In recent years, file-sharers around the world have been pressured to pay significant settlement fees, or face legal repercussions.

These so-called “copyright trolling” efforts have been a common occurrence in the United States since the turn of the last decade.

Increasingly, however, courts are growing weary of these cases. Many districts have turned into no-go zones for copyright trolls and the people behind Prenda law were arrested and are being prosecuted in a criminal case.

In the Western District of Washington, the tide also appears to have turned. After Venice PI, a copyright holder of the film “Once Upon a Time in Venice”, sued a man who later passed away, concerns were raised over the validity of the evidence.

Venice PI responded to the concerns with a declaration explaining its data gathering technique and assuring the Court that false positives are out of the question.

That testimony didn’t help much though, as a recently filed minute order shows this week. The order applies to a dozen cases and prohibits the company from reaching out to any defendants until further notice, as there are several alarming issues that have to be resolved first.

One of the problems is that Venice PI declared that it’s owned by a company named Lost Dog Productions, which in turn is owned by Voltage Productions. Interestingly, these companies don’t appear in the usual records.

“A search of the California Secretary of State’s online database, however, reveals no registered entity with the name ‘Lost Dog’ or ‘Lost Dog Productions’,” the Court notes.

“Moreover, although ‘Voltage Pictures, LLC’ is registered with the California Secretary of State, and has the same address as Venice PI, LLC, the parent company named in plaintiff’s corporate disclosure form, ‘Voltage Productions, LLC,’ cannot be found in the California Secretary of State’s online database and does not appear to exist.”

In other words, the company that filed the lawsuit, as well as its parent company, are extremely questionable.

While the above is a reason for concern, it’s just the tip of the iceberg. The Court not only points out administrative errors, but it also has serious doubts about the evidence collection process. This was carried out by the German company MaverickEye, which used the tracking technology of another German company, GuardaLey.

GuardaLey CEO Benjamin Perino, who claims that he coded the tracking software, wrote a declaration explaining that the infringement detection system at issue “cannot yield a false positive.” However, the Court doubts this statement and Perino’s qualifications in general.

“Perino has been proffered as an expert, but his qualifications consist of a technical high school education and work experience unrelated to the peer-to-peer file-sharing technology known as BitTorrent,” the Court writes.

“Perino does not have the qualifications necessary to be considered an expert in the field in question, and his opinion that the surveillance program is incapable of error is both contrary to common sense and inconsistent with plaintiff’s counsel’s conduct in other matters in this district. Plaintiff has not submitted an adequate offer of proof”

It seems like the Court would prefer to see an assessment from a qualified independent expert instead of the person who wrote the software. For now, this means that the IP-address evidence, in these cases, is not good enough. That’s quite a blow for the copyright holder.

If that wasn’t enough the Court also highlights another issue that’s possibly even more problematic. When Venice PI requested the subpoenas to identify alleged pirates, they relied on declarations from Daniel Arheidt, a consultant for MaverickEye.

These declarations fail to mention, however, that MaverickEye has the proper paperwork to collect IP addresses.

“Nowhere in Arheidt’s declarations does he indicate that either he or MaverickEye is licensed in Washington to conduct private investigation work,” the order reads.

This is important, as doing private investigator work without a license is a gross misdemeanor in Washington. The copyright holder was aware of this requirement because it was brought up in related cases in the past.

“Plaintiff’s counsel has apparently been aware since October 2016, when he received a letter concerning LHF Productions, Inc. v. Collins, C16-1017 RSM, that Arheidt might be committing a crime by engaging in unlicensed surveillance of Washington citizens, but he did not disclose this fact to the Court.”

The order is very bad news for Venice PI. The company had hoped to score a few dozen easy settlements but the tables have now been turned. The Court instead asks the company to explain the deficiencies and provide additional details. In the meantime, the copyright holder is urged not to spend or transfer any of the settlement money that has been collected thus far.

The latter indicates that Venice PI might have to hand defendants their money back, which would be pretty unique.

The order suggests that the Judge is very suspicious of these trolling activities. In a footnote there’s a link to a Fight Copyright Trolls article which revealed that the same counsel dismissed several cases, allegedly to avoid having IP-address evidence scrutinized.

Even more bizarrely, in another footnote the Court also doubts if MaverickEye’s aforementioned consultant, Daniel Arheidt, actually exists.

