Back in 1991, when the World Wide Web (WWW) first became publicly available, few people knew what an impact it would have on the planet. Today, more than 27 years later, a world without the Internet is a prospect that even fewer people are prepared to consider.

There can be little doubt that the Internet is becoming greater by the day. Billions now rely on the network to fulfill what have become our most basic needs, with the free-flow of information enabling some of our greatest achievements in discovery, research, and education.

In 1994, when the Internet became publicly available in Sweden, it’s unlikely that even the people behind fledgling ISP Bahnhof could have envisioned what the web has become today. However, as one of Sweden’s first service providers, the company has since weathered many storms, particularly as the freedom of the Internet clashed with those who favor more restrictions, especially in respect of copyright enforcement.

For example, back in 2005 – when the war against file-sharing had really taken hold in Sweden – Bahnhof was effectively shut down as part of an anti-piracy raid. As a result, the company had harsh words for those involved, accusing the infamous Antipiratbyrån anti-piracy group of indirectly planting copyright-infringing content on servers connected to the company.

“How can Antipiratbyrån, which in the form of a lobby organization that works to curb the file-sharing culture, actively pay a person to upload tens of thousands of copyrighted files to a server that is then seized by the authorities?” CEO Jon Karlung asked at the time.

“It’s like distributing matches and petrol to a famous pyromaniac, then reporting him for a fiery fire when he’s heating a house.”

From this event, a pattern began to emerge. Bahnhof became an opponent of file-sharing crackdowns and a supporter of privacy, in 2009 famously refusing to store the IP addresses of customers so they could be pursued by the authorities.

A year later, Bahnhof became the proud host of Wikileaks, a controversial move given the organization’s efforts to expose secrets connected to the war raging in Afghanistan following the 9/11 attacks. But it would be the company’s efforts to protect the privacy of its own subscribers that would grab most of the headlines.

In 2014, a landmark ruling from the European Court of Justice declared Europe’s Data Retention Directive a violation of Internet users’ privacy and therefore invalid.

The Directive had required ISPs to store data on the activities of their subscribers, including who they communicate with and at what times, plus other identifying information such as IP addresses. Bahnhof announced that it would stop capturing data with immediate effect.

Soon after, however, Swedish telecoms regulator PTS ordered Bahnhof to start storing communications data again under local data retention laws, warning the ISP that non-compliance would result in hefty fines. Bahnhof responded by offering its customers a free, no-logging VPN.

Ever since, Bahnhof has made headlines with its efforts to protect the privacy of its subscribers. The company also became an outspoken enemy of copyright trolls (1,2), labeling those who engage in the practice as greedy extortionists.

With the fight set to continue, Bahnhof CEO Jon Karlung says the company’s stance has its roots in being one of the longest-standing ISPs and a desire to keep the Internet open.

“I assume that our long-time fight comes from that we, once upon the time, were one of the first ISP’s existing. That era somehow represented a positive and genuine delight over what the big internet could be,” he tells TorrentFreak.

“I still remember those days. It’s not that everything was better before (I don’t think it was) but unfortunately many dark forces have taken over – or we are close to them doing so.”

It’s clear from Karlung’s comments that he sees his company as playing a role in defending the organic nature of the Internet against what he sees as a movement to sterilize the experience, often at the expense of privacy.

“One could reflect on this: What would happen if the Internet turned out to become a big cable-TV landscape controlled by Big Media, or if various and more and more commercial interests could ‘log in’ to your privacy?

“Or, if everything develops into a big totalitarian Truman Show where global cloud companies and states join forces in a nightmarish hunt against freedom of speech with Sauron like surveillance while investing in controlling the most profitable thoughts through social media, even if these thoughts enhance hate?”

As these and similar thoughts resonate with millions of freedom-loving individuals worldwide, Karlung clearly understands that he is in business too. The stance he’s taken means his company is not only seen as somewhat unique in the marketplace, it also earns plenty of merit points with current and future customers.

“As strange as it may sound, there is also a business idea in defending customers and their privacy. In the old days this could be described as the job of the mailman,” he concludes.

Somewhat ironically, Bahnhof itself is now the subject of a net-neutrality investigation in Sweden. After a court ordered the ISP to block websites related to Sci-Hub following a complaint from Elsevier, Bahnhof retaliated by partially blocking the academic publisher’s website.

