Nintendo Sues RomUniverse for Mass Copyright Infringement


Last year Nintendo made headlines worldwide when it filed a lawsuit against the popular ROM sites LoveROMS.com and LoveRETRO.co.

The legal action effectively shut the sites down with many other platorms voluntarily following suit.

Not all game pirate sites were shaken up by the legal action though. RomUniverse, a site that’s been around for a decade, saw its visitor numbers rise and announced that it would continue to offer Nintendo ROMs.

Fast forward a year and Nintendo is now taking RomUniverse to court. In a complaint filed at a federal court in California, the Japanese gaming giant accuses the site’s alleged operator, Matthew Storman, of “brazen” and “mass-scale” copyright and trademark infringement.

“The Website is among the most visited and notorious online hubs for pirated Nintendo video games. Through the Website, Defendants reproduce, distribute, monetize, and offer for download thousands of unauthorized copies of Nintendo’s video games,” the complaint reads.

Nintendo states that the site, which has 375,000 members, offers downloads for nearly every video game system it has ever produced.

The complaint specifically notes that “hundreds of thousands of copies” have been illegally downloaded through RomUniverse, including nearly 300,000 copies of pirated Nintendo Switch games and more than 500,000 copies of pirated Nintendo 3DS games.

Users of the site can download one file per week for free. Those who want more have to sign up for a paid membership. After an “upgrade” of $30, members are allowed to download as many files as they want. This includes games, but also ebooks and the latest Hollywood movies.

As said before, RomUniverse wasn’t impressed by the legal threats Nintendo issued against other sites last year. This didn’t go unnoticed to the game publisher, which specifically mentions the operator’s defiance in its complaint.

“In 2018, around the time that Nintendo successfully enforced its intellectual property rights against other infringing ROM websites, defendant Storman bragged that his Website would continue to offer Nintendo ROMs,” Nintendo writes.

Through the lawsuit, which also lists a count of unfair competition, Nintendo hopes to shut RomUniverse down. The company also requests statutory damages of $150,000 per infringing Nintendo game and up to $2,000,000 for each trademark infringement.

This means that, with dozens of copyrighted titles and trademarks on the record, theoretical damages are well over $100 million.

Finally, Nintendo further asks for a permanent injunction ordering the site and its operator(s) to stop their infringing activities while handing over their domain names to the game publisher.

Update: RomAdmin from RomUniverse informed us that he hasn’t received anything from Nintendo, no recent takedown notices either. The site does respond to takedown notices.

“We’ve always immediately taken down questionable material, per their take down notices,” RomAdmin told TorrentFreak.

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A copy of Nintendo’s complaint against Matthew Storman and any “John Doe” accomplices, is available here (pdf).

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LibreELEC (Leia) 9.2 Beta1



LibreELEC 9.2 Beta1 (Leia) has arrived based upon Kodi v18.4, the 9.2 Beta1 release contains many changes and refinements to user experience and a complete overhaul of the underlying OS core to improve stability and extend hardware support.

Changes since LibreELEC 9.1.002:

  • updated to Kodi 18.4
  • improvements for the RPi4
  • bigger fonts at the update screen for 4k screens
  • several Bugfixes

Change for Raspberry 4:

With LE 9.1.002 and later you need to add “hdmi_enable_4kp60=1“ to your config.txt if you want to use 4k output at the RPi4. Before you needed “hdmi_enable_4k=1“ that is now deprecated.

Beta Notes:

LibreELEC 9.2 for Generic x86/64 and Raspberry Pi 0/1/2/3 devices is a solid beta quality release. Raspberry Pi 4B images are more “late stage Alpha” and are not feature complete or perfect. Normal LibreELEC testing rules apply; if you do not want to experiment on your family’s primary entertainment system – please stick with your current version and wait for the final/stable release. If you do want to experiment – please be prepared to submit log files and work with developers to hunt down problems and test solutions.