“The Court has recently become aware that Arheidt is the latest in a series of German declarants (Darren M. Griffin, Daniel Macek, Daniel Susac, Tobias Fieser, Michael Patzer) who might be aliases or even fictitious.

“Plaintiff will not be permitted to rely on Arheidt’s declarations or underlying data without explaining to the Court’s satisfaction Arheidt’s relationship to the above-listed declarants and producing proof beyond a reasonable doubt of Arheidt’s existence,” the court adds.

These are serious allegations, to say the least.

If a copyright holder uses non-existent companies and questionable testimony from unqualified experts after obtaining evidence illegally to get a subpoena backed by a fictitious person….something’s not quite right.

A copy of the minute order, which affects a series of cases, is available here (pdf).

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Thousands perhaps millions of pieces of illegal content flood onto the Internet every single day, a problem that’s only increasing with each passing year.

In the early days of the Internet very little was done to combat the problem but with the rise of social media and millions of citizens using it to publish whatever they like – not least terrorist propaganda and racist speech – governments around the world are beginning to take notice.

Of course, running parallel is the multi-billion dollar issue of intellectual property infringement. Eighteen years on from the first wave of mass online piracy and the majority of popular movies, TV shows, games, software and books are still available to download.

Over the past couple of years and increasingly in recent months, there have been clear signs that the EU in particular wishes to collectively mitigate the spread of all illegal content – from ISIS videos to pirated Hollywood movies – with assistance from major tech companies.

Google, YouTube, Facebook and Twitter are all expected to do their part, with the looming stick of legislation behind the collaborative carrots, should they fail to come up with a solution.

To that end, five EU Commissioners – Dimitris Avramopoulos, Elżbieta Bieńkowska, Věra Jourová, Julian King and Mariya Gabriel – will meet today in Brussels with representatives of several online platforms to discuss progress made in dealing with the spread of the aforementioned material.

In a joint statement together with EC Vice-President Andrus Ansip, the Commissioners describe all illegal content as a threat to security, safety, and fundamental rights, demanding a “collective response – from all actors, including the internet industry.”

They note that online platforms have committed significant resources towards removing violent and extremist content, including via automated removal, but more needs to be done to tackle the issue.

“This is starting to achieve results. However, even if tens of thousands of pieces of illegal content have been taken down, there are still hundreds of thousands more out there,” the Commissioners writes.

“And removal needs to be speedy: the longer illegal material stays online, the greater its reach, the more it can spread and grow. Building on the current voluntary approach, more efforts and progress have to be made.”

The Commission says it is relying on online platforms such as Google and Facebook to “step up and speed up their efforts to tackle these threats quickly and comprehensively.” This should include closer cooperation with law enforcement, sharing of information with other online players, plus action to ensure that once taken down, illegal content does not simply reappear.

While it’s clear that that the EC would prefer to work collaboratively with the platforms to find a solution to the illegal content problem, as expected there’s the veiled threat of them being compelled by law to do so, should they fall short of their responsibilities.

“We will continue to promote cooperation with social media companies to detect and remove terrorist and other illegal content online, and if necessary, propose legislation to complement the existing regulatory framework,” the EC warns.

Today’s discussions run both in parallel and in tandem with others specifically targeted at intellectual property abuses. Late November the EC presented a set of new measures to ensure that copyright holders are well protected both online and in the physical realm.

A key aim is to focus on large-scale facilitators, such as pirate site operators, while cutting their revenue streams.

“The Commission seeks to deprive commercial-scale IP infringers of the revenue flows that make their criminal activity lucrative – this is the so-called ‘follow the money’ approach which focuses on the ‘big fish’ rather than individuals,” the Commission explained.

This presentation followed on the heels of a proposal last September which had the EC advocating the take-down-stay-down principle, with pirate content being taken down, automated filters ensuring infringement can be tackled proactively, with measures being taken against repeat infringers.

Again, the EC warned that should cooperation with Internet platforms fail to come up with results, future legislation cannot be ruled out.

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For several decades the MPAA and RIAA have been the prime anti-piracy groups in the United States.

While that may be true, there’s another player making a massive impact, while getting barely any press.

ABS-CBN, the largest media and entertainment company in the Philippines, has filed a series of lawsuits against pirate sites in the US, with the popular streaming portal Fmovies as the biggest target.

