As one of the oldest torrent communities, Demonoid has gone through many ups and downs over the years.

The site regularly disappeared, only to resurface later, which gave it the reputation of a comeback-kid.

However, last summer things changed when Deimos, the site’s founder, went missing. After months of uncertainty and downtime, it became clear that the site wasn’t coming back this time. Deimos is believed to have passed away in a tragic accident, marking the end of an era.

Many staffers were devastated when they heard the news but they were also motivated to keep the Demonoid spirit alive. To honor Deimos, first and foremost, and to create a place where former users of the site could continue to interact.

Initially, they started a forum at Demonoid.info and, as time went by, more and more Demonoid users found their way back. However, there was something missing. The new home didn’t allow people to do what they do best – sharing files.

This motivated a group of staffers to create a new “Demonoid” torrent site. Not to replace the old one, but to have a familiar torrent site again that looks and feels like their old home. With help from old crew members who offered servers, coding skills, and graphic design, Dnoid.to was born.

“Demonoid has a really massive user base, many of them are fans just like me, and just seeing the look of Demonoid feels like a ‘home’ to thousands,” Demonoid staffer ‘phaze1G’ tells TorrentFreak, commenting on the new site. 

While Dnoid.to looks identical to the old Demonoid, it’s completely different under the hood. It’s built on a new database which means that users have to sign up for a new account. In addition, the new site doesn’t operate a tracker either.

Dnoid.to doesn’t aim to be a replacement of the original site. It’s basically just a magnet index with a Demonoid skin that allows users to add new links. There are no torrents hosted on the site itself.

For the time being anyone can join the site, as registrations are open. However, these may close in the future, to keep spammers and other types of abuse at bay.

The purpose of the new site isn’t to become the next big torrent site. It’s to honor Demonoid’s legacy and also in part to keep scammy sites from taking over the brand.

“The point is not to compete with the original Demonoid or to be above other public torrents sites. It’s just to keep a memory of Demonoid and its founder Deimos, who is well-known around old folks and who set really high standards for torrent communities ever since 2003,” phaze1G says.

“Demonoid always had a special spot in people’s hearts. Keeping a memento of it without letting others ruin it by making copycats and phishing sites from it is our way of saying ‘thank you’ to him and keeping his legacy alive.”

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In this episode we meet Sean Tilley (aka @deadsuperhero) of We Distribute (and formerly the Diaspora project) to discuss: the early days at Diaspora, the first Facebook alternative to really reach critical mass; the steady rise of Mastodon and why the Fediverse its gaining traction; some surprising factors pushing people to move from Big Social to federated social media networks; and whether technologists could (or should) move beyond de-platforming to begin refusing use of their technologies to those whose political ideas they disagree with.

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Steal This Show aims to release bi-weekly episodes featuring insiders discussing crypto, privacy, copyright and file-sharing developments. It complements our regular reporting by adding more room for opinion, commentary, and analysis.

Host: Jamie King

Guest: Sean Tilley

^{If you enjoy this episode, consider becoming a patron and getting involved with the show. Check out Steal This Show’s Patreon campaign: support us and get all kinds of fantastic benefits!}

Produced by Jamie King
Edited & Mixed by Lucas Marston
Original Music by David Triana
Web Production by Eric Barch

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Similar to other sites that rely on user-generated content, Dailymotion has to deal with the occasional unauthorized upload.

In doing so, it generally relies on takedown notices from copyright holders. In most cases, rightsholders report allegedly infringing URLs which Dailymotion then removes.

This is how most of these platforms work. However, according to a recent ruling by the Court of Rome, that’s not always good enough.

The Court ruled that Dailymotion can be held liable for failing to remove copyright-infringing content, even when the specific URLs are never pointed out to the platform. The title of a TV-show plus the name and trademark of a broadcaster already creates an obligation to act, the Court found.

The case in question was filed by RTI, a company owned by Italy-based mass media giant Mediaset. The company complained that Dailymotion hosted hundreds of infringing copies of its TV-shows, such as Big Brother and Celebrity Island.

When RTI pointed this out, identifying just a representative list of specific infringing videos, only the mentioned URLs were removed.

Dailymotion argued that there’s not much else it can do without specific URLs detailing the allegedly infringing content. However, the Court disagreed. In a ruling handed down by the Court of Rome, Dailymotion was ordered to pay €5.5 million to RTI.

According to the ruling, the video platform is seen as an active hosting provider under Article 14 of the European E-Commerce Directive. As such, it can’t benefit from safe harbor exemptions and the company should have taken action when it was notified about allegedly infringing content.

This argument is similar to the previous ruling against The Pirate Bay, which was also held liable for the uploads of its users.

In addition to the €5.5 million in damages, which is €700 per minute for the pirated shows, Dailymotion also has to deal with future uploads. If it fails to do so, the video platform must pay an additional €5,000 for each copyright-infringing video that appears on the site.

Dealing with future uploads is required, as Dailymotion is assumed to have “actual knowledge” of infringements, without the need for rightsholders to point out specific URLs, RTI attorney Alessandro La Rosa informs TorrentFreak.

“The actual knowledge of the infringing content can’t in a way be linked to the specification of the relevant URLs. The Court states that a specific indication of the infringing files [e.g., names and a general desription of shows plus the broadcaster’s trademark] is enough,” La Rosa says.

