While there’s no shortage of people who advocate free sharing of movies and music, passions are often raised when it comes to the availability of educational information.

Significant numbers of people believe that learning should be open to all and that texts and associated materials shouldn’t be locked away by copyright holders trying to monetize knowledge. Of course, people who make a living creating learning materials see the position rather differently.

A clash of these ideals is brewing in the United States where online learning platform Udemy has been trying to have some of its courses taken down from FreeTutorials.us, a site that makes available premium tutorials and other learning materials for free.

Early December 2017, counsel acting for Udemy and a number of its individual and corporate instructors (Maximilian Schwarzmüller, Academind GmbH, Peter Dalmaris, Futureshock Enterprises, Jose Marcial Portilla, and Pierian Data) wrote to FreeTutorials.us with DMCA takedown notice.

“Pursuant to 17 U.S.C. § 512(c)(3)(A) of the Digital Millennium Copyright Act (‘DMCA’), this communication serves as a notice of infringement and request for removal of certain web content available on freetutorials.us,” the letter reads.

“I hereby request that you remove or disable access to the material listed in Exhibit A in as expedient a fashion as possible. This communication does not constitute a waiver of any right to recover damages incurred by virtue of any such unauthorized activities, and such rights as well as claims for other relief are expressly retained.”

A small sample of Exhibit A

On January 10, 2018, the same law firm wrote to Cloudflare, which provides services to FreeTutorials. The DMCA notice asked Cloudflare to disable access to the same set of infringing content listed above.

It seems likely that whatever happened next wasn’t to Udemy’s satisfaction. On January 16, an attorney from the same law firm filed a DMCA subpoena at a district court in California. A DMCA subpoena can enable a copyright holder to obtain the identity of an alleged infringer without having to file a lawsuit and without needing a signature from a judge.

The subpoena was directed at Cloudflare, which provides services to FreeTutorials. The company was ordered to hand over “all identifying information identifying the owner, operator and/or contact person(s) associated with the domain www.freetutorials.us, including but not limited to name(s), address(es), telephone number(s), email address(es), Internet protocol connection records, administrative records and billing records from the time the account was established to the present.”

On January 26, the date by which Cloudflare was ordered to hand over the information, Cloudflare wrote to FreeTutorials with a somewhat late-in-the-day notification.

“We received the attached subpoena regarding freetutorials.us, a domain managed through your Cloudflare account. The subpoena requires us to provide information in our systems related to this website,” the company wrote.

“We have determined that this is a valid subpoena, and we are required to provide the requested information. In accordance with our Privacy Policy, we are informing you before we provide any of the requested subscriber information. We plan to turn over documents in response to the subpoena on January 26th, 2018, unless you intervene in the case.”

With that deadline passing last Friday, it’s safe to say that Cloudflare has complied with the subpoena as the law requires. However, TorrentFreak spoke with FreeTutorials who told us that the company doesn’t hold anything useful on them.

“No, they have nothing,” the team explained.

Noting that they’ll soon dispense with the services of Cloudflare, the team confirmed that they had received emails from Udemy and its instructors but hadn’t done a lot in response.

“How about a ‘NO’? was our answer to all the DMCA takedown requests from Udemy and its Instructors,” they added.

FreeTutorials (FTU) are affiliated with FreeCoursesOnline (FCO) and seem passionate about what they do. In common with others who distribute learning materials online, they express a belief in free education for all, irrespective of financial resources.

“We, FTU and FCO, are a group of seven members assorted as a team from different countries and cities. We are JN, SRZ aka SunRiseZone, Letap, Lihua Google Drive, Kaya, Zinnia, Faiz MeemBazooka,” a spokesperson revealed.

“We’re all members and colleagues and we also have our own daily work and business stuff to do. We have been through that phase of life when we didn’t have enough money to buy books and get tuition or even apply for a good course that we always wanted to have, so FTU & FCO are just our vision to provide Free Education For Everyone.

“We would love to change our priorities towards our current and future projects, only if we manage to get some faithful FTU’ers to join in and help us to grow together and make FTU a place it should be.”

TorrentFreak requested comment from Udemy but at the time of publication, we were yet to hear back. However, we did manage to get in touch with Jonathan Levi, an Udemy instructor who sent this takedown notice to the site in October 2017:

“I’m writing to you on behalf of SuperHuman Enterprises, LLC. You are in violation of our copyright, using our images, and linking to pirated copies of our courses. Remove them IMMEDIATELY or face severe legal action….You have 48 hours to comply,” he wrote, adding:

“And in case you’re going to say I don’t have evidence that I own the files, it’s my fucking face in the videos.”

Levi says that the site had been non-responsive so now things are being taken to the next level.