Like many of Bahnhof’s moves in recent years, the aim is to defend the free Internet with the side-effect of provoking debate. Karlung says he’s looking forward to the discussions and has sent thanks to Sweden’s telecoms regulator for the opportunity.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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A decade ago the vast majority of ‘pirate’ content was consumed after the fact but there has been a significant shift towards live TV programming in recent years, largely through IPTV and similar unlicensed services.

This phenomenon has proven a real thorn in the side of sports broadcasters who are desperate to preserve their live programming revenues. The Premier League, for example, has been hit by easy availability of unlicensed live streams, offered either for free or at a fraction of the official rates.

To counter this problem, in March 2017 the League obtained a blocking injunction from the High Court which compelled ISPs including BT, Sky, TalkTalk and Virgin Media to block unauthorized streams under Section 97a of the Copyright, Designs and Patents Act.

A second order was handed down by the High Court in July 2017, which ran from August 12, 2017 to May 13, 2018. An extension was granted by the Court in July 2018.

This didn’t go unnoticed by other organizations in the same position. As reported here in September, sports promoter Matchroom Sport also obtained a similar High Court injunction enabling it to block illegal streams of fights for the next two years.

It now transpires that Queensbury Promotions, the home of Tyson Fury and legendary promoter Frank Warren, have followed Matchroom Sport by obtaining a similar order.

Granted on November 28, 2018, by Mr Justice Arnold with zero fanfare, the order requires BT, EE, Plusnet, Sky, TalkTalk, and Virgin Media to block live streams of forthcoming Queensbury promotions events in a similar manner to that outlined in the Matchroom Sport and Premier League cases.

While ISPs initially opposed blocking orders when they were first touted years ago, it’s notable that the first defendant in this case, BT, actually supported the blocking application. The other ISPs simply didn’t oppose, which made the order a relatively simple one to grant, albeit with a technical matter or two to address.

According to Justice Arnold, Showtime Networks entered into agreements with Queensberry and other third parties which saw Showtime as the broadcaster and copyright owner of the feed. Under the arrangement, however, he did not consider Queensbury to have an exclusive license. Ultimately this was overcome when Queensbury took an assignment of the right to bring proceedings from Showtime.

The order came into force ready for the Deontay Wilder v Tyson Fury fight which took place on December 1, 2018 and ended in a controversial split draw. Interestingly, however, widespread reports of blocking didn’t make an appearance, on the contrary in fact.

According to piracy-tracking firm MUSO, unauthorized streams of the fight were viewed ten million times – 1.1 million in the UK alone – with YouTube coming out on top as the leading provider. It is not clear whether those doing the blocking made any effort to target the Google-owned company but it seems likely that if they had, severe collateral damage would have ensued.

Moving forward, it appears that the ability of Queensbury to tackle piracy of events in this manner will continue until December 1, 2020, meaning that illegal Wilder v Fury rematch streams might….might….find themselves affected.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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LibreELEC 9.0 (Leia) Beta 1 has finally arrived after a long gestation period. Based upon Kodi v18 RC3, the 9.0 Beta 1 release contains many changes and refinements to user experience and a complete overhaul of the underlying OS core to improve stability and extend hardware support. Kodi v18 also brings new features like Kodi Retroplayer and DRM support that (equipped with an appropriate add-on) allows Kodi to unofficially stream content from services like Netflix and Amazon.

Compared to 8.2, major changes are:

Settings Add-on:

  • Changeable SSH passwords!
  • Default firewall (iptables) with simple configurations for Home/Public networks
  • Updates are moved to their own menu, other options are cleaned up a little
  • Safe Mode boot when Kodi experiences startup problems

Changeable SSH passwords and a default firewall configuration have been added to combat the increasing number of HTPC installs that can be found on the public internet. The increase is partly due to simple maths; our userbase has grown so the number of users inappropriately exposing their HTPC to the internet has also grown. The static password for libreelec is present on most/all password dictionary lists so it’s important we start encouraging users to change it (the first-run wizard will prompt when SSH is enabled).

More people are using VPN services for privacy without realising this exposes SSH/SMB/Web services. To combat this problem we have added simple firewall configurations for Home/Public networks; the Home configuration blocks inbound connections from non-private networks, e.g. traffic from the Internet to the public IP address used with the VPN connection.

