Cloudflare CEO Has to Explain Lack of Pirate Site Terminations


In August, Cloudflare CEO Matthew Prince decided to terminate the account of controversial neo-Nazi site Daily Stormer.

“I woke up this morning in a bad mood and decided to kick them off the Internet,” he wrote.

The decision was meant as an intellectual exercise to start a conversation regarding censorship and free speech on the internet. In this respect it was a success but the discussion went much further than Prince had intended.

Cloudflare had a long-standing policy not to remove any accounts without a court order, so when this was exceeded, eyebrows were raised. In particular, copyright holders wondered why the company could terminate this account but not those of the most notorious pirate sites.

Adult entertainment publisher ALS Scan raised this question in its piracy liability case against Cloudflare, asking for a 7-hour long deposition of the company’s CEO, to find out more. Cloudflare opposed this request, saying it was overbroad and unneeded, while asking the court to weigh in.

After reviewing the matter, Magistrate Judge Alexander MacKinnon decided to allow the deposition, but in a limited form.

“An initial matter, the Court finds that ALS Scan has not made a showing that would justify a 7 hour deposition of Mr. Prince covering a wide range of topics,” the order (pdf) reads.

“On the other hand, a review of the record shows that ALS Scan has identified a narrow relevant issue for which it appears Mr. Prince has unique knowledge and for which less intrusive discovery has been exhausted.”

ALS Scan will be able to interrogate Cloudflare’s CEO but only for two hours. The deposition must be specifically tailored toward his motivation (not) to use his authority to terminate the accounts of ‘pirating’ customers.

“The specific topic is the use (or non-use) of Mr. Prince’s authority to terminate customers, as specifically applied to customers for whom Cloudflare has received notices of copyright infringement,” the order specifies.

Whether this deposition will help ALS Scan argue its case has yet to be seen. Based on earlier submissions, the CEO will likely argue that the Daily Stormer case was an exception to make a point and that it’s company policy to require a court order to respond to infringement claims.

Meanwhile, more questions are being raised. Just a few days ago Cloudflare suspended the account of a customer for using a cryptocurrency miner. Apparently, Cloudflare classifies these miners as malware, triggering a punishment without a court order.

ALS Scan and other copyright holders would like to see a similar policy against notorious pirate sites, but thus far Cloudflare is having none of it.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.





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Roku Shows FBI Warning to Pirate Channel Users


In recent years it has become much easier to stream movies and TV-shows over the Internet.

Legal services such as Netflix and HBO are flourishing, but at the same time millions of people are streaming from unauthorized sources, often paired with perfectly legal streaming platforms and devices.

Hollywood insiders have dubbed this trend “Piracy 3.0” and are actively working with stakeholders to address the threat. One of the companies rightsholders are working with is Roku, known for its easy-to-use media players.

Earlier this year a Mexican court ordered retailers to take the Roku media player off the shelves. This legal battle is still ongoing, but it was a clear signal to the company, which now has its own anti-piracy team.

Several third-party “private” channels have been removed from the player in recent weeks as they violate Roku’s terms and conditions. These include the hugely popular streaming channel XTV, which offered access to infringing content.

After its removal, XTV briefly returned as XTV 2, but that didn’t last for long. The infringing channel was soon removed again, this time showing the FBI’s anti-piracy seal followed by a rather ominous message.

“FBI Anti-Piracy Warning: Unauthorized copying is punishable under federal law,” it reads. “Roku has removed this unauthorized service due to repeated claims of copyright infringement.”

FBI Warning (via Cordcuttersnews)

The unusual warning was picked up by Cordcuttersnews and states that Roku itself removed the channel.

To some it may seem that the FBI is cracking down on Roku channels, but this is not the case. The anti-piracy seal and associated warning are often used in cases where the organization is not actively involved, to add extra weight. The FBI supports this, as long as certain standards are met.

A Roku spokesperson confirmed to TorrentFreak that they’re using it on their own accord here.

“We want to send a clear message to Roku customers and to publishers that any publication of pirated content on our platform is a violation of law and our platform rules,” the company says.

“We have recently expanded the messaging that we display to customers that install non-certified channels to alert them to the associated risks, and we display the FBI’s publicly available warning when we remove channels for copyright violations.”