In other words, when specific TV-shows are pointed out to Dailymotion, the platform must ensure that these titles don’t appear on its site. This implies that Dailymotion has to set up a proactive piracy filtering system targeting specific works, as IPKAT notes.

The ruling poses a threat to similar video hosting services. While most are able to remove specific content, making sure that titles don’t appear on their sites in the future is something entirely different. In fact, it sounds a lot like a mandatory upload filter of specified works, similar to what the new EU copyright directive prescribes.

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Anyone with a technically-minded older relative happy to reminisce over their particular ‘golden age’ of motoring is likely to dwell for a moment on a particular train of thought.

Cars today are oversized computers, ones that are designed to be mechanically inaccessible to the regular Joe. Unlike their predecessors, elders argue, they often require specialist tools for repairs, adding that today’s vehicles are not made like they used to be.

Whether one agrees with these points is an individual matter, but it’s difficult to argue that in the face of rising technology, regular motorists are now less likely than ever to tackle even a basic oil change, previously the most simple of maintenance tasks.

In many respects, the same can be said of today’s consumer computing environments.

Enthusiasts of yesteryear had to be well-versed in languages like MS-DOS or BASIC simply to get by, which helped them to understand a great deal more about how their machines actually worked. Today’s graphical interfaces have all but demolished those barriers to entry, meaning there are now millions of people who class clicking icons as the height of ‘programming’ expertise.

For today’s casual pirates, this could be a ticking timebomb.

This week, Stan McCoy, President and Managing Director of the MPA in Europe, published an interesting piece titled “Piracy Went from Geeky to Easy. What’s Next?”

“[W]hile the makers innovate, so do the takers,” McCoy wrote.

“In the last 15 years, piracy went from geeky to easy. Transmission technologies improved with the advent of streaming, and delivery via new apps and devices bridged the divide between the PC and the living room.

“Today’s piracy has become a very different type of organized crime: more sophisticated, tech intensive, very elusive, and massive in scale. Where will it go next? Increasingly, industry antipiracy efforts are bending the trajectory from geeky, to easy, to … broken.”

McCoy’s argument goes as follows;

Piracy was once the realm of the technically minded but as technologies developed – pirate streaming sites, Kodi add-ons, dedicated apps, IPTV – it became very easy and more accessible to the masses. However, with numerous anti-piracy initiatives underway, piracy is more easily broken.

Add-ons suddenly fail, app creators and their tools ‘mysteriously’ disappear, IPTV platforms become less reliable. In this new and somewhat dumbed-down piracy world, access can be switched off in an instant, sometimes by hitting just one component in a system.

At this point, the more seasoned pirate will argue that none of these things present a problem for them. Add-ons can be reconfigured, new sites pop up to replace the last, new app makers fill in the gaps, and so on and so forth. Which, generally speaking, is correct. However, for the less well informed, these things are much more of a headache.

Casual pirates – the friend or colleague who bought a “loaded Firestick” off Craigslist or eBay – make up a huge proportion of today’s pirating masses. And the vast majority haven’t a clue how anything really works. To cite McCoy, “95 percent of TV piracy is driven by purpose-built set-top boxes.”

Of course, this doesn’t mean that 100% of these boxes are owned by tech-illiterates, far from it. However, it seems very likely that the screaming majority have little to no idea how their device works, or what to do when it all goes wrong. The ‘blame’ for this can be placed squarely at the feet of technology and plug-and-play culture.

As piracy has grown more sophisticated, partly due to evolution and partly due to anti-piracy measures, much of the brainpower has become entrenched behind the scenes. Like the people who fix modern cars using a laptop and a ‘black magic’ cable, many pirates rely completely on the wizardry of a tiny minority to get them out of a jam.

To put it another way, Joe Public’s ability to carry out the equivalent of a simple oil change is being lost, largely due to pirated content being presented to them as a sophisticated pre-cooked meal on a plate, made using a recipe that few know about or even care to understand.

To an extent, piracy has always been like this. In general terms, the brains have always been at the top while those at the bottom take what’s available. That said, today’s prevalence of “click-and-get” apps and services means that few have the motivation to learn anything technical while those that do can run into trouble.

Thanks to pirate sites and apps being downranking and removed from search results (sometimes after a lawsuit), combined with the opportunism of the malicious-minded, it’s now harder than ever for the novice to separate the wheat from the chaff.

“Try looking for alternatives on a search engine and you’re more likely than ever to get malware and clickbait sites posing as pirates. Are you feeling lucky?” McCoy asked this week.

While the more technically advanced will dismiss the above paragraph as scare tactics, McCoy’s comments can hold true for the casual user. It’s becoming a minefield out there for novices and unless people take the time to study and do their own research, bad things always have the potential to happen.

It will probably take many more years for the piracy ‘brain drain’ to show its full effects but the popularity and ease of today’s ultra-simple and feature-rich pirate apps and services could potentially end up as a positive for entertainment companies.

Will the casual pirating masses spend days, months or years learning how to do piracy the ‘old school’ way when things go pear-shaped, or dump a few dollars a month into a couple of legal services and get the headaches over and done with?

As usual, time will tell.

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