Finally, we turn to Philipp, who is working to upgrade the Kodi windowing system in Linux from X11 to Wayland. As a PR is already posted, we are extremely excited about this project!

Wayland Support – yol

My main goal was quite simply to get Kodi to natively support Wayland again, if possible as well as it currently supports X11. The Wayland protocol is slowly but steadily gaining traction in the Linux world as successor to the X11 display server and is generally seen to replace it in the long term, which is why it is essential for Kodi to support it if it wants to continue to deliver a good user experience on Linux. As some may know, Kodi did already have a Wayland windowing implementation originally written by Sam Spilsbury during GSoC 2013, but it got removed from master for unsolved infrastructure reasons some time ago and was never on-par with the X11 implementation feature-wise.

June

I subdivided the main goal into a number of sub-goals/features in my initial proposal categorized as “basic” (i.e. necessary so you can reasonably use it at all), “additional”, and “possible extension”. In the first month, I dealt with all basic and some of the additional features. I had planned to salvage as much of the previous code as possible, but different design choices I made ultimately meant that I ended up writing most of it from scratch. Still, I was frequently checking the prior implementation to see which parts of Kodi I have to touch and how I can go about solving some specific aspects.

To get a bit more concrete here, where the approach differs most is how the Wayland protocol objects are used in object-oriented C++. Previously a home-grown approach was used, probably because there were no C++ bindings for libwayland-client at the time. The resulting wrapper code is quite tedious to write and maintain, which is why I decided to use the C++ waylandpp library as base. Even though it is not quite mature yet, I figured that my time would be better spent improving waylandpp than trying to come up with something new on my own. It is of course possible to use the C API of libwayland-client directly without any wrappers, but this is not a very nice solution since the Wayland protocol is really made out to be used in an object- oriented fashion if the language allows for it. Much to my delight, the author of waylandpp was very responsive and supporting, which means that all improvements and feature additions I made to waylandpp at this point are already merged upstream.

Unfortunately, it soon became clear that the aging windowing infrastructure of Kodi is not a good match for Wayland which does some things in a very different way. Wayland is designed such that clients have minimal control over the desktop for security reasons. This for example means that, unlike on X11, Windows, and most other windowing systems, applications cannot just set arbitrary video modes. They can only tell what their preference would be to the compositor, which then decides and in turn tells the applications what size they get. I do think that this is a good design decision since it solves a lot of problems that XRandR has like leaving the desktop in a bad resolution when a program crashes, but it does mean that a lot of things have to be done differently. The Kodi code assumes the traditional procedure of fetching a list of valid resolutions and then being able to switch to any resolution immediately and basically without failure. Changing this in a satisfying way would require quite a lot of refactoring that would have to touch all of the current windowing implementations, too. This is a lot of work, requires coordination with all platform maintainers, and is not realistic to be completed within the GSoC timeframe, so I have put this off for now and instead tried to make minimal adjustments to the Kodi resolution switching code that allow the Wayland implementation to work without impacting any other windowing system. The downside to this is that the Wayland code is not as clean as it could or should be and that there is an increased risk of weird stuff happening.

July

After getting most of the basic stuff out of the way in June and the first week of July, I focused on the two big remaining issues: Support for the wp_presentation Wayland protocol extension and windowed mode, the first of which was just merged this week. Put simply, Kodi now has a reliable way of determining how much time it takes from rendering a video frame until it appears on screen and does not have to resort to guesswork, improving AV sync. Also, it can be used as source for the video reference clock so that slight mismatches of the video fps with the screen refresh rate can be corrected by resampling the audio.

I worked on windowed mode support for the remainder of the month. I guess that it would not usually be expected to be a complicated issue, but most Wayland compositors require applications to draw and handle window decorations themselves (called client-side decorations) if they want to have any. I discussed with my mentor how to go about this and we decided to once again keep things local to the Wayland implementation and draw the decorations there as none of the other windowing systems currently requires this. The other option would have been to somehow integrate the decorations into the Kodi skinning system. This is of course nicer, but far more complicated and probably not worth the trouble. As media center, most users will use Kodi in full screen mode which is also the default, so window decorations that don’t look that nice will not be a big problem.

During the past two months I also had to learn that Wayland is still quite new to the scene and that a lot of bugs still lurk in the various components. I had to report and sometimes fix bugs in compositors and other third-party components such as mutter, weston, and libva. Finding these bugs and determining whose fault it is that something did not work as expected took more time than I had initially anticipated. I would like to thank the #wayland IRC community and specifically pq and SardemFF7 for their time and advice that helped me move forward several times.