The strong language shows that Roku is taking its efforts to crack down on infringing channels very seriously. A few weeks ago the company started to warn users that pirate channels may be removed without prior notice.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.





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Top 10 Most Pirated Movies of The Week on BitTorrent – 10/09/17


This week we have three newcomers in our chart.

Spider-Man: Homecoming is the most downloaded movie for the second week in a row.

The data for our weekly download chart is estimated by TorrentFreak, and is for informational and educational reference only. All the movies in the list are Web-DL/Webrip/HDRip/BDrip/DVDrip unless stated otherwise.

RSS feed for the weekly movie download chart.

This week’s most downloaded movies are:
Movie Rank Rank last week Movie name IMDb Rating / Trailer
Most downloaded movies via torrents
1 (1) Spider-Man: Homecoming 7.8 / trailer
2 (9) War for the Planet of the Apes 7.8 / trailer
3 (2) Baby Driver 8.0 / trailer
4 (3) Pirates of the Caribbean: Dead Men Tell No Tales 6.9 / trailer
5 (4) Transformers: The Last Knight 5.2 / trailer
6 (…) 6 Days 6.1 / trailer
7 (7) Wonder Woman 8.2 / trailer
8 (4) Despicable Me 3 6.4 / trailer
9 (…) The Dark Tower 5.9 / trailer
10 (8) Hitman’s Bodyguard 7.2 / trailer

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.





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SOPA Ghosts Hinder U.S. Pirate Site Blocking Efforts


Website blocking has become one of the entertainment industries’ favorite anti-piracy tools.

All over the world, major movie and music industry players have gone to court demanding that ISPs take action, often with great success.

Internal MPAA research showed that website blockades help to deter piracy and former boss Chris Dodd said that they are one of the most effective anti-tools available.

While not everyone is in agreement on this, the numbers are used to lobby politicians and convince courts. Interestingly, however, nothing is happening in the United States, which is where most pirate site visitors come from.

This is baffling to many people. Why would US-based companies go out of their way to demand ISP blocking in the most exotic locations, but fail to do the same at home?

We posed this question to Neil Turkewitz, RIAA’s former Executive Vice President International, who currently runs his own consulting group.

The main reason why pirate site blocking requests have not yet been made in the United States is down to SOPA. When the proposed SOPA legislation made headlines five years ago there was a massive backlash against website blocking, which isn’t something copyright groups want to reignite.

“The legacy of SOPA is that copyright industries want to avoid resurrecting the ghosts of SOPA past, and principally focus on ways to creatively encourage cooperation with platforms, and to use existing remedies,” Turkewitz tells us.

Instead of taking the likes of Comcast and Verizon to court, the entertainment industries focused on voluntary agreements, such as the now-defunct Copyright Alerts System. However, that doesn’t mean that website blocking and domain seizures are not an option.

“SOPA made ‘website blocking’ as such a four-letter word. But this is actually fairly misleading,” Turkewitz says.

“There have been a variety of civil and criminal actions addressing the conduct of entities subject to US jurisdiction facilitating piracy, regardless of the source, including hundreds of domain seizures by DHS/ICE.”

Indeed, there are plenty of legal options already available to do much of what SOPA promised. ABS-CBN has taken over dozens of pirate site domain names through the US court system. Most recently even through an ex-parte order, meaning that the site owners had no option to defend themselves before they lost their domains.

ISP and search engine blocking is also around the corner. As we reported earlier this week, a Virginia magistrate judge recently recommended an injunction which would require search engines and Internet providers to prevent users from accessing Sci-Hub.

Still, the major movie and music companies are not yet using these tools to take on The Pirate Bay or other major pirate sites. If it’s so easy, then why not? Apparently, SOPA may still be in the back of their minds.

Interestingly, the RIAA’s former top executive wasn’t a fan of SOPA when it was first announced, as it wouldn’t do much to extend the legal remedies that were already available.

“I actually didn’t like SOPA very much since it mostly reflected existing law and maintained a paradigm that didn’t involve ISP’s in creative interdiction, and simply preserved passivity. To see it characterized as ‘copyright gone wild’ was certainly jarring and incongruous,” Turkewitz says.

Ironically, it looks like a bill that failed to pass, and didn’t impress some copyright holders to begin with, is still holding them back after five years. They’re certainly not using all the legal options available to avoid SOPA comparison. The question is, for how long?