“They don’t reply to takedowns, so we’ve joined a class action lawsuit against FTU lead by Udemy and a law firm specializing in this type of thing,” Levi concludes.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons





Source link


The debate over whether online piracy helps or hurts music sales has been dragging on for several decades now.

The issue has been researched extensively with both positive and negative effects being reported, often varying based on the type of artist, music genre and media, among other variables.

One of the more extensive studies was published this month in the peer-reviewed Information Economics and Policy journal, by Queen’s University economics researcher Jonathan Lee.

In a paper titled ‘Purchase, pirate, publicize: Private-network music sharing and market album sales’ he examined the effect of BitTorrent-based piracy on both digital and physical music sales.

We covered an earlier version of the study two years ago when it was still a work in progress. With updates to the research methods and a data sample, the results are now more clear.

The file-sharing data was obtained from an unnamed private BitTorrent tracker and covers a data set of 250,000 albums and more than five million downloads. These were matched to US sales data for thousands of albums provided by Nielsen SoundScan.

By refining the estimation approach and updating the matching technique, the final version of the paper shows some interesting results.

Based on the torrent tracker data, Lee finds that piracy can boost sales of mid-tier artists, both for physical CDs and digital downloads. For the most popular artists, this effect is reversed. In both cases, the impact is the largest for digital sales.

“I now find that top artists are harmed and mid-tier artists may be helped in both markets, but that these effects are larger for digital sales,” Lee tells TorrentFreak. “This is consistent with the idea that people are more willing to switch between digital piracy and digital sales than between digital piracy and physical CDs.”

The findings lead to the conclusion that there is no ideal ‘one-size-fits-all’ response to piracy. In fact, some unauthorized sharing may be a good thing.

This is in line with observations from musicians themselves over the past years. Several top artists have admitted the positive effects of piracy, including Ed Sheeran, who recently said that he owes his career to it.

“I know that’s a bad thing to say, because I’m part of a music industry that doesn’t like illegal file sharing,” Sheeran said in an interview with CBS. “Illegal file sharing was what made me. It was students in England going to university, sharing my songs with each other.”

Sheeran sharing on TPB

Today, Sheeran is in a totally different position of course. As one of the top artists, he would now be hurt by piracy. However, the new stars of tomorrow may still reap the benefits.

According to the researcher, the music industry should realize that shutting down pirate sites may not always be the best option. On the contrary, file-sharing sites may be useful as promotional platforms in some cases.

“Following above, a policy of total shutdown of private file sharing networks seems excessively costly (compared with their relatively small impact on sales) and unwise (as a one-size-fits-all policy). It would be better to make legal consumption more convenient, reducing the demand for piracy as an alternative to purchasing,” Lee tells us.

“It would also be smart to experiment with releasing music onto piracy networks themselves, especially for up-and-coming artists, similar to the free promotion afforded by commercial radio.”

The researcher makes another interesting extrapolation from the findings. In recent years, some labels and artists have signed exclusive deals with some streaming platforms. This means that content is not available everywhere, and this fragmentation may make piracy look more appealing.

“Here you can view piracy as a non-fragmented alternative platform to Spotify et al. Thus consumers will have a strong incentive to use a single non-fragmented platform (piracy) over having multiple subscriptions to fragmented platforms,” Lee says.

It would be better for the labels to publish their music on all platforms, and to make these more appealing and convenient than the pirate alternative.

The data used for the research was collected several years ago before the big streaming boom, so it might be that the results are different today. However, it is clear that the effect of piracy on sales is not as uniform as the music industry often portrays it.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons





Source link


There’s a persistent theory that people exist who are using pirate sites but don’t realize that they’re unauthorized and/or illegal. While that seems likely, it’s hard to believe the volumes are particularly significant.

Nevertheless, numerous campaigns have attempted to enlighten consumers as to what is and isn’t legal and this week the Federation Against Copyright Theft raised the issue once again.

Tagging onto UK anti-fraud awareness campaign Take Five, the anti-piracy outfit asked people to take five minutes to consider the legality of the site or service they’re currently consuming.

<Take Five….

FACT’s advice above is basically sound. They ask people to do their research on the sites FindAnyFilm and GetItRight, both of which should give consumers an idea of where content can be obtained legally. Trouble is, neither resource is comprehensive, so five minutes of research could turn into ten or fifteen, by which time people could get bored of trying to do the right thing.

So, with this in mind, here are a few light-hearted tips to help people spot whether the site they’re using is authorized by the movie industry or a product of a swashbuckling mind.

Does the site want your name, address and life history?

If the site you’re accessing looks really polished, has a positive Wikipedia page, but won’t give you anything more than a trailer without handing over your full identity and credit card details, this is probably a legal platform.

Since they have to license movies from Hollywood and other filmmakers, sites like these cost a lot of money to run. As a result, they want your money to pay the bills and they like to make sure you can pay up front.