August

In the last few weeks I finished windowed mode, investigated some outstanding issues not directly related to Wayland such as touch screen handling, and am now trying to get my work merged mainline. I do hope that no big issues pop up that could prevent the merge, but I’m optimistic – the pull request is already live [https://github.com/xbmc/xbmc/pull/12664]. Apart from fixing the outstanding review comments, I plan to look at identifying possible memory leaks and multi-threading races with valgrind and ThreadSanitizer.





Source link


Top tier football in the UK is handled by the English Premier League (EPL) and broadcasting partners Sky and BT Sport. All face considerable problems with Internet piracy, through free web or Kodi-based streaming and premium IPTV feeds.

To mitigate the threat, earlier this year the Premier League obtained a unique High Court injunction which required ISPs such as Sky, BT, and Virgin to block ‘pirate’ football streams in real-time.

Although the success of the program was initially up for debate, the EPL reported it was able to block 5,000 server IP addresses that were streaming its content. When that temporary injunction ran out, the EPL went back to court for a new one, valid for the season that began this past weekend. There are signs the EPL may have upped its game.

As soon as the matches began on Saturday, issues were reported at several of the more prominent IPTV providers. Within minutes of the match streams going live, subscribers to affected services were met with black screens, causing anger and frustration. While some clearly knew that action was on the cards, relatively few had an effective plan in place.

One provider, which targets subscribers in the UK, scrambled to obtain new domain names, thinking that the existing domains had been placed on some kind of Premier League blacklist. While that may have indeed been the case, making a service more obscure in that sense was never going to outwit the systems deployed by the anti-piracy outfits involved.

Indeed, the provider in question was subjected to much chaos over both Saturday and Sunday, since it’s clear that large numbers of subscribers had absolutely no idea what was going on. Even if they understood that the EPL was blocking, the change of domain flat-footed the rest. The subsequent customer service chaos was not a pretty sight but would’ve been a pleasure for the EPL to behold.

An interesting side effect of this EPL action is that even if IPTV subscribers don’t care about football, many were affected this past weekend anyway.

TF is aware of at least three services (there are probably many more) that couldn’t service their UK customers with any other channels whatsoever while the Premier League games were being aired. This suggests that the IP addresses hit by the EPL and blocked by local ISPs belonged to the same servers carrying the rest of the content offered by the IPTV providers.

When the High Court handed down its original injunction it accepted that some non-Premier League content could be blocked at the same time but since that “consists almost exclusively of [infringing] commercial broadcast content such as other sports, films, and television programs,” there was little concern over collateral damage.

So the big question now is what can IPTV providers and/or subscribers do to tackle the threat?

The first interesting thing to note is not all of the big providers were affected this past weekend, so for many customers the matches passed by as normal. It isn’t clear whether EPL simply didn’t have all of the providers on the list or whether steps were taken to mitigate the threat, but that was certainly the case in a handful of cases.

Information passed to TF shows that at least a small number of providers were not only waiting for the EPL action but actually had a backup plan in place. This appears to have resulted in a minimum of disruption for their customers, something that will prove of interest to the many frustrated subscribers looking for a new service this morning.

While the past few days have been somewhat chaotic, other issues have been muddying the waters somewhat.

TF has learned that at least two, maybe three suppliers, were subjected to DDoS attacks around the time the matches were due to air. It seems unlikely that the EPL has been given permission to carry out such an attack but since the High Court injunction is secret in every way that describes its anti-piracy methods, that will remain a suspicion. In the meantime, rival IPTV services remain possible suspects.

Also, a major IPTV stream ‘wholesaler’ is reported to have had technical issues on Saturday, which affected its ability to serve lower-tier providers. Whether that was also linked to the Premier League action is unknown and TF couldn’t find any source willing to talk about the provider in any detail.

So, sports fans who rely on IPTV for their fix are wondering how things will pan out later this week. If this last weekend is anything to go by, disruption is guaranteed, but it will be less of a surprise given the problems of the last few days. While some don’t foresee huge problems, several providers are already advising customers that VPNs will be necessary.

An IPTV provider suggesting the use of VPNs

While a VPN will indeed solve the problem in most cases, for many subscribers that will amount to an additional expense, not to mention more time spent learning about VPNs, what they can do, and how they can be setup on the hardware they’re using for IPTV.

