With pirate IPTV services continuing to gain traction around the world, moves to undermine their businesses are on the increase.

Many publicized enforcement actions feature IPTV providers and their resellers but news coming out of Bulgaria indicates that a player higher up the chain has been targeted by authorities.

Cybercrime officers from an anti-organized crime unit of the Ministry of the Interior have targeted five cable operators accused of intercepting and rebroadcasting foreign and local channels without permission from the rightsholders.

Supported by Europol’s Intellectual Property Crime Coordinated Coalition (IPC3) and the Audiovisual Anti-Piracy Alliance (AAPA), the operation is said to have taken down a pirate IPTV service with an estimated 700,000 worldwide subscribers.

Authorities say that following the raids across eight cities in Bulgaria, all of the hardware used in the operation was seized, including the servers that were used to provide content to the IPTV provider’s mobile applications.

Images from the raids (Credit: Ministry of the Interior)

According to the Ministry of the Interior, permission for the raids was obtained from several district courts. Eight teams were formed which carried out simultaneous actions on offices and other premises targeting technical equipment used by the cable operators.

Several TV companies are reported to have suffered damage from the alleged intellectual property offenses, including private national broadcasting channel bTV, local TV network Nova, and US cable and satellite network HBO.

The Ministry of the Interior reports that intellectual property crimes have caused damage to the country’s reputation overseas. Indeed, the USTR called out Bulgaria in its latest Special 301 Report, noting that “online and broadcast piracy remains a challenging copyright enforcement issue” in the country.

A full investigation is underway in respect of intellectual property violations but the government says that alongside it will be looking for evidence of tax evasion.

Moving forward, regular checks will be carried out at all cable operators, with those suspected of illegal activity treated as a priority.

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Founded in 2013, Utah-based startup VidAngel entered the video streaming market with a rather innovative business model. 

The company allowed its users to rent popular movies and TV-shows, with the option to filter out violence, sex, profanity, and other objectionable content.

While there was plenty of demand for the service, it operated without permission from the major movie studios. Instead, the company acquired DVDs, which it would then rip using AnyDVD, so they could be streamed online. 

Users interested in a movie were able to rent it for $20, and then sell it back after a day for $19. This made rentals as cheap as $1 per streamed movie, effectively beating all legal competitors.

VidAngel made sure that it would have physical DVDs in its archive for all movies and TV-shows that were rented out at any given time. This resulted in a rather extensive library of duplicate discs, as the massive collection of “The Revenant” DVDs below shows. 

“Thousands” of The Revenant DVDs (credit: VidAngel)

After operating its service for a few months, VidAngel drew the attention of several major movie studios including Disney and Warner Bros. In 2016, they teamed up to file a lawsuit against VidAngel, accusing it of copyright infringement and violating the DMCA’s anti-circumvention provision.

“VidAngel does not have permission to copy Plaintiffs’ movies and television shows or to stream them to VidAngel’s users,” the studios’ complaint read.

“Instead, VidAngel appears to circumvent the technological protection measures on DVDs and Blu-ray discs to create unauthorized copies and then uses those copies to stream Plaintiffs’ works to the public without authorization.”

VidAngel was convinced, however, that its business was legal. It argued that it was protected by the Family Movie Act, which allows consumers to skip objectionable movie content without committing copyright infringement.

The movie studios disagreed and earlier this year were backed by the U.S. District Court for the Central District of California. The Court granted summary judgment, ruling that VidAngel is liable for violating the DMCA’s anti-circumvention provision and committing copyright infringement.

The only question that remained was the scale of the damages. This was determined yesterday, following a multi-day trial where the jury concluded that a $62.4 million damages award was appropriate.

The bulk of the damages, $61.4 million, is for copyright infringement. With 819 titles mentioned in the suit, this amounts to $75,000 per infringed work, half of the maximum statutory damages. 