When you think about it, it makes perfect sense. No money, no access – capiche?

Does the site look polished but doesn’t ask for a dime?

If the site you’re looking at seems like the one mentioned above but doesn’t seem to care who you are, this is starting to look like a pirate site. If it then offers up thousands of movies and TV shows without accessing your wallet or dental records, you’re definitely on the high seas.

While this position is pleasurable for people with a penchant for piracy, there are plenty of points to ponder.

Is the site already starting to get on your nerves a bit?

You’re browsing a site, looking at all the beautiful movies and TV shows on offer, then one takes your fancy. You click it with both anticipation and excitement but instead of the video appearing, a new tab or popup appears in your browser.

If this unexpected visitor offers a penis extension, a night out with a girl in your area, or a get-rich-quick scheme you feel you need but don’t understand, this is probably a pirate site.

These stupid offers are the price you pay for not paying. This is how it works.

While movies and TV shows cost money to create and require financial support from the consumer, pirate sites use various techniques to obtain that content for free. Then, with a wave of a magic wand, they cover the costs of delivering it to pirates using advertising.

However, due to pressures put on them by the content industries, pirate sites generally have to serve up poor quality ads. Crappy ads everywhere = almost definitely a pirate site.

The movie site i’m using is really confusing, is it legal?

After obtaining your banking details, mother’s maiden name, and blood type, legal sites are generally very straightforward. Pleasurably content and feature-rich, services like Netflix and Spotify are simplicity itself to use. Their interfaces are clean, tidy, and don’t do anything unexpected. These are just some of the key features you get in return for handing over your money to a legal service.

On the other hand, however, if you’re on a site that has six different download buttons and none of them seem to actually download anything, this is probably a pirate site, and a low grade one at that.

Back away quickly, regroup, and never go back – unless you have an ad-blocker turned all the way up to 11, of course.

Wow! This site has all the latest movies! Is it legal?

Some of Hollywood’s greatest assets are its just-released movies. It holds these tightly, like a protective mother, restricting viewing only to those who pay large amounts of money for the privilege.

As a general rule, if you’re watching them for free on the Internet, chances are it’s not only unauthorized but probably illegal too. That being said, most people don’t give a damn due to all the excitement, free content, and tiny chances of being caught.

Note: If a movie came out today, last week, or even last month, and you’ve spent a large sum of money to watch it alongside hundreds of noisy others in a big room while eating over-priced taste-free snacks, CONGRATULATIONS! You’ve found the only way to watch the latest movies legally.

I really love this site, it has everything I want in one place. Is that legal?

STOP. This is definitely an illegal site. While it is the movie and TV industries’ job to entertain the masses, it also has a side mission to ensure that you will never – EVER – find all the content you want in one place.

Remember: to stay legal and have access to the broadest range of video content, you need to subscribe to several official services while handing over handfuls of cash every month.

If you find that after parting with large sums of cash you still can’t find all the content you want, then you can be sure you’re doing this by the book and entirely legally. Only people using pirate services find all the stuff they need in one or two places.

A service is offering me every TV channel for £10/$10/€10 per month. Legal?

If your local TV cable or satellite provider demands a pile of cash an inch thick to access every channel they have for a month, please be informed they have worked very hard to achieve that monopoly position.

There is no way on planet earth that another legal supplier will be able to undercut them by 90%. Yes, that includes fully-loaded Fire TV Sticks bought off Pete down the pub.

As a rule of thumb, if you’re delighted with the ‘special’ TV service you bought off Facebook yet still have enough money to take the family out for a meal at a half decent restaurant, alarm bells should be ringing.

Legal buyers can generally afford to gorge on either TV or food. If you’re full to bursting due to excessive consumption of both, you’re either using a pirate service or have enough money not to need one.

These tips are not exhaustive – feel free to add your own in the comments

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons





Source link


Currently, Kodi includes the Python 2.7 interpreter to run addons written in Python programming language. However, Python 3 was released almost 10 years ago and the matter of implementing the Python 3 interpreter in Kodi has been brought up on the Kodi forum several times. Now, thanks to a successful GSOC 2017 project, we have a working Python 3.6 interpreter for Kodi, and on the latest DevCon 2017 in Prague Team Kodi decided that it’s time to move on and migrate Python addon subsystem to Python 3.

Tags: 





Source link


Late 2017, Boing Boing co-editor Xena Jardin posted an article in which he linked to an archive containing every Playboy centerfold image to date.

“Kind of amazing to see how our standards of hotness, and the art of commercial erotic photography, have changed over time,” Jardin noted.

While Boing Boing had nothing to do with the compilation, uploading, or storing of the Imgur-based archive, Playboy took exception to the popular blog linking to the album.

