Figuring out what to do about the online piracy problem is an ongoing puzzle for rightsholders everywhere. What they’re all agreed upon, however, is the need to educate the public.

Various approaches have been deployed, from ISP-based ‘education’ notices through to the current practice of painting pirate sites as havens for viruses and malware. The other approach, of course, has been to threaten to sue pirates in an effort to make them change their ways.

These threats have traditionally been deployed by so-called copyright trolls – companies and groups who have the sole intention of extracting cash payments from pirates in order to generate an additional revenue stream. At the same time, many insist that their programs are also designed to reduce piracy via word of mouth.

While that might be true in some cases, there’s little proof that the approach works. However, a new study carried out on behalf of the Copyright Information and Anti-Piracy Center (CIAPC) in Finland suggests that they may have had some effect.

The survey was carried out between 11 September 2017 and 10 October 2017 among people aged 15 to 79-years-old. In total, 1001 people were interviewed, 77% of whom said they’d never used pirate services.

Of all people interviewed, 43% said they’d heard about copyright holders sending settlement letters to Internet users, although awareness rates were higher (between 51% and 55%) among people aged between 25 and 49-years-old. Predictably, awareness jumped to 70% among users of pirate services and it’s these individuals that produced some of the study’s most interesting findings.

Of the pirates who said they were aware of settlement letters being sent out, 13% reported that they’d terminated their use of pirate services as a result. A slightly higher figure, 14%, said they’d reduced their use of unauthorized content.

Perhaps surprisingly (given that they aren’t likely to receive a letter), the study also found that 17% of people who listen to or play content on illegal online services (implication: streaming) stopped doing so, with 13% cutting down on the practice.

“According to the Economic Research Survey, these two groups of respondents are partly overlapping, but it can still be said that the settlement letters have had a decisive impact on the use of pirated services,” CIAPC reports.

The study also found support for copyright holders looking to unmask alleged Internet pirates by compelling their ISPs to do so in court.

“The survey found that 65 percent of the population is fully or partly in favor of rightsholders being allowed to find out who has infringed their rights anonymously on the Internet,” the group adds.

Overall, just 17% of respondents said that rightsholders shouldn’t be able to find out people’s identities. Unsurprisingly, young pirates objected more than the others, with 35% of 25 to 49-year-old pirates coming out against disclosure. That being said, this figure suggests that 65% of pirates in this group are in favor of pirates being unmasked. That appears counter-intuitive, to say the least.

Speaking with TorrentFreak, Pirate Party vice council member of Espoo City Janne Paalijärvi says that study seems to have omitted to consider the effects of legal alternatives on pirate consumption.

“The analysis seemingly forgets to fully take into account the prevalence of legal streaming services such as Netflix,” Paalijärvi says.

“Legitimate, reasonably-priced and easy-to-use delivery platforms are the number one weapon against piracy. Not bullying your audience with copyright extortion letters. The latter approach creates unwanted hostility between artists and customers. It also increases the demand for political parties wanting to balance copyright legislation.”

Overall, however, Finland doesn’t appear to have a serious problem with piracy, at least as far as public perceptions go. According to the study, only 5% of citizens believe that unauthorized file-sharing is acceptable. The figure for 2016 was 7%.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.





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stslogo180If you enjoy this episode, consider becoming a patron and getting involved with the show. Check out Steal This Show’s Patreon campaign: support us and get all kinds of fantastic benefits!

It seems everyone’s getting in on the “fake news” game today, from far-right parties in Germany to critics of Catalan separatism — but none more concertedly than the Russian state itself.

In this episode we meet Ben Nimmo, Fellow at the Atlantic Council’s Digital Forensic Research Lab, to talk us through the latest patterns and trends in online disinformation and hybrid warfare. ‘People who really want to cause trouble can make up just about anything,’ explains Ben, ‘and the fakes are getting more and more complex. It’s really quite alarming.’

After cluing us in on the state of information warfare today, we discuss evidence that the Russians are deploying a fully-funded ‘Troll Factory’ across dominant social networks whose intent is to distort reality and sway the political conversation in favour of its masters.

