Morning, all. It’s a beautiful day here, and we’re just waiting for the last few latecomers to arrive before another day of DevCon…

 

We kicked off with Python 3, following on from yesterday’s conversation. The general consensus was to get this merged and live with any minor breakage – we need to get this done, and can’t wait for absolutely every add-on to be updated before we merge. This shouldn’t be a surprise to anyone, after all.

The conversation then quickly shifted to sarbes talking about features that would make life much easier from a Python developer’s perspective. These are really around how the core code handles items, lists and displays, and how this could be modified to improve the user experience (e.g. pagination of long lists). The obvious affect is on lists of Internet content, but it would also improve PVR/EPG display, searching, and others. Similarly, allowing add-ons to specify viewtypes or just know more about what views the user prefers would make things more consistent and usable. Other ideas included subtitle support for use within add-ons, and some kind of URI mechanism so an add-on could transfer a path from one Kodi instance to another – this would allow you to move playback from your ‘phone to the TV, for example.

Next up, jimcaroll stepped up to talk about Codegenerator, which is a core part of Kodi’s Python (and, in theory, other scripting language) API, auto-generating the C++ API code as required. The main purpose of this is to reduce code size and improve maintainability, but it could potentially scale to give a more flexible, standardised approach to supporting multiple different types of external module. Only a concept, but that would open up huge possibilities for add-ons in C#, JavaScript, Groovy and many others, bringing very different functionality, security models, and scope.

This was followed by an update on tvOS by kambala and fuzzard. Much of the Apple-specific code has been floating around for a while in various forks and branches, so this is a more concerted effort to bring it all back together, update and augment it to form a complete package for the Apple TV 4. Still a work in progress, but getting closer.

Next up, lrusak took the stage to lead a session on how platform specifics can block or delay overall development – for example, when a pull request affects all platforms but there’s some obscure issue on one particular operating system. Older versions of operating systems may come with different libraries or different development toolchains; different platforms might diverge totally or even miss out components that are business-as-usual on everything else; API calls can behave slightly differently even when they shouldn’t.

So, should we hold everything back because of one platform? Should we hold back all platforms because, say, an older but still maintained (e.g. LTS) OS release can’t support some aspect of newer functionality? Should we merge a change if it compiles on all platforms except one, effectively breaking that platform until “later”? This isn’t an easy issue: ultimately, we want to get new functions and fixes out there, and that may mean living with some dead code and platform-specific workarounds in the meantime; alternatively, we simply freeze older platforms at a previous Kodi release, and move on (as, indeed, many other application developers do). As always, though, if you’re a developer who could help here, you know where to find us…

After a break for lunch, kib and keith kicked off a conversation about Foundation responsibilities and costs – some activities are legal in nature, many of them administrative, all of them important. As a registered non-profit organisation, we’re obliged to submit certain paperwork on an annual basis to keep that status along with US tax declarations. Forget this, or get it wrong, and we face losing our status and either incurring significant taxes or else paying lawyers to re-submit and regain it – neither scenario being something we want. As such, we have an ongoing task to better document what people do and highlight the imperative tasks within that list: even as a bunch of volunteers, there’s a degree of professionalism required behind the scenes, and that means sometimes paying for help.

Time to return to more technical matters: jimcarroll once again took the floor, this time to talk about threading in Kodi. Given the history of Kodi, there was a lot of platform-specific threading mechanisms. That creates complex code, with dependencies and checks that just get in the way – so, can we collapse it down into a more platform-independent model, or, at least, a minimal set of variations? It turns out that you can slim down to two main models: POSIX and Windows, and that’s where the work has been heading. Some code will still need variations, though, although other code can be collapsed still further into newer, more standardised threading mechanisms that have been implemented on all platforms since the original code was written (e.g. as implemented in C++11).

Bringing the afternoon to a close, then, jimcarroll stayed on his feet to talk about DI – dependency injection. This is a mechanism to move away from a monolithic main() routine that directs all other application activities, and instead having a suite of dynamic dependencies between modules that are resolved at runtime. In this instance, the code can declare a constructor that has a dependency on some other component without explicitly knowing about that other component when the code is written.

