For a long time UHD Blu-Ray discs have been the holy grail for movie rippers.

Protected by the ‘unbreakable’ AACS 2.0 encryption, pirates were left with regular HD releases. While that’s fine for most people, it didn’t sit well with the real videophiles.

This year there have been some major developments on this front. First, full copies of UHD discs started to leak online, later followed by dozens of AACS 2.0 keys. Technically speaking AACS 2.0 is not confirmed to be defeated yet, but many discs can now be ripped.

This week a popular name jumped onto the UHD Blu-Ray bandwagon. In its latest beta release, AnyDVD now supports the format, relying on the leaked keys.

“New (UHD Blu-ray): Fetch AACS keys from external file for use with ‘UHD-friendly’ drives,” the release notes read.

The involvement of AnyDVD is significant because it previously came under legal pressure from decryption licensing outfit AACS LA. This caused former parent company Slysoft to shut down last year, but the software later reappeared under new management.

Based on reports from several AnyDVD users, the UHD ripping works well for most people. Some even claim that it’s faster than the free alternative, MakeMKV.

The question is, however, how long the ripping party will last. TorrentFreak has learned that not all supported Blu-Ray disc drives will remain “UHD-friendly.”

According to one source’s information, which we were unable to independently verify, device manufacturers have recently been instructed to patch the holes through firmware updates.

This indeed appears to be what’s happening. According to several user reports, LG’s WH16NS40 is no longer able to read and rip UHD Blu-Rays after the most recent firmware change.

Ironically, LG advertises it as “Improved BD UHD disc compatibility.”

So, while ripping tools such as AnyDVD are joining in to support UHD ripping, AACS LA and disc drive manufacturers appear to be patching security holes. But whatever they do, rippers are unlikely to stop their efforts until they’ve reached the holy grail.

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Most people who obtain and share large quantities of material online understand that comes with risk, possibly in the form of an ISP-forwarded warning, a letter demanding cash, or even a visit from the police.

While the latter only happens in the rarest of circumstances, warnings are relatively commonplace, especially in the United States where companies like Rightscorp pump them out in their thousands. Letters demanding cash payment, sent by so-called copyright trolls, are less prevalent but these days most people understand the concept of a piracy ‘fine’.

With this level of understanding in the mainstream there are opportunities for scammers, who have periodically tried to extract payments from Internet users who have done nothing wrong. This is currently the case in Germany, where a consumer group is warning of a wave of piracy ‘fines’ being sent out to completely innocent victims.

The emails, which claim to be sent on behalf of 20th Century Fox, allege the recipient has infringed copyright on streaming portal Kinox.to. For this apparent transgression, they demand a payment of more than 375 euros but the whole thing is an elaborate scam.

The 20th Century Fox ‘piracy’ scam

Unlike some fairly primitive previous efforts, however, these emails are actually quite clever.

Citing a genuine ruling from the European Court of Justice which found that streaming content is illegal inside the EU, the cash demand offers up personal information of the user, such as IP addresses, browser, and operating system.

However, instead of obtaining these via an external piracy monitoring system and subsequent court order (as happens with BitTorrent cases), the data is pulled from the user’s machine when a third-party link is clicked.

As highlighted by Tarnkappe, who first noticed the warning, there are other elements to the cash demands that point to an elaborate scam.

Perhaps the biggest tell of all is the complete absence of precise details of the alleged infringement, such as the title of the content supposedly obtained along with a time and date. These are common features of all genuine settlement demands so any that fail to mention content should be treated with caution.

“Do not pay. It is rip off. Report to the police,” the local consumer group warns.

Interestingly, warning recipients are advised by the scammers to pay their ‘fine’ directly to a bank account in the United Kingdom. Hopefully it will have been shut down by now but it’s worth mentioning that people should avoid direct bank transfers with anyone they don’t trust.

If any payment must be made, credit cards are a much safer option but in the case of wannabe trolls, they’re best ignored until they appear with proper proof backed up by credible legal documentation. Even then, people should consider putting up a fight, if they’re being unfairly treated.

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In common with most other countries, demand for movies is absolutely huge in India. According to a 2015 report, the country produces between 1,500 and 2,000 movies each year, more than any other country in the world.

But India also has a huge piracy problem. If a movie is worth watching, it’s pirated extremely quickly, mostly within a couple of days of release, often much sooner. These early copies ordinarily come from “cams” – recordings made in cinemas – which are sold on the streets for next to nothing and eagerly snapped up citizens. Who, incidentally, are served by ten times fewer cinema screens than their US counterparts.