We dig deep into the present history of the ‘Battle Of The Bots’, looking specifically at the activities of the fake Twitter account @TEN_GOP, whose misinformation has reached all the way to the highest tier of American government. Can we control or counter these rogue informational entities? What’s the best way to do so? Do we need ‘Asimov Laws’ for a new generation of purely online, but completely real, information entities?

Steal This Show aims to release bi-weekly episodes featuring insiders discussing copyright and file-sharing news. It complements our regular reporting by adding more room for opinion, commentary, and analysis.

The guests for our news discussions will vary, and we’ll aim to introduce voices from different backgrounds and persuasions. In addition to news, STS will also produce features interviewing some of the great innovators and minds.

Host: Jamie King

Guest: Ben Nimmo

Produced by Jamie King
Edited & Mixed by Riley Byrne
Original Music by David Triana
Web Production by Siraje Amarniss

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.





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Google regularly removes infringing websites from its search results, but the company is also wary of abuse.

When the Canadian company Equustek Solutions requested the company to remove websites that offered unlawful and competing products, it refused to do so globally.

This resulted in a legal battle that came to a climax in June, when the Supreme Court of Canada ordered Google to remove a company’s websites from its search results. Not just in Canada, but all over the world.

With options to appeal exhausted in Canada, Google took the case to a federal court in the US. The search engine requested an injunction to disarm the Canadian order, arguing that a worldwide blocking order violates the First Amendment.

Surprisingly, Equustek decided not to defend itself and without opposition, a California District Court sided with Google yesterday.

During a hearing, Google attorney Margaret Caruso stressed that it should not be possible for foreign countries to implement measures that run contrary to core values of the United States.

The search engine argued that the Canadian order violated Section 230 of the Communications Decency Act, which immunizes Internet services from liability for content created by third parties. With this law, Congress specifically chose not to deter harmful online speech by imposing liability on Internet services.

In an order, signed shortly after the hearing, District Judge Edward Davila concludes that Google qualifies for Section 230 immunity in this case. As such, he rules that the Canadian Supreme Court’s global blocking order goes too far.

“Google is harmed because the Canadian order restricts activity that Section 230 protects. In addition, the balance of equities favors Google because the injunction would deprive it of the benefits of U.S. federal law,” Davila writes.

Rendering the order unenforceable is not just in the interest of Google, the District Court writes. It’s also best for the general public as free speech is clearly at stake here.

“Congress recognized that free speech on the internet would be severely restricted if websites were to face tort liability for hosting user-generated content. It responded by enacting Section 230, which grants broad immunity to online intermediaries,” Judge Davila writes.

“The Canadian order would eliminate Section 230 immunity for service providers that link to third-party websites. By forcing intermediaries to remove links to third-party material, the Canadian order undermines the policy goals of Section 230 and threatens free speech on the global internet.”

The preliminary injunction

The Court signed a preliminary injunction which prevents Equustek enforcing the Canadian order in the United States, which is exactly what Google was after. Since the Canadian company chose not to represent itself in the US case, this will likely stand.

The ruling is important in the broader scheme. If foreign courts are allowed to grant worldwide blockades, free speech could be severely hampered. Today it’s a relatively unknown Canadian company, but what if the Chinese Government asked Google to block the websites of VPN providers?

A copy of the full order is available here (pdf).

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.





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The times when pirates were stereotyped as young men in a college dorm are long past us.

Nowadays you can find copyright infringers throughout many cultures and all layers of society.

In the past we’ve discovered ‘pirates’ in the most unusual places, from the FBI, through major record labels and the U.S. Government to the Vatican.

This week we can add another location to the list, Osama Bin Laden’s former Abbottabad compound, where he was captured and killed on 2 May 2011.

The CIA has regularly released documents and information found on the premises. This week it added a massive treasure trove of 470,000 files, providing insight into the interests of one of the most notorious characters in recent history.

“Today’s release of recovered al-Qa‘ida letters, videos, audio files and other materials provides the opportunity for the American people to gain further insights into the plans and workings of this terrorist organization,” CIA Director Pompeo commented.

What caught our eye, however, is the material that the CIA chose not to release. This includes a host of pirated files, some more relevant than others.