The company has already won several cases with damages ranging from a few hundred thousand to millions of dollars. However, the associated injunctions in these cases are perhaps even more significant.

We previously covered how ABS-CBN managed to get court orders to seize domain names, without the defendants getting actively involved. This is also the case in a recent lawsuit where a Florida federal court signed a broad injunction targeting more than two dozen sites that offered the company’s content.

The websites, including abscbn-teleserye.com, dramascools.com, tvnijuan.org, pinoydailyshows.com and weeklywarning.org, may not be known to a broad audience but their domain names have all been suspended, linking to a takedown message instead.

What’s most interesting, however, is that the advertising revenues of these sites were previously frozen. This was done to ensure that ABS-CBN would at least get some money if the defendants failed to respond, a strategy that seems to have paid off.

After the targeted site owners failed to respond, ABS-CBN requested a default judgment with damages for trademark and copyright infringement.

U.S. District Court Judge Cecilia Altonaga has now signed the order, awarding the media company over a million dollars in statutory trademark infringement damages. In addition, several of the sites must also pay copyright infringement damages.

Damages

The default judgment also orders associated registrars and registries to hand over the domain names to ABS-CBN. Thus far several domains have been seized already, but some foreign companies have not complied, most likely because they fall outside the US jurisdiction.

The most interesting part of the order, however, is that Judge Altonaga grants ABS-CBN the previously seized advertising revenues.

“All funds currently restrained by the advertising services, networks, and/or platforms […], pursuant to the temporary restraining order and preliminary injunction in this action are to be immediately (within five business days) transferred to Plaintiffs in partial satisfaction of the monetary judgment entered herein against each Defendant,” the Judge writes.

List of sites and their ad-networks

The sites in question used advertising services from a variety of well-known networks, including Google Adsense, MGID, Popads, AdsKeeper, and Bidvertiser. None of these companies responded in court after the initial seizure order, suggesting that they did not object.

This is the first time, to our knowledge, that a copyright holder has been granted advertising revenue from pirate sites in this manner. While it’s not known how much revenue the sites were making, there is bound to be some.

This could be a common legal tactic going forward because, generally speaking, it is very hard to get money from defaulting defendants who are relatively anonymous, or living in a foreign jurisdiction. By going after the advertisers, copyright holders have a good chance of securing some money, at least.

A copy of the default judgment is available here (pdf) and all affected websites are listed below.

– abscbn-teleserye.com
– astigvideos.com
– cinepinoy.lol
– cinepinoy.ag
– pinoyflix.ag
– pinoyflix.lol
– cinezen.me
– dramascools.com
– dramasget.com
– frugalpinoytv.org
– lambingan.cn
– pinoylambingan.ph
– lambingan.io
– lambingans.net
– latestpinoymovies.com
– pinasnews.net
– pinastvreplay.com
– pinoybay.ch
– pinoychannel.me
– pinoydailyshows.com
– pinoyplayback.net
– pinoytvshows.net
– pinoytv-shows.net
– rondownload.net
– sarapmanood.com
– tambayanshow.net
– thelambingan.com
– tvnijuan.org
– tvtambayan.org
– vianowpe.com
– weeklywarning.org
– weeklywarning.com

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Last year, American satellite and broadcast provider Dish Network targeted two well-known players in the third-party Kodi add-on ecosystem.

In a complaint filed in a federal court in Texas, add-on ZemTV and the TVAddons library were accused of copyright infringement. As a result, both are facing up to $150,000 in damages for each offense.

While the case was filed in Texas, neither of the defendants live there, or even in the United States. The owner and operator of TVAddons is Adam Lackman, who resides in Montreal, Canada. ZemTV’s developer Shahjahan Durrani is even further away in London, UK.

Their limited connection to Texas is reason for the case to be dismissed, according to the legal team of the two defendants. They are represented by attorneys Erin Russel and Jason Sweet, who asked the Court to drop the case late last week.

According to their motion, the Texas District Court does not have jurisdiction over the two defendants.

“Lackman and Durrani have never been residents or citizens of Texas; they have never owned property in Texas; they have never voted in Texas; they have never personally visited Texas; they have never directed any business activity of any kind to anyone in Texas […] and they have never earned income in Texas,” the motion reads.

Technically, defendants can be sued in a district they have never been, as long as they “directed actions” at the state or its citizens.