For users on Android devices running IPTV apps or Kodi-type setups, VPNs are both easy to install and use. However, Mag Box STB users cannot run a VPN directly on the device, meaning that they’ll need either a home router that can run a VPN or a smaller ‘travel’ type router with OpenVPN capabilities to use as a go-between.

Either way, costs are beginning to creep up, if IPTV providers can’t deal with the EPL’s blocking efforts. That makes the new cheaper football packages offered by various providers that little bit more attractive. But that was probably the plan all along.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.





Source link


For several decades the basic shape of the piracy market hasn’t changed much. At the top of the chain there has always been a relatively small number of suppliers. At the bottom, the sprawling masses keen to consume whatever content these suppliers make available, while sharing it with everyone else.

This model held in the days of tapes and CDs and transferred nicely to the P2P file-sharing era. For nearly two decades people have been waiting for those with the latest content to dump it onto file-sharing networks. After grabbing it for themselves, people share that content with others.

For many years, the majority of the latest music, movies, and TV shows appeared online having been obtained by, and then leaked from, ‘The Scene’. However, with the rise of BitTorrent and an increase in computer skills demonstrated by the public, so-called ‘P2P release groups’ began flexing their muscles, in some cases slicing the top of the piracy pyramid.

With lower barriers to entry, P2P releasers can be almost anyone who happens to stumble across some new content. That being said, people still need the skill to package up that content and make it visible online, on torrent sites for example, without getting caught.

For most people that’s prohibitively complex, so it’s no surprise that Average Joe, perhaps comforted by the air of legitimacy, has taken to uploading music and movies to sites like YouTube instead. These days that’s nothing out of the ordinary and perhaps a little boring by piracy standards, but people still have the capacity to surprise.

This week a man from the United States, without a care in the world, obtained a login for a STARZ press portal, accessed the final three episodes of ‘Power’, and then streamed them on Facebook using nothing but a phone and an Internet connection.

From the beginning, the whole thing was ridiculous, comical even. The man in question, whose name and personal details TF obtained in a matter of minutes, revealed how he got the logins and even recorded his own face during one of the uploaded videos.

He really, really couldn’t have cared any less but he definitely should have. After news broke of the leaks, STARZ went public confirming the breach and promising to do something about it.

“The final three episodes of Power’s fourth season were leaked online due to a breach of the press screening room,” Starz said in a statement. “Starz has begun forensic investigations and will take legal action against the responsible parties.”

At this point, we should consider the magnitude of what this guy did. While we all laugh at his useless camera skills, the fact remains that he unlawfully distributed copyright works online, in advance of their commercial release. In the United States, that is a criminal offense, one that can result in a prison sentence of several years.

It would be really sad if the guy in question was made an example of since his videos suggest he hadn’t considered the consequences. After all, this wasn’t some hi-tech piracy group, just a regular guy with a login and a phone, and intent always counts for something. Nevertheless, the situation this week nicely highlights how new technology affects piracy.

In the past, the process of putting an unreleased movie or TV show online could only be tackled by people with expertise in several areas. These days a similar effect is possible with almost no skill and no effort. Joe Public, pre-release TV/movie/sports pirate, using nothing but a phone, a Facebook account, and an urge?

That’s the reality today and we won’t have to wait too long for a large scale demonstration of what can happen when millions of people with access to these ubiquitous tools have an urge to share.

In a little over two weeks’ time, boxing legend Floyd Mayweather Jr fights UFC lightweight champion, Conor McGregor. It’s set to be the richest combat sports event in history, not to mention one of the most expensive for PPV buyers. That means it’s going to be pirated to hell and back, in every way possible. It’s going to be massive.

Of course, there will be high-quality paid IPTV productions available, more grainy ‘Kodi’ streams, hundreds of web portals, and even some streaming torrents, for those that way inclined. But there will also be Average Joes in their hundreds, who will point their phones at Showtime’s PPV with the intent of live streaming the biggest show on earth to their friends, family, and the Internet. For free.

Quite how this will be combatted remains to be seen but it’s fair to say that this is a problem that’s only going to get bigger. In ten years time – in five years time – many millions of people will have the ability to become pirate releasers on a whim, despite knowing nothing about the occupation.

Like ‘Power’ guy, the majority won’t be very good at it. Equally, some will turn it into an art form. But whatever happens, tackling millions of potential pirates definitely won’t be easy for copyright holders. Twenty years in, it seems the battle for control has only just begun.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.