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.





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Private Torrent Sites Allow Users to Mine Cryptocurrency for Upload Credit


Ever since The Pirate Bay crew added a cryptocurrency miner to their site last month, the debate over user mining has sizzled away in the background.

The basic premise is that a piece of software embedded in a website runs on a user’s machine, utilizing its CPU cycles in order to generate revenue for the site in question. But not everyone likes it.

The main problem has centered around consent. While some sites are giving users the option of whether to be involved or not, others simply run the miner without asking. This week, one site operator suggested to TF that since no one asks whether they can run “shitty” ads on a person’s machine, why should they ask permission to mine?

It’s a controversial point, but it would be hard to find users agreeing on either front. They almost universally insist on consent, wherever possible. That’s why when someone comes up with something innovative to solve a problem, it catches the eye.

Earlier this week a user on Reddit posted a screenshot of a fairly well known private tracker. The site had implemented a mining solution not dissimilar to that appearing on other similar platforms. This one, however, gives the user something back.

Mining for coins – with a twist

First of all, it’s important to note the implementation. The decision to mine is completely under the control of the user, with buttons to start or stop mining. There are even additional controls for how many CPU threads to commit alongside a percentage utilization selector. While still early days, that all sounds pretty fair.

Where this gets even more interesting is how this currency mining affects so-called “upload credit”, an important commodity on a private tracker without which users can be prevented from downloading any content at all.

Very quickly: when BitTorrent users download content, they simultaneously upload to other users too. The idea is that they download X megabytes and upload the same number (at least) to other users, to ensure that everyone in a torrent swarm (a number of users sharing together) gets a piece of the action, aka the content in question.

The amount of content downloaded and uploaded on a private tracker is monitored and documented by the site. If a user has 1TB downloaded and 2TB uploaded, for example, he has 1TB in credit. In basic terms, this means he can download at least 1TB of additional content before he goes into deficit, a position undesirable on a private tracker.

Now, getting more “upload credit” can be as simple as uploading more, but some users find that difficult, either due to the way a tracker’s economy works or simply due to not having resources. If this is the case, some sites allow people to donate real money to receive “upload credit”. On the tracker highlighted in the mining example above, however, it’s possible to virtually ‘trade-in’ some of the mining effort instead.

Tracker politics aside (some people believe this is simply a cash grab opportunity), from a technical standpoint the prospect is quite intriguing.

In a way, the current private tracker system allows users to “mine” upload credits by donating bandwidth to other users of the site. Now they have the opportunity to mine an actual cryptocurrency on the tracker and have some of it converted back into the tracker’s native ‘currency’ – upload credit – which can only be ‘spent’ on the site. Meanwhile, the site’s operator can make a few bucks towards site maintenance.

Another example showing how innovative these mining implementations can be was posted by a member of a second private tracker. Although it’s unclear whether mining is forced or optional, there appears to be complete transparency for the benefit of the user.

The mining ‘Top 10’ on a private tracker

In addition to displaying the total number of users mining and the hashes solved per second, the site publishes a ‘Top 10’ list of users mining the most currently, and overall. Again, some people might not like the concept of users mining at all, but psychologically this is a particularly clever implementation.

Utilizing the desire of many private tracker users to be recognizable among their peers due to their contribution to the platform, the charts give a user a measurable status in the community, at least among those who care about such things. Previously these charts would list top uploaders of content but the addition of a ‘Top miner’ category certainly adds some additional spice to the mix.

Mining is a controversial topic which isn’t likely to go away anytime soon. But, for all its faults, it’s still a way for sites to generate revenue, away from the pitfalls of increasingly hostile and easy-to-trace alternative payment systems. The Pirate Bay may have set the cat among the pigeons last month, but it also gave the old gray matter a boost too.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.





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Hitman’s Bodyguard Pirates Get Automated $300 Fine


Late August a ‘piracy disaster‘ struck the makers of The Hitman’s Bodyguard, an action comedy movie featuring Hollywood stars Samuel L. Jackson and Ryan Reynolds.

The film was leading the box office charts when, eight days after its theatrical release, a high definition copy hit various pirate sites.

While it’s hard to predict whether the leak substantially impacted the movie’s revenue, the people behind the film are determined to claim damages. They hired the services of “Rights Enforcement,” an outfit which tracks down BitTorrent pirates.

