In its battle control the flow of copyrighted content on the Internet, Russia is creating new legislation at a faster rate than almost any other country today.

Not only is the country becoming a leader when it comes to blocking, but it’s also positioning itself to handle future threats.

Part of that is dealing with the endless game of whac-a-mole that emerges when a site or service is blocked following the orders of the Moscow Court. Very quickly new domains appear, that either provide proxy access, mirror the contents of the original, or present that same content in a new format.

These techniques have allowed pirates to quickly recover from most legal action. However, a new law just signed by the Russian president aims to throw a significant wrench in the works.

After being adopted by the State Duma on June 23 and approved by the Federation Council June 28, on Saturday July 1 Vladimir Putin signed a new law enabling the country to quickly crack down on sites designed to present content in new ways, in order to circumvent blockades.

The legislation deals with all kinds of derivative sites, including those that are “confusingly similar to a site on the Intenet, to which access is restricted by a decision of the Moscow City Court in connection with the repeated and improper placement of information containing objects of copyright or related rights, or the information needed to obtain them using the Internet.”

As usual, copyright holders will play an important role in identifying such sites, but the final categorization as a derivative, mirror, or reverse proxy will be the responsibility of the Ministry of Communications. That government department will be given 24 hours to make the determination following a complaint.

From there, the Ministry will send a notification in both Russian and English to the operator of the suspected pirate site. Telecoms watchdog Roskomnadzor will also receive a copy before ordering ISPs to block the sites within 24 hours.

In an effort to make the system even more robust, both original pirate sites and any subsequent derivatives are also being made harder to find.

In addition to ISP blockades, the law requires search engines to remove all blocked sites from search results, so Googling for ‘pirate bay mirror’ probably won’t be as successful in future. All advertising that informs Internet users of where a blocked site can be found must also be removed.

The new law comes into force on October 1, 2017.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.





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Online advertising can be quite a nuisance. Flashy and noisy banners, or intrusive pop-ups, are a thorn in the side of many Internet users.

These type of ads are particularly popular on pirate sites, so it’s no surprise that their users are more likely to have an ad-blocker installed.

The increasing popularity of these ad-blocking tools hasn’t done the income of site owners any good and the trouble on this front is about to increase.

A few weeks ago Google announced that its Chrome browser will start blocking ‘annoying’ ads in the near future, by default. This applies to all ads that don’t fall within the “better ads standards,” including popups and sticky ads.

Since Chrome is the leading browser on many pirate sites, this is expected to have a serious effect on torrent sites and other pirate platforms. TorrentFreak spoke to the operator of one of the largest torrent sites, who’s sounding the alarm bell.

The owner, who prefers not to have his site mentioned, says that it’s already hard to earn enough money to pay for hardware and hosting to keep the site afloat. This, despite millions of regular visitors.

“The torrent site economy is in a bad state. Profits are very low. Profits are f*cked up compared to previous years,” the torrent site owner says.

At the moment, 40% of the site’s users already have an ad-blocker installed, but when Chrome joins in with its default filter, it’s going to get much worse. A third of all visitors to the torrent site in question use the Chrome browser, either through mobile or desktop.

“Chrome’s ad-blocker will kill torrent sites. If they don’t at least cover their costs, no one is going to use money out of his pocket to keep them alive. I won’t be able to do so at least,” the site owner says.

It’s too early to assess how broad Chrome’s ad filtering will be, but torrent site owners may have to look for cleaner ads. That’s easier said than done though, as it’s usually the lower tier advertisers that are willing to work with these sites and they often serve more annoying ads.

The torrent site owner we spoke with isn’t very optimistic about the future. While he’s tested alternative revenue sources, he sees advertising as the only viable option. And with Chrome lining up to target part of their advertising inventory, revenue may soon dwindle.

“I’ve tested all types of ads and affiliates that are safe to work with, and advertising is the only way to cover costs. Also, most services that you can make good money promoting don’t work with torrent sites,” the torrent site owner notes.

Just a few months ago popular torrent site TorrentHound decided to shut down, citing a lack in revenue as one of the main reasons. This is by no means an isolated incident. TorrentFreak spoke to other site owners who confirm that it’s becoming harder and harder to pay the bills through advertisements.

The operator of Torlock, for example, confirms that those who are in the business to make a profit are having a hard time.

“All in all it’s a tough time for torrent sites but those that do it for the money will have a far more difficult time in the current climate than those who do this as a hobby and as a passion. We do it for the love of it so it doesn’t really affect us as much,” Torlock’s operator says.

Still, there is plenty of interest from advertisers, some of whom are trying their best to circumvent ad-blockers.

“Every day we receive emails from willing advertisers wanting to work with us so the market is definitely still there and most of them have the technology in place to circumvent adblockers, including Chrome’s default one,” he adds.