Raspberry 4:

It would be nice to have the 4B running the latest mainline kernel as other devices in LibreELEC 9.2, but adding support for an all-newSoC chipset is a huge effort and the Pi Foundation needed to align initial 4B software with the current Raspbian release to maximise compatibility with existing software and to keep the workload sensible. Generic x86/64 devices are running Linux 5.1, while Raspberry Pi devices (0/1/2/3/4) are using Linux 4.19 with some new/extra code.

In this initial release 1080p playback behaviour and performance on the 4B are broadly on-par with the previous 3B/3B+ model, except for HEVC media which is now hardware decoded and massively improved. New 4K video capabilities still have plenty of rough edges to be smoothed out, but the Pi Foundation developers have been pushing fixes to the Alpha test team at a phenomenal rate over the last month and that will continue as the userbase expands.

The 4B now uses SPI flash for the bootloader. Current firmware supports SD card boot only – Network and USB booting are still on the Pi Foundation to-do list. Also on the list is HBR audio (current audio capabilities are the same as the 3B) and 3D video. The 4B hardware is HDR capable, but software support has a dependency on the new Linux kernel frameworks merged by Intel developers (with help from Team LibreELEC/Kodi) in Linux 5.2 and a kernel bump will be needed to use them. Once the initial excitement and activity from the 4B launch calms down, serious work on HDR and transitioning Raspberry Pi over to the new GBM/V4L2 video pipeline can start.

Rockchip:

Our Rockchip releases remain in an Alpha state with limited support. The Kodi version is updated but there are no significant video/audio improvements to the Rockchip 4.4 kernel codebase – and none planned. Our work on Rockchip support has refocussed onto the Linux 5.x kernel to use the modern kernel frameworks needed for the next-generation Kodi video pipeline. This work is progressing nicely, but it means the 4.4 codebase “is what it is” until a future kernel bump.

Amlogic

Our original goal was to announce Allwinner and Amlogic images alongside Rockchip as part of the LibreELEC 9.2 release, but while overall readiness has greatly improved in recent months – each has specific technical challenges to overcome before they meet our basic critera for a public release. On the human side of the project several maintainers also have reduced availability for support due to work and family commitments. Combining these factors together, the team felt it was better to be patient and not rush releases.

So instead of releasing LibreELEC 9.2 alpha images we are announcing the start of official nightly images from our master development branch. At the moment the master branch uses Linux 5.2 and Kodi v18 so nightlies mirror LibreELEC 9.2, but in the near future we will start moving master towards Linux 5.3 and Kodi v19.

If you experience problems, please open an thread at our forum. You can also open an ticket at our issue tracker.

Upgrading

On first boot the Kodi media database will be upgraded. Depending on your hardware and media collection size this could take several minutes. Please be patient.

Downloads

Click here to go to the download page.



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Premier League Claims Victories with Multi-Faceted Anti-Piracy Approach


In many parts of the world, football – or soccer as some prefer to call it – is the number one spectator sport.

The English Premier League, widely regarded as one of the top competitions, draws hundreds of millions of viewers per year. Many of these pay for access to the matches, but there’s also a massive circuit of unauthorized streams.

In recent years the League has worked hard to decrease the availability of these live streams, which isn’t an easy feat. It has been a driving force behind criminal prosecutions, pursued dynamic blocking orders in court, and issued many takedown notices.

In the latest IP Crime and Enforcement Report, published by the UK Government’s Intellectual Property Office, the Premier League provides an overview of some of its key achievements over the past 12 months. These are the results of what the organization describes as a “multi-faceted” anti-piracy approach.

One of the key pillars of the anti-piracy drive is to reduce the availability of online streams and clips. This worked quite well, apparently, with the League reporting hundreds of thousands of removed or blocked live streams and other video content.

“In Season 2018/19 the Premier League removed or blocked over 210,000 live streams and over 360,000 clips of its matches that would otherwise have been available to view in the UK,” the report reads.