According to Dish, this is the case here since both defendants made their services available to local residents, among other things. However, the defense team argues that’s not enough to establish jurisdiction in this case.

“Plaintiff’s conclusory allegation that Lackman and Durrani marketed, made available, and distributed ZemTV service and the ZemTV add-on to consumers in the State of Texas and the Southern District of Texas is misleading at best,” the attorneys write.

If the case proceeds this would go against the US constitution, violating the defendants’ due process rights. Whether the infringement claims hold ground or not, Dish has no right to sue, according to the defense.

“Defendants are citizens of Canada and Great Britain and have not had sufficient contacts in the State of Texas for this Court to exercise personal jurisdiction over them. To do so would violate the Due Process Clause of the United States Constitution.”

The Court must now decide whether the case can proceed or not. TorrentFreak reached out to TVAddons but the service wishes to refrain from commenting on the proceeding at the moment.

Previously, TVAddons made it clear that it sees the Dish lawsuit as an attempt to destroy the Kodi addon community. One of the methods of attack it mentioned, was to sue people in foreign jurisdictions.

“Most people don’t have money lying around to hire lawyers in places they’ve never even visited. This means that if a company sues you in a foreign country and you can’t afford a lawyer, you’re screwed even if you did nothing wrong,” TVAddons wrote at the time.

A copy of the motion to dismiss is available here (pdf).

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When people download content online using BitTorrent, they also distribute that content to others. This unlawful distribution attracts negative attention from rightsholders, who have sued hundreds of thousands of individuals worldwide.

Streaming is considered a much safer method to obtain content, since it’s difficult for content owners to track downloaders. However, the same can’t be said about those who stream content to the web for the benefit of others, as an interesting case in the UK has just revealed.

It involves 34-year-old Craig Foster who received several scary letters from lawyers representing broadcaster Sky. The company alleged that during last April’s bout between Anthony Joshua’s and Wladimir Klitschko, Foster live-streamed the multiple world title fight on Facebook Live.

Financially, this was a major problem for Sky, law firm Foot Anstey LLP told Foster. According to their calculations, at least 4,250 people watched the stream without paying Sky Box Office the going rate of £19.95 each. Tapped into Sky’s computers, the broadcaster concluded that Foster owed the company £85,000.

But according to The Mirror, father-of-one Foster wasn’t actually to blame.

“I’d paid for the boxing, it wasn’t like I was making any money. My iPad was signed in to my Facebook account and my friend just started streaming the fight. I didn’t think anything of it, then a few days later they cut my subscription,” Foster said.

“They’re demanding the names and addresses of all my mates who were round that night but I’m not going to give them up. I said I’d take the rap.”

While Foster says he won’t turn in the culprit, there’s no doubt that the fight stream originated from his Sky account. The TV giant embeds watermarks in its broadcasts which enables it to see who paid for an event, should a copy of one turn up on the Internet.

As we reported last year following the Mayweather v McGregor super-fight, the codes are clearly visible with the naked eye.

Sky watermarks, as seen in the Mayweather v McGregor fight

While taking the rap for someone else’s infringing behavior isn’t something anyone should do lightly, it appears that Scarborough-based Foster did just that.

According to Neil Parkes, who specializes in media litigation, content protection and contentious IP at Foot Anstey, Foster accepted responsibility and agreed to pay a settlement.

“Mr Foster broke the law,” Parkes said. “He has acknowledged his wrongdoing, apologised and signed a legally binding agreement to pay a sum of £5,000 to Sky.”

The Mirror, however, has Foster backtracking. He says he wasn’t given enough time to consider his position and now wants to fight Sky in court.

“It’s heavy-handed. I’ve apologized and told them we were drunk,” Foster said.

“I know streaming the fight was wrong. I didn’t stop my friend but I was watching the boxing. I’m just a bloke who had a few drinks with his friends.”

Unless he can find a law firm willing to fight his corner at a hugely cut-down rate, Foster will find this kind of legal fisticuffs to be a massively expensive proposition, one in which he will start out as the clear underdog.

Not only was Foster’s Sky account the originating source, both his iPad and his Facebook account were used to stream the fight. On top of what appears to be a signed confession, he also promised not to do anything else like this in future. Furthermore, he even agreed to issue an apology that Sky can use in future anti-piracy messages.