Google’s decision to ship Chrome with a default ad-blocker appears to be self-serving in part. If users see less annoying ads, they are less likely to install a third-party ad-blocker which blocks more of Google’s own advertisements.

Inadvertently, however, they may have also announced their most effective anti-piracy strategy to date.

If pirate sites are unable to generate enough revenue through advertisements, there are few options left. In theory, they could start charging visitors money, but most pirates go to these sites to avoid paying.

Asking for voluntary donations is an option, but that’s unlikely to cover the all the costs.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.





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You can get advantage of an excellent promo running over at Gearbest.com, The TOP 5 Blockbuster TV Box where great offers for the most popular Android TV Boxes are available! Below you can see the actual most popular list of the 5 best selling Android TV Boxes:

 

Below each device you can also notice the dedicated coupon for the coupon sale price. As expected, the number 1 in sales is the Scishion V88 a not very powerful device but it is the less expensive. Recommended only for very tight budgets since it is just the base device for an Android TV Box. That’s not the case for the next three devices! In position number 2 there is a highly recommended device, the Xiaomi Mi TV Box – International Version, which is one of the best devices and runs on Android TV OS. Number 3 of the best selling is also an amazing device, the Beelink GT1 Ultimate with 3GB of RAM is a very powerful and stable tv companion. Also the 4th place has an excellent device the Sunvell T95Z Plus, one of the most loved since last year, still a great device and excellent performer. In the position number 6 we find the Alfawise A95X R1 which is also a budget device.

But the promo doesn’t end here! Next comes a nice list with an extra 8 devices that you can get with a coupon! In the image below you can see the actual Android TV Boxes as of right now, bear in mind that the list may change in any time:

You can notice there are a lot of different devices, for any size of pocket! Great in my opinion in this list, the budget Mini M8S II, the Beelink SEA I TV Box as weel as the Mini M8S PRO and the Alfawise Z28 PRO. Great devices, awesome prices!

Get a better look at all the offers by visiting the page of the promo: http://www.gearbest.com/promotion-cutting-edge-home-tech-special-1242.html?lkid=10935846


It’s common for anti-piracy groups to accuse torrent, streaming, and other download sites of not paying licensing fees. As a result, dozens have been sued over the years, often with catastrophic results for the platforms involved.

It is extremely rare, however, for a bone fide broadcasting company to simply declare that it won’t be paying artists, authors, and creators, for the content they provide. Amazingly, that’s the situation playing out in France with pay TV company Canal Plus.

Owned by giant Vivendi, Canal Plus has decided that its current deals with content providers are unfavorable to the company and wants to renegotiate them. In the meantime, tens of millions of euros in royalties owed to SACEM (Society of Authors, Composers and Publishers of Music), SACD (Society of Dramatic Authors and Composers), SCAM (The Civil Society of Multimedia Authors) and ADAGP (Society of Authors in the Graphic and Plastic Arts) are going unpaid.

The decision has caused outrage among the collecting societies, with SACEM (the group that caused the closure of What.CD and French torrent giant T411) deriding Canal Plus for denying artists what is rightfully theirs.

“We are receiving many calls from panic-stricken authors who are finding themselves without the wages due to them,” a spokesman from SACEM said. “Some of them will find themselves facing serious difficulties and how will they continue to create if they have not been paid?”

Hervé Rony, general manager of The Civil Society of Multimedia Authors (SCAM) directly attacked the TV provider.

“I’ve never seen such brutality. Never has another player in the audiovisual industry deployed such methods,” Rony said.

Even filmmakers are affected by the decision to withhold royalties, with the Association of Authors, Directors, Producers (L’ARP) noting that it was “deeply shocked” at what it describes as an act of “violence.”

Although a broad range of creators is affected, local media reports say that Canal Plus’ decision not to pay copyright fees will hit the music sector first, with today being the day that payments should have been made. As a result, SCAM is warning that it may not be able to meet its obligations for the fiscal year.

Telerama reports that Canal Plus is trying to negotiate an 80% discount worth tens of millions of euros to support its cost-cutting agenda, but those demands are meeting a wall of defiance among the collecting societies.

“We only discuss between people in good faith, when they have already settled what they owe and do not renege on contracts already signed,” Rony said. “Nobody wants the death of Canal Plus. But the prerequisite for any discussion is the resumption of payments.”

In comments made by SACEM yesterday, the copyright group indicated that beyond paying what it owes now, Canal Plus only has two options available, both involving the inside of a courtroom. The first would involve a lawsuit over breach of contract and the second would see it being sued for using copyright works without a license – piracy, effectively.

“In this case, we will seek penalties for infringement. They do not have much latitude,” SACEM said.