These cam copies have to come from somewhere and according to representatives from the local Anti-Video Piracy Committee, piracy groups have begun to divert “camming” duties to outsiders, effectively decentralizing their operations.

Their targets are said to be young people with decent mobile phones, students in particular. Along with China, India now has more than a billion phone users, so there’s no shortage of candidates.

“The offer to youngsters is that they would get 10 US dollars into their bank accounts, if they videographed and sent it on the first day of release of the film,” says Raj Kumar, Telugu Film Chamber of Commerce representative and Anti-Video Piracy Committee chairman.

“The minors and youngsters are getting attracted to the money, not knowing that piracy is a crime,” he adds.

Although US$10 sounds like a meager amount, for many locals the offer is significant. According to figures from 2014, the average daily wage in India is just 272 Indian Rupees (US$4.24) so, for an hour or two’s ‘work’ sitting in a cinema with a phone, a student can, in theory, earn more than he can in two days employment.

The issue of youth “camming” came up yesterday during a meeting of film producers, Internet service providers and cybercrime officials convened by IT and Industries Secretary Jayesh Ranjan.

The meeting heard that the Telangana State government will soon have its own special police officers and cybercrime experts to tackle the growing problem of pirate sites, who will take them down if necessary.

“The State government has adopted a no-tolerance policy towards online piracy of films and will soon have a plan in place to tackle and effectively curb piracy. We need to adopt strong measures and countermeasures to weed out all kinds of piracy,” Ranjan said.

The State already has its own Intellectual Property Crimes Unit (IPCU) but local officials have complained that not enough is being done to curb huge losses faced by the industry. There have been successes, however.

Cybercrime officials previously tracked down individuals said to have been involved in the piracy of the spectacular movie Baahubali 2 – The Conclusion which became the highest grossing Indian film ever just six days after its release earlier this year. But despite the efforts and successes, the basics appear to elude Indian anti-piracy forces.

During October 2017, a 4K copy of Baahubali 2 was uploaded to YouTube and has since racked up an astonishing 54.7m views to the delight of a worldwide audience, many of them enjoying the best of Indian cinema for the first time – for free.

Still, the meeting Monday found that sites offering pirated Indian movies should be targeted and brought to their knees.

“In the meeting, the ISPs too were asked to designate a nodal officer who can keep a watch over websites which upload such data onto their websites and bring them down,” a cybercrime police officer said.

Next stop, YouTube?

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As one of the largest user-generated platforms on the Internet, Facebook has to battle a constant stream of unauthorized copyright material.

To facilitate this process, Facebook has rolled out a few anti-piracy initiatives in recent years.

The company has a “Rights Manager” tool that automatically detects infringing material and allows owners to take down or monetize this content. In addition, Facebook uses the third-party service Audible Magic to spot and remove pirated music tracks.

Thus far, little was known about the number of copyright takedown requests Facebook processes every month, but new details released in its new transparency report a few hours ago provides some context.

During the first six months of 2017, a total of 224,464 requests were received by Facebook. One request can list a single post or file, but they can contain more items. During this period, 1,818,794 items were removed from Facebook, which is roughly 10,000 per day.

“Each report submitted by a rights holder is processed by our IP Operations team, which is a global team of trained professionals who provide around-the-clock coverage in multiple languages,” Facebook writes.

“If the report is complete and valid, the team will promptly remove the reported content, typically within a day or less, and confirm that action with the rights holder that reported it.”

Another interesting statistic is that no action was taken in response to more than 31% of the 224,464 requests. This means that none of the content highlighted in these notices was removed. These rejections could be the result of an abusive, inaccurate or incomplete request, for example.

Copyright removals

In addition to takedown requests on Facebook itself, the company also shared the same data for Instagram. The numbers are roughly a third of Facebook’s, with 70,008 requests and 685,996 removed posts or items during the first half of 2017.

The social media giant stresses that it operates with the best interests of copyright holders and users in mind. For copyright holders, the takedown process is optimized and improved where possible. At the same time, the company aims to educate users who make an occasional mistake, to prevent further problems.

Facebook users who continue to post or link to pirated content repeatedly, will be dealt with eventually though. The company regularly disables accounts, removes pages, and deletes groups to stop persistent infringers.

“In addition to removing reported content, we disable the accounts of repeat infringers in appropriate circumstances. Our repeat infringer policy applies to IP violations committed via Facebook profiles and Instagram accounts, including copyright, trademark and counterfeit,” the company writes.