For example, the computers contained pirated copies of the movies Antz, Batman Gotham Knight, Cars, Chicken Little, Ice Age: Dawn of the Dinosaurs, Home on the Range and The Three Musketeers. Since these are children-oriented titles, it’s likely they served as entertainment for the kids living in the compound.

There was also other entertainment stored on the hard drives, including the games Final Fantasy VII and Grand Theft Auto: Chinatown Wars, a Game Boy Advance emulator, porn, and anime.

Gizmodo has an overview of some of the weirdest movies, for those who are interested.

Not all content is irrelevant, though. The archive also contains files including the documentary “Where in the World is Osama bin Laden,” “CNN Presents: World’s Most Wanted,” “In the Footsteps of Bin Laden,” and “National Geographic: World’s Worst Venom.”

Or what about “National Geographic: Kung Fu Killers,” which reveals the ten deadliest Kung Fu weapons of all time, including miniature swords disguised as tobacco pipes.

There is, of course, no evidence that Osama Bin Laden watched any of these titles. Just as there’s no proof that he played any games. There were a lot of people in the compound and, while it makes for a good headline, the files are not directly tied to him.

That said, the claim that piracy supports terrorism suddenly gets a whole new meaning…



Credit: Original compound image Sajjad Ali Qureshi

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.





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Amazing value for money with the brand-new X96 Mini TV Box for just $22.11 as long as you use the discount coupon 11.11GB086 when added the device to your cart! This offer is only limited to 50 devices so you better hurry-up!  It is an Android 7.1.2 TV Box (Android Nougat which is the latest OS by Google) and comes also with a Quad-core 2.0GHz Amlogic S905W CPU, a Penta-core Mali-450MP GPU, 2GB of RAM and 16GB of internal storage. Pretty impressive for such a low price, it really is the most cost-effective chipset in the market right now!

The device comes is a small factor casing. The X96 mini weighs only 150gr and in just 8.20 x 8.20 x 1.70 cm / 3.23 x 3.23 x 0.67 inches! You can easily mount it on the wall and use the external IR receiver for a better signal for your remote control. On the front panel, there is just a power LED, red means powered off and blue when working.

On the back panel we find the DC in 5V, the LAN / Ethernet port, an HDMI 2.0 output for real 4K playback at 60 frames per second, an AV output in case you use a projector or older TV and the IR port for the external IR receiver. On the left side we also find 2 X USB 2.0 and 1 SD Card Slot for up to 64GB more storage, which on Android 7 you can easily use as internal storage as well.

Performance on KODI is excellent, even at the highest resolution of 4K 10bit HDR the playback is flawless. It fully supports the latest version of KODI 17.4 so you will get the latest features of your favorite media player. With the pre-installed version of Google Playstore you can download all the latest apps and games.

The only downside, in my opinion, is the WiFi module which isn’t Dual Band. It only supports 2.4G but it is working very fast to be absolutely fair and not everyone has yet a Dual Band modem.

Overall, with the most cost-effective chipset, it is definitely one of the best value for money Android TV Boxes in the market right now. For more and in order to get one just for $22.11 as long as you use the discount coupon 11.11GB086 visit: https://www.gearbest.com/tv-box/pp_715051.html?wid=21&lkid=11638882

Specification

General Model: X96 Mini
Type: TV Box
Processor: Amlogic S905W
CPU: ARM Cortex-A53
Core: 2.0GHz,Quad Core
GPU: Mali-450MP
RAM: 2G RAM
RAM Type: DDR3
ROM: 16G ROM
Max. Extended Capacity: 64G
Media Supported Decoder Format: H.264,H.265,HD MPEG4,RealVideo8/9/10
Video format: 1080P,4K x 2K,DAT,MKV,MOV,MP4,MPEG,MVC,RM,VC-1
Audio format: AAC,FLAC,MP3,OGG,RM
Photo Format: BMP,GIF,JPEG,TIFF
Support 5.1 Surround Sound Output: Yes
Product Details Power Supply: Charge Adapter
Interface: AV,HDMI,RJ45,TF card,USB2.0
Language: English,French,Germany,Italian,Multi-language,Spanish
DVD Support: No
HDMI Version: 2.0
Other Functions: 3D Games,3D Video,ISO Files,Miracast,NTSC
External Subtitle Supported: No
RJ45 Port Speed: 100M
Firmware Information System Bit: 64Bit
WiFi Chip: RTL8189
System Activation: Yes
Power Requirement Power Type: External Power Adapter Mode
Dimension and Weight Product weight: 0.1500 kg
Package weight: 0.4250 kg
Product size (L x W x H): 8.20 x 8.20 x 1.70 cm / 3.23 x 3.23 x 0.67 inches
Package size (L x W x H): 17.00 x 11.00 x 5.50 cm / 6.69 x 4.33 x 2.17 inches
Package Contents Package Contents: 1 x TV Box, 1 x HDMI Cable, 1 x IR Remote, 1 x Power Adapter, 1 x English User Manual