Of course, Foster might indeed be a noble gentleman but he should be aware that as a civil matter, this fight would be decided on the balance of probabilities, not beyond reasonable doubt. If the judge decides 51% in Sky’s favor, he suffers a knockout along with a huge financial headache.

No one wants a £5,000 bill but that’s a drop in the ocean compared to the cost implications of losing this case.

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Torrent sites have come and gone over past year. Now, at the start of 2018, we take a look to see what the most-used sites are in the current landscape.

The Pirate Bay remains the undisputed number one. The site has weathered a few storms over the years, but it looks like it will be able to celebrate its 15th anniversary, which is coming up in a few months.

The list also includes various newcomers including Idope and Zooqle. While many people are happy to see new torrent sites emerge, this often means that others have called it quits.

Last year’s runner-up Extratorrent, for example, has shut down and left a gaping hole behind. And it wasn’t the only site that went away. TorrentProject also disappeared without a trace and the same was true for isohunt.to.

The unofficial Torrentz reincarnation Torrentz2.eu, the highest newcomer last year, is somewhat of an unusual entry. A few weeks ago all links to externally hosted torrents were removed, as was the list of indexed pages.

We decided to include the site nonetheless, given its history and because it’s still possible to find hashes through the site. As Torrentz2’s future is uncertain, we added an extra site (10.1) as compensation.

Finally, RuTracker also deserves a mention. The torrent site generates enough traffic to warrant a listing, but we traditionally limit the list to sites that are targeted primarily at an English or international audience.

Below is the full list of the ten most-visited torrent sites at the start of the new year. The list is based on various traffic reports and we display the Alexa rank for each. In addition, we include last year’s ranking.

Most Popular Torrent Sites

1. The Pirate Bay

The Pirate Bay is the “king of torrents” once again and also the oldest site in this list. The past year has been relatively quiet for the notorious torrent site, which is currently operating from its original .org domain name.

Alexa Rank: 104/ Last year #1

2. RARBG

RARBG, which started out as a Bulgarian tracker, has captured the hearts and minds of many video pirates. The site was founded in 2008 and specializes in high quality video releases.

Alexa Rank: 298 / Last year #3

3. 1337x

1337x continues where it left off last year. The site gained a lot of traffic and, unlike some other sites in the list, has a dedicated group of uploaders that provide fresh content.

Alexa Rank: 321 / Last year #6

4. Torrentz2

Torrentz2 launched as a stand-in for the original Torrentz.eu site, which voluntarily closed its doors in 2016. At the time of writing, the site only lists torrent hashes and no longer any links to external torrent sites. While browser add-ons and plugins still make the site functional, its future is uncertain.

Alexa Rank: 349 / Last year #5

5. YTS.ag

YTS.ag is the unofficial successors of the defunct YTS or YIFY group. Not all other torrent sites were happy that the site hijacked the popuar brand and several are actively banning its releases.

Alexa Rank: 563 / Last year #4

6. EZTV.ag

The original TV-torrent distribution group EZTV shut down after a hostile takeover in 2015, with new owners claiming ownership of the brand. The new group currently operates from EZTV.ag and releases its own torrents. These releases are banned on some other torrent sites due to this controversial history.

Alexa Rank: 981 / Last year #7

7. LimeTorrents

Limetorrents has been an established torrent site for more than half a decade. The site’s operator also runs the torrent cache iTorrents, which is used by several other torrent search engines.

Alexa Rank: 2,433 / Last year #10

8. NYAA.si

NYAA.si is a popular resurrection of the anime torrent site NYAA, which shut down last year. Previously we left anime-oriented sites out of the list, but since we also include dedicated TV and movie sites, we decided that a mention is more than warranted.

Alexa Rank: 1,575 / Last year #NA

9. Torrents.me

Torrents.me is one of the torrent sites that enjoyed a meteoric rise in traffic this year. It’s a meta-search engine that links to torrent files and magnet links from other torrent sites.

Alexa Rank: 2,045 / Last year #NA

10. Zooqle

Zooqle, which boasts nearly three million verified torrents, has stayed under the radar for years but has still kept growing. The site made it into the top 10 for the first time this year.

Alexa Rank: 2,347 / Last year #NA

10.1 iDope

The special 10.1 mention goes to iDope. Launched in 2016, the site is a relative newcomer to the torrent scene. The torrent indexer has steadily increased its audience over the past year. With similar traffic numbers to Zooqle, a listing is therefore warranted.