This is likely the reason why several pages of pirate sites disappeared from the social media platform in recent years. Interestingly, there appears to be little to stop these repeat infringers from signing up again and starting over.

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As the largest search engine on the Internet, Google has received its fair share of takedown requests. Over the past year, the company removed roughly a billion links from its search results.

However, this doesn’t mean that Google will remove everything it’s asked to. When a Canadian court demanded the search engine to delist sites that offered unlawful and competing products of Equustek Solutions, it fought back.

After several years in court, the Supreme Court of Canada directed Google to remove the websites from its search results last summer. This order wasn’t limited to Canada alone, but applied worldwide.

Worried about the possible negative consequences the broad verdict could have, Google then took the case to the US, and with success.

A federal court in California already signed a preliminary injunction a few weeks ago, disarming the Canadian order, and a few days ago ruled that Google has won its case.

Case closed

According to the California court, the Canadian Supreme court ruling violates the First Amendment of the U.S. Constitution, putting free speech at risk.

It would also go against Section 230 of the Communications Decency Act, which offers search engines and other Internet services immunity from liability for material published by others.

“The Canadian order would eliminate Section 230 immunity for service providers that link to third-party websites,” the court wrote.

“By forcing intermediaries to remove links to third-party material, the Canadian order undermines the policy goals of Section 230 and threatens free speech on the global internet.”

After a legal battle that kept the Canadian court busy since 2014, the US case was solved rather quickly. Equustek Solutions didn’t show up and failed to defend itself, which made it an easy win.

Now that the permanent injunction is signed the case will be closed. While Google still has to delist the contested pages in Canada, it no longer has to do the same worldwide.

As highlighted previously, the order is very important in the broader scheme. If foreign courts are allowed to grant worldwide blockades, free speech could be severely hampered.

Today it’s a relatively unknown Canadian company, but the damage could be much more severe if the Chinese Government asked Google to block the websites of VPN providers, or any other information they don’t like.

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Online piracy is a global issue. Pirate sites and services tend to operate in multiple jurisdictions and are purposefully set up to evade law enforcement.

This makes it hard for police from one country to effectively crack down on a site in another. International cooperation is often required, and the US Government is one of the leaders on this front.

The US Department of Justice (DoJ) has quite a bit of experience in tracking down pirates and they are actively sharing this knowledge with countries that can use some help. This goes far beyond the occasional seminar.

A diplomatic cable obtained through a Freedom of Information request provides a relatively recent example of these efforts. The document gives an overview of anti-piracy training, provided and funded by the US Government, during the fall of 2015.

“On November 24 and 25, prosecutors and investigators from Romania, Moldova, Bulgaria, and Turkey participated in a two-day, US. Department of Justice (USDOJ)-sponsored training program on combatting online piracy.

“The program updated participants on legal issues, including data retention legislation, surrounding the investigation and prosecution of online piracy,” the cable adds.

According to the cable, piracy has become a very significant problem in Eastern Europe, costing rightsholders and governments millions of dollars in revenues. After the training, local law enforcement officers in these countries should be better equipped to deal with the problem.

Pirates Beware

The event was put together with help from various embassies and among the presenters were law enforcement professionals from around the world.

The Director of the DoJ’s CCIPS Cybercrime Laboratory was among the speakers. He gave training on computer forensics and participants were provided with various tools to put this to use.

“Participants were given copies of forensic tools at the conclusion of the program so that they could put to use some of what they saw demonstrated during the training,” the cable reads.

While catching pirates can be quite hard already, getting them convicted is a challenge as well. Increasingly we’ve seen criminal complaints using non-copyright claims to have site owners prosecuted.

By using money laundering and tax offenses, pirates can receive tougher penalties. This was one of the talking points during the training as well.

“Participants were encouraged to consider the use of statutes such as money laundering and tax evasion, in addition to those protecting copyrights and trademarks, since these offenses are often punished more severely than standalone intellectual property crimes.”

The cable, written by the US Embassy in Bucharest, provides a lot of detail about the two-day training session. It’s also clear on the overall objective. The US wants to increase the likelihood that pirate sites are brought to justice. Not only in the homeland, but around the globe.

“By focusing approximately forty investigators and prosecutors from four countries on how they can more effectively attack rogue sites, and by connecting rights holders and their investigators with law enforcement, the chances of pirates being caught and held accountable have increased.”