The dynamic blocking injunctions issued against UK ISPs are also listed as successes. With these, the Premier League can provide Internet providers with continuously updated lists of live streaming sources that need to be blocked during Premier League matches.

Another major achievement, which thus far hasn’t been publicized, is the Premier League’s involvement in the demise of the popular live stream subreddit ‘Soccerstreams’, which had over 420,000 subscribers. This subreddit was effectively shut down by its operators in January due to an increasing number of complaints.

Initially, the operators banned all user submissions, planning to use the subreddit for news announcements. However, not much later Reddit pulled it offline permanently for violating its repeat infringer policy.

Apparently, the Premier League was one of the main complainants, as the Soccerstreams ‘shutdown’ is listed among the organization’s largest successes of the past year. According to the report, the football league worked “with Reddit to close its ‘soccerstreams’ thread”

A similar victory was booked against another popular streaming site, Ronaldo7.net. While the site is still up and running, the Premier League notes that it previously secured the removal of all its content.

Offline there was progress made as well. According to the League, it conducted over 6,000 investigative visits to pubs, clubs, and other commercial venues where its content was displayed. This helped to prevent an unspecified number of illegal broadcasts.

The biggest success in court this year came from a criminal prosecution. Together with FACT, the Premier League went after three men who sold pirate IPTV subscriptions to more than 1,000 pubs, clubs and homes throughout England and Wales.

Following a four-week trial against the “Dreambox” defendants, the private prosecution resulted in prison sentences ranging from three years and three months to seven years and four months.

The same prosecution is also highlighted in a FACT case study in the same ‘IP Crime and Enforcement Report’. This overview ends with a strong focus on press coverage and the associated “advertising” value of the prosecutions.

“This result gathered worldwide media interest. It was mentioned in a total of 51 articles in no less than 16 countries worldwide, reaching a potential worldwide audience of over 165 million people. A BBC News article (pictured) had the largest reach, with a potential 35 million readers.

“The advertising value equivalent for the press received is estimated at over £1.5 million,” the FACT case study adds.

The comparison with advertising value may seem odd in this context, but it makes sense. The goal of prosecutions of this nature is not just to stop the infringing activities. FACT and the Premier League also want to send a clear message to other people participating in similar businesses, hoping they will stop.

While there are still plenty of pirate streaming operations online, the Premier League’s overview shows that the organization is taking the issue rather seriously. As such, it will likely continue in the same steps in the new season.

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Cox Attacks ‘Proof’ in Piracy Liability Case, Requests Summary Judgment


Last year Cox settled its piracy liability lawsuit with music rights company BMG.

The ink on this agreement was barely dry when the ISP faced a similar and additional complaint. This time, it was up against 53 music companies, including Capitol Records, Warner Bros, and Sony Music.

The rightsholders complained that Cox categorically failed to terminate repeat copyright infringers and that it substantially profited from this ongoing ‘piracy’ activity. All at the expense of the record labels and other rightsholders.

A year later, thousands of pages of legal paperwork have been processed and the case is gearing up to a trial. However, if it’s up to Cox, there is little left to discuss there because the music companies’ evidence is fatally flawed.

A few days ago, the ISP submitted a motion for summary judgment, requesting summary judgment on several key elements. Among other things, Cox argues that it’s not vicariously liable or directly liable for any copyright-infringing activity carried out by its users.

Cox’s arguments are in large part directed at the proof the music companies have. Or to be more specific, the lack thereof. The company points out that the infringement notices, which were sent on behalf of the RIAA, are far from solid. In addition, the ISP says it never received any proper notices for more of the allegedly-infringed works.

“Plaintiffs’ claims suffer from a fundamental and fatal flaw: a distinct paucity of proof. They simply cannot prove their case,” Cox writes.

“In short, Plaintiffs seek damages for works they cannot prove were infringed, based on notices that did not identify fully 80% of those works. Moreover, they have no evidence that Cox knew about the infringement, obtained any direct financial benefit from it, or had the practical ability to prevent it, such that it could be secondarily liable.”