Source link


During the fall of 2015, the MPAA shut down one of the most prominent pirate streaming services, Popcorn Time fork PopcornTime.io.

While the service was found to be clearly infringing, many of the developers didn’t set out to break the law. Most of all, they wanted to provide the public with easy access to their favorite movies and TV-shows.

Fast forward nearly two years and several of these Popcorn Time developers are still on the same quest. The main difference is that they now operate on the safe side of the law.

The startup they’re working with is called Reelgood, which can be best described as a streaming service aggregator. The San-Francisco based company, founded by ex-Facebook employee David Sanderson, recently raised $3.5 million and has opened its doors to the public.

The goal of Reelgood is similar to Popcorn Time in the way that it aims to be the go-to tool for people to access their entertainment. Instead of using pirate sources, however, Reelgood stitches together content from various legal platforms, both paid and free.

Reelgood

TorrentFreak spoke to former Popcorn Time developer Luigi Poole, who’s leading the charge on the development of Reelgood’s web app. He stresses that the increasing fragmentation of streaming services, which drives some people to pirate sites, is one of the problems Reelgood hopes to fix.

“There’s a misconception that torrenting is done by bad people who don’t want to pay for content. I’d say, in the vast majority of cases, torrenting is a symptom of the massive fragmentation that’s been given as the only legal option to the consumer,” Poole says.

While people have many reasons to pirate, some stick to unauthorized services because it’s simply too cumbersome to dig through all the legal options. Pirate sites have a single interface to all popular movies and TV-shows and legal platforms don’t.

“The modern TV/movie ecosystem is made up of an increasing number of different services. This makes finding content like changing channels, only more complicated. Is that movie you’re about to buy or rent on a service you already pay for? Right now there’s no way to do this other than a cumbersome search using each service’s individual search. Time to go digging,” Poole says.

“We believe this is the main reason people torrent — it’s just easier, given that the legal options presented to us are essentially a ‘go fetch’ treasure hunt,” he adds.

Flipping that channel on an old school television often beats the online streaming experience. That is, for those who want more than Netflix alone.

And the problem isn’t going away anytime soon. As we reported earlier this week, there’s a trend towards more fragmentation, instead of less. Disney is pulling some of its most popular content from the US Netflix in 2019, keeping piracy relevant.

“The untold story is that consumers are throwing up their hands with all this fragmentation, and turning to torrenting not because it’s free, but because it’s intuitive and easy,” Poole says.

“Reelgood fixes this problem by acting as a pirate site interface for every legal option, sort of like a TV guide to anything streaming, also giving you notifications anytime something is new, letting you track when certain content becomes available, and not only telling you where it’s available but taking you straight there with one click to play.”

Reelgood can be seen as a defragmentation tool, creating a uniform interface for all the legal platforms people have access to. In addition to paid services such as Netflix and HBO, it also lists free content from Fox, CBS, Crackle, and many other providers.

TorrentFreak took it for a spin and it indeed works as advertised. Simply add your streaming service accounts and all will be bundled into an elegant and uniform interface that allows you to watch and track everything with a single click.

The service is still limited to US libraries but there are already plans to expand it to other countries, which is promising. While it may not eradicate piracy anytime soon, it does a good job of trying to organize the increasingly complex streaming landscape.

Unfortunately, it’s still not cheap to use more than a handful of paid services, but that’s a problem even Reelgood can’t fix. Not even with help from seven former Popcorn Time developers.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.





Source link


Over the years there have been almost endless attempts to stop people from accessing copyright-infringing content online. Campaigns have come and gone and almost two decades later the battle is still ongoing.

Early on, when panic enveloped the music industry, the campaigns centered around people getting sued. Grabbing music online for free could be costly, the industry warned, while parading the heads of a few victims on pikes for the world to see.

Periodically, however, the aim has been to appeal to the public’s better nature. The idea is that people essentially want to do the ‘right thing’, so once they understand that largely hard-working Americans are losing their livelihoods, people will stop downloading from The Pirate Bay. For some, this probably had the desired effect but millions of people are still getting their fixes for free, so the job isn’t finished yet.

In more recent years, notably since the MPAA and RIAA had their eyes blacked in the wake of SOPA, the tone has shifted. In addition to educating the public, torrent and streaming sites are increasingly being painted as enemies of the public they claim to serve.