As the Kodi piracy scene continues to decline we have seen an increase in users with outdated add-ons that cause problems during upgrades so “Safe Mode” counts Kodi startup crashes. After five startup failures it intervenes with a default (clean) configuration and prominent warning so users know there is a problem – but still have a working GUI to troubleshoot from.

 

Retroplayer:

Kodi v18 brings initial support for retro gaming and the ability to play hundreds of retro games directly from within Kodi. We provide a large number of emulator cores from our add-on repo, but no games (bring your own) although there are a couple of open source test game add-ons (2048 etc.) in our repo. In this first iteration of Kodi retro gaming support the user interface can be a little confusing and we still need to write-up some HOWTO guides for the wiki. Kodi developers are working on a game database (for Kodi v19) which will make the process of managing and using game ROMs easier in the future.

DVB Drivers:

We now offer a larger range of DVB drivers (depending on your platform) to choose from. The “DVB drivers from the latest kernel” option also includes the majority of Hauppage drivers which have been recently upstreamed into the kernel, which is great to see!

Rockchip:

Despite the 8.95.1 release number our Rockchip releases remain in an Alpha state with limited support. The Kodi version is updated but there are no significant video/audio improvements to the Rockchip 4.4 kernel codebase – and none planned. Our work on Rockchip support has refocussed onto the Linux 4.20 kernel to use the modern kernel frameworks needed for the next-generation Kodi video pipeline. This work is progressing nicely, but it means the 4.4 codebase “is what it is” until a future kernel bump.

New Devices:

Amlogic

  • Khadas VIM(1) – requires a clean install if using current community images
  • Libre Computer Le Potato

Rockchip

  • 96rocks ROCK960
  • ASUS Tinker Board
  • Firefly ROC-RK3328-CC
  • Khadas Edge
  • PINE64 ROCK64
  • PINE64 RockPro64
  • Popcorn Hour RockBox
  • Popcorn Hour Transformer
  • Rockchip Sapphire Board
  • Mqmaker MiQi

If you experience problems, please open an thread at our forum. You can also open an ticket at our issue tracker.

Downloads:

RPi 2/3 LibreELEC-RPi2.arm-8.95.001.img.gz (info)

RPi 0/1 LibreELEC-RPi.arm-8.95.001.img.gz (info)

Generic LibreELEC-Generic.x86_64-8.95.001.img.gz (info)

Odroid_C2 LibreELEC-Odroid_C2.arm-8.95.001.img.gz (info)

KVIM LibreELEC-KVIM.arm-8.95.001.img.gz (info)

LePotato LibreELEC-LePotato.arm-8.95.001.img.gz (info)

Slice LibreELEC-Slice.arm-8.95.001.img.gz (info)

Slice3 LibreELEC-Slice3.arm-8.95.001.img.gz (info)

WeTek_Core LibreELEC-WeTek_Core.arm-8.95.001.img.gz (info)

WeTek_Hub LibreELEC-WeTek_Hub.arm-8.95.001.img.gz (info)

Warning: Update at WP1 is broken if you use img.gz – please use .tar to update:

WeTek_Play LibreELEC-WeTek_Play.arm-8.95.001.tar (info)

WeTek_Play LibreELEC-WeTek_Play.arm-8.95.001.img.gz (info)

WeTek_Play_2 LibreELEC-WeTek_Play_2.arm-8.95.001.img.gz (info)


Rockchip RK3328

Firefly ROC-RK3328-CC LibreELEC-RK3328.arm-8.90.010-roc-cc.img.gz (info)

Generic Rockchip Box LibreELEC-RK3328.arm-8.90.010-box.img.gz (info)

PINE64 ROCK64 / Popcorn Hour Transformer LibreELEC-RK3328.arm-8.90.010-rock64.img.gz (info)

Popcorn Hour RockBox LibreELEC-RK3328.arm-8.90.010-rockbox.img.gz (info)

MVR9 LibreELEC-RK3328.arm-8.90.010-box-trn9.img.gz (info)

Z28 LibreELEC-RK3328.arm-8.90.010-box-z28.img.gz (info)

Rockchip RK3399

96rocks ROCK960 LibreELEC-RK3399.arm-8.90.010-rock960.img.gz (info)

PINE64 RockPro64 LibreELEC-RK3399.arm-8.90.010-rockpro64.img.gz (info)

Rockchip Sapphire Board LibreELEC-RK3399.arm-8.90.010-sapphire.img.gz (info)


Rockchip RK3288

ASUS Tinker Board LibreELEC-TinkerBoard.arm-8.90.010-rk3288.img.gz (info)

mqmaker MiQi LibreELEC-MiQi.arm-8.90.010-rk3288.img.gz (info)

 



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Increasingly, people are cancelling their expensive cable subscriptions, opting to use cheaper or niche-based Internet TV instead.