Several of the groups owed money by Canal Plus have published statements, with SACD, SACEM, SCAM, and ADAGP indicating they will be joining forces to tackle the broadcaster, who they accuse of undermining the right of creators to get paid.

“SACEM, along with the other authors’ societies, would have liked the constructive dialogue it had conducted over the last few weeks to have resulted in Canal Plus fulfilling its contractual obligations, but failing that, was obliged to take appropriate measures, including Judicial rights, so that the rights of its members are preserved,” SACEM wrote.

With a meeting between those affected scheduled for Friday, the suggestion that legal action is already underway has now been confirmed by Variety. Citing an industry source, the publication says that Canal Plus is being sued in the Paris High Court for around 50 million euros.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.





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One of the main goals of the International Trade Administration is to strengthen the interests of U.S. industries around the globe.

The agency, which falls under the Department of Commerce, is committed to ensure fair trade through the “rigorous enforcement” of trade laws and agreements.

Despite its efforts, many challenges remain. In its newly released overview of top markets in the Media and Entertainment (M&E) sector, piracy is highlighted as one of the prime threats.

“Digital trade has brought attention to widespread piracy and the importance of having solid copyright laws and enforcement actions, along with educational campaigns to encourage legal consumption of M&E,” the International Trade Administration (ITA) writes.

The agency points out that it’s hard to measure exactly how much piracy is hurting sales, but states that this number is in the millions. The problem also prompted copyright holders to increase their takedown efforts.

“Piracy and illegal file sharing continue to plague the M&E sectors. It is difficult to quantify losses from piracy and to calculate piracy rates accurately. Therefore many industry groups and businesses track piracy around the clock, and online takedown notices are rising dramatically as a result,” ITA writes.

The piracy threat is a global problem and also affects business in the top export countries for media and entertainment products and services. This includes Canada, India and Brazil, where legislation or enforcement are currently lacking, according to the agency.

In India, for example, various forms of online and physical piracy are booming, despite the fact that legal sales are growing as well.

“[India] is a very challenging marketplace, with barriers, to trade such as high piracy threats to both physical and digital M&E sectors, and uncertain implementation of laws governing the M&E sectors. The IIPA reports online and mobile piracy, illegal file sharing of music, cam cording in theaters, and rampant signal piracy of pay TV content,” ITA writes (pdf).

Another large export market is Canada. While the US and Canada are much alike in many aspects, the northern neighbor’s enforcement against online piracy is lacking, according to the ITA.

“Canada has a well-developed professional sector that makes trading easier and efficient for U.S. exporters. However, there are copyright and other trade barriers for American businesses in Canada. Online infringement is high and enforcement weaker than expected.”

Brazil is the third top expert market where the US media and entertainment sector faces severe challenges. There are various trade barriers, including high taxation of foreign products and services, and piracy is also widespread.

“Copyright industries doing business in Brazil face significant Internet piracy, as do products in the entertainment sector, such as CDs; DVDs; and other media carrying pirated music, movies, TV programming and video games,” ITA writes.

While revenues are growing in Brazil, more work can be done to limit piracy. The Brazilian Government could lower taxes, for example, but the industry itself could also do more to increase the availability of its products.

“Circumvention devices that allow access to video game consoles are a problem for all copyright sectors. The activity is driven by high costs and taxes on entertainment and lack of a full catalogue offering to the public, some of which is a governmental problem, and some of which is caused by the industry.”

The ITA sees robust copyright laws, increased enforcement and campaigns to highlight legal alternatives, as possible solutions to these problems.

In Brazil change may come shortly, as there’s a new copyright law pending. However, not all countries are receptive to the US complaints. Canada previously responded to a similar US report, labeling it as flawed and one-sided.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.





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The ever-present threat of online piracy remains a hot topic in Hollywood.

A lot has changed over the years. Piracy is arguably more mainstream now with easy to use streaming sites and tools, and site owners have become more skilled at evading various enforcement efforts.

Most sites have multiple domain names at their disposal, for example, as well as access to hosting facilities that are more responsive to complaints from rightsholders.

According to Hollywood’s MPAA, cross-border cooperation with various third-party intermediaries is required to curb piracy. The group has promoted this agenda for a while and is now reemphasizing the need for governments to facilitate these kinds of deals.

In a statement prepared for an upcoming meeting of WIPO’s Advisory Committee on Enforcement, MPAA’s Global Content Protection chief Dean Marks states that voluntary agreements are essential in their fight against piracy.

These agreements will help to adapt to the evolving piracy landscape, much quicker than copyright legislation can.

“Unlike laws and regulations, voluntary measures can quickly be adapted to address changing forms of online piracy. Such measures benefit not only rightsholders, but also internet intermediaries, service providers, governments and individual users of the internet,” Marks notes.