While it’s hard to link the training to any concrete successes, Romanian law enforcement did shut down the country’s leading pirate site a few months later. As with a previous case in Romania, which involved the FBI, money laundering and tax evasion allegations were expected.

While it’s not out of the ordinary for international law enforcers to work together, it’s notable how coordinated the US efforts are. Earlier this week we wrote about the US pressure on Sweden to raid The Pirate Bay. And these are not isolated incidents.

While the US Department of Justice doesn’t reveal all details of its operations, it is very open about its global efforts to protect Intellectual Property.

Around the world..

The DoJ’s Computer Crime and Intellectual Property Section (CCIPS) has relationships with law enforcement worldwide and regularly provides training to foreign officers.

A crucial part of the Department’s international enforcement activities is the Intellectual Property Law Enforcement Coordinator (IPLEC) program, which started in 2006.

Through IPLECs, the department now has Attorneys stationed in Thailand, Hong Kong, Romania, Brazil, and Nigeria. These Attorneys keep an eye on local law enforcement and provide assistance and training, to protect US copyright holders.

“Our strategically placed coordinators draw upon their subject matter expertise to help ensure that property holders’ rights are enforced across the globe, and that the American people are protected from harmful products entering the marketplace,” Attorney General John Cronan of the Criminal Division said just last Friday.

Or to end with the title of the Romanian cable: ‘Pirates beware!’

The cable cited here was made available in response to a Freedom of Information request, which was submitted by Rachael Tackett and shared with TorrentFreak. It starts at page 47 of document 2.

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In order to operate and innovate in the online space, Internet giants such as Google, YouTube, and Facebook can’t be held immediately liable for everything that appears on their platforms.

If Google indexes an objectionable website, if someone posts an infringing video to YouTube, or if abusive or violent messages appear on Facebook, that is currently and quite rightly the responsibility of the person who put the offending content there.

However, once the platforms in question are advised by an appropriate authority that content posted on their services breaks the law, they are required to take it down. If they do not, they can then be held liable under local and EU law.

While essential for tech companies, this so-called safe harbor is a thorn in the side of copyright holders. They contend that platforms like YouTube abuse their freedoms in order to monetize infringing content while gaining advantages in licensing negotiations.

The protection offered by the E-Commerce Directive is a hot topic right now, one which necessarily involves the UK. However, with the UK due to leave the EU at 11pm local time on Friday 29 March, 2019, it will then be free to make its own laws. It’s now being suggested that as soon as Brexit happens, the UK should introduce new laws that hold tech companies liable for “illegal content” that appears on their platforms.

The advice can be found in a new report published by the Committee on Standards in Public Life. Titled “Intimidation in Public Life”, the report focuses on the online threats and intimidation experienced by Parliamentary candidates and others.

However, the laws that currently protect information society service providers apply to a much broader range of content, including that alleged to be copyright-infringing.

“Currently, social media companies do not have liability for the content on their sites, even where that content is illegal. This is largely due to the EU E-Commerce Directive (2000), which treats the social media companies as ‘hosts’ of online content. It is clear, however, that this legislation is out of date,” the report reads.

“Facebook, Twitter and Google are not simply platforms for the content that others post; they play a role in shaping what users see. We understand that they do not consider themselves as publishers, responsible for reviewing and editing everything that others post on their sites. But with developments in technology, the time has come for the companies to take more responsibility for illegal material that appears on their platforms.”

That responsibility should be increased immediately upon Brexit, the Committee recommends, via new legislation that won’t be hindered by the safe harbors offered by the E-Commerce Directive. Doing so will force online platforms to take more direct action to combat the appearance of illegal content, the Committee argues.

“The government should seek to legislate to shift the balance of liability for illegal content to the social media companies away from them being passive ‘platforms’ for illegal content. Given the government’s stated intention to leave the EU Single Market, legislation can be introduced to this effect without being in breach of EU law,” the report notes.

“We believe government should legislate to rebalance this liability for illegal content, and thereby drive change in the way social media companies operate in combatting illegal behavior online in the UK.”

How the process will play out from here remains to be seen but there is likely to be significant push-back from companies including the likes of Google, Facebook, and Twitter. Whether the “illegal content” they’re to be held liable for is deemed threatening, racist, or indeed copyright-infringing, matters are rarely clear-cut and there could be significant fall out if conditions are set too tightly.

Expect plenty of stakeholders to get involved when it comes to diminishing the protections of the E-Commerce Directive. To be continued…..

The full report can be found here.

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If someone wants to obtain the latest movies for free, all they need to do is head over to the nearest torrent or streaming portal, press a few buttons, and the content appears in a matter of seconds or minutes, dependent on choice.