Rights Enforcement sends automated ‘fines’ via DMCA notices, which is cheaper than expensive lawsuits. At the same time, this also makes the settlement process easier to scale, as they can send out tens of thousands of ‘fines’ at once with limited resources, without any oversight from a court.

TorrentFreak has seen several notices targeted at The Hitman’s Bodyguard pirates. While the notices themselves don’t list the settlement fee, recipients are referred to a page that does. Those who admit guilt are asked to pay a $300 settlement fee.

“We have evidence that someone using your Internet service has placed a media file that contains the protected content for our client’s motion picture in a shared folder location and is enabling others to download copies of this content,” the notices warn.

Part of the DMCA notice

The text, which is forwarded by several ISPs, is cleverly worded. The account holders in question are notified that if the issue isn’t resolved, they may face a lawsuit.

“You may consider this a notice of potential lawsuit, a demand for the infringing activity to terminate, and a demand for damages from the actual infringer. We invite your voluntary cooperation in assisting us with this matter, identifying the infringer, and ensuring that this activity stops. Should the infringing activity continue we may file a civil lawsuit seeking judicial relief.”

The email points users to the settlement portal where they can review the claim and a possible solution. In this case, “resolving” the matter will set account holders back a hefty $300.



People are free to ignore the claim, of course, but Rights Enforcement warns that if the infringements continue they might eventually be sued.

“If you do not settle the claim and you continue to infringe then odds are you will eventually be sued and face substantial civil liability. So first thing is to stop the activity and make sure you are not involved with infringing activity in the future.”

The notice also kindly mentions that the recipients can contact an attorney for legal advice. However, after an hour or two a legal bill will have exceeded the proposed settlement amount, so for many this isn’t really an option.

It’s quite a clever scheme. Although most people probably won’t be sued for ignoring a notice, there’s always the possibility that they will. Especially since Rights Enforcement is linked to some of the most prolific copyright trolls.

The company, which emerged earlier this year, is operated by lawyer Carl Crowell who is known for his work with movie studios such as Voltage Pictures. In the past, he filed lawsuits for several films such as Dallas Buyers Club and The Hurt Locker.

When faced with a threat of an expensive lawsuit, even innocent subscribers may be inclined to pay the settlement. They should be warned, however, once the first payment is made, many similar requests may follow.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.





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RIAA Identifies Top YouTube MP3 Rippers and Other Pirate Sites


Around the same time as Hollywood’s MPAA, the RIAA has also submitted its overview of “notorious markets” to the Office of the US Trade Representative (USTR).

These submissions help to guide the U.S. Government’s position toward foreign countries when it comes to copyright enforcement.

The RIAA’s overview begins positively, announcing two major successes achieved over the past year.

The first is the shutdown of sites such as Emp3world, AudioCastle, Viperial, Album Kings, and im1music. These sites all used the now-defunct Sharebeast platform, whose operator pleaded guilty to criminal copyright infringement.

Another victory followed a few weeks ago when YouTube-MP3.org shut down its services after being sued by the RIAA.

“The most popular YouTube ripping site, youtube-mp3.org, based in Germany and included in last year’s list of notorious markes [sic], recently shut down in response to a civil action brought by major record labels,” the RIAA writes.

This case also had an effect on similar services. Some stream ripping services that were reported to the USTR last year no longer permit the conversion and download of music videos on YouTube, the RIAA reports. However, they add that the problem is far from over.

“Unfortunately, several other stream-ripping sites have ‘doubled down’ and carry on in this illegal behavior, continuing to make this form of theft a major concern for the music industry,” the music group writes.

“The overall popularity of these sites and the staggering volume of traffic it attracts evidences the enormous damage being inflicted on the U.S. record industry.”

The music industry group is tracking more than 70 of these stream ripping sites and the most popular ones are listed in the overview of notorious markets. These are Mp3juices.cc, Convert2mp3.net, Savefrom.net, Ytmp3.cc, Convertmp3.io, Flvto.biz, and 2conv.com.

Youtube2mp3’s listing

The RIAA notes that many sites use domain privacy services to hide their identities, as well as Cloudflare to obscure the sites’ true hosting locations. This frustrates efforts to take action against these sites, they say.