While there are plenty of legal options available, there’s also a broad offer of easy-to-use set-top boxes which are specifically configured to receive pirated content.

These pirate IPTV boxes are often sold bundled with a monthly or yearly subscription. This created an industry worth more than a billion dollars worldwide, perhaps even more.

Canadian broadband management company Sandvine recently put a spotlight on this activity, revealing how popular these boxes are. The company gathered data in 16 states and provinces in the US and Canada, monitoring traffic across multiple fixed access tier-1 networks.

Following an analysis of the data, the company was able to pinpoint how many households were accessing pirate IPTV networks. It’s a revisit of a similar study last year which found that 6.5% of the households used illegitimate subscription-based services.

The new results are somewhat lower. Sandvine reports that 5.5% of households could be linked to pirate IPTV subscriptions but this doesn’t mean that interest is waning.

The most recent study looked at a broader and more diverse population than before. Last year’s sample was concentrated in urban areas with a population over a million, which skewed the findings.

The recent study shows that 7.3% of the households in high-density urban areas have pirate IPTV subscriptions, compared to 4.3% in lower populated areas. This means that the overall reach may have actually grown.

US/Canada households accessing pirated live television services

The findings clearly show that pirate TV subscriptions are more popular in big cities, which is an interesting fact in itself.

“There is a huge variability in the demographics of those using pirated video services from region to region,” Sandvine’s Veroljub Mihajlovic notes.

The scope of the activity also remains intriguing. As previously revealed, pirate IPTV traffic generated more bandwidth than many other piracy tools and services, such as BitTorrent.

Also, it doesn’t even factor in other types of set-top box piracy, such as pirate boxes that access OTT streaming sites to play movies and TV-series “on demand.” This means that the overall piracy box landscape is even larger.

All in all it is safe to conclude that IPTV piracy makes up a large part of the pirate ecosystem. This hasn’t gone unnoticed to copyright holders of course. Over the past year, we have seen enforcement actions against several providers and if this trend continues, more are likely to follow.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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YouTube’s copyright enforcement is a growing source of frustration, with many creators complaining about overbroad takedown efforts.

The protests have become more vocal in recent months, even though the issues themselves are far from new.

We first signaled problems with YouTube’s Content-ID system more than seven years ago. Since then, many examples have followed.

Most of these are the result of overbroad flagging, where YouTube finds a copyright match where it shouldn’t. The filters have previously flagged randomly generated audio, for example, or bird chatter.

This week we stumbled upon a video with 50 hours of rain sounds which has been flagged by no less than five separate rightsholders. Admittedly, the rain in the video sounds very familiar, as does most rain, but it clearly is unique.

While some mistakes are expected to happen, things only seem to be getting worse. Over the past several days alone, dozens of new examples of YouTube copyright problems have appeared. Many of these were brought to the forefront by creators themselves.

Last week the popular musician TheFatRat found out that ‘someone’ had claimed his own song as theirs, effectively diverting the ad-revenue to someone else. For a song with millions of views, that’s not a trivial issue.

Kidding?

YouTube does allow users to file a “dispute,” which TheFatRat did. However, the claimant rejected it. The musician could appeal the claim but YouTube warned that he would then risk a strike. If that fails, there’s another appeal option at which point it enters DMCA territory.

If a Content-ID claim is appealed the claimant will have to file a regular takedown request. This will result in a strike. The YouTube account holder can then file a counter-notice and if the claimant doesn’t file a lawsuit within two weeks, the video is eventually restored.

That’s quite a hassle, to say the least.

What doesn’t help is that YouTube keeps referring to false claimants as the “copyright owners”. This also happened to Dan Bull, who was hit with a similar false claim last week.

I’m right.

It’s not always clear where the problem lies. In TheFatrat’s case, his song was reportedly infringing a track from Andres Galvis, who apparently doesn’t know Power Records LLC or Ramjets, which YouTube lists as the claimant.