The additional million in damages is for circumventing the DMCA’s anti-circumvention provisions by ripping the DVDs. This cost VidAngel $1,250 per title.

The movie studios are happy with the outcome. In a joint statement, they state that it sends a clear message to others who might consider operating a similar service.

“The jury today found that VidAngel acted willfully, and imposed a damages award that sends a clear message to others who would attempt to profit from unlawful infringing conduct at the expense of the creative community,” the studios note.

VidAngel, however, vows to fight on and is likely to appeal the case. 

“We find today’s ruling unfortunate, but it has not lessened our resolve to save filtering for families. VidAngel plans to appeal the District Court ruling, and explore options in the bankruptcy court.

“Our court system has checks and balances, and we are pursuing options on that front as well,” VidAngel CEO Neal Harmon adds.

As KSL’s excellent timeline shows, VidAngel filed for bankruptcy in 2017 to protect itself from the lawsuit. However, the company isn’t going anywhere just yet.

VidAngel’s original video streaming operation was shut down following a permanent injunction, but it later introduced a new service that allows users to “filter” Netflix, HBO and Amazon content for a fixed monthly subscription.

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Every year, thousands of people are sued in the United States for allegedly sharing pirated video, mostly through BitTorrent.

These efforts share a familiar pattern. After the film companies acquire a subpoena to obtain the personal details of an alleged pirate, they contact this person with a settlement request.

In 2017, movie companies used this strategy to identify the then 72-year-old Mr. Harding from Hawaii, whose Internet connection was used to share more than 1,000 torrents. 

The film companies reached out to the man and offered a hefty $3,900 settlement, which would increase to $4,900 if he failed to respond in time. However, Mr. Harding denied downloading the files, describing the pay-up-or-else demand as “absolutely absurd.”

The accusations eventually made the local press and after a careful review of the matter movie company attorney Kerry Culpepper decided to dismiss the case against the elderly man.

However, that didn’t mean that the downloads were completely disregarded. After digging into the matter, the movie companies learned that, while the offending IP-address was linked to Mr. Harding, the home in question was used by someone else. 

The movie companies ‘ UN4 Productions ‘ and ‘Millennium Funding’ eventually found out that the resident or tenant in question was Mr. Graham. This prompted the rightsholders to file a new federal lawsuit, targeting this man, who they believed was the true ‘pirate.’

This time the accusations were indeed lodged against a prolific downloader. In a declaration submitted to the court Mr. Graham, who is in his fifties, admits that he regularly used The Pirate Bay to download files.

“Since approximately 2016, I have been downloading torrent files of motion pictures from websites of the Pirate Bay at my residence. I believed that it was acceptable to do so because the websites are completely open with their objective to share files,” he states. 

According to the declaration, Mr. Graham often downloaded so many files that he doesn’t remember the names of many torrents. As such, he is not confident that he downloaded the movies “Boyka: Undisputed IV” and Mechanic: Resurrection,” which are listed in the complaint.

The account holder of the Internet connection, who was initially accused, was not aware of this activity.  Mr. Graham, meanwhile, apologized to the rightsholders and agreed not to use The Pirate Bay going forward. 

“I agree to stop using the Pirate Bay,” Mr. Graham writes.

While the man denies liability, he does admit to downloading copyrighted movies through The Pirate Bay and in a consent judgment, submitted to the court, he agrees to a $2,900 settlement to cover costs, fees, and damages. 

In addition, the stipulated consent judgment includes a permanent injunction prohibiting Mr. Graham from infringing the copyrights of the two movie companies going forward. 

A copy of the stipulated consent judgment is available here (pdf).

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Video gaming is huge business, generating billions for companies around the world. However, the way some people choose to play games doesn’t always sit well with entertainment companies.

In order to gain advantages over regular players, some resort to using cheats created by third parties. These provide access to skills and abilities unavailable in the regular versions of games. Development group Global++ provided such cheats for Pokémon Go and other titles but that drew the ire of San Francisco-based Niantic, the game’s original developer.