Popular torrent sites are also highlighted, including The Pirate Bay. These sites regularly change domain names to avoid ISP blockades and domain seizures, and also use Cloudflare to hide their hosting location.

“BitTorrent sites, like many other pirate sites, are increasing [sic] turning to Cloudflare because routing their site through Cloudflare obfuscates the IP address of the actual hosting provider, masking the location of the site.”

Finally, the RIAA reports several emerging threats reported to the Government. Third party app stores, such as DownloadAtoZ.com, reportedly offer a slew of infringing apps. In addition, there’s a boom of Nigerian pirate sites that flood the market with free music.

“The number of such infringing sites with a Nigerian operator stands at over 200. Their primary method of promotion is via Twitter, and most sites make use of the Nigerian operated ISP speedhost247.com,” the report notes

The full list of RIAA’s “notorious” pirate sites, which also includes several cyberlockers, MP3 search and download sites, as well as unlicensed pay services, can be found below. The full report is available here (pdf).

—

Stream-Ripping Sites

– Mp3juices.cc
– Convert2mp3.net
– Savefrom.net
– Ytmp3.cc
– Convertmp3.io
– Flvto.biz
– 2conv.com.

Search-and-Download Sites

– Newalbumreleases.net
– Rnbxclusive.top
– DNJ.to

BitTorrent Indexing and Tracker Sites

– Thepiratebay.org
– Torrentdownloads.me
– Rarbg.to
– 1337x.to

Cyberlockers

– 4shared.com
– Uploaded.net
– Zippyshare.com
– Rapidgator.net
– Dopefile.pk
– Chomikuj.pl

Unlicensed Pay-for-Download Sites

– Mp3va.com
– Mp3fiesta.com

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.





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Spotify Threatened Researchers Who Revealed ‘Pirate’ History


As one of the members of Sweden’s infamous Piratbyrån (Piracy Bureau), Rasmus Fleischer was also one of early key figures at The Pirate Bay. Over the years he’s been a writer, researcher, debater, and musician, and in 2012 he finished his PhD thesis on “music’s political economy.”

As part of a five-person research team (Pelle Snickars, Patrick Vonderau, Anna Johansson, Rasmus Fleischer, Maria Eriksson) funded by the Swedish Research Council, Fleischer has co-written a book about the history of Spotify.

Titled ‘Spotify Teardown – Inside the Black Box of Streaming Music’, the publication is set to shine light on the history of the now famous music service while revealing quite a few past secrets.

With its release scheduled for 2018, Fleischer has already teased a few interesting nuggets, not least that Spotify’s early beta version used ‘pirate’ MP3 files, some of them sourced from The Pirate Bay.

Fleischer says that following an interview earlier this year with DI.se, in which he revealed that Spotify distributed unlicensed music between May 2007 to October 2008, Spotify looked at ways to try and stop his team’s research. However, the ‘pirate’ angle wasn’t the clear target, another facet of the team’s research was.

“Building on the tradition of ‘breaching experiments’ in ethnomethodology, the research group sought to break into the hidden infrastructures of digital music distribution in order to study its underlying norms and structures,” project leader Pelle Snickars previously revealed.

With this goal, the team conducted experiments to see if the system was open to abuse or could be manipulated, as Fleischer now explains.

“For example, some hundreds of robot users were created to study whether the same listening behavior results in different recommendations depending on whether the user was registered as male or female,” he says.

“We have also investigated on a small scale the possibilities of manipulating the system. However, we have not collected any data about real users. Our proposed methods appeared several years ago in our research funding application, which was approved by the Swedish Research Council, which was already noted in 2013.”

Fleischer says that Spotify had been aware of the project for several years but it wasn’t until this year, after he spoke of Spotify’s past as a ‘pirate’ service, that pressure began to mount.

“On May 19, our project manager received a letter from Benjamin Helldén-Hegelund, a lawyer at Spotify. The timing was hardly a coincidence. Spotify demanded that we ‘confirm in writing’ that we had ‘ceased activities contrary to their Terms of Use’,” Fleischer reveals.

A corresponding letter to the Swedish Research Council detailed Spotify’s problems with the project.

“Spotify is particularly concerned about the information that has emerged regarding the research group’s methods in the project. The data indicate that the research team has deliberately taken action that is explicitly in violation of Spotify’s Terms of Use and by means of technical methods they sought to conceal these breaches of conditions,” the letter read.