Several studies, largely carried out on behalf of the Digital Citizens Alliance (DCA), have claimed that pirate sites are hotbeds of malware, baiting consumers in with tasty pirate booty only to offload trojans, viruses, and God-knows-what. These reports have been ostensibly published as independent public interest documents but this week an advisor to the DCA suggested a deeper interest for the industry.

Hemanshu Nigam is a former federal prosecutor, ex-Chief Security Officer for News Corp and Fox Interactive Media, and former VP Worldwide Internet Enforcement at the MPAA. In an interview with Deadline this week, he spoke about alleged links between pirate sites and malware distributors. He also indicated that warning people about the dangers of pirate sites has become Hollywood’s latest anti-piracy strategy.

“The industry narrative has changed. When I was at the MPAA, we would tell people that stealing content is wrong and young people would say, yeah, whatever, you guys make a lot of money, too bad,” he told the publication.

“It has gone from an ethical discussion to a dangerous one. Now, your parents’ bank account can be raided, your teenage daughter can be spied on in her bedroom and extorted with the footage, or your computer can be locked up along with everything in it and held for ransom.”

Nigam’s stance isn’t really a surprise since he’s currently working for the Digital Citizens Alliance as an advisor. In turn, the Alliance is at least partly financed by the MPAA. There’s no suggestion whatsoever that Nigam is involved in any propaganda effort, but recent signs suggest that the DCA’s work in malware awareness is more about directing people away from pirate sites than protecting them from the alleged dangers within.

That being said and despite the bias, it’s still worth giving experts like Nigam an opportunity to speak. Largely thanks to industry efforts with brands, pirate sites are increasingly being forced to display lower-tier ads, which can be problematic. On top, some sites’ policies mean they don’t deserve any visitors at all.

In the Deadline piece, however, Nigam alleges that hackers have previously reached out to pirate websites offering $200 to $5000 per day “depending on the size of the pirate website” to have the site infect users with malware. If true, that’s a serious situation and people who would ordinarily use ‘pirate’ sites would definitely appreciate the details.

For example, to which sites did hackers make this offer and, crucially, which sites turned down the offer and which ones accepted?

It’s important to remember that pirates are just another type of consumer and they would boycott sites in a heartbeat if they discovered they’d been paid to infect them with malware. But, as usual, the claims are extremely light in detail. Instead, there’s simply a blanket warning to stay away from all unauthorized sites, which isn’t particularly helpful.

In some cases, of course, operational security will prevent some details coming to light but without these, people who don’t get infected on a ‘pirate’ site (the vast majority) simply won’t believe the allegations. As the author of the Deadline piece pointed out, it’s a bit like Reefer Madness all over again.

The point here is that without hard independent evidence to back up these claims, with reports listing sites alongside the malware they’ve supposed to have spread and when, few people will respond to perceived scaremongering. Free content trumps a few distant worries almost every time, whether that involves malware or the threat of a lawsuit.

It’ll be up to the DCA and their MPAA paymasters to consider whether the approach is working but thus far, not even having government heavyweights on board has helped.

Earlier this year the DCA launched a video campaign, enrolling 15 attorney generals to publish their own anti-piracy PSAs on YouTube. Thus far, interest has been minimal, to say the least.

At the time of writing the 15 PSAs have 3,986 views in total, with 2,441 of those contributed by a single video contributed by Wisconsin Attorney General Brad Schimel. Despite the relative success, even that got slammed with 2 upvotes and 127 downvotes.

A few of the other videos have a couple of hundred views each but more than half have less than 70. Perhaps most worryingly for the DCA, apart from the Schimel PSA, none have any upvotes at all, only down. It’s unclear who the viewers were but it seems reasonable to conclude they weren’t entertained.

The bottom line is nobody likes malware or having their banking details stolen but yet again, people who claim to have the public interest at heart aren’t actually making a difference on the ground. It could be argued that groups advocating online safety should be publishing guides on how to stay protected on the Internet period, not merely advising people to stay away from certain sites.

But of course, that wouldn’t achieve the goals of the MPAA Digital Citizens Alliance.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.





Source link


It has been a while since we released 17.3 release where we fixed several issues. Now the time has come to do another where we tackled several more issues that were identified. Although we already moved on with development towards v18 we do take the time to fix issues for the current release when we can. To give these fixes a proper test run before we call it final we first want to make this release candidate available for the wider audience who might be facing some of these issues we have fixed. Just browse the list below and give it a try.