Cox’s arguments can be quite technical at times, and some pages are completely redacted, but there are some interesting observations.

For example, the company argues that the file-sharing evidence from BitTorrent users can’t prove that any subscriber actually distributed the infringing files. The evidence, provided by BitTorrent tracking outfit MarkMonitor, only ‘shows’ the metadata of a file in possession of a subscriber, matches that of a copyrighted track.

“Here, Plaintiffs cannot prove ‘actual dissemination’ of any work to anyone—including their agent, MarkMonitor,” Cox notes.

Another issue Cox raises is that for many of the claimed infringements in the suit, Cox never received a single notice.

“Although Plaintiffs seek damages for alleged direct infringements of 7,057 sound recordings and 3,421 compositions, the RIAA Notices for recordings sent during the Claims Period contain only 1,998 unique Title and Artist combinations.”

Based on these and a variety of other arguments, the ISP requests summary judgment. This means that, if granted, these will no longer be contested at trial.

However, the pendulum, in this case, can swing the other way as well. The 53 music companies also filed a request for summary judgment. They ask the court to rule that Cox is contributory and vicariously liable for its pirating subscribers.

The companies wave away any concerns and say that Cox willingly kept pirates on board to increase its profits.

“[T]he record is clear that Cox had knowledge of its subscribers’ blatant infringement of Plaintiffs’ works and nonetheless assisted them with it. By consciously continuing to provide Internet service to known infringers, while ignoring its own copyright policies as written, Cox materially contributed to that infringing activity, and reaped substantial financial benefits as a result,” their request reads.

“Accordingly, summary judgment should be granted holding Cox liable for contributory infringement and vicarious infringement, and the Court should reject its frivolous defenses.”

Both sides’ arguments directly oppose each other and it will be up to the US District Court for the Eastern District of Virginia to determine if it grants any of the motions. If the Court grants neither motion, it will be up to a jury to decide during trial.

—

A copy of Cox’s motion for summary judgment is available here (pdf) and the music companies’ motion can be found here (pdf).

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Influencing Younger Pirates is a Key Aim of ‘Get it Right’ Campaign


Last month Creative Content UK (CCUK) switched up a gear with its Get it Right (From a Genuine Site) anti-piracy campaign.

After declaring that copyright-infringement notices sent to mainly BitTorrent users via ISPs had “served their purpose“, the BPI and MPA-led initiative turned to ‘social influencers‘ to send the message that content should be consumed via official channels, in order to support creators.

Popular YouTuber Caspar Lee featured in the first video, a move that was clearly aimed at younger consumers. That led us to consider whether future videos in the series, which are yet to be planned, would target a broader range of pirates – particularly older ones with whom Lee may not immediately resonate.

Speaking with TorrentFreak, CCUK confirms that its own research has looked at pirates aged between 16 and 50 years old. However, those who fall into the lower age bracket appear to be a prime target, since they are the most prolific consumers of content, on both sides of the legality fence.

“Our own research continues to show that 16 to 24-year-olds both consume and enjoy the most content of all types (film, TV, music, games, books, sport etc) – and that they also use unauthorized sources more than any other group – i.e. they use both genuine and dodgy sources,” the spokesperson notes.

That’s not to say older consumers aren’t a problem, however.

Those in the 25 to 34-year-old bracket still do their fair of pirating, as do those between 35 and 44. Even those crumbling away in the twilight years of 45+ pose infringement issues. However, these groups present sequentially diminishing patterns of infringing behavior, an indicator of why CCUK are looking to target those at the younger end of the scale.

“Looking across all of the data, in addition to the key 16-24-year-olds, we think that it is particularly important to address young males (16-35 years of age), ABC1’s and parents/other influencers of children (especially in the 25-34 year old group) as all are more likely to use unauthorised sources and services than other groups,” CCUK adds.