“The research group has worked, among other things, to artificially increase the number of plays and manipulate Spotify’s services using scripts or other automated processes.

“Spotify assumes that the systematic breach of its conditions has not been known to the Swedish Research Council and is convinced that the Swedish Research Council is convinced that the research undertaken with the support of the Swedish Research Council in all respects meets ethical guidelines and is carried out reasonably and in accordance with applicable law.”

Fleischer admits that part of the research was concerned with the possibility of artificially increasing the number of plays, but he says that was carried out on a small scale without any commercial gain.

“The purpose was simply to test if it is true that Spotify could be manipulated on a larger scale, as claimed by journalists who did similar experiments. It is also true that we ‘sought to hide these crimes’ by using a VPN connection,” he says.

Fleischer says that Spotify’s lawyer blended complaints together, such as correlating terms of service violations with violation of research ethics, while presenting the same as grounds for legal action.

“The argument was quite ridiculous. Nevertheless, the letter could not be interpreted as anything other than an attempt by Spotify to prevent us from pursuing the research project,” he notes.

This week, however, it appears the dispute has reached some kind of conclusion. In a posting on his Copyriot blog (Swedish), Fleischer reveals that the Swedish Research Council informed the researchers that the case has been closed, i.e. they do not agree with Spotify’s claims and won’t withdraw funding.

“It must be acknowledged that Spotify’s threats have taken both time and power from the project. This seems to be the purpose when big companies go after researchers who they perceive as uncomfortable. It may not be possible to stop the research but it can be delayed,” Fleischer says.

“Sure [Spotify] dislikes people being reminded of how the service started as a pirate service. But instead of inviting an open dialogue, lawyers are sent out for the purpose of slowing down researchers.”

Spotify Teardown. Inside the Black Box of Streaming Music is to be published by MIT Press in 2018.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.





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“Pirate Sites Generate $111 Million In Ad Revenue a Year”


In recent years various copyright holder groups have adopted a “follow-the-money” approach in the hope of cutting off funding to so-called pirate sites.

The Trustworthy Accountability Group (TAG) is one of the organizations that helps to facilitate these efforts. TAG coordinates an advertising-oriented Anti-Piracy Program for the advertising industry and has signed up dozens of large companies across various industries.

Today they released a new report, titled “Measuring Digital Advertising Revenue to Infringing Sites,” which shows the impact of these efforts.

The study, carried out by Ernst and Young, reveals that the top 672 piracy sites still generate plenty of revenue. A whopping $111 million per year, to be precise. But it may have been twice as much without the industry’s interventions.

“Digital ad revenue linked to infringing content was estimated at $111 million last year, the majority of which (83 percent) came from non-premium advertisers,” TAG writes.

“If the industry had not taken aggressive steps to reduce piracy, those pirate site operators would have potentially earned an additional $102-$177 million in advertising revenue, depending on the breakdown of premium and non-premium advertisers.”

Pirate revenue estimates

Taking more than $100 million away from pirate sites is pretty significant, to say the least.

It, therefore, comes as no surprise that the news is paired with positive comments from various industry insiders as well as US Congressman Adam Schiff, who co-chairs the International Creativity and Theft Prevention Caucus.

“The study recently completed by Ernst and Young on behalf of TAG shows that those efforts are bearing fruit, and that voluntary efforts by advertisers and agencies kept well over $100 million out of the pockets of pirate sites last year alone,” Schiff says.

While TAG and their partners pat themselves on the back, those who take a more critical look at the data will realize that their view is rather optimistic. There is absolutely no evidence that TAG’s efforts are responsible for the claimed millions that were kept from pirate sites.

In fact, most of these millions never ended up in the pockets of these websites to begin with.

The $102 million that pirate sites ‘didn’t get’ is simply the difference between premium and non-premium ads. In other words, the extra money these sites would have made if they had 100% premium ads, which is a purely hypothetical situation.

Long before TAG existed pirate sites were banned by a lot of premium advertising networks, including Google AdSense, and mostly serving lower tier ads.

The estimated CPM figures (earnings per 1,000 views) are rather optimistic too. TAG puts these at $2.50 for non-premium ads. We spoke to several site owners who said these were way off. Even pop-unders in premium countries make less than a dollar, we were told.