Alexa Rank: 2,358 / Last year #NA

Disclaimer: Yes, we know that Alexa isn’t perfect, but it helps to compare sites that operate in a similar niche. We also used other traffic metrics to compile the top ten. Please keep in mind that many sites have mirrors or alternative domains, which are not taken into account here.

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Ten years ago, November 2007 to be precise, we published an article featuring the four leading torrent site admins at the time.

Niek van der Maas of Mininova, Justin Bunnell of TorrentSpy, Pirate Bay’s Peter Sunde and isoHunt’s Gary Fung were all kind enough to share their vision of BitTorrent’s future.

This future is the present today, and although the predictions were not all spot-on, there are a few interesting observations to make.

For one, these four men were all known by name, despite the uncertain legal situation they were in. How different is that today, when the operators of most of the world’s largest torrent sites are unknown to the broader public.

Another thing that stands out is that none of these pioneers are still active in the torrent space today. Niek and Justin have their own advertising businesses, Peter is a serial entrepreneur involved in various startups, while Gary works on his own projects.

While they have all moved on, they also remain a part of Internet history, which is why we decided to reach out to them ten years on.

Gary Fung was the first to reply. Those who’ve been following torrent news for a while know that isoHunt was shut down in 2013. The shutdown was the result of a lawsuit and came with a $110 million settlement with the MPAA, on paper.

Today the Canadian entrepreneur has other things on his hands, which includes “leveling up” his now one-year-old daughter. While that can be a day job by itself, he is also finalizing a mobile search app which will be released in the near future.

“The key is speed, and I can measure its speedup of the whole mobile search experience to be 10-100x that of conventional mobile web browsers,” Gary tells us, noting that after years of development, it’s almost ready.

The new search app is not one dedicated to torrents, as isoHunt once was. However, looking back, Gary is proud of what he accomplished with isoHunt, despite the bitter end.

“It was a humbling experience, in more ways than one. I’m proud that I participated and championed the rise of P2P content distribution through isoHunt as a search gateway,” Gary tells us.

“But I was also humbled by the responsibility and power at play, as seen in the lawsuits from the media industry giants, as well as the even larger picture of what P2P technologies were bringing, and still bring today.”

Decentralization has always been a key feature of BitTorrent and Gary sees this coming back in new trends. This includes the massive attention for blockchain related projects such as Bitcoin.

“2017 was the year Bitcoin became mainstream in a big way, and it’s feeling like the Internet before 2000. Decentralization is by nature disruptive, and I can’t wait to see what decentralizing money, governance, organizations and all kinds of applications will bring in the next few years.

“dApps [decentralized apps] made possible by platforms like Ethereum are like generalized BitTorrent for all kinds of applications, with ones we haven’t even thought of yet,” Gary adds.

Not everything is positive in hindsight, of course. Gary tells us that if he had to do it all over again he would take legal issues and lawyers more seriously. Not doing so led to more trouble than he imagined.

As a former torrent site admin, he has thought about the piracy issue quite a bit over the years. And unlike some sites today, he was happy to look for possible solutions to stop piracy.

One solution Gary suggested to Hollywood in the past was a hash recognition system for infringing torrents. A system to automatically filter known infringing files and remove these from cooperating torrent sites could still work today, he thinks.

“ContentID for all files shared on BitTorrent, similar to YouTube. I’ve proposed this to Hollywood studios before, as a better solution to suing their customers and potential P2P technology partners, but it obviously fell on deaf ears.”

In any case, torrent sites and similar services will continue to play an important role in how the media industry evolves. These platforms are showing Hollywood what the public wants, Gary believes.

“It has and will continue to play a role in showing the industry what consumers truly want: frictionless, convenient distribution, without borders of country or bundles. Bundles as in cable channels, but also in any way unwanted content is forced onto consumers without choice.”

While torrents were dominant in the past, the future will be streaming mostly, isoHunt’s founder says. He said this ten years ago, and he believes that in another decade it will have completely replaced cable TV.

Whether piracy will still be relevant then depends on how content is offered. More fragmentation will lead to more piracy, while easier access will make it less relevant.