 

And that’s it for Day Two. A few more topics to roll over until tomorrow, along with a hackathon while everyone is together – but, until then, that’s all for now.

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Piracy statistics can be tricky. Trends often go in different directions, depending on the region, the type of media, as well as the research timeframe.

One of the most elaborate datasets collected in recent years comes from the University of Amsterdam.

Among other things, it suggested that legal options are a better way to beat piracy than enforcement.

The underlying data forms the basis of a new research article where two nearly identical piracy surveys from 2012 and 2017 were compared. This allowed the researchers to look at changes in media consumption and piracy habits among the Dutch public over the years.

The respondents were asked about both legal and unauthorized consumption of music, movies and TV, games, and books. One of the overall findings was that between 2012 and 2017 the interest in physical goods plummeted.

For example, the number of people who bought physical music carriers was slashed in half to 20% and for movies/TV the decline was even more pronounced, falling from 45% to 20%. Physical books saw the smallest drop, with 60% still buying real books, down from 69%.

This trend coincides with a massive boost in digital sales. The number of people who bought digital entertainment increased across all categories, nearly tripling for movies and TV, which is likely due to Netflix. That’s a positive sign for the entertainment industries, which is also reflected in the piracy frequencies.

Results, in Dutch

The survey found that the percentage of people who still download or stream content from unauthorized sources decreased for nearly every category. This effect is most significant for music and games, while movie and TV piracy remained relatively stable.

The only category for which the piracy rate went up was Ebooks. Between 2012 and 2017 the number of Ebook pirates increased from 6.3% to 7.7%, which is marginally significant.

According to the researchers, this shows that these book pirates are missing something in the current legal offering. A good subscription service for example, where people can access an unlimited number of books for a fixed price.

“Looking at the other markets, access-based subscriptions appear to be the most promising, where a large increase in the number of transactions compensates a lower average return per transaction,” the researchers write.

While not mentioned in the article, the massive increase in Ebook consumers may also play a role in the increased piracy rate. The number of people who bought Ebooks, and thus have e-readers, increased by 80% between 2012 and 2017.

Part of this new e-reader userbase apparently showed an interest in pirated books as well, which likely impacted the piracy rate. With that in mind, the piracy increase is relatively modest.

The research also looked at various pirate demographics and how these changed over time. This shows that between 2012 and 2017, women started to pirate more books and fewer games and music. These changes are more pronounced than for men.

In addition, the data reveal that, overall, less educated people pirate less. This is the case across all categories but the biggest difference can be found in the books category.

If anything, the findings show that generic statements about piracy rates and the average pirate are relatively meaningless. It is the finer detail that helps us to understand what’s really happening.

The present survey data shows that physical media is quickly losing popularity as more people consume legal content digitally. At the same time, piracy rates are dropping significantly for music and games, at least in the Netherlands, while Ebook piracy slowly increases.

A copy of the paper (in Dutch) titled “Polderpiraten voor anker” written by Joost Poort, Martin van der Ende, and Anastasia Yagafarova is available here.

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This week we have two newcomers in our chart.

Fast & Furious Presents: Hobbs & Shaw is the most downloaded movie.

The data for our weekly download chart is estimated by TorrentFreak, and is for informational and educational reference only. All the movies in the list are Web-DL/Webrip/HDRip/BDrip/DVDrip unless stated otherwise.

RSS feed for the articles of the recent weekly movie download charts.

This week’s most downloaded movies are:
Movie Rank Rank last week Movie name IMDb Rating / Trailer
Most downloaded movies via torrents
1 (1) Fast & Furious Presents: Hobbs & Shaw 6.7 / trailer
2 (7) It: Chapter Two 6.9 / trailer
3 (2) Toy Story 4 8.1 / trailer
4 (3) Spider-Man: Far from Home 7.8 / trailer
5 (4) Crawl 6.4 / trailer
6 (…) Stuber 6.2 / trailer
7 (5) Dark Phoenix 6.0 / trailer
8 (…) Wonder Woman: Bloodlines 5.9 / trailer
9 (6) John Wick: Chapter 3 – Parabellum 7.8 / trailer
10 (8) Avengers: Endgame 8.7 / trailer

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Last week, US President Donald Trump made headlines when he tweeted a short video meme aimed at discrediting political rival Joe Biden.