Noting that Jardin had referred to the archive uploader as a “wonderful person”, the adult publication responded with a lawsuit (pdf), claiming that Boing Boing had commercially exploited its copyrighted images.

Last week, with assistance from the Electronic Frontier Foundation, Boing Boing parent company Happy Mutants filed a motion to dismiss in which it defended its right to comment on and link to copyrighted content without that constituting infringement.

“This lawsuit is frankly mystifying. Playboy’s theory of liability seems to be that it is illegal to link to material posted by others on the web — an act performed daily by hundreds of millions of users of Facebook and Twitter, and by journalists like the ones in Playboy’s crosshairs here,” the company wrote.

EFF Senior Staff Attorney Daniel Nazer weighed in too, arguing that since Boing Boing’s reporting and commenting is protected by copyright’s fair use doctrine, the “deeply flawed” lawsuit should be dismissed.

Now, just a week later, Playboy has fired back. Opposing Happy Mutants’ request for the Court to dismiss the case, the company cites the now-famous Perfect 10 v. Amazon/Google case from 2007, which tried to prevent Google from facilitating access to infringing images.

Playboy highlights the court’s finding that Google could have been held contributorily liable – if it had knowledge that Perfect 10 images were available using its search engine, could have taken simple measures to prevent further damage, but failed to do so.

Turning to Boing Boing’s conduct, Playboy says that the company knew it was linking to infringing content, could have taken steps to prevent that, but failed to do so. It then launches an attack on the site itself, offering disparaging comments concerning its activities and business model.

“This is an important case. At issue is whether clickbait sites like Happy Mutants’ Boing Boing weblog — a site designed to attract viewers and encourage them to click on links in order to generate advertising revenue — can knowingly find, promote, and profit from infringing content with impunity,” Playboy writes.

“Clickbait sites like Boing Boing are not known for creating original content. Rather, their business model is based on ‘collecting’ interesting content created by others. As such, they effectively profit off the work of others without actually creating anything original themselves.”

Playboy notes that while sites like Boing Boing are within their rights to leverage works created by others, courts in the US and overseas have ruled that knowingly linking to infringing content is unacceptable.

Even given these conditions, Playboy argues, Happy Mutants and the EFF now want the Court to dismiss the case so that sites are free to “not only encourage, facilitate, and induce infringement, but to profit from those harmful activities.”

Claiming that Boing Boing’s only reason for linking to the infringing album was to “monetize the web traffic that over fifty years of Playboy photographs would generate”, Playboy insists that the site and parent company Happy Mutants was properly charged with copyright infringement.

Playboy also dismisses Boing Boing’s argument that a link to infringing content cannot result in liability due to the link having both infringing and substantial non-infringing uses.

First citing the Betamax case, which found that maker Sony could not be held liable for infringement because its video recorders had substantial non-infringing uses, Playboy counters with the Grokster decision, which held that a distributor of a product could be liable for infringement, if there was an intent to encourage or support infringement.

“In this case, Happy Mutants’ offending link — which does nothing more than support infringing content — is good for nothing but promoting infringement and there is no legitimate public interest in its unlicensed availability,” Playboy notes.

In its motion to dismiss, Happy Mutants also argued that unless Playboy could identify users who “in fact downloaded — rather than simply viewing — the material in question,” the case should be dismissed. However, Playboy rejects the argument, claiming it is based on an erroneous interpretation of the law.

Citing the Grokster decision once more, the adult publisher notes that the Supreme Court found that someone infringes contributorily when they intentionally induce or encourage direct infringement.

“The argument that contributory infringement only lies where the defendant’s actions result in further infringement ignores the ‘or’ and collapses ‘inducing’ and ‘encouraging’ into one thing when they are two distinct things,” Playboy writes.

As for Boing Boing’s four classic fair use arguments, the publisher describes these as “extremely weak” and proceeds to hit them one by one.

In respect of the purpose and character of the use, Playboy discounts Boing Boing’s position that the aim of its post was to show “how our standards of hotness, and the art of commercial erotic photography, have changed over time.” The publisher argues that is the exact same purpose of Playboy magazine, while highliting its publication Playboy: The Compete Centerfolds, 1953-2016.

Moving on to the second factor of fair use – the nature of the copyrighted work – Playboy notes that an entire album of artwork is involved, rather than just a single image.

On the third factor, concerning the amount and substantiality of the original work used, Playboy argues that in order to publish an opinion on how “standards of hotness” had developed over time, there was no need to link to all of the pictures in the archive.

“Had only representative images from each decade, or perhaps even each year, been taken, this would be a very different case — but Happy Mutants cannot dispute that it knew it was linking to an illegal library of ‘Every Playboy Playmate Centerfold Ever’ since that is what it titled its blog post,” Playboy notes.