“The question then will be, will streaming platforms be fragmented and exclusive content bundled into a hundred pieces besides Netflix, or will consumer choice and convenience win out in a cross-platform way?

“A piracy increase or reduction will depend on how that plays out because nobody wants to worry about ten monthly subscriptions to ten different streaming services, much less a hundred,” Gary concludes.

Perhaps we should revisit this again next decade…


The second post in this series, with Peter Sunde, will be published this weekend. The other two pioneers did not respond or declined to take part.

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Gaining free access to copyrighted material is not a difficult task in today’s online world. Movies, TV shows, music, games, and eBooks are all just a few clicks away, either using torrent, streaming, or direct download services.

Over the years, however, the growth of piracy has been at least somewhat slowed due to the advent of official services. Where there was once a content vacuum, official platforms such as Netflix, Spotify, HBO, TIDAL, Steam, and others, are helping users to find the content they want.

While most services present reasonable value, subscribing to them all would be a massive strain on even the most expansive of budgets. But what if there was a way to access every single one of them, for just a few dollars a year – in total? Believe it or not, such services exist and have done for some time.

Described as ‘Account Generators’, these platforms grant members with access to dozens of premium services, without having to pay anything like the headline price. The main ones often major on access to a Netflix subscription as a base, with access to other services thrown in on top.

How much a year?

The screenshot above shows one ‘generator’ service as it appeared this week. On the far right is a Netflix offer for $2.99 per year or $4.99 for a lifetime ‘private’ account (more on that later). That is of course ridiculously cheap.

On the near left is the ‘All Access’ plan, which offers access to Netflix plus another 69 online services for just $6.99 per month or $16.99 per year. The range of services available is impressive, to say the least.

Movies and TV Shows: Netflix, Amazon, Hulu, HBO Now, Crunchyroll, DIRECTV/Now, Stream TV Live, CBS All Access, Funimation, Slingbox, Xfinity.

On the sports front: BT Sports, Fubo.tv, F1 Access, MLB.TV, NBA League Pass, NFL Game Pass, UFC Fight Pass, WWE Network.

For music, access is provided to Spotify, Deezer, Napster, Pandora, Saavn, SoundCloud, and TIDAL.

A small selection of the services available

How these services gain access to all of these accounts is shrouded in a level of secrecy but there’s little doubt that while some are obtained legitimately (perhaps through free trials or other account sharing), the roots of others are fairly questionable.

For example, when these services talk about ‘shared and ‘private’ Netflix accounts, the former often appear set up for someone else, with individual user accounts in other people’s names and suggestions for what to watch next already in place. In other words, these are live accounts already being paid for by someone, to which these services somehow gain access.

Indeed, there are notices on account generator platforms warning people not to mess with account passwords or payment details, since that could alert the original user or cause an account to get shut down for other reasons.

“Origin brings you great PC and Mac games. Play the latest RPGs, Shooters, Sim games, and more. These accounts are private (1 per person), however you MUST NOT change passwords,” one warning reads.

Since Origin has just come up, it’s probably a suitable juncture to mention the games services on offer. In addition to EA’s offering, one can gain access to Xbox Live, ESL Gaming, Good Old Games, League of Legends, Minecraft Premium, Steam (game keys) and Uplay.

And it doesn’t stop there.

Need a BitDefender key? No problem. Access to Creative Market? You got it. Want to do some online learning? Queue up for Chegg, CourseHero, Lynda, Mathway, Udemy, and more. There’s even free access to NYTimes Premium. As the image below shows, thousands of accounts are added all the time.

Thousands of accounts, all the time…

While these generator platforms are undoubtedly popular with people on a budget, almost everything about them feels wrong. Staring into someone’s private Netflix account, with what appear to be family names, is unsettling. Looking at their private email addresses and credit card details feels flat-out criminal.

Quite how these services are able to prosper isn’t clear but perhaps the big question is why the platforms whose accounts are being offered haven’t noticed some kind of pattern by now. Maybe they have, but it’s probably a pretty difficult task to sweep up the mess without a lot of false positives, not to mention the risks of ensnaring those who pay for their accounts officially.

The video below, from late 2016, gives a decent overview of how an account generator platform works. Even for many hardcore pirates, especially those who demand privacy and respect the same for others, parts of the viewing will be uncomfortable.

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In recent years we have covered a wide range of newly-assigned patents with a clear anti-piracy angle.