It contained a clip of Nickelback’s video ‘Photograph’ which resulted in the tweet being taken down for copyright infringement.

Soon after, a copy of the DMCA notice that caused the takedown was published on the Lumen Database, which revealed that the sender was Warner Music Group. However, TF has learned that wasn’t the only takedown notice to target Trump and his supporters over the now-controversial clip.

Trawling through the latest notices sent to Lumen by Twitter we can see that not only were some of Trump’s closest allies also sent takedowns for copyright infringement, but also that other music companies got in on the act too.

The original complaint against Trump’s account (here) was quickly followed by another against the account of his attorney, Rudy Giuliani. The notice was sent by Nickelback’s management at Union Entertainment Group on behalf of Roadrunner Records, which in turn is owned by Warner.

As the DMCA notice below shows, the cited copyrighted material is “The Master Recording of ‘Photograph’ by Nickelback and the accompanying music video.”

Two other DMCA complaints were also filed at Twitter detailing a pair of allegedly-infringing tweets posted Trump’s son, Donald Trump Jr. and Dan Scavino, the White House Director of Social Media and Assistant to the President.

These were sent on October 3, 2019 by anti-piracy company GrayZone on behalf of Warner Music. In common with the complaint filed against their father’s account, YouTube was cited as the source of the material.

Finally, the second son of Donald Trump, Eric, also received an additional notice from Union Entertainment Group, again on behalf of RoadRunner Records.

While plenty of other people tweeted and retweeted the allegedly-infringing video, a flood of additional takedown notices doesn’t appear to be in the archives at Lumen. That doesn’t mean to say they don’t exist, however, since it’s certainly possible Twitter doesn’t pass everything on.

Interestingly, there is an ongoing debate as to whether the use of the video in the clip was actually fair use, with many Trump supporters claiming that as a parody, it should be protected from takedowns. Countering firmly, former RIAA executive vice president of communications Jonathan Lamy believes otherwise.

“This one was a clear cut no-brainer,” he said on Twitter. “On copyright grounds and also perhaps falsely implied endorsement.”

Since Giuliani also got a notice and presumably a strike against his Twitter account, it would be very interesting if – as an attorney – he decided to send a counter-notification. As fair use battles go it might get a little messy but things are pretty messy already.

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Last year the Alliance for Creativity and Entertainment (ACE), the anti-piracy alliance featuring several Hollywood studios, Amazon, Netflix, and other entertainment outfits, sued Florida-based SET Broadcast, LLC.

At the time, the company offered a popular software-based IPTV service and also sold pre-loaded set-top boxes. These were portrayed as legitimate, but ACE and its members disagreed.

“Defendants market and sell subscriptions to ‘Setvnow,’ a software application that Defendants urge their customers to use as a tool for the mass infringement of Plaintiffs’ copyrighted motion pictures and television shows,” their complaint read.

Soon after the lawsuit was filed the IPTV service went offline, leaving its 180,000 subscribers behind. But that didn’t mean the case against SET TV, its owner Jason Labossiere, and its employee Nelson Johnson was over. ACE pressed on, hoping to get a judgment in its favor.

Without any of the defendants putting up a defense, ACE booked its first victory a few months ago. The media companies submitted a motion for a default judgment against the company SET Broadcast, LLC, which the court granted.

In a ruling handed down last July, the court ordered SET TV to pay $7,650,000. This reflects the maximum statutory damages of $150,000 for each of the 51 works that were infringed by the defunct IPTV provider.

While ACE was pleased with the outcome, it wasn’t done yet. The default judgment only applied to the corporate entity, not the owner and its employee. With a new request, the anti-piracy alliance hopes to hold Labossiere and Johnson liable as well.

While the other two defendants initially responded to the court, they didn’t answer any recent requests. As such, ACE is now requesting a similar default judgment against Labossiere and Johnson, holding them jointly and severally for the payment of the $7,650,000 in damages

“Defendants Labossiere and Johnson are the individual Defendants who operated, managed, and ultimately profited from the willful, unlawful business of Set Broadcast. Settled law permits entry of default against willful infringers likeLabossiere and Johnson who refuse to participate in their own defense,” ACE writes.