Finally, when considering the effect of the use upon the potential market for or value of the copyrighted work, Playbody says its archive of images continues to be monetized and Boing Boing’s use of infringing images jeopardizes that.

“Given that people are generally not going to pay for what is freely available, it is disingenuous of Happy Mutants to claim that promoting the free availability of infringing archives of Playboy’s work for viewing and downloading is not going to have an adverse effect on the value or market of that work,” the publisher adds.

While it appears the parties agree on very little, there is agreement on one key aspect of the case – its wider importance.

On the one hand, Playboy insists that a finding in its favor will ensure that people can’t commercially exploit infringing content with impunity. On the other, Boing Boing believes that the health of the entire Internet is at stake.

“The world can’t afford a judgment against us in this case — it would end the web as we know it, threatening everyone who publishes online, from us five weirdos in our basements to multimillion-dollar, globe-spanning publishing empires like Playboy,” the company concludes.

Playboy’s opposition to Happy Mutants’ motion to dismiss can be found here (pdf)

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons





Source link


In many parts of the world football, or soccer as some would call it, is the number one spectator sport.

The English Premier League, widely regarded as one the top competitions, draws hundreds of millions of viewers per year. Many of these pay for access to the matches, but there’s also a massive circuit of unauthorized streams.

The Football Association Premier League (FAPL) has been clamping down on these pirate sources for years. In the UK, for example, it obtained a unique High Court injunction last year, which requires local Internet providers to block streams as they go live.

In addition, the organization has also filed legal action against a hosting provider through which several live sports streaming sites are operating. The case in question was filed in the Netherlands where Ecatel LTD, a UK company, operated several servers.

According to the complaint, Ecatel hosted sites such as cast247.tv, streamlive.to and iguide.to, which allowed visitors to watch live Premier League streams without paying.

As the streaming platforms themselves were not responsive to takedown requests, the Premier League demanded action from their hosting provider. Specifically, they wanted the company to disconnect live streams on their end, by null-routing the servers of the offending customer.

This week the Court of The Hague issued its judgment, which is a clear win for the football association.

The Court ruled that, after the hosting company receives a takedown notice from FAPL or one of its agents, Ecatel must disconnect pirate Premier League streams within 30 minutes.

“[The Court] recommends that, after 24 hours of service of this judgment, Ecatel cease and discontinue any service used by third parties to infringe the copyright to FAPL by promptly but no later than 30 minutes after receipt of a request to that end,” the verdict reads.

The ban can be lifted after the game has ended, making it a temporary measure similar to the UK Internet provider blockades. If Ecatel fails to comply, it faces a penalty of €5,000 for each illegal stream, to a maximum of € 1,500,000.

While the order is good news for the Premier League, it will be hard to enforce, since Ecatel LTD was dissolved last year. Another hosting company called Novogara was previously linked with Ecatel and is still active, but that is not mentioned in the court order.

This means that the order will mostly be valuable as a precedent. Especially since it goes against an earlier order from 2015, which Emerce pointed out. This warrants a closer look at how the Court reached its decision.

In its defense, Ecatel had argued that an obligation to disconnect customers based on a takedown notice would be disproportionate and violate its entrepreneurial freedoms. The latter is protected by the EU Charter of Fundamental Rights.

The Court, however, highlights that there is a clash between the entrepreneurial rights of Ecatel and the copyrights of FAPL in this case. This requires the Court to weigh these rights to see which prevails over the other.

According to the verdict, the measures Ecatel would have to take to comply are not overly costly. The company already null-routed customers who failed to pay, so the technical capabilities are there.

Ecatel also argued that disconnecting a server could affect legal content that’s provided by its customers. However, according to the Court, Ecatel is partly to blame for this, as it does business with customers who seemingly don’t have a proper takedown process themselves. This is something the company could have included in their contracts.

As a result, the Court put the copyrights of FAPL above the entrepreneurial freedom rights of the hosting provider.

The second right that has to be weighed is the public’s right to freedom of expression and information. While the Court rules that this right is limited by the measures, it argues that the rights of copyright holders weigh stronger.

“Admittedly, this freedom [of expression and information] is restricted, but according to the order, this will only apply for the duration of the offending streams. Furthermore, as said, this will only take place if the stream has not already been blocked in another way,” the Court writes.

If any legal content is affected by the measures then the offending streaming platform itself will experience more pressure from users to deal with the problem, and offer a suitable takedown procedure to prevent similar problems in the future, the Court notes.

TorrentFreak reached out to FAPL and Ecatel’s lawyers for a comment on the verdict but at the time of writing we haven’t heard back.

The verdict appears to be a powerful precedent for copyright holders. Kim Kuik, director of local anti-piracy group BREIN, is pleased with the outcome. While BREIN was not involved in this lawsuit, it previously sued Ecatel in another case.