As first reported by Business Insider, on Friday Niantic filed a lawsuit in a California federal court against Global++, two individuals named as Ryan Hunt (aka ELLIOTROBOT) and Alen Hunter (aka IOS NOOB), plus 20 ‘John Does’.

Niantic’s complaint states that the only permissible way to play its augmented reality games (Pokémon Go, Harry Potter: Wizards Unite, and Ingress) is via its original apps installable on mobile devices.

These apps, which contain protected proprietary code, have permission to access Niantic’s servers. However, Niantic says that Global++ illegally copied its work.

Global++ website

“Defendants hack Niantic’s apps to access and copy Niantic’s Client Code, then modify and adulterate the Client Code to create what they call ‘tweaks’—i.e., unauthorized, hacked versions of Niantic’s apps. Defendants then market their hacked apps under the titles Potter++ (or, in some cases, Unite++), PokeGo++, and Ingress++,” the complaint reads.

These cheats not only undermine the gaming experience for legitimate players, Niantic adds, they are also used by Global++ to “steal valuable and proprietary game-related information” which is then utilized for commercial purposes.

These cheating programs have been reportedly distributed to hundreds of thousands of users but when Niantic asked Global++ to stop its activities, the unincorporated entity allegedly ignored the US-based developer and continued as before.

Seeking an injunction from the court, Niantic’s complaint begins with alleged breaches of the Copyright Act, given that Global++ copied Niantic’s code in order to develop its cheats, and then distributed that infringing code to its users.

According to the company’s analysis, up to 99% of Niantic’s original code is used in Global++ cheat software.

Niantic further alleges breaches of the Computer Fraud and Abuse Act due to Global++ and its users accessing Niantic’s servers “through unauthorized, hacked versions of Niantic’s apps.” According to the company, this illegal activity persisted even after Global++ was informed in writing that their access was unauthorized.

Finally, Niantic notes that since Global++ are Niantic account holders bound by the company’s Terms of Service, breaches of that agreement – including copying Niantic’s code and misappropriating its code for commercial purposes – are also evident.

With Niantic’s new Harry Potter game set for launch, the company is urgently seeking a preliminary injunction from the court to prevent Global++ from launching a new version of its Potter++ cheat within days “or possibly even hours” of that event. However, Global++ now appears to be more receptive to Niantic’s demands.

Following claims in the complaint that Niantic has spent more than $1 million over the past year attempting to deal with Global++ cheats, Global++ took to its official Discord channel to indicate that the show is now over.

“It is with great sadness that we will be shutting down indefinitely incompliance [sic] with our legal obligations,” the statement reads.

“It has been a fun ride with the entire community and we have made some unbelievable memories. We will hold close to our heart all of the people that we were able to introduce Pokemon to that for various reasons could not play the game. Take care all.”

At the time of writing, the Global++ website is down, its Discord channel is closed, its Twitter account and Facebook accounts are no more, and its Github.io address is returning errors.

Niantic’s motion for a preliminary injunction can be found here (pdf)

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Nofile.io is a popular no-nonsense file-hosting service that’s been around for roughly two years.

Similar to other hosting services, people can use it to upload and share files. However, this week the site has been unreachable. 

Upon closer inspection, we found out that the downtime is the result of a domain name issue. It appears that the site’s registrar, Namecheap, has put the Nofile.io domain on “serverHold.”

According to ICANN, the serverHold domain status is uncommon and “usually enacted during legal disputes, non-payment, or when your domain is subject to deletion.”

This status is set by the domain registrar, Namecheap in this case, and informs the registry not to activate the DNS. As a result, the website in question will become inaccessible.

It’s unclear why Namecheap took this action. We reached out to the company earlier this week, but haven’t heard back.

serverHold

The suspension may be related to an earlier issue. As reported last month, the RIAA obtained a DMCA subpoena ordering Namecheap to hand over the personal details of the owner of the domain name.