This may sound bizarre, but things can get even worse. In November YouTuber Drew Gooden was hit by a copyright claim from… Drew Gooden.

?

It doesn’t seem unimaginable that some people are abusing YouTube’s copyright policy to generate revenue by claiming videos of others. At the very minimum, these examples show that YouTube’s claiming process is a mess, which can seriously hurt legitimate users.

This frustration was nicely illustrated by YouTuber Gus Johnson, who provides even more examples.

Johnson shows that not all false claims are made through automatic recognition, there are plenty of inaccurate ‘manual’ claims as well. It appears that just mentioning the title of an artist or song can result in a claim, even though the audio itself isn’t used in the video.

Out of control..

.embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }

As Techdirt points out, this mess doesn’t bode well for the EU’s Article 13, which may result in even more filters. That said, at YouTube things are already spiraling out of control.

We can easily continue to point out mistakes and false claims day after day after, but perhaps it’s time for a change?

During a hearing on Canada’s copyright reform plans, Liberal MP David Graham rightfully noted that YouTube currently operates a “guilty until proven innocent” system. YouTube’s representative didn’t dispute this assertion but gave no indication that this could be reversed.

While “innocent until proven guilty” sounds better for creators, copyright holders are not going to like that one bit.

TorrentFreak spoke to the Electronic Frontier Foundation (EFF) who have been critical of YouTube’s system for years. According to EFF’s Legal Director Corynne McSherry, the copyright strikes are particularly problematic.

Through these “strikes”, channel owners risk losing their livelihoods after three complaints. These strikes are only applied after direct copyright takedown requests, not through Content-ID flags, but it’s a major concern.

What might help is if copyright holders who repeatedly abuse the Content-ID system are penalized as well.

“YouTube could improve its handling of copyright complaints by actively identifying and excluding from Content ID rightsholders that abuse it,” McSherry says.

In addition, YouTube could also protect channels which are known to be good actors.

For search takedown requests Google already appears to work with a whitelist of non-infringing domain names. YouTube could do the same with its channels, protecting these from broad takedown requests.

It’s clear that YouTube is in a difficult spot with major rightsholders asking for tougher measures and YouTubers complaining about the same. At the very least, the company could take a good look at its policies and systems to see if clear abuse can be addressed and prevented.

Earlier this month, Team YouTube said that it was looking into the issues, but thus far not much has changed.

For TheFatRat the recent trouble was the final straw. Yesterday he launched a petition urging YouTube to fix the copyright protection system which 22,000 people have signed already,

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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Anyone wanting to develop new skills can find information to do so on the Internet. While many areas can benefit from one-to-one instruction, tutorials on how to accomplish most things under one’s own steam can be found online.

The majority of online tutorials are completely non-controversial but when it comes to learning skills that have the potential to break the law, things get a little more volatile.

This is particularly evident in the online piracy scene. With just a few clicks of a mouse, people can learn how to obtain content without paying for it, learn how to crack software or bypass anti-piracy mechanisms on pay TV, for example. It’s been this way for at least a couple of decades and doesn’t appear to be going away anytime soon.

That’s perhaps why there was such outcry on Reddit this week when a long-standing tutorial on how to pirate Adobe CC was taken down following a copyright complaint.

The tutorial, titled ‘Pirating Adobe CC for Dummies’, was posted in 2016 and was presumably interesting to the many thousands of people who read it, whether they went on to pirate anything or not. However, a takedown notice received by Reddit saw the tutorial removed.

Taken down after two years

The text that now sits in place of the tutorial doesn’t indicate that the takedown notice was sent by Adobe. However, it seems fairly likely the world-famous software company was behind the effort. In any event, Reddit clearly viewed the tutorial as problematic and removed it.

This ignited a very lively discussion about the legality of the tutorial, with people pointing out that it didn’t link to any unauthorized Adobe content, nor did it directly link to any of the tools required to pirate the company’s software.

Perhaps more surprisingly, however, is that many users turned their anger on Reddit’s admins, who were accused of taking the site in a corporate direction while pleasing shareholders with the takedown of content, this tutorial in particular. In fact, many posts discussed where users of /r/piracy could move to, in order to escape perceived censorship on Reddit.

There are several angles to this issue, none of which are straightforward. TorrentFreak showed the original thread to three lawyers at separate companies while pointing out the lack of links to copyrighted content, to see if this aspect might play a role in the validity of the original claim.