“It is a good precedent. An intermediary like Ecatel has its accountability and must have an effective notice and take down procedure,” Kuik tells TorrentFreak.

“Too bad it wasn’t also against the people behind Ecatel, who now can continue using another vehicle. The judge thinks this verdict serves a warning to them. Time will tell if that is so.”

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons





Source link


Back in the day, The Pirate Bay was famous for its amusing responses to legal threats. Instead of complying with takedown notices, it sent witty responses to embarrass the senders.

Today the notorious torrent site gives copyright holders the silent treatment, but the good-old Pirate Bay spirit still lives on elsewhere.

Earlier today the anonymous domain registration service Njalla, which happens to be a venture of TPB co-founder Peter Sunde, posted a series of noteworthy responses it sent to The New York Times’ (NYT) legal department.

The newspaper warned the registration service about one of its customers, paywallnews.com, which offers the news service’s content without permission. Since this is a violation of The Times’ copyrights, according to the paper, Njalla should take action or face legal consequences.

NYT: Accordingly, we hereby demand that you immediately provide us with contact information — including email addresses — for both the actual owner of the paywallnew.com website, and for the hosting provider on which the paywallnew.com website is located.

If we have not heard from you within three (3) business days of receipt of this letter, we will have no choice but to pursue all available legal remedies.

Njalla is no stranger to threats of this kind but were somewhat offended by the harsh language, it seems. The company, therefore, decided to inform the NYT that there are more friendly ways to reach out.

Njalla: Thanks for that lovely e-mail. It’s always good to communicate with people that in their first e-mail use words as “we demand”, “pursue all available legal remedies” and so forth. I’d like to start out with some free (as in no cost) advice: please update your boiler threat letters to actually try what most people try first: being nice. It’s not expensive (actually the opposite) and actually it works much better than your method (source: a few tens of thousands years of human development that would not have been as efficient with threats as it would have been with cooperation).

In addition, Njalla also included a request of its own. They kindly asked (no demand) the newspaper’s legal department for proof that they are who they say they are. You can never be too cautious, after all.

Njalla: Now, back to the questions you sent us. We’re not sure who you are, so in order to move further we’d like to see a copy of your ID card, as well as a notarised power of attorney showing that you are actually representing the people you’re claiming to do.

This had the desired effect, for Njalla at least. The NYT replied with an apology for the tough language that was used, noting that they usually deal with companies that employ people who are used to reading legal documents.

The newspaper did, however, submit a notarized letter signed by the company’s Executive Vice President, General Counsel and Secretary, and once again asked for details on the Njalla customer.

NYT: Once again, as I mention above, the referenced website is stealing large amounts of New York Times content. If you click on this link: http://www.paywallnews.com/sites/nytimes

As this abuse — aside from being an egregious infringement of The Times’s copyright — breaches your own Terms of Service, I hope you will be able to see your way to helping me to put a stop to this practice by providing me with the name and contact information for the owner of paywallnews.com and for the ISP on which it is hosted.

This is when things started to get really interesting. Founded by someone with an extensive background in “sharing,” Njalla clearly has a different definition of stealing than the NYT’s legal department.

The reply, which is worth reading in full along with the rest of the communication, makes this quite clear.

Njalla: Stealing content seem quite harsh of this website though, didn’t know that they did that! Is there anyway you can get the stolen items back though? You should either go to the police and request them to help you get the stolen items back. Or maybe talk to your insurance company, they might help to compensate you for the loss. But a helpful idea; if they’ve stolen something and then put copies of that on a website that you can freely access, I would suggest just copying it, so that both of you have the same things. That’s a great thing with the digital world, everyone can have copies of things. I am surprised they stole something when they could just have copied it. I’m guessing it’s some older individuals that don’t know the possibilities of modern day technology to make copies.

It’s obvious that the domain registration service makes a clear distinction between copying and stealing.

Piracy vs. Theft

In addition, Njalla contests that the site is problematic at all, noting that this might be a “cultural difference.”

Njalla spotted something even more worrying though. The NYT claims that the site in question violates its terms of service. Specifically, they reference the section that prohibits sites from spreading content that is illegal according to local law.

Is the NYT perhaps spreading illegal content itself, Njalla questions?

Njalla: Deborah, I was quite shocked and appalled that you referred to this part of our ToS. It made me actually not visit the website in question even though you’ve linked it now a few times. You’re admitting to spreading illegal content at your newspaper, for profit, is that correct?

We’re quite big proponents of freedom of speech, let me assure you of that, but we also have limits. If you spread illegal content, and our customers stole that illegal content and are now handing out free copies of that, that’s a huge issue for us. Since it would be illegal for us to get those copies if they’re illegal, I’m asking you what type of content it is?