At the end of the year movie industry insiders traditionally receive their screener copies, which they use to vote on the Oscars and other awards.

As is tradition, quite a few of these advance screeners will leak on various pirate sites. Last year the action started late, but eventually more than a dozen copies found their way to pirate sites.

The problem is not minor. Over the past fifteen years, screener copies of more than half of all the Oscar-nominated films have leaked online. Many of them appeared while the movies were still playing in theaters, or even before.

Hollywood has been working hard to contain the problem with watermarks and other security protocols but it seems hard to contain. This isn’t really a surprise when you look at the numbers. According to reports, studios send out 70,000 physical discs every year.

“No matter how much you try to secure your product, if you’re sending out a movie, it will leak online,” an anonymous source at a top awards screeners distributor told Variety, which reported on the issue.

In recent years several new online screening options have been developed. These are much cheaper, less than $4 compared to up to $35 for a watermarked physical disc. On top of that, they’re also much more secure and less likely to be stolen or copied in the distribution process.

Interestingly, however, many studios are reluctant to make this change. Not because they are worried about the technology itself, which works just fine, but because they fear that older voters are not tech savvy enough to handle an online screener.

This is corroborated by Matt Suggs, the executive VP of the online screening platform Mediafly. “The No. 1 concern is the older awards-voter demographic. This is brought up by every one of our customers,” he says.

Apparently, awards votes are more important than security in this instance. This is good news for pirates who have a better chance of seeing advance screener copies leak because of it. The question is, how long will this last?

Technology advances at a rapid pace. Just ten years ago it was pretty much impossible to stream a Hollywood movie online, something that everyone takes for granted today. So, eventually, screeners will all move to the Internet as well.

Suggs compares it to the shift from VHS to DVDs. At first, many older voters were not happy with the change, but eventually, everyone caved in.

“The same concerns existed when the studios moved to DVDs. For several years, they still had older members asking for VHS tapes. It’s just inevitable that they’re going to migrate to eScreeners in the same way. The real solution to this problem is time,” he says.

That said, even when all screeners move to a well-protected online platforms, leaks will still be possible. After all, pirates and hackers tend to be very familiar with the online playground.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.





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When Megaupload was shut down in January 2012, US authorities did everything within their power to financially ruin Kim Dotcom and his associates.

Aside from taking much of his personal property, tens of millions of dollars of assets were seized around the world.

Under instruction from the U.S. government, US$42.57m in assets were seized in Hong Kong and since then Dotcom has been trying to claw it back, bit by bit.

Back in July, Dotcom revealed that the Hong Kong High Court had released more of his funds, plus four containers of seized property. Noting that he missed the country, he gave thanks for the lifeline.

“Thanks to a Hong Kong Judge my family can move to Queenstown and my kids will be surrounded by beautiful mountains & lakes instead of spies,” Dotcom said.

That move eventually went ahead, with Dotcom regularly tweeting beautiful waterside views from his new home over the past few months. But of course, nice things tend to cost quite a bit of money, so Dotcom’s legal team have been working hard in Hong Kong to have more funds released.

According to a report from NZHerald, his latest request is fairly sizeable, reaching NZ$1.2m (US$829,400), everything considered.

First up, Dotcom is seeking around NZ$1m (US$691,200) for costs relating to his relocation from Auckland to Queenstown. That’s comprised of two years worth of rent at NZ$40,000 (US$27,648) per month (no typo), plus NZ$150,000 (US$103,680) to cover the actual cost of the move.