None particularly wanted to commit on whether the tutorial itself was illegal but in off-the-record comments, two independently touched on contributory infringement, “a means by which a person may be held liable for infringement even though he or she did not actually engage in infringing activities.”

TorrentFreak also sought comment from the EFF but at the time of publishing, we were yet to receive a response. Clearly, getting definitive answers on the legality of the tutorial itself wasn’t going to be easy but perhaps that’s the distraction here.

After receiving the complaint, Reddit was compelled by law to take the content down. There is, of course, the possibility to file a counter-notice, which would enable the author to challenge Adobe’s assertions of infringement (if that’s who sent the notice) and allow the content to go back up, at least for a while.

However, it is extremely unlikely the author of the tutorial would be prepared to file a counter-notice because that would mean a) identifying him or herself (with a statement including “name, address, and telephone number, and a statement that you consent to the jurisdiction of federal district court for the judicial district in which the address is located”) and b) exposing themselves to a potential lawsuit if the sender wanted to make a point.

This leads, of course, to the inevitable conclusion. Few people who write this kind of tutorial want to be exposed or find themselves on the end of a lawsuit, whether they believe they have the law on their side or not. For most people, expensive lawsuits are not fun and the fight for freedom of speech and access to information often stop when the bills come flooding in.

So, with no counter-claim forthcoming, the tutorial stays down and Reddit keeps its own safe harbor protections, ready to fight another day.

None of this should come as a surprise to anyone. Adobe trying to protect its content? Reddit responding to copyright takedown demands? Piracy tutorial creators not wanting to be part of a lawsuit? A heated debate over freedom of speech? It’s just another day at the office in the copyright world.

Finally, it’s worth noting that the /r/piracy sub-Reddit now has another copyright complaint to add to the increasing tally, despite the best efforts of its moderators who, like Reddit’s admins, may soon have tough choices to make about what content can stay and what must go.

Adobe did not respond to TorrentFreak’s request for comment.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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Earlier this year, several major Hollywood studios, Amazon, and Netflix filed a lawsuit against Dragon Media Inc, branding it a supplier of pirate streaming devices.

Under the flag of anti-piracy group ACE, the companies accused Dragon of using the Kodi media player in combination with pirate addons. As such, the company facilitates mass copyright infringement, it was argued.

It didn’t take long for the legal pressure to have an effect. Soon after the lawsuit was filed Dragon Box halted its sales. The company indicated that it would either shut down or run a lawful business instead.

The company eventually opted to continue its business by switching to a new subscription service called BlendTV. Although BlendTV’s website claimed that it has all necessary rights and permissions, the Hollywood studios clearly disagreed.

Two months after this switch, Dragon Box informed its customers about another change. The company said it would stop offering BlendTV late November. That, however, was not the end of the matter.

On December 11th, just hours after an unsuccessful mediation in court, Dragon Box relaunched with yet another service called “My TV Hub.” According to the Hollywood studios, this service is not legitimate either.

Frustrated by these repeated ‘comebacks’ the plaintiffs went to court this week, hoping to halt all infringing activity.

“With the freshly minted new My TV Hub service, Defendants continue to knowingly induce the widespread infringement of Plaintiffs’ Copyrighted Works by encouraging Dragon Box customers to access infringing streams through the latest iteration of the Dragon Box Service,” they inform the court.

Logan streaming on My TV Hub

According to the movie companies, none of the services offered Dragon Box were legitimate. Instead, they accuse the vendor of playing a game of whac-a-mole.

“Defendants’ game is clear: every time they are caught marketing an infringing service to their customers, Defendants pull that service down and substitute another in its place,” the plaintiffs inform the California federal court.

“My TV Hub is not licensed to stream Plaintiffs’ Copyrighted Works, just as Blend TV was not before it, and just as the addons Defendants originally utilized was not,” they add.

The plaintiffs ask the court to issue a temporary restraining order, prohibiting the company from selling “My TV Hub” subscriptions. In addition, they don’t want Dragon Box to sell any service that offers copyrighted content provided by a third party.

“Absent injunctive relief, Defendants will continue this game of Whac-a-Mole. Nothing short of a Temporary Restraining Order (‘TRO’) to enjoin this latest service offering, and all similar offerings, will cause Defendants to cease their flagrantly infringing conduct,” the movie companies state.