“The website associated with this domain name offers files containing sound recordings which are owned by one or more of our member companies and have not been authorized for this kind of use, ” RIAA wrote at the time.

RIAA highlighted that a leaked track by rapper ‘Tyler, the Creator,’ titled ‘Earfquake,’ was shared on the site and requested the personal details of the domain owner from Namecheap.

While the registrar is not known to suspend domains based on these type of allegations, it could be that this inquiry that raised some red flags. For example, it may have revealed that the WHOIS information was false. That can be reason for a suspension.

Last week we reported on a similar issue, where a torrent site lost its domain name due to inaccurate WHOIS data.

Whether something similar happened here remains unconfirmed. However, unless the operator of Nofile.io resolves the matter with Namecheap, the site’s domain name will remain suspended.

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In recent weeks the RIAA has really stepped on the gas in an effort to tackle sites offering allegedly-infringing content.

The music industry group’s current weapon-of-choice is the DMCA subpoena. These orders, which are easy to obtain and do not need to be scrutinized by a judge, give the RIAA significant discovery powers that help to identify the operators of online platforms.

The latest site to be targeted by the RIAA is Mixstep.co, an upload platform designed for audio works. Last week the powerful industry group told a Columbia federal court that the site was hosting content at a single URL which infringes one or more of its members’ copyrights.

The RIAA says the URL linked to the Ed Sheeran/Justin Bieber track “I Don’t Care” but the location was already inaccessible the morning after the subpoena was obtained. Nevertheless, the RIAA now wants to identify the operator of the site.

The message where the file used to be

The subpoena orders domain registry Namecheap to hand over the personal details of the platform’s domain owner, including name, physical address, IP address, telephone, email address, payment, account history, and other information.

TorrentFreak spoke with the operator of Mixstep who told us he wasn’t previously aware why the RIAA is targeting him. The site was never intended to host infringing content and was actually set up for the use of creators.

“We made this project for DJs and producers,” he told TF.

In common with many upload platforms – YouTube included – Mixstep has users who uploaded infringing content. However, the site has been working hard to take content down and has dealt severely with those who have abused the service.

“We already banned a lot of users who uploaded illegal files,” the operator added.

It’s not completely clear why the RIAA wants to identify the operator of the site but if its aim was to neutralize the platform, the music group has achieved that goal. With the service operated on a zero profit basis, its owner says it has run its course.

“I think it’s enough to fight with all these [users uploading infringing files] so we’re going to shut down our project very soon. Anyway, Mixstep was a no-profit project,” he said.

Visitors to the site now see the following message, so it may be ‘mission accomplished’ for the RIAA.

The end of the show

The RIAA’s letter to Cloudflare can be downloaded here (pdf)

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With millions of fans around the globe, Spain’s La Liga soccer league is one of the most popular in the game.

To allow fans to keep up with all the latest news, La Liga offers an Android app with a number of features including schedules, kick-off times, and the all-important results.

Controversially, however, the app also has a surprising trick up its sleeve.

After gaining consent from users, La Liga’s software turns fans’ phones into spying devices which are able to analyze their surroundings using the microphone, listening out for unauthorized broadcasts in bars and restaurants, for example. This audio, collected Shazam-style, is then paired with phone GPS data to pinpoint establishments airing matches without a license.

The feature was outlined in the app’s privacy policy along with stated uses that include combating piracy.

“The purposes for which this functionality will be used are: (i) to develop statistical patterns on soccer consumption and (ii) to detect fraudulent operations of the retransmissions of LaLiga football matches (piracy),” the policy read when first uncovered last summer.

While controversial, La Liga felt that it was on solid ground in respect of the feature and its declaration to app users. AEPD, Spain’s data protection agency (Agencia Española de Protección de Datos), fundamentally disagrees.

As a result, AEPD has hit La Liga with a significant 250,000 euro fine for not properly informing its users in respect of the ‘microphone’ feature, including not displaying a mic icon when recording.