As an attachment to the reply, Njalla also sent back a “notarized” letter of their own, by simply copying the NYT letter and sticking their own logo on it, to show how easily these can be fabricated.

TorrentFreak reached out to Sunde who informed us that they never heard from The New York Times after the last reply. As a domain registrant, Njalla is not obliged to comply with takedown requests, he explains.

“If they need help from us on copyright issues, they’re totally missing what we’re doing, and that they should look somewhere else anyhow. But I think most domain services gets tons of these threat emails, and a lot of them think they’re responsible because they don’t have access to legal help and just shut customers down.

“That’s what a lot of our customers say at least, since they migrated from a shitty service which doesn’t know their own business,” Sunde adds.

The NYT is not completely without options though. If they take the case to court in Sweden and win an injunction against paywallnews.com, Njalla will comply. The same is true if a customer really violates the terms of service.

Meanwhile, paywallnews.com remains online.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons





Source link


Anti-piracy campaigns come in all shapes and sizes, from oppressive and scary to the optimistically educational. It is rare for any to be labeled ‘brilliant’ but a campaign just revealed in Belgium hits really close to the mark.

According to an announcement by the Belgian Entertainment Association (BEA), Belgian Federation of Cinemas, together with film producers and distributors, cinemas and directors, a brand new campaign has been targeting those who download content from illegal sources. It is particularly innovative and manages to hit pirates in a way they can’t easily avoid.

Working on the premise that many locals download English language movies and then augment them with local language subtitles, a fiendish plot was hatched. Instead of a generic preaching video on YouTube or elsewhere, the movie companies decided to ‘infect’ pirate subtitles with messages of their own.

“Suddenly the story gets a surprising turn. With a playful wink it suddenly seems as if Samuel L. Jackson in The Hitman’s Bodyguard directly appeals to the illegal viewer and says that you should not download,” the group explains.

Samuel is watching…..

>

“I do not need any research to see that these are bad subtitles,” Jackson informs the viewer.

In another scene with Ryan Reynolds, Jackson notes that illegal downloading can have a negative effect on a person.

Don’t download…..

Don’t download…..

“And you wanted to become a policeman, until you started downloading,” he says.

The movie groups say that they also planted edited subtitles in The Bridge, with police officers in the show noting they’re on the trail of illegal downloaders. The movies Logan Lucky and The Foreigner got similar treatment.

It’s not clear on which sites these modified subtitles were distributed but according to the companies involved, they’ve been downloaded 10,000 times already.

“The viewer not only feels caught but immediately realizes that you do not necessarily get a real quality product through illegal sources,” the companies say.

The campaign is the work of advertising agency TBWA, which appropriately bills itself as the Disruption Company.

“We are not a traditional ad agency network — we are a radically open creative collective. We look at what everyone else is doing and strive to do something completely new,” the company says.

Coincidentally, the company refers to its staff as pirates who rewrite rules and have ideas to take on “conventionally-steered ships.”

“As creative director of communication agency TBWA, protecting creative work is very important to us,” says TBWA Creative Director Gert Pauwels. “That is precisely why we came up with the subtle prank to work together with the sector to tackle illegal downloading.”

Although framed as a joke, one which may even raise a wry smile and a nod of respect from some pirates, there’s an underlying serious message from the companies involved.

“Maybe many think that everything is possible on the internet and that downloading will remain without consequences,” says Pieter Swaelens, Managing Director of BEA. “That is not the case. Here too, many jobs are being challenged in Belgium and we have to tackle this behavior.”

It’s also worth noting that while this campaign is both innovative and light-hearted, at least one of the companies involved is also a supporter of much tougher action.

Dutch Filmworks recently obtained permission from the Dutch Data Authority to begin monitoring pirates. Once it has their IP addresses it will attempt to make contact, offering a cash settlement agreement to make a potential lawsuit disappear.

“We are pleased with the extra attention to the problem of downloading from illegal sources,” says René van Turnhout, COO Dutch FilmWorks. “Too many jobs in our sector have been lost. Moreover, piracy endangers the creativity and quality of the legal offer.”

“I’d better watch legally … that’s true”

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons





Source link


Earlier this month, the Office of the US Trade Representative (USTR) released an updated version of its “Out-of-Cycle Review of Notorious Markets,” ostensibly identifying some of the worst IP-offenders worldwide.

The annual list overview helps to guide the U.S. Government’s position towards foreign countries when it comes to copyright enforcement.

The most recent version featured traditional pirate sites such as The Pirate Bay, Rapidgator, and Gostream, but also the Russian social network VK and China-based marketplaces Alibaba and Taobao.com.

Since the list only identifies foreign sites, American services are never included. However, this restriction doesn’t apply in Europe, where the European Commission announced this week that it’s working on its own piracy watch list.