On top, Dotcom is looking for NZ$73,000 (US$50,457) per month for living expenses, an amount that’s roughly US$2,000 per month up on the amount he currently receives.

According to the report, Dotcom’s team are also proposing a further amount of NZ$200,000 (US$138,240) to cover emergency items including “medical expenses of the family, car maintenance, household repairs and two holidays of the family”.

It seems unlikely that this will be the final request from Dotcom. According to Gerard McCoy, Dotcom’s lawyer in Hong Kong, the extradition process in New Zealand is nowhere near complete. In fact, McCoy told the court that proceedings won’t be completed during the next two years.

That takes us to 2020, at least, meaning that Dotcom will still be in New Zealand a full eight years after the raid. Given the massive number of court battles and subsequent appeals into every detail of several resulting cases, that’s probably not a surprise, however.

The progress in the extradition process itself is also somewhat glacial, with the next hearing set for the first quarter of 2018 in the Court of Appeal. If past experience is anything to go by, neither side will be happy with the outcome. This means that an appeal to the Supreme Court is almost inevitable.

Over in the United States, progress has also been slow. Recently, a petition from Dotcom and his former Megaupload colleagues over millions of dollars in seized assets was denied by the US Supreme Court.

While this decision means that the battle over a further US$67 million in assets has been exhausted, the question of whether Dotcom and former colleagues Mathias Ortmann, Bram van der Kolk and Finn Batato will ever stand trial in the US remains unanswered.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.





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Increasingly, people are trading in their expensive cable subscriptions, opting to use cheaper or free Internet TV instead.

This is made easy and convenient with help from a variety of easy-to-use set-top boxes, many of which are specifically configured to receive pirated content.

Following this trend, there has also been an uptick in the availability of unlicensed TV subscriptions, with dozens of vendors offering virtually any channel imaginable. Either for free or in exchange for a small fee.

Until now the true scope of this piracy ecosystem was largely unknown, but a new report published by Canadian broadband management company Sandvine reveals that it’s massive.

The company monitored traffic across multiple fixed access tier-1 networks in North America and found that 6.5% of households are communicating with known TV piracy services. This translates to seven million subscribers and many more potential viewers.

One of the interesting aspects of IPTV piracy is that most services charge money, around $10 per month. This means that there’s a lot of money involved. If the seven million figure is indeed accurate, these IPTV vendors would generate roughly $800 million in North America alone.

“TV piracy could quickly become almost a billion dollar a year industry for pirates,” Sandvine writes in its report, noting that the real rightsholders are being substantially harmed.

Pirate subscription TV ecosystem

According to Sandvine, roughly 95% of the IPTV subscriptions run off custom set-top boxes. Kodi-powered devices and Roku boxes follow at a respectable distance with 3% and 2% of the market, respectively.

With millions of viewers, there’s undoubtedly a large audience of pirate subscription TV viewers. This is also reflected in the bandwidth these services consume. During peak hours, 6.5% of all downstream traffic on fixed networks is generated by TV piracy services.

To put this into perspective; this is more than all BitTorrent traffic during the peak hours, which was “only” 1.73% last year, and dropping.

The pirate IPTV numbers are quite impressive, also when compared to Netflix and YouTube. While the two video giants still have a larger share of overall Internet traffic on fixed networks, pirate TV subscriptions are not that far behind.

Internet traffic share throughout the day

The graph above points out another issue. It highlights that many IPTV services continue to stream data even when they’re not actively used (tuned into a channel with the TV off). As a result, they have a larger share of the overall traffic during the night when most people don’t use Netflix or YouTube.

This wasted traffic is referred to as “phantom bandwidth” and can be as high as one terabyte per month for a single connection. Physically powering off the box is often the only way to prevent this.

Needless to say, “phantom bandwidth” increases IPTV traffic numbers, so it doesn’t necessarily mean that all this traffic is actively consumed.

Finally, Sandvine looked at the different types of content people are streaming with these pirate subscriptions. Live sporting events are popular, as we’ve seen with the megafight between Floyd Mayweather and Conor McGregor. The same is true for news channels and premium TV such as HBO and international broadcasts.

The most viewed of all in North America, with 4.6% of all pirated TV traffic, is the Indian Star Plus HD.