The data protection agency said that La Liga’s actions breached several aspects of the EU’s GDPR, including a failure to gain consent every time the microphones in users’ devices were activated.

In a statement, La Liga says it “disagrees deeply” with the AEPD’s decision and believes the agency has “not made the effort to understand how the technology works.” Announcing it will go to court to challenge the ruling, La Liga says it has always complied with the GDPR and other relevant data protection regulations.

Noting that users of the app must “expressly, proactively and on two occasions give their consent” for the microphone to be used, La Liga further insists that the app does not “record, store or listen” to people’s conversations.

“[T]he technology used is designed to generate only a specific sound footprint (acoustic fingerprint). This fingerprint only contains 0.75% of the information, discarding the remaining 99.25%, so it is technically impossible to interpret the voice or human conversations. This footprint is transformed into an alphanumeric code (hash) that is not reversible to the original sound,” La Liga says.

AEPD has ordered La Liga to introduce new mechanisms to ensure that users are properly notified when the anti-piracy features of the app are in use. However, La Liga says it has no need to implement them because at the end of the current season (June 30, 2019), the functionality will be disabled.

“La Liga will continue to test and implement new technologies and innovations that allow us to improve the experience of our fans and, of course, fight against this very serious scourge that is piracy,” the league concludes.

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Copyright holders are increasingly taking Internet providers to court, accusing the companies of failing to terminate repeat copyright infringers. 

Up until recently, the alleged pirating subscribers have remained anonymous. However, in the case between several music labels and Cox Communications, this position changed. 

Without direction from the court, the ISP agreed to reveal the identities of thousands of business subscribers whose connections were repeatedly used to share infringing material. These personal details are not being made public, but names, addresses, and other info will be handed over to the labels. 

It’s not clear what the rightsholders intend to do with this information but it’s unlikely to be in the interests of the accused subscribers. This didn’t sit well with one business subscriber, which protested the stipulated order in court. 

The “John Doe” company, an unnamed non-profit that provides hospital and medical care facilities, is one of the 2,793 affected business subscribers. The organization didn’t deny the piracy allegations but told the court that the infringements were made over its unsecured network, which is accessible to visitors.

Before accessing this network all visitors had to agree to the terms of service, which specifically prohibited illegal downloading. Apparently, this wasn’t enough.

The company states that revealing its identity to the record labels isn’t going to change anything. There is no record of who accessed the network at the time of the infringements, so tracking down the culprits is impossible.

“Thus, disclosure of John Doe’s subscriber information will not lead to the discovery of the individual(s) who are alleged by Plaintiffs to have engaged in copyright infringement through the misuse of John Doe’s network in violation of the access agreement,” the company informed the court.

Instead, the company argued that disclosure will breach its privacy rights under the Cable Communications Privacy Act. It therefore filed a request to prevent its personal info from being handed over. 

The music labels and Cox didn’t respond to this objection and after a thorough review of the arguments, US Magistrate Judge John F. Anderson decided to grant the objection. This means that the company’s information can’t be shared with the labels.

“No response has been filed to this motion and the fourteen-day period for doing so has expired. Having reviewed the motion and supporting declaration, and there being no opposition, it is hereby ORDERED that the motion is granted, and defendant shall not be required to disclose John Doe’s subscriber information to the plaintiffs,” Judge Anderson writes.

It’s unclear why there was no response to the objection, but it’s possible that the music labels and Cox preferred not to draw any more attention to the matter. Sacrificing the details of one subscriber likely outweighs having an extensive review.

After all, there are still 2,792 business subscribers who didn’t object.

Without any further pleadings, it remains unclear what the music companies plan to do with the subscriber information. Perhaps more will become clear once the case progresses.

The order

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A new promotion over at GeekBuying is already running called celebrating the Geekbuying 7th Anniversary. This promo offers great Sales and also a game event called Check In & Win.