Targeting these age groups makes perfect sense for CCUK. Not only do they reach the most prolific infringers and consumers of legal content at the same time, those in the 25 to 34-year-old bracket – according to the latest statistics from the Office for National Statistics – are the most likely to have children, meaning any educational effect can be passed down.

“Other industry research shows that the problematic behavior often begins when children are between 11 and 15 years of age,” CCUK notes.

Given the scope of the campaign, the likes of Paul McCartney and Robert De Niro probably won’t feature in future videos, because despite being superstars in their own right, they are much less likely to resonate with younger people. Instead, CCUK seem likely to encourage more popular YouTubers and Instagram stars to take part, people to whom those of less advanced years can relate.

“So, as we continue this phase of the Get it Right initiative, we will be working hard to use voices and messages around the content that they love – that will reach and speak directly to those groups,” CCUK adds.

“Our work so far has shown clearly that this approach can get people’s attention and drive both behavior change and changes in attitude towards infringement. This is why we have such strong support from Government and industry to continue the work.”

While CCUK and its backers BPI and MPA will have their own thoughts about using more aggressive tactics to deter piracy, campaigns like these tend to be much less offensive to the general public than “You Wouldn’t Download…” type messages.

Time will tell if this one will prove any more effective in terms of legitimate content consumption but there doesn’t currently seem to be many voices in opposition, which on the Internet today is a great start.

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Mangamura Uploader Pleads Guilty, Another Denies Charges


After being founded in 2016, ‘pirate’ manga-focused site Mangamura was blamed for facilitating huge volumes of pirate downloads.

Previously, local anti-piracy group CODA estimated damages to the manga industry of around $2.91 billion. That all came to an end last year, however, after the site mysteriously shut down.

For those who contributed to the platform, the past is proving more difficult to leave behind. In July, alleded site mastermind Romi Hoshino, 28, was arrested in the Philippines when attempting to board a plane to Hong Kong. This morning, two alleged upoaders appeared in a Japan court facing charges of copyright infringement.

The first, a 26-year-old man called Kota Fujisaki, pleaded guilty at Fukuoka District Court to uploading copyrighted images to Mangamura in violation of Japan’s copyright law.

However, 24-year-old woman Shiho Ito pleaded not guilty to the same charges, Jiji reports.

According to the prosecution, Fjisaki and Ito uploaded images from the 866th episode of blockbuster manga series One Piece to Mangamura. The infringement was reportedly actioned from Fujisaki’s home in May 2017, an address where Ito also lived at the time.

The prosecution alleges the pair conspired with former site operator Hoshino to upload content to the site for the public to view without permission. It’s further alleged that Ito received payment for the uploads, cash that was used to cover the living expenses of the pair.

The manga series ‘One Piece’ is proving somewhat of a magnet for police and prosecutors in the Mangamura case. Last month, police in Fukuoka arrested a 37-year-old man under suspicion of uploading images of the hit series to the same site, again in May 2017.

Anime New Network reports that a man believed to be Adachi previously contacted the police trying to turn himself in for questioning. He was arrested at Fukuoka airport, after he arrived there from the Philippines via Taiwan.

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Top 10 Most Pirated Movies of The Week on BitTorrent – 09/09/19


This week we have one newcomer in our chart.

Dark Phoenix is the most downloaded movie.

The data for our weekly download chart is estimated by TorrentFreak, and is for informational and educational reference only. All the movies in the list are Web-DL/Webrip/HDRip/BDrip/DVDrip unless stated otherwise.

RSS feed for the articles of the recent weekly movie download charts.

