Internet entirely, of course.
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For those who haven’t seen “Kim Dotcom: Caught in the Web yet,” the film is available globally on Vimeo OnDemand, and in a lot of territories on iTunes, the PlayStation Store, Amazon, Google Play, and the Microsoft/Xbox Store. In the US there is also Vudu, Fandango Now & Verizon.
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