“Voluntary measures should therefore be encouraged by governments as an important means of addressing online copyright piracy,” he adds (pdf).

One of the problems, according to the Hollywood group, is that piracy sites are spreading their infrastructure all over the world. They may use a domain name in one country, hosting in a few others, and a CDN on top of all that.

This cross-border threat can often not be dealt with in a single country or by a single company. It requires cooperation from a wide variety of third-party intermediaries, including search engines and hosting providers.

“Clearly this new paradigm of infringement strains the foundational notion of territoriality of copyright law and increases the difficulty of effectively enforcing copyrights,” Marks writes.

“Hosting providers, domain name registries and registrars, CDNs, cloud storage services and even internet access providers and search engines all can serve a constructive role by adopting measures to prevent their platforms and services from being abused for copyright infringement.”

The MPAA has thus far struck two voluntary deals with the domain name registries Donuts and Radix. This allows the anti-piracy group to report infringing domain names, which may then be removed. Thus far this has resulted in 25 domain name suspensions, but the MPAA would like to broaden its scope and partner with more registries.

Hosting companies, CDNs such as Cloudflare, and search engines can also do more to curb copyright infringements. Ultimately this will be in their own interest, the MPAA says. These companies do not want to be associated with piracy or face tougher legislation when governments step in.

“…many companies do not wish to be associated with those engaged in illegal activities, including copyright pirates. Moreover, turning a blind eye to doing business with pirate websites can result in damaging repercussions.

“In the United States of America (USA), for example, intermediaries have been named as unindicted co-conspirators in criminal copyright prosecutions,” Marks notes.

MPAA’s Global Content Protection chief suggests a few ways governments can intervene. They could host hearings to facilitate cooperation, for example. Another option is to adopt laws or regulations that foster cooperation.

Finally, Marks notes that authorities can instruct law enforcement agencies to “work with” internet intermediaries and service providers to adopt voluntary anti-piracy measures, similar to the ones in place with City of London Police and its piracy watch list for advertisers.

Previously the MPAA has offered similar suggestions to the US Government. While this may have had some effect, many companies are still reluctant to jump on board.

Companies such as Google, CloudFlare and ICANN don’t believe they are required to proactively enforce against piracy on a broad scale, and it likely requires a massive push to change their perspective.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.





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Being a fan of top-flight football in the UK is an expensive proposition. In 2016, the average price of a season ticket was just shy of £500 a season while watching on TV can cost more than £60 per month.

Of course, there are good reasons for these high prices. Premier League footballers are notoriously highly-paid and with TV rights recently changing hands for more than £5.3bn, money has to be recouped in the most basic of ways – from the fans’ pocket.

While this is a success up to a point, there’s a growing factor upsetting the money men. The rise of online streaming is a thorn in the side of English Premier League, who are having to deal with large numbers of fans obtaining live matches for free via the Internet. But just how many fans are going down this route? Read more


stslogo180If you enjoy this episode, consider becoming a patron and getting involved with the show. Check out Steal This Show’s Patreon campaign: support us and get all kinds of fantastic benefits!

In this episode, we meet Ryan Shea, co-founder of Blockstack. This ambitious project aims to create a new, decentralized Internet in which users, not Big Content, own their data and keep control of how their apps run.

We discuss why the internet needs re-decentralising, if and how to pull users away from reliance on monopoly platforms like Facebook and Google, and much more. Plus, Ryan and Jamie come up with a scheme for a blockchain-powered meme market! Read more


In the UK there are two broad views on copyright infringement, one covering a type that’s usually small and personal and another of varying scales done in the course of a business.

For the purpose of punishments, the latter is much more serious and copyright holders often warn that commercial scale pirates risk significant custodial sentences. Indeed, over the years that has often been the case.

However, a case being reported in Wales this morning is of interest in a number of ways, not least since it involves the current piracy hot topic – set-top devices loaded with Kodi and infriging third-party addons – and large sums of money. Read more

Some of the best third party Addons on KODI are closing down and that is the domino effect of the complaint that DISH Network has filled against TV Addons and the ZEM TV Addon. It may sound surreal but it’s true, in the video I give you all the sources as the copy of the complaint filled in Texas. Now a judge will have to decide.

Dish Network sues TV Addons and ZEM TV Addon for copyright infringement and a lot of developers have decided to close their addons. Some will be imported to other known addons like Silent Hunter going to Stream Army, some have permanently removed everything like Phoenix, One242415, ZEM TV and some have an uncertain future since we have no announcement but also we cannot find them in the repositories like SALTS, Pro Sport, cCloud TV, etc.

A very sad day for KODI and third party addons and we will have to wait and see if this was it or if we are still at the start of a massive KODI crackdown.

For More: https://goo.gl/dbo6IL Read more