It’s now up to the court to decide whether a restraining order is justified. At the time of writing, Dragon Box isn’t selling any boxes on its website. Remote controls and keyboards are still available, as well as CBD oil, which was added to the assortment recently.

—-

A copy of the application for a temporary restraining order is available here (pdf).

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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The fact that ISPs around the world are blocking pirate sites to prevent copyright infringement is nothing new. The practice has been going for more than decade.

Aside from voluntary arrangements, such as the one currently playing out in Portugal, ISPs tend to wait for courts to hand down an injunction before blocking a site. In Germany, however, a new situation has raised its head.

On Tuesday, subscribers to Vodafone discovered that they could no longer access streaming portals Burning Series (BS.to) and Serial Stream (S.to). Rather than accessing the thousands of TV shows usually on offer, they were instead met by a blocking message presented by their ISP.

Both sites currently have messages on their main pages, explaining that Vodafone has chosen to block their platforms. In the meantime, local news outlet Tarnkappe has obtained a statement from Vodafone which confirmed that the ISP is blocking the sites.

“Due to the provisions of German and European copyright and telemedia law, access providers such as Vodafone are under certain conditions required by law to block access to websites with illegal content – eg to illegal streaming offers of films and TV series,” spokesperson Volker Petendorf told the publication.

While it’s no surprise to hear of yet another block, further information provided by Vodafone reveals that the block was put in place following a complaint from a rightsholder but without a court ordering a blockade.

Referencing a copyright case which was handled by the Federal Court of Justice (BGH) during the summer, Vodafone now says it believes the decision has a knock-on effect that requires them to block sites in certain circumstances.

As previously reported, in that case the BGH ruled that WiFi providers cannot be held liable for piracy carried out by their users. However, they can be told to prevent access to file-sharing services and even block entire websites, once infringement has been confirmed.

Vodafone believes this applies to them too, since a copyright holder has informed them of an unsuccessful attempt to prevent infringements via the above-mentioned sites.

“Currently, the rights holder of the TV series ‘Das Boot’ has asked Vodafone to block domains that provide access to the ‘s.to’ and ‘bs.to’ websites. The copyright holder has made credible claims to Vodafone that this TV series can be accessed illegally via the Internet portals s.to and bs.to without the necessary consent of the copyright holder and thus illegally,” Vodafone told Tarnkappe.

“The copyright holder has assured us that it is not possible for him to enforce his rights other than by blocking access to these sites. Vodafone, after thorough legal examination, believes that we are currently obliged to block access to these websites in accordance with mandatory legal provisions.”

Currently, both BS.to and S.to have notices up on their main pages detailing ways that Vodafone’s DNS-based block can be circumvented.

“Some internet service providers, such as Vodafone, block access to Burning Series and censor your Internet access. Therefore, we recommend that you change your DNS name servers to the IP addresses of Google 8.8.8.8 and 8.8.4.4 or Cloudflare 1.1.1.1 and 1.0.0.1,” BS.to notes.

Vodafone suggests that should the legal situation change in the future, the blocks against both sites will be lifted.

This is the third time this year that Vodafone has blocked pirate sites.

In August the ISP blocked access to Libgen after publishing giants Elsevier, Springer, and Macmillan obtained an injunction from the Munich Regional Court. In February, following a complaint from a movie distribution company, Vodafone blocked streaming portal Kinox.to.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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So, the sun starts to set on 2018, and another year draws to a close. At the same time, we stand ready to launch Kodi 18 “Leia” in the very near future, which opens a new chapter in how Kodi is structured, how it functions, how it’s used. It seems like an appropriate time to stop and draw breath, then, and take a look backwards: what’s been good, what’s been bad, the what-went-wells, the where-do-we-still-have-challenges.

First up, then, the positive stuff

Internally, there have been very many changes and improvements to Kodi’s core code that, while not immediately obvious on the outside, make life a lot easier to both maintain and expand the application. Architectural changes, such as the move towards Python 3; support for Python scrapers and binary addons; movement of functionality out of a global/core approach and into a more local/modular system; improvements to the Videoplayer such as shader support and overall speed/quality improvements. And it’s not all about the code itself: documentation has been revamped, with some superb work and good ideas on how we can better keep track of how Kodi is built.