“Plaintiffs therefore respectfully request that the Court enter default judgment against Labossiere and Johnson and hold them jointly and severally liable for the harm they inflicted upon Plaintiffs,” the Alliance adds.

In addition to the damages, ACE also requests a permanent injunction to prevent any future copyright infringement. Among other things, the defendants should be prohibited from operating the SetTV now service, as well as any website, system, software, or service that is substantially similar.

Without a response from the defendants, it’s likely that the court will grant the order.

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Two years ago, Epic Games decided to take several Fortnite cheaters to court, accusing them of copyright infringement.

Most of these lawsuits have now been settled, but there is one alleged cheater who is proving rather hard to catch.

The person in question, known in Fortnite and on YouTube as “Sky Orbit,” turned out to be a minor when Epic Games filed the complaint. This was made very clear by his mother, who sent a letter to the Court defending her son.

“This company is in the process of attempting to sue a 14-year-old child,” the mother informed the Court back in 2017.

The letter was widely publicized in the press but Epic Games didn’t back off. Due to his young age, the Carolina District Court ordered that the kid should only be referred to by his initials C.R. The case itself continued, however, albeit slowly.

Without any follow-up responses from either the defendant or his mother, Epic Games requested a default judgment. However, the Court denied this a few weeks ago, arguing that the underage defendant was never properly represented by a guardian. The mother’s letter was not sufficient to establish this.

This was a major setback to Epic Games but the company had no plans to drop the case. Especially not when it heard “Sky Orbit” had teamed up with another alleged cheater, CBV, and found other evidence that he wasn’t done cheating yet.

This week Epic asked the Court to officially appoint C.R.’s mother, Lauren Rogers, as a legal guardian, so she can officially represent her son. If that’s not possible, another adult should take this role, the game company argues.

“Defendant has ignored the appropriate orders of this Court. It is now appropriate for his mother or another adult to be appointed to officially represent him so that his interests can be protected and this matter can move forward,” Epic writes.

In an associated memorandum and declaration, the company explains that C.R. allegedly continued cheating over the past several months. Part of the evidence comes from a video titled “Fortnite Streamer Caught Aimbotting LIVE!” uploaded to YouTube by ShelbyRenae.

This video includes a captured video by another player, who’s allegedly cheating. Based on the voice of this person and several comments from people who watched the stream, this is C.R., aka “Sky Orbit.”

“The audio, including cheating player’s voice is available. On information and belief, the voice of the cheating player is Defendant’s,” Epic’s attorney Christopher Thomas writes.

“Although ShelbyRenae does not identify Defendant as the cheating player, at least 15 of the commenters separately identify ‘Sky Orbit’ – the name used by Defendant on his YouTube channel – as the player cheating in the Captured Video.”

From the declaration

The same voice also appears in another high profile video on YouTube. Epic argues that C.R. also appeared in the video where another teenager, CBV, responded to a separate lawsuit that Epic Games filed against him.

“You guys can eat my ass once again!” C.R. allegedly says in the video.

Based on this and other evidence, Epic believes that it’s important for the case to move forward so it can properly protect its rights. As such, the defendant should be represented by a guardian, which can be his mother.

In another video discussing the legal trouble, C.R. said that his mother “knew it all” and didn’t have to pay any lawyer fees, so appointing her as guardian would be appropriate, Epic states.

“Defendant’s statement that he and his mother got a lawyer but didn’t have to spend even ‘a little bit of money’ because his ‘mom knew it all,’ shows Defendant’s faith in Ms. Rogers. His comments also suggest that their decision not to answer in spite of the Court’s order was deliberate.

“His continued cheating, the foregoing and other public statements, and his open taunting of Epic all demonstrate that he thinks he is beyond the reach of this Court and is free to continue his unlawful conduct without consequence. This should not be permitted to continue.”

It’s clear that Epic Games is not letting this one go easily. The Court now has to decide whether it will appoint Sky Orbit’s mother or another adult as the guardian in this case.

A copy of Epic Games’ Memorandum to appoint Lauren Rogers as general guardian is available here (pdf).