Fixes done in this release:

  • Potentially fix crashing on Windows due to an issue in Python
  • Potentially fix crashing on Windows when enabling zeroconf
  • Fix sporadic crash on Windows when installing or updating add-ons 
  • Fix issue for users with reverse proxies attempting to forward websockets.
  • Fix possible issue if Linux distro uses system ffmpeg and cause black screen with 10-bit H.265
  • Properly throttle scraping music information online to prevent overloading the provider
  • Fix native keyboard on iOS 11
  • Fix potential crash on Android O loading App icons
  • Fix non showing Kodi banner on Android O
  • Fix potential crash on Android with certain keymaps
  • Fix wrong detection of VP6 and VP8 videocodec on Android
  • Update FFmpeg to 3.1.9
  • Set hard requirement to use FFmpeg 3.1.x only
  • Fix for Hangup when viewing recording and pressing next/previous
  • Fix merge scraped album type and label correctly with that derived from tags from music files

What else is new?

In the bugfix releases we never include any new features. They are as feature complete as the initial version with the difference is they contain stability and usability fixes. If you are curious you can read up on all the v17 changes here: Kodi v17.0 “Krypton”

Where can I download Kodi?

As alway you can find the official builds on our download page. Then click on the platform of choice and choose pre release build. You can install these build just on top of your current Kodi installation without doing a reinstall or cleanup as we do a full migration if needed. All you add-ons or installed skin will keep working.

Apparel, donations or getting involved

Getting involved is quite easy. We encourage you to report problems with these builds on our forum first and after that, if asked, submit bugs on Trac (following this guide: How to submit a bug report). Do note that we need detailed information so we can investigate the issue. We also appreciate providing support in our Forums where you can. You can of course also follow or help promote Kodi on all available social networks. Read more on the get involved page. We are always happy to receive a donation by which you show your support and appreciation, and t-shirts and Raspberry Pi cases may still be found on the sidebar for purchase. All donations and other income goes towards the XBMC foundation and are typically used for travel to attend conferences, any necessary paperwork and legal fees, purchasing necessary hardware and licenses for developers and hopefully the yearly XBMC Foundation Developers Conference.





Source link


Dutch anti-piracy outfit BREIN has been very active over the past several years, targeting uploaders on various sharing sites and services.

They cast their net wide and have gone after torrent users, Facebook groups, YouTube pirates and Usenet uploaders as well.

To pinpoint the latter group, BREIN contacts Usenet providers asking them to reveal the identity of a suspected user. This is also what happened in a case involving a former customer of Eweka.

The person in question, known under the alias ‘Badfan69,’ was accused of uploading 9,538 infringing works to Usenet, mostly older titles. After Eweka handed over his home address, BREIN reached out to him and negotiated a settlement.

The 44-year-old man has now agreed to pay a settlement of €4,800. If he continues to upload infringing content he will face an additional penalty of €2,000 per day, to a maximum of €50,000.

The case is an important victory for BREIN, not just because of the money.

When the anti-piracy group reached out to Usenet provider Eweka, the company initially refused to hand over any personal details. The Usenet provider argued that it’s a neutral intermediary that would rather not perform the role of piracy police. Instead, it wanted the court to decide whether the request was legitimate.

This resulted in a legal dispute where, earlier this year, a local court sided with BREIN. The Court stressed that in these type of copyright infringement cases, the Usenet provider is required to hand over the requested details.

Under Dutch law, ISPs can be obliged to hand over the personal details of their customers if the infringing activity is plausible and the damaged party has a legitimate interest. Importantly, the legal case clarified that this generally doesn’t require an intervention from the court.

“Providers must decide on a motivated request for the handover of a user’s address, based on their own consideration. A refusal to provide the information must be motivated, otherwise, it will be illegal and the provider will be charged for the costs,” BREIN notes.

While these Usenet cases are relatively rare, BREIN and other parties in the Netherlands, such as Dutch Filmworks, are also planning to go after large groups of torrent users. With the Usenet decision in hand, BREIN may want to argue that regular ISPs must also expose pirating users, without an intervention of the court.

This is not going to happen easily though. Several ISPs, most prominently Ziggo, announced that they would not voluntarily cooperate and are likely to fight out these requests in court to get a solid ‘torrent’ precedent.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.





Source link


Reports of sites becoming mysteriously inaccessible in India have been a regular occurrence over the past several years. In many cases, sites simply stop functioning, leaving users wondering whether sites are actually down or whether there’s a technical issue.