“The European Commission – on the basis of input from the stakeholders – after thorough verification of the received information – intends to publish a so called ‘Counterfeit and Piracy Watch-List’ in 2018, which will be updated regularly,” the EU’s call for submissions reads.

The EU watch list will operate in a similar fashion to the US equivalent and will be used to encourage site operators and foreign governments to take action.

“The list will identify and describe the most problematic marketplaces – with special focus on online marketplaces – in order to encourage their operators and owners as well as the responsible local authorities and governments to take the necessary actions and measures to reduce the availability of IPR infringing goods or services.”

In recent years various copyright holder groups have repeatedly complained about a lack of anti-piracy initiatives from companies such as Google and Cloudflare, so it will be interesting to see if these will be mentioned.

The same is true for online marketplaces. Responding to the US list last week, Alibaba also highlighted that several American companies suffer the same piracy and counterfeiting problems as they do, without being reprimanded.

“What about Amazon, eBay and others? USTR has no basis for comparison, because it does not ask for similar data from U.S. companies,” Alibaba noted in a rebuttal.

The EU watch list is clearly inspired by the US counterpart. It shows striking similarities with the US version of the watch list and some of the language appears to be copied (or pirated) word for word.

The EU writes, for example, that their list “will not mean to reflect findings of legal violations, nor will it reflect the European Union’s analysis of the general intellectual property rights protection and enforcement climate in the country or countries concerned.”

Just a few days earlier the USTR noted that its list “does not make findings of legal violations. Nor does it reflect the U.S. Government’s analysis of the general IP protection and enforcement climate in the countries connected with the listed markets.”

The above means that, despite branding foreign services as notorious offenders, these are mere allegations. No hard proof is to be expected in the report, nor will the EU research the matter on its own.

If the US example is followed, the watch list will be mostly an overview of copyright holder complaints, signed by the authorities. The latter is not without controversy, as China says it doubts the objectivity of USTR’s report for this very reason.

Copyright holders and other interested parties are invited to submit their contributions and comments by 31 March 2018, and the final list is expected to be released later in the year.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons





Source link


The North American Free Trade Agreement (NAFTA) between the United States, Canada, and Mexico was negotiated more than 25 years ago.

Over the past quarter-century trade has changed drastically, especially online, so the United States is now planning to modernize the international deal.

One of the topics that has received a lot of interest from various experts and stakeholders are safe harbors. In the US, Internet services are shielded from copyright infringement liability under the safe harbor provisions of the DMCA, but in Mexico and Canada, that’s not the case.

The latest round of NAFTA renegotiations are currently taking place in Montreal and this is heating up the debate once again. Several legal scholars and advocacy groups believe that such US-style safe harbor provisions are essential for Internet services to operate freely on the Internet.

A group of more than fifty Internet law experts and organizations made this clear in a letter sent to the negotiators this week, urging them to make safe harbors part of the new deal.

“When NAFTA was negotiated, the Internet was an obscure electronic network. Since then, the Internet has become a significant — and essential — part of our societies and our economies,” the letter reads.

“To acknowledge this, if a modernized NAFTA contains a digital trade chapter, it should contain protections for online intermediaries from liability for third party online content, similar to the United States’ ‘Section 230’.”

The safe harbors in the Communications Decency Act and the DMCA ensure that services which deal with user-generated content, including Google, YouTube, Facebook, Twitter, and Wikipedia, are shielded from liability.

This immunity makes it easier for new user-generated services to launch, without the fear of expensive lawsuits, the argument goes.

However, not everyone sees it this way. In a letter cited by Variety, a group of 37 industry groups urges U.S. Trade Representative Robert Lighthizer to negotiate ‘strong’ safe harbor protections. Strong, in this case, means that simply responding to takedown notices is not always enough.

“If these anti-IP voices succeed, they will turn long-standing trade policy, with creativity and innovation at its core, on its head by transforming our trade agreements into blueprints for how to evade liability for IP theft,” they write.

The MPAA and RIAA, which also signed the letter, previously stressed that the current US safe harbors are not working. These industry groups believe that services such as YouTube exploit their safe harbor immunity and profit from it.

The RIAA, therefore, wants any negotiated safe harbor provisions in NAFTA to be flexible in the event that the DMCA is tightened up in response to the ongoing safe harbor rules study.

So, what should a content industry-approved safe harbor look like then?

The music industry group says that these should only be available to passive platforms that are not actively engaged in communicating and do not generate any revenue from pirated content. This would exclude YouTube and many other Internet services.

While it’s clear that the ideas of both camps are hard to unite, there’s still the question of whether there will be a new and improved NAFTA version at all. President Trump has previously threatened to terminate the agreement.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN discounts, offers and coupons





Source link