In yet another video

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EBooks are widely available and relatively cheap in many cases but there is still a thriving market for pirated copies.

This can be down to straightforward convenience but when it comes to textbooks, titles aren’t always available digitally and in many cases are extremely expensive.

To fill this demand, various sites offer textbooks for free download but in some instances, members of the public provide more personal services to access them at reduced rates. The downside is that anti-piracy companies are sometimes lying in wait.

A student from Denmark was one of the unlucky ones. After he and some fellow students pirated a few books to save money, the 26-year-old went on to launch a company with a friend after leaving college. However, when that venture failed and he ended up on benefits, he found himself selling eBooks on Den Blå Avis (The Blue Newspaper), Denmark’s largest buying and selling site.

Unfortunately for him, Danish anti-piracy outfit Rettighedsalliancen (Rights Alliance) noticed his activities. Under the alias “Michael R”, he sold one of their investigators an eBook that he’d previously converted to a PDF. After paying using MobilePay, the anti-piracy group collected it from Google Drive and reported the case to the police.

A couple of days ago, Avisen obtained information indicating that following an investigation, the Court of Frederiksberg would hear the case this week. The former student, who is trained in IT and marketing, had been charged with selling 228 copies of pirated textbooks related to his specialties.

He reportedly sold the books on The Blue Newspaper for between $12.50 and $88.00 each, a crime for which the prosecution sought a jail sentence for copyright infringement.

On Wednesday, Judge Poul Bisgaard-Frantzen at the Court of Fredericksberg handed the man, who currently lives in Copenhagen, a 20-day suspended jail sentence for copyright and financial offenses, Politiken reports.

After admitting selling 155 copies of textbooks, the Court also ordered the confiscation of 27,640 kroner, around $4,075.

“[I]t is devastating for the copyright that the authors have, and also for the publishers, when the basis for their business is taken away. Therefore, the gain must be confiscated,” the Judge said.

During the hearing, the former student, who will now have to abstain from illegal activities if he is to avoid prison, entered into a settlement arrangement with Rights Alliance, agreeing to pay the anti-piracy group 34,870 kroner ($5,123) in compensation.

Wednesday’s verdict could be just the start as the police reportedly have several similar cases pending.

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Today’s Internet traffic patterns are completely different from those roughly a decade ago.

The most pronounced change in recent years has been the dominance of streaming services, mostly IPTV providers, Netflix, and YouTube.

While streaming remains the key traffic generator on the Internet today, file-sharing traffic is making quite a comeback. The early signs of this trend were already visible last year but new data from the Canadian broadband management company Sandvine show that this was no fluke.

Looking at the global application traffic share, we see that video streaming accounts for 60.6% of all downstream and 22.2% of all upstream traffic.

File-sharing has a very modest downstream market share, at just 4.2%, but it beats streaming when it comes to utilized upload bandwidth, 30.2% worldwide.

The relatively large upstream share makes sense, as that’s part of the nature of file-sharing. What’s more telling, perhaps, is the year-over-year growth numbers.

From 2018 to 2019, the share of file-sharing traffic increased by roughly 50% while the upstream share grew by 35%. Keep in mind that these numbers are relative, so in absolute terms, the traffic increases are even larger, as bandwidth usage continues to increase.

There are some regional differences in this trend. BitTorrent traffic, which is the largest chunk of all file-sharing traffic, has grown mostly in the EMEA (Europe, the Middle East, and Africa) and APAC (Asia-Pacific) regions, for example.

BitTorrent is currently most popular in the EMEA region where it is good for 5.3% of all downstream traffic and a massive 44.2% of all upstream traffic. In the APAC region, the figures are 4.5% and 24.8% respectively.

According to Sandvine, the resurgence of file-sharing traffic can be largely attributed to the fragmentation of the legal video streaming landscape. With more legal options and a limited budget, people increasingly resort to piracy, the company argues.

“Netflix aggregated content and made piracy reduce worldwide. With the ongoing fragmentation of the video market, and increase in attractive original content, piracy is on the rise again,” Sandvine’s Cam Cullen notes.