This week’s most downloaded movies are:
Movie Rank Rank last week Movie name IMDb Rating / Trailer
Most downloaded movies via torrents
1 (1) Dark Phoenix 6.0 / trailer
2 (2) John Wick: Chapter 3 – Parabellum 7.8 / trailer
3 (5) Aladdin 7.3 / trailer
4 (3) Men in Black: International 5.6 / trailer
5 (4) Avengers: Endgame 8.7 / trailer
6 (6) Godzilla: King of the Monsters 6.5 / trailer
7 (8) The Secret Life of Pets 2 6.5 / trailer
8 (7) The Dead Don’t Die 5.9 / trailer
9 (10) Dumbo 8.6 / trailer
10 (…) A.I. Rising 6.1 / trailer

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Google Search Apparently Indexes Over 80 Million Torrent Hashes


Like every general search engine on the web, Google indexes every page it can find. That’s what it’s for, after all.

Torrent meta-search engines do things quite differently. These sites are only interested in torrent links found on external sites.

This includes Torrentz2, which is without a doubt the most popular torrent meta-search engine on the Internet. The site took over from the original Torrentz site, which after it surprisingly closed its doors during the summer of 2016.

Over the past three years, the site has rolled out some updates, most of which have gone unnoticed. However, recently our interest was piqued by a rather unusual addition to the Torrent2’s indexed sites.

Starting a few weeks ago, Torrentz3 began listing “Google” as a ‘source’ in its search results. Not somewhere down the bottom, but as the top result for every piece of content. Here’s what shows up on the “Ubuntu desktop 19.04” page.

The Google link on top leads to a Google search for the associated torrent hash, which finds dozens of pages where the Ubuntu torrent is available as well. This works the same for all other results. Usually, Google returns plenty of options, including several sites that Torrentz2 doesn’t search.

What’s also interesting to note is the number of hashes Google has listed in its search engine. According to Torrentz2, Google is currently able to find 82,085,976 unique torrent hashes.

While that’s already an impressive amount, the number of torrent pages indexed by Google is actually much higher, as it often has dozens of pages for each torrent hash. After all, the same torrents generally appear on several torrent sites.

Google, like any other search engine, has always indexed torrent sites. In fact, it even has a dedicated filetype:torrent command. This allows users to search for .torrent files directly on Google, but it isn’t as effective as the hash-based method.

Also, in recent years the site took several measures to make copyright-infringing content harder to find. Nowadays it can be quite a challenge to find something in Google by simply assing “torrent” to a search query.

With Torrentz2 + Google, however, that doesn’t appear to be an issue.

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The Solution to Music Piracy in Nigeria is No Joke – Or is It?


Even when one has visited many countries around the world, subtleties of cultural differences can be difficult to grasp.

What’s funny or makes sense in one country may draw a blank expression in another, which is why a recent set of stories from Nigeria catch the eye.

Music industry group IFPI describes Africa as a whole as an emerging opportunity for business, with digital music services sometimes available alongside mobile phone services. Nevertheless, the physical music market, while dwindling, is still going strong – even if piracy remains a big problem.

Enter stage left popular musician and comedian Koffi Idowu, who in sits on the board of the Copyright Society of Nigeria. COSON, as it’s known locally, describes itself as Africa’s fastest-growing copyright collective management organization.

While ‘Koffi’ is known locally for his comedy, one might think that joking about piracy would be off-limits, considering his position. However, it’s almost impossible for outsiders to determine whether his recent comments are serious or not.

Content leaks from manufacturing and distribution processes can sometimes be tackled using watermarking, for example. However, Koffi is publicly advocating the use of a “modern technology” that actually debuted in the 1970s.

“Modern trends need to be applied by the right commissions to successfully combat piracy. People in the creative industry need to start barcoding their works,” he said, according to several local sources.

“We also need to start tracing these works from the sources where they were being stolen. We cannot monitor them physically but with technology, we can go a long way,” he added.

Without being disrespectful to Nigeria’s position as an emerging nation (and, of course, presuming this isn’t a joke that doesn’t translate across borders), it seems bizarre to think that a barcode could prevent music piracy in any way. One CD out, and it gets copied, barcode or not.

But then Koffi advocates getting the military involved to deal with the problem.