All and all it is safe to conclude that IPTV piracy is making up a large part of the pirate ecosystem. This hasn’t gone unnoticed to copyright holders of course. In recent months we have seen enforcement actions against several providers and if this trend continues, more are likely to follow.

Looking ahead, it would be interesting to see some numbers of the “on demand” piracy streaming websites and devices as well. IPTV subscriptions are substantial, but it would be no surprise if pirate streaming boxes and sites generate even more traffic.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.





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Day Two dawns… most people are bright-eyed and ready for another day, although, if I’m honest, some people may be here more in body than in spirit…
 

LibreELEC Logo

First on today, chewitt from LibreELEC gave us an update: the installed base continues to grow, with the Raspberry Pi in different forms easily remains the dominant platform, although this is slowly declining in favour of SoC (Android stock) devices. Given the appliance nature of LE – operating system and applications – a large part of the presentation was given over to security, including automated updates and the overall integrity of the process.

GSoC Logo

Next up, a series of sessions led by our newest team members – our Google Summer of Code students (or maybe “graduates” now, given their contributions!).

Vel0city presented his work on multi-pass shaders – programs that run on the GPU to manipulate an image frame at a pixel level between decoding and display – so, blur, enhance, scale, and so on. These are particularly useful for improving image quality when perhaps the display technology has advanced significantly beyond what the source material was created for (resolution, colour depth, frame rate, etc.).

Next, yol took us through his work on touch and Wayland (vs X11) integration. While we’d had some Wayland implementation previously, this work brought it right up-to-date with native support within Kodi on Linux.

And finally, arpitn30 talked about his project to port over to Python 3 (Python 2.x goes end of life in 2020). As would be expected, this involved changed library calls, removal of deprecated syntax, and updated dependencies and versions. There are significant differences between Python 2 and 3 – they’re almost different languages – which give rise to real challenges in a cross-platform, multi-version environment. Of course, the shift to Python 3 will require rework in all Python addons, so this is a long-term migration across many different packages. If you’re an addon author, keep an eye out for further information on this topic in the coming weeks and months, as it’s not negotiable.

To close off GSoC 2017, then, razze led a conversation about GSoC 2018 – a call for more mentors, for more developers to get involved. We can bring in students, we can offer project ideas, but we need the experience of the existing developers to be successful: to help orientate people to the code and guide them through the best way to get code accepted into Kodi for release.

 

After a brief but passionate conversation about trademarks, licensing and similar, the sessions moved on to usability, and the “out-of-the-box” appeal of piracy addons versus “raw” Kodi. While we don’t provide any content, we could maybe make it easier for people to catalogue their media, perhaps with more pre-defined skin nodes or similar. We also covered interaction between addons and skins, and what the implications are of some modules either demanding or objecting to the presence of other modules, and what this means for the user experience.

Following this – in a deja vu moment for many people – the discussion moved to what we can realistically do to support DRM-protected content. People have an understandable desire to watch their legitimate, paid-for content, so we continue to explore what can be done in this area. This is likely to be a conversation that will run for some time, however.

Next up, Martijn talked about our next major release. We’ve just launched the latest point release of Krypton 17.x, so it’s time to be looking towards Leia 18.x; the code is broadly ready and stable, so it’s now a process of locking down features, freezing code, building alphas, and so on. As always, this is a major piece of logistics, so it needs to be planned and timed properly.

 

Linux (Tux) Logo  Windows Logo  Apple Logo  Android Logo

As the day started to lurch towards the finishing line, the sessions moved on to platform specifics.

Fresh from the Embedded Linux Conference Europe, lrusak covered Kodi on embedded Linux – specifically, where we are with Kodi now, and where we want to be as the SoC/embedded market continues to develop. The plethora of boards has caused immense fragmentation, and this is becoming impossible to maintain because of different approaches to windowing, rendering, and so on. There are technologies to address this, however: Linux kernel support for Atomic DRM (Direct Rendering Manager) starts to simplify the problem; V4L2 augments this further. These are not implemented on all platforms, though, so it’s sadly not that simple. The level of support, and dependency on specific kernel versions or proprietary blobs, varies between Broadcom, Amlogic, Allwinner, Rockchip, Qualcomm, and Freescale. There’s thus more work from the vendors while software packages develop in parallel: improved V4L2 in FFmpeg, Kodi changes, kernel work.