Site owners are not the only ones that have a much lower estimate. An earlier copyright industry-backed study, published by Digital Citizens Alliance (DCA), put the average CPM of these pirate site ads at $0.30, which is miles away from the $2.50 figure.

In fact, the DCA study also put the premium ads at $0.30, because these often end up as leftover inventory at pirate sites, according to experts.

“Based on MediaLink expertise and research with advertising industry members, the assumption is that where premium ads appear they are delivered programmatically by exchanges to fulfill the dregs of campaigns. As such, rates are assumed to be the same for premium and non-premium ads,” the DCA report noted.

In the TAG report, the estimate for premium ads is a bit higher, $5 per 1000 views. Video ads may be higher, but these only represent a tiny fraction of the total.

While TAG’s efforts will no doubt make a difference, it’s good to keep the caveats above in mind. Their claim that that the ad industry’s anti-piracy efforts have “cut pirate ad revenue in half” is misleading, to say the least.

That doesn’t mean that all numbers released by the organization should be taken with a grain of salt. The TAG membership rates below are 100% accurate.

TAG membership fees

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.





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Yarrrr! Dutch ISPs Block The Pirate Bay But It’s Bad Timing for Trolls


While many EU countries have millions of Internet pirates, few have given citizens the freedom to plunder like the Netherlands. For many years, Dutch Internet users actually went about their illegal downloading with government blessing.

Just over three years ago, downloading and copying movies and music for personal use was not punishable by law. Instead, the Dutch compensated rightsholders through a “piracy levy” on writable media, hard drives and electronic devices with storage capacity, including smartphones.

Following a ruling from the European Court of Justice in 2014, however, all that came to an end. Along with uploading (think BitTorrent sharing), downloading was also outlawed.

Around the same time, The Court of The Hague handed down a decision in a long-running case which had previously forced two Dutch ISPs, Ziggo and XS4ALL, to block The Pirate Bay.

Ruling against local anti-piracy outfit BREIN, it was decided that the ISPs wouldn’t have to block The Pirate Bay after all. After a long and tortuous battle, however, the ISPs learned last month that they would have to block the site, pending a decision from the Supreme Court.

On September 22, both ISPs were given 10 business days to prevent subscriber access to the notorious torrent site, or face fines of 2,000 euros per day, up to a maximum of one million euros.

With that time nearly up, yesterday Ziggo broke cover to become the first of the pair to block the site. On a dedicated diversion page, somewhat humorously titled ziggo.nl/yarrr, the ISP explained the situation to now-blocked users.

“You are trying to visit a page of The Pirate Bay. On September 22, the Hague Court obliged us to block access to this site. The pirate flag is thus handled by us. The case is currently at the Supreme Court which judges the basic questions in this case,” the notice reads.

Ziggo Pirate Bay message (translated)

Customers of XS4ALL currently have no problem visiting The Pirate Bay but according to a statement handed to Tweakers by a spokesperson, the blockade will be implemented today.

In addition to the site’s main domains, the injunction will force the ISPs to block 155 URLs and IP addresses in total, a list that has been drawn up by BREIN to include various mirrors, proxies, and alternate access points. XS4All says it will publish a list of all the blocked items on its notification page.

While the re-introduction of a Pirate Bay blockade in the Netherlands is an achievement for BREIN, it’s potentially bad timing for the copyright trolls waiting in the wings to snare Dutch file-sharers.

As recently reported, movie outfit Dutch Filmworks (DFW) is preparing a wave of cash-settlement copyright-trolling letters to mimic those sent by companies elsewhere.

There’s little doubt that users of The Pirate Bay would’ve been DFW’s targets but it seems likely that given the introduction of blockades, many Dutch users will start to educate themselves on the use of VPNs to protect their privacy, or at least become more aware of the risks.

Of course, there will be no real shortage of people who’ll continue to download without protection, but DFW are getting into this game just as it’s likely to get more difficult for them. As more and more sites get blocked (and that is definitely BREIN’s overall plan) the low hanging fruit will sit higher and higher up the tree – and the cash with it.

Like all methods of censorship, site-blocking eventually drives communication underground. While anti-piracy outfits all say blocking is necessary, obfuscation and encryption isn’t welcomed by any of them.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.





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