Due to their increasing prevalence, fingers are often pointed at so-called ‘John Doe’ orders, which are handed down by the court to prevent Internet piracy. Often sweeping in nature (and in some cases pre-emptive rather than preventative), these injunctions have been known to block access to both file-sharing platforms and innocent bystanders.

Earlier this week (and again for no apparent reason), the world renowned Internet Archive was rendered inaccessible to millions of users in India. The platform, which is considered by many to be one of the Internet’s most valued resources, hosts more than 15 petabytes of data, a figure which grows on a daily basis. Yet despite numerous requests for information, none was forthcoming from authorities.

The ‘blocked’ message seen by users accessing Archive.org

Quoted by local news outlet Medianama, Chris Butler, Office Manager at the Internet Archive, said that their attempts to contact the Indian Department of Telecom (DoT) and the Ministry of Electronics and Information Technology (Meity) had proven fruitless.

Noting that their site had previously been blocked in India, Butler said they were no clearer on the reasons why the same kind of action had seemingly been taken this week.

“We have no information about why a block would have been implemented,” he said. “Obviously, we are disappointed and concerned by this situation and are very eager to understand why it’s happening and see full access restored to archive.org.”

Now, however, the mystery has been solved. The BBC says a local government agency provided a copy of a court order obtained by two Bollywood production companies who are attempting to slow down piracy of their films in India.

Issued by a local judge, the sweeping order compels local ISPs to block access to 2,650 mainly file-sharing websites, including The Pirate Bay, RARBG, the revived KickassTorrents, and hundreds of other ‘usual suspects’. However, it also includes the URL for the Internet Archive, hence the problems with accessibility this week.

The injunction, which appears to be another John Doe order as previously suspected, was granted by the High Court of the Judicature at Madras on August 2, 2017. Two film productions companies – Prakash Jha Productions and Red Chillies Entertainment – obtained the order to protect their films Lipstick Under My Burkha and Jab Harry Met Sejal.

While India-based visitors to blocked resources are often greeted with a message saying that domains have been blocked at the orders of the Department of Telecommunications, these pages never give a reason why.

This always leads to confusion, with news outlets having to pressure local government agencies to discover the reason behind the blockades. In the interests of transparency, providing a link to a copy of a relevant court order would probably benefit all involved.

A few hours ago, the Internet Archive published a statement questioning the process undertaken before the court order was handed down.

“Is the Court aware of and did it consider the fact that the Internet Archive has a well-established and standard procedure for rights holders to submit take down requests and processes them expeditiously?” the platform said.

“We find several instances of take down requests submitted for one of the plaintiffs, Red Chillies Entertainments, throughout the past year, each of which were processed and responded to promptly.

“After a preliminary review, we find no instance of our having been contacted by anyone at all about these films. Is there a specific claim that someone posted these films to archive.org? If so, we’d be eager to address it directly with the claimant.”

But while the Internet Archive appears to be the highest profile collateral damage following the ISP blocks, it isn’t the only victim. Now that the court orders have become available (1,2), it’s clear that other non-pirate entities have also been affected including news site WN.com, website hosting service Weebly, and French ISP Free.fr.

Also, in a sign that sites aren’t being checked to see if they host the movies in question, one of the orders demands that former torrent index BitSnoop is blocked. The site shut down earlier this year. The same is true for Shaanig.org.

This is not the first time that the Internet Archive has been blocked in India. In 2014/2015, Archive.org was rendered inaccessible after it was accused of hosting extremist material. In common with Google, the site copies and stores huge amounts of data, much of it in automated processes. This can leave it exposed to these kinds of accusations.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.





Source link


With the whole world going crazy for Game of Thrones, another TV series has been turning some serious numbers. Produced by Curtis “50 Cent” Jackson, crime drama ‘Power’ has been pulling in around eight million viewers per episode.

After premiering in June 2014, Power is now seven episodes into season four, which is set to reach its climax on August 27. But somewhat typically for the Internet these days, fans won’t necessarily have to wait another three weeks to find out what happens. During the past few hours, the final three episodes of ‘Power’ leaked online.

While that’s something in itself, this leak is possibly the most bizarre to take place in the history of piracy. Having been tipped off that screener episodes were available online, TF went looking for evidence. We found it, but it wasn’t what we expected.

The leaks consist of the three episodes (one complete, the other two missing a few minutes) being played back on an iPhone. A white one. With a broken screen.

Power leaks: Broken iPhone edition

The off-center nature of the image above isn’t typical though and most of the time the main picture is both central and well-defined, with surprisingly clear audio. It’s certainly not going to win any prizes for quality but for the extremely impatient it offers some kind of relief.