Most Windows-specific activity revolves around Kodi under UWP, which we’ve covered before. There were no major updates to report on Apple or Android platforms.

Final thoughts before we tail away… further conversations about the migration to Python 3 and how that might be phased/implemented, and anything else needed in the 17.x branch for a further point release.

 

And that’s it for Day Two – a few attendees are going to leave early today (or maybe we’ll just leave them in a bar somewhere), but there’ll still be more Devcon tomorrow.

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In 2017, there can be little doubt that streaming is the big piracy engine of the moment. Dubbed Piracy 3.0 by the MPAA, the movement is causing tremendous headaches for rightsholders on a global scale.

One of the interesting things about this phenomenon is the distributed nature of the content on offer. Sourced from thousands of online locations, from traditional file-hosters to Google Drive, the big challenge is to aggregate it all into one place, to make it easy to find. This is often achieved via third-party addons for the legal Kodi software.

One company offering such a service was MovieStreamer.nl in the Netherlands. Via its website MovieStreamer the company offered its Easy Use Interface 2.0, a piece of software that made Kodi easy to use and other streams easy to find for 79 euros. It also sold ‘VIP’ access to thousands of otherwise premium channels for around 20 euros per month.

MovieStreamer Easy Interface 2.0

“Thanks to the unique Easy Use Interface, we have the unique 3-step process,” the company’s marketing read.

“Click tile of choice, activate subtitles, and play! Fully automated and instantly the most optimal settings. Our youngest user is 4 years old and the ‘oldest’ 86 years. Ideal for young and old, beginner and expert.”

Of course, being based in the Netherlands it wasn’t long before MovieStreamer caught the attention of BREIN. The anti-piracy outfit says it tried to get the company to stop offering the illegal product but after getting no joy, took the case to court.

From BREIN’s perspective, the case was cut and dried. MovieStreamer had no right to provide access to the infringing content so it was in breach of copyright law (unauthorized communication to the public) and should stop its activities immediately. MovieStreamer, however, saw things somewhat differently.

At the core of its defense was the claim that did it not provide content itself and was merely a kind of middleman. MovieStreamer said it provided only a referral service in the form of a hyperlink formatted as a shortened URL, which in turn brought together supply and demand.

In effect, MovieStreamer claimed that it was several steps away from any infringement and that only the users themselves could activate the shortener hyperlink and subsequent process (including a corresponding M3U playlist file, which linked to other hyperlinks) to access any pirated content. Due to this disconnect, MovieStreamer said that there was no infringement, for-profit or otherwise.

A judge at the District Court in Utrecht disagreed, ruling that by providing a unique hyperlink to customers which in turn lead to protected works was indeed a “communication to the public” based on the earlier Filmspeler case.

The Court also noted that MovieStreamer knew or indeed ought to have known the illegal nature of the content being linked to, not least since BREIN had already informed them of that fact. Since the company was aware, the for-profit element of the GS Media decision handed down by the European Court of Justice came into play.

In an order handed down October 27, the Court ordered MovieStreamer to stop its IPTV hyperlinking activities immediately, whether via its Kodi Easy Use Interface or other means. Failure to do so will result in a 5,000 euro per day fine, payable to BREIN, up to a maximum of 500,000 euros. MovieStreamer was also ordered to pay legal costs of 17,527 euros.

“Moviestreamer sold a link to illegal content. Then you are required to check if that content is legally on the internet,” BREIN Director Tim Kuik said in a statement.

“You can not claim that you have nothing to do with the content if you sell a link to that content.”

Speaking with Tweakers, MovieStreamer owner Bernhard Ohler said that the packages in question were removed from his website on Saturday night. He also warned that other similar companies could experience the same issues with BREIN.

“With this judgment in hand, BREIN has, of course, a powerful weapon to force them offline,” he said.

Ohler said that the margins on hardware were so small that the IPTV subscriptions were the heart of his company. Contacted by TorrentFreak on what this means for his business, he had just two words.

“The end,” he said.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and ANONYMOUS VPN services.





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