“When we discover warehouses where piracy is being carried out, arrests and sanctions can only be done by the appropriate officials,” he said.

It all sounds real enough, but it’s only when one takes a look at articles on Nigeria’s market published in the West that one gets a grip on just how different things are in the African nation. Not just different, but also bizarre.

An article in Billboard published in April describes how local digital music streaming service uduX is making progress in Nigeria. We’re all used to installing apps for music and banking, for example, but what if they were the same thing?

“Through GTBank’s Habari app, a platform for shopping and lifestyle content, uduX, whose name derives from a musical instrument played in Nigeria called udu, will gain access to a community of 16.8 million users,” the Billboard piece reads.

“Since consumers have already entered their banking information, they can subscribe to the streaming platform in a few clicks.”

Now while this makes sense on a basic level, the privacy-conscious among us might be thinking “what could possibly go wrong?” As it turns out, those fears appear to be not only well-founded but considered a feature in Nigeria.

That’s according to Chidi Okeke, the CEO of Groove Platforms, the company behind uduX.

“I want to get people to pay for my service and for that, I just needed to be close to where the money is,” Okeke said.

And thanks to the partnership with the bank, the streaming service can get information on the bank’s customers, including their ages and location, and perhaps a whole lot more.

“We know how they spend their money, so it’s easier for us to target people,” said Okeke.

That doesn’t sound like a joke. But the barcodes and military are up for debate, potentially. Or maybe not.

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TOP 5 Trailer Of The Upcoming Movies & TV Shows We Can’t Wait To Watch!

TOP 5 Trailer Of The Upcoming Movies & TV Shows

If you follow this website for some time, then one thing is for sure we all have in common: We love movies and tv shows. And this week we have some amazing releases of the upcoming movies and tv shows we all gonna love. Since this is just a TOP 5 some movies and tv series maybe missing, please leave a comment if you think we did so below the article.

Bad Boys For Life

Starring Will Smith and Martin Lawrence,The Bad Boys Mike Lowrey and Marcus Burnett are back together for one last ride in the highly anticipated Bad Boys for Life. Joe Pantoliano is still the captain Conrad Howard and the plot looks as amazing as the previous releases. Before watching the new trailer I highly recommend you watch the previous as well, some things are more than connected. Bad boys for life is directed by: Adil El Arbi & Bilall Fallah. The film comes out on January 17th.

Between Two Ferns: The Movie

Zach Galifianakis and his oddball crew take a road trip to complete a series of high-profile celebrity interviews and restore his reputation. Celebrity cameos include: Matthew Mcconaughey, Will Ferrell, Peter Dinklage, Benedict Cumberbatch, Paul Rudd, Tiffany Haddish, Brie Larson, Keanu Reeves, Jon Hamm, David Letterman, Jason Schwartzman, Adam Scott, John Cho, Chance the Rapper, Rashida Jones, Hailee Steinfeld, John Legend, Teigen, Tessa Thompson. I do not know about you but I am so excited about this! It comes out on September 20th.

Black Christmas

Director Sophia Takal and writer April Wolfe are rebooting the 1974 horror film Black Christmas. It’s about sorority sisters dealing with a masked killer who maybe turns out to be an entire cult / frat or something like that. It looks like a fun twist on a horror movie. The Universal movie comes out on December 13th 2019.

Waves

The director behind It Comes at Night returns with a very different film: a quiet family drama that’s apparently good enough to shell out Frank Ocean-level money for the trailer. It comes out on November 1st 2019.

Just Mercy

The director of Short Term 12 takes on the story of Walter McMillian, who was wrongly convicted of murder in the 1980s. It has an incredible cast. Starring Michael B. Jordan, Jamie Foxx, and Brie Larson to name a few. From the Warner Bros Studios the movies comes out on Christmas Day.

Let us know what you think and which is your preferred movies and / or tv show you just can’t wait to watch this fall / winter.

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