The big question, of course, is how these episodes happened to find their way onto that battered iPhone in the first place. Incredibly, the videos themselves provide the answers, with the thoughtful ‘cammer’ explaining in several voice-overs how he gained access to one of STARZ hottest properties.

“This is like the special, this is only for the people that work at STARZ that watch this shit. My man sent me the whole log-in shit. I had to pay that n******r though,” he said.

The log-in referenced by the leaker appears to unlock press access to unreleased content on mediaroom.starz.com. That page has been taken down since, quite possibly due to the leak. Thanks to the video though, we can see how the portal looked on the leaker’s phone.

Unreleased ‘Power’ episodes on the STARZ portal

“That’s the whole series bitch, but I can’t log out though, so I can’t send it to you. The man says don’t log out. So i’m gonna watch these last two episodes and then spoil it for y’all,” the ‘cammer’ said over one of the episodes.

The original claim that theses were screener copies holds up. Throughout all three episodes, an occasional message appears across the bottom of the screen, declaring that the episodes are “for screening purposes only.”

Screener copies, for your eyes only

If the whole situation isn’t bizarre enough so far, the episodes contain quite a bit of complaining from the ‘cammer’, mainly due to his arm aching from holding up the recording phone for such a long time.

Why he didn’t simply place it down on the table isn’t clear. He managed it with the playback phone, which is seen leaning against a large water container throughout, something the ‘cammer’ believes is pretty badass.

“You see, I got my shit propped up like a G,” he said, placing the phone against the water bottle. “Next episode, definitely not holdin’ this shit, so you n*****s gotta relax.”

If this whole scenario isn’t crazy enough, the ‘cammer’ polishes off his virtuoso performance by turning the ‘cam’ phone around and recording his own face for several seconds. To save his embarrassment we won’t publish an image here but needless to say, he is extremely easy to identify, as is his Facebook page, where the content seems to have first appeared.

While there’s clearly no criminal mastermind behind these leaks, dumping unreleased TV shows online can result in a hefty jail sentence, no matter how poorly it’s done. The gentleman involved should hope that STARZ and the FBI are prepared to see the funny side. Fingers crossed….

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.





Source link


There is little doubt that, in the United States, Netflix has become the standard for watching movies on the Internet.

The subscription service is responsible for a third of all Internet traffic during peak hours, dwarfing that of online piracy and other legal video platforms.

It’s safe to assume that Netflix-type streaming services are among the best and most convenient alternative to piracy at this point. There is a problem though. The whole appeal of the streaming model becomes diluted when there are too many ‘Netflixes.’

Yesterday, Disney announced that it will end its partnership with Netflix in 2019. The company is working on its own Disney-branded movie streaming platforms, where titles such as Frozen 2 and Toy Story 4 will end up in the future.

Disney titles are among the most-watched content on Netflix, and the company’s stock took a hit when the news came out. In a statement late yesterday, Disney CEO Bob noted that the company has a good relationship with Netflix but the companies will part ways at the end of next year.

At the moment no decision has been made on what happens to Lucasfilm and Marvel films, but these could find a new home as well. Marvel TV shows such as Jessica Jones and Luke Cage will reportedly stay at Netflix

Although Disney’s decision may be good for Disney, a lot of Netflix users are not going to be happy. It likely means that they need another streaming platform subscription to get what they want, which isn’t a very positive prospect.

In piracy discussions, Hollywood insiders often stress that people have no reason to pirate, as pretty much all titles are available online legally. What they don’t mention, however, is that users need access to a few dozen paid services, to access them all.

In a way, this fragmentation is keeping the pirate ecosystems intact. While legal streaming services work just fine, having dozens of subscriptions is expensive, and not very practical. Especially not compared to pirate streaming sites, where everything can be accessed on the same site.

The music business has a better model, or had initially. Services such as Spotify allowed fans to access most popular music in one place, although that’s starting to crumble as well, due to exclusive deals and more fragmentation.

Admittedly, for a no-name observer, it’s easy to criticize and point fingers. The TV and movie business is built on complicated licensing deals, where a single Netflix may not be able to generate enough revenue for an entire industry.

But there has to be a better way than simply adding more streaming platforms, one would think?

Instead of solely trying to stamp down on pirate sites, it might be a good idea to take a careful look at the supply side as well. At the moment, fragmentation is keeping pirate sites relevant.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.





Source link