GeekBuying 7th Anniversary Sales

During the promotion, we find a lot of product on super-low sales! The sales are always updated with new products so make sure to visit the GeekBuying website frequently in order to find the desired offer! The promo has already started from the 11th of June 2019.

Some examples of some sales right now worth getting your attention:

Xiaomi Redmi Note 7 4GB / 64GB Global Version: $178.99 (only on 16th of June)

Razer DeathAdder Essential Mouse: $24.99 (only on 16th of June)

Xiaomi Mi Pad 4 Plus 4G 10.1″ 4GB / 64GB: $299

MX10 Android 9 TV Box 4GB / 32GB: $39.99

GeekBuying-7th-Anniversary-Sales

Check In & Win

In this first fase from 11th to 17th of June 2019 you can daily check in, simply by logging in your account and selecting the dedicated daily button. In this way you will receive a discount that can be accumulated with the other daily discounts / coupons from the other daily check-ins. On the second fase, starting as soon as the first ends you can use the sum accumulated to redeem a coupon and buy products for free or with a good discount!

7th Anniversary Check In

Post & Win

Post with the hashtag #Geekbuying7th on Instagram! Your post will show on the same page, and it may be chosen among 5 lucky participants to receive free gifts! You can post as many times as you like on your Instagram account. The more you post, the more easier it is to get win and get gifts.

So many possibilities for you to finally get that gadget that you were looking for with the GeekBuying 7th Anniversary, visit the dedicated promo here: https://bit.ly/2XNV0kF


Trying to persuade the public to consume content online legally is a battle that’s been waged by the entertainment industries for close to 20 years.

The advent of high-quality legal offers has made that task much easier in recent times but piracy levels continue to cause problems in many countries around the world. In Finland, however, the trend appears to be a downwards one.

An annual survey carried out by market research company Taloustutkimus Oy reveals that the majority of citizens are against piracy, with 58% of the population believing it’s not acceptable in any form. That figure falls just 11% when considering unauthorized downloading for personal use.

The most common form of illicit consumption was found to be streaming from illegal services, with 9% of respondents admitting that they do so. That’s down from the 12% returned in a similar study carried out last year.

Interestingly, just six percent of respondents admitted to accessing unlicensed movies or TV shows from illegal online services. That’s down from 7 percent in 2018.

Anti-piracy group TTVK, which published a summary of the study, says that illicit downloading has dropped overall.

“Although illegal downloads are still the most common among the youngest age group [15-24], downloading has still dropped significantly,” TTVK notes.

“According to the survey, 13% of people under 25 say that unauthorized downloading of Internet-based material is acceptable for their own use, but only nine percent of the age group themselves or a member of the family report doing this.

“In 2015, the corresponding figure was 29%, so the consumption of Finnish entertainment seems to have moved more and more to legal channels as streaming services became more common.”

As ‘pirate’ streaming services have developed, many have presented themselves with impressive Netflix-style interfaces. Popcorn Time was perhaps the most famous front-runner but now there are dozens of sites and apps that to the untrained eye are indistinguishable from legal sites.

The study found that around a third of respondents have difficulty distinguishing between legal and illegal sites. Fortunately, close to six out of ten (57%) say they can do so easily, even if the rest remain unsure.

For Finns, some clarity is available by visiting Laillisetpalvelut.fi, a portal designed to help consumers find legal resources. However, the study found that awareness is weak, with only 6% of respondents having knowledge of the resource.

In general terms, 84% of respondents regard copyright as an important issue, with just 3% believing it’s completely unnecessary. TTVK will also be pleased that 83% respondents feel that that copyright organizations are necessary, with 79% feeling they “are on the right track”.

“In addition, Finns are very much in agreement that creative workers should receive compensation for the work they do, depending on how much of their works are utilized,” TTVK notes, referencing 91% of respondents.

The full results of the 2019 survey can be viewed here, 2018 survey here.

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