The Kodi Team continues to grow, with new members joining us in every capacity. That allows us to be more structured with our internal processes, as well as (e.g.) bringing in more Google “Summer of Code” students to work on specific elements of the code. Indeed, a shout goes out to those GSoC students this year: good work, done professionally, seen through to the end, rolled into the application. As some of them joined us this year at DevCon, we’ve put effort into making that meeting more structured, constructive, focused, and more accessible to the new Team members so they feel more welcome, more quickly. We have an active team of round-the-clock moderators who work to keep our forum in shape – violations, spam, noise. Add a sprinkle of automation here and there and, hopefully, users can find what they need and get the community help they want without getting buried.

One of the eternal challenges in any large, dispersed organisation – perhaps made more so when everyone is a volunteer – is internal team communication. We’ve made active steps this year to improve this: new internal tools, more collaboration, more organisation, greater transparency and openness. We all know how the open source community can have some famous and pretty public disagreements; while we still have our fair share of these within the team, we’ve generally put a lid on the worst of these, diverting energy into the application instead of internal arguments. This also extends to external communication and interaction sometimes: having spent some time on self-reflection, we’re a lot more aware of how we come across to new developers and contributors, and how attitude can impact directly on people’s willingness and ability to contribute. We’re continuing to work on how we use GitHub and the pull request process, for example, to hopefully get more contributions, more quickly – submitted, reviewed and committed.

Extending the idea of external communication, we’ve made some major updates to the wiki, many of which reflect the significant functionality changes we’ve seen. We have the new forum, and new paste site, and generally a much more usable and polished public face. Linked to the submission/merge process as well, we’ve actively sought to get more external testing of changes through mirrors and nightly/test builds, all of which combines to give more stable code and a better user expereince all round.

Now, for a lot of users, much of that might be all well and good – “what about the application features, though?”, I hear you cry. Fear not, kind reader, for there has been much work there as well. From platform support, such as H.265/HEVC on Pi and collaboration with Android SoC vendors, to DRM support and possibilities that opens up for official content add-ons; a return to our roots with Xbox One support; the release of the long-awaited retroplayer gaming support as part of the official Kodi build; a significant re-work of our music and related library capabilities. Some of these are admittedly more revolutionary than others, but all of them build a more solid, stable, expandable platform for future releases.

 

Is everything perfect, though? No, of course not. Any retrospective has to really look at where we still need to improve.

We’ve made great steps forwards on communication: we can still do much more. We need to streamline our internal tools so people get to know about what they need and not drown ourselves in noise (forum, Slack, GitHub, email…). We’ve been working on internal policies to resolve issues between team members – we’re not a company, we don’t have an HR department, so we need to simply agree “the rules of the road” that govern attitude and acceptable behaviour (hey, we’ve all been on the Internet long enough, you know what it’s like sometimes!). That in turn touches on the external communication and attitudes towards people: we still need to complete the pivot from “this sucks…” to “thanks for the contribution, might I suggest…”. Streamlining the code, documenting it better, modularising it, making it easier to offer up changes without spending five years familiarising yourself with all aspects of the code base – all of these will hopefully help on this aspect.

GSoC has been a success for us, as covered above. But we always need more developers and new ideas. We need to become a more attractive project to work on and work with. We need to be more accepting of change, more welcoming of criticism or suggestions, more open and transparent about how, why and where things happen in what is increasingly an enormous, “black box” project from the outside. While all projects of this type are revolving doors of contributors, we lost some core talent this last year; similarly, though, some people have rejoined the Team, resurrecting some of their passion for Kodi and what it could become. The hippy in all of us would like less drama, more love, and for everyone to just get along, all of the time. 

And, finally, we need to work more on the vision for Kodi. It’s true that we’ve been painted with the piracy brush for too long. As we introduce new features, as the DRM functionality beds in, we have to hope that this changes, and we can get back to the primary reason most of us work on this application: because we genuinely believe it is, and will remain, the best one-stop home entertainment and multimedia platform in the world.

 

Those were our thoughts. Maybe you have your own – in the spirit of openness and communication, then, perhaps you can share those ideas with us through all of the normal channels.

In the meantime, as you ponder Life, the Universe, and Everything, we wish you a peaceful end to 2018. Whatever you celebrate at this time of year, whether you celebrate anything at all, we wish you well for now and the future. 

Thank you for sharing the journey with us.

Team Kodi.

 





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