HBO is a crucial ‘fragment’ when it comes to torrent traffic. We have previously reported on the massive impact the last season of Game of Thrones had on BitTorrent traffic and this is confirmed by Sandvine’s data, as shown below. Interestingly, this bump wasn’t visible for Kodi-related traffic.

This Game of Thrones boost may have elevated the overall file-sharing market share this year, but that will become apparent when Sandvine releases its new figures next year.

While BitTorrent and file-sharing traffic increased globally, the Americas form an exception to this trend. There, the relative market share dropped slightly. However, that doesn’t mean that fewer people are using BitTorrent or that less data is being transferred.

For one, market share is relative and a slight drop is possible even if overall traffic increased. In addition, Sandvine’s data show a growing trend in VPN usage. The company closely monitors data used by 70 popular commercial VPNs and has noticed a major boost in usage.

Roughly 2% of all global downstream traffic can now be attributed to VPN traffic. Looking at the upstream traffic this percentage is even larger, 5%, suggesting that it’s often used for upload heavy purposes, such as file-sharing.

In the Americas, this VPN boom is particularly pronounced with the percentage of IPSec VPN traffic tripling to 7.7% of all upstream data. This goes up to almost 9% for all VPN traffic, Sandvine informs us.

It wouldn’t be a surprise if a lot of that traffic comes from BitTorrent transfers.

Finally, it’s worth noting that, while ‘file-sharing’ is often linked to piracy, the majority of all unauthorized media distribution takes place through streaming nowadays. In other words, ‘file-sharing’ is only a small fraction of the piracy landscape.

The streaming piracy traffic is part of Sandvine’s “http media stream” category which, for the first time in years, has a larger market share than Netflix.

The website Openload, which is often linked to streaming piracy, is even listed separately in the top 10 of all video streaming sources. With 2.4% of all downstream video streaming traffic on the global Internet, it’s safe to say that Openload uses a lot of bandwidth.

It will be interesting to see how these trends continue to develop during the coming years. It’s clear though, that file-sharing is not going anywhere, neither is BitTorrent, while the VPN boom only appears to be starting. A full copy of Sandvine’s latest Global Internet Phenomena report is available here.

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This week, Adobe delivered a worrying message to legitimate users of its software and services in Venezuela.

In response to a sanctions-related executive order (pdf) handed down by the US Government, the software company said it would have to terminate business relations with subscribers in the country.

This means that legitimate users of Photoshop and other Adobe software and services will lose access to the tools they’ve paid for. With all accounts set to be terminated on October 29, 2019, many customers will be left high and dry, with only a refund to look forward to – hopefully.

“If you purchased directly from Adobe, we will refund you by the end of the month for any paid, but unused services. We are working with our partners on the same,” the company announced.

The withdrawal of Adobe from Venezuela will no doubt deliver serious inconvenience for the country’s licensed users. However, they are in the minority. Licensing software doesn’t appear to be a mainstream activity, even in the face of decreasing price tags for Adobe products, for example.

According to Giampiero Posa of Posa Studio Creativo, a certified Adobe training center in Venezuela, the annual $200 fee for Adobe suite is still a luxury given the dire economic situation in the country. Just a few years ago, the cost was $1,780, a headline figure which did nothing to help piracy rates in the country.

The most recent Global Software Survey (pdf) published in 2018 by the Software Alliance (BSA) shows that in the previous year, Venezuela had the world’s joint second-highest rate of unlicensed software installation. At 89%, the country tied with Zimbabwe and was edged out only by Libya with 90%.

Figures from the trade group show that the situation hasn’t improved at all in eight years. In 2011, unlicensed installs accounted for 88% of the Venezuelan market, a figure that remained stubbornly stable until a 1% increase in 2017 made the situation marginally worse.

Clearly, the removal of offerings from Adobe and other companies offers no hope of a decline anytime soon but of course, alternatives do exist. Open-source tools provide a legal alternative but given high piracy rates and the comfort with which unlicensed software is apparently consumed, even more piracy seems the likely outcome.

And the possibility of consequences for that, especially factoring in hostility from the United States, seem more distant than ever.

A review of Venezuelan copyright litigation, published by Manuel Rodriguez of the Antequera Parilli & Rodriguez law firm, states that to date “there have been few cases of copyright infringements being sued before the courts.”

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