From IBM’s printer that doesn’t copy infringing content, through NBC Universal’s piracy detection system, to Philips’ ambient lighting solution to camcording pirates in theaters.

Today we add another newly-awarded patent from software vendor Corel to the list. Known for its signature CorelDRAW and WinZIP software, the company has quite a bit of experience with sketchy pirates. This has cost a lot of money over the years, Corel claims.

“Software piracy has become a financial burden to the software industry as well. Popular software programs, sold in the tens or hundreds of millions, may have pirated versions numbering in the millions,” the company writes.

The software company notes that current anti-piracy tools are often easy to break or bypass, which makes them inadequate. In their patent, titled: “Software product piracy monetization process,” they, therefore, take a different approach.

Instead of blocking pirates outright, Corel proposes to engage with these people more directly. By sending a message in the form of a pop-up, for example.

“The message may include instructions to change the state of a feature property of the software product to alert a user that the software product is not legitimate,” the patent reads.

If pirate, then…

If someone is running a product with an invalid serial, he or she can be informed by the software. This can be a friendly note, but also one that threatens criminal charges unless the pirate agrees to an amnesty deal.

This creates a win-win situation where the pirate escapes prison and the publisher is paid, so to speak.

“The amnesty offer may, for example, agree not to bring criminal charges in exchange for the user purchasing a legitimate copy of the product,” Corel writes.

“In this manner, the user of the pirated version is given the opportunity to purchase a legitimate copy which, if acted on, increases revenue for the manufacturer.”

While the patent was recently awarded, the idea to monetize piracy in this way isn’t new. In fact, Malwarebytes has sent messages to pirating users for years, and also offered them amnesty and a free upgrade in the past.

Whether Corel has any intentions of implementing their own idea is yet unknown.

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Fifteen years ago BitTorrent conquered the masses. It offered a superior way to share large video files, something that was virtually impossible at the time.

With the shift to online video streaming, BitTorrent has lost prominence in recent years. That’s a shame, since the technology offers many advantages.

This is one of the reasons why Stanford University graduate Feross Aboukhadijeh invented WebTorrent. The technology, which is supported by most modern browsers, allows users to seamlessly stream videos on the web with BitTorrent.

In the few years that it’s been around, several tools and services have been built on WebTorrent, including a dedicated desktop client. The desktop version basically serves as a torrent client that streams torrents almost instantaneously on Windows, Linux, and Mac.

Add in AirPlay, Chromecast and DLNA support and it brings these videos to any network-connected TV as well. Quite a powerful tool, as many people have discovered in recent months.

This week Feross informed TorrentFreak that WebTorrent Desktop had reached the one million download mark. That’s a major milestone for a modest project with no full-time developer. But while users seem to be happy, it’s not perfect yet.

“WebTorrent Desktop is the best torrent app in existence. Yet, the app suffers from performance issues when too many torrents are added or too many peers show up. It’s also missing important power user features like bandwidth throttling,” Feross says.

The same is true for WebTorrent itself, which the desktop version is built on. The software has been on the verge of version 1.0.0 for over two years now but needs some more work to make the final leap. This is why Feross would like to invest more time into the projects, given the right support.

Last month Feross launched a Patreon campaign to crowdfund future development of WebTorrent including the desktop version. There are dozens of open issues and a lot of plans and with proper funding, the developer can free up time to work on these.

“The goal of the campaign is to allow me to spend a few days per week addressing these issues,” Feross says, adding that all software he works on is completely free and always has been.

Feross and cat

Thus far the fundraising campaign is going well. WebTorrent’s developer has received support from dozens of people, totaling $1,730 a month through Patreon alone, and he has signed up the privacy oriented browser Brave and video site PopChest as Platinum backers.

Community-driven funding is a great way to support Open Source projects, Feross believes, and he is encouraging others to try it out as well.

“I’ve been promoting Patreon heavily within my community as a way for open source software developers to get paid for their work,” Feross says.

“The norm in the industry right now is that no one gets paid — it’s all volunteer work, even though we’re generating a lot of value for the world! Patreon is a really promising solution for software people like me.”

People who want to give WebTorrent Desktop a try can download a copy from the official site. More information on the core WebTorrent technology and its implementations is available there was well. And if you like what you see, Feross still needs a bit of help to reach his Patreon goal.

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