Indeed, for those seeking mainstream content DRM-free, this is the only way to obtain it, since studios generally don’t make their content available in this fashion. But we know an establishment that does, on a grand scale.

University College London is the third largest university in the UK. According to accounts (pdf) published this summer, it has revenues of more than £1.32 billion. Somewhat surprisingly, this educational behemoth also has a sensational multimedia trick up its considerable sleeve.

The university’s website, located at UCL.ac.uk, is a polished affair and provides all the information anyone could need. However, until one browses to the Self-Access Centre, the full glory of the platform remains largely hidden.

Located at resources.clie.ucl.ac.uk/home/sac/english/films, it looks not unlike Netflix, or indeed any one of thousands of pirate streaming sites around today. However, it appears to be intended for university and educational use only.

UCL’s Self-Access Centre

“Welcome to the Self-Access Centre materials database. Here you can find out about the English materials we have in the SAC and explore our online materials,” the site reads.

“They were designed to help you improve your English skills. Most of the video materials, including films and documentaries, are now available to be watched online. Log on with your UCL id and password to watch them!”

According to a university video tutorial, all content on the SAC can be viewed on campus or from home, as long as a proper login and password is entered. The material is provided for educational purposes and when viewed through the portal, is accompanied by questions, notes, and various exercises.

Trouble is, the entire system is open to the wider Internet, with no logins or passwords required.

A sample of the movies on offer for direct download

The above image doesn’t even begin to scratch the surface. In one directory alone, TorrentFreak counted more than 700 English language movies. In another, more than 600 documentaries including all episodes of the BBC’s Blue Planet II. World Cinema produced close to 90 results, with hundreds of titles voiced in languages from Arabic to Japanese to Welsh.

Links can be pasted into VLC and streamed direct

Quite how long this massive trove of films and TV shows has been open to the public isn’t clear but a simple Google search reveals not only the content itself, but also links to movies and other material on sites in the Middle East and social networks in Russia.

Some of them date back to at least 2016 so it’s probably safe to assume that untold terabytes of data have already been liberated from the university’s servers for the pleasure of the public.

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Over the past year, dozens of independent photographers have taken mainstream media outlets to court, accusing the companies of using their work without permission.

While the photographers only have a tiny fraction of the legal budgets of their wealthy adversaries, they have managed to score several settlements.

This is no surprise, as the evidence in these cases is often undisputed. However, New York photographer Jon Tannen learned that going up against a media mogul is not without risk. When he sued CBS Broadcasting a few weeks ago, the company ‘retaliated’ in a highly unusual way.

Instead of resolving the matter behind closed doors, CBS came out guns blazing. The company filed a lawsuit against the photographer accusing him of posting a copyright-infringing screenshot of a TV show on social media – the 59-year-old show Gunsmoke.

While posting a half-century old screenshot of an episode is quite different from using a recent photograph in a commercial publication, CBS branded Tannen a hypocrite in the complaint.

Follow up filings revealed how things spiraled out of control. Both parties were not able to agree on a settlement. According to CBS, Tannen demanded more than 100 times the value of a license, which they refused to pay.

Instead, they filed a lawsuit of their own. It was a clear retaliatory move and without informing the photographer in advance, attorney Richard Liebowitz wrote to the court.

“[I]n the midst of settlement negotiations on this case, Ballard Spahr LLP, the same law firm which serves as defense counsel here, filed a patently frivolous copyright infringement case on behalf of CBS against Tannen in obvious retaliation for this lawsuit,” he writes.

“Patently frivolous”

While lawsuits over TV show screenshots are highly unusual, this one apparently revitalized the settlement negotiations.

Both parties recently informed the court that they are finalizing an agreement in the initial lawsuit, which will end the case. As a result, CBS also dismissed its case against the photographer this week. As is usual, details of the settlement are not disclosed.

Meanwhile, another photographer filed a lawsuit against CBS this week, again represented by attorney Richard Liebowitz, who’s not hesitant in targeting the company again.

In this case the photographer, New York-based Lawrence Schwartzwald, accuses CBS Interactive of using a photo he took of actress Barbara Streisand and actor Jeff Bridges on CBSNews.com without obtaining permission.

With a screenshot of the photo of the site on file, the evidence looks quite compelling. However, let’s see if CBS can dig up some dirt on the photographer’s social media accounts this time round.

A copy of Schwartzwald’s complaint is available here (pdf).

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