Following complaints from Disney, 20th Century Fox, Paramount, Sony, Universal and Warner, a court in Spain recently ordered local ISPs to block HDFull.tv and Repelis.tv, a pair of popular pirate sites.

Citing changes in local law which helped facilitate the action, the MPA welcomed the blockades as necessary to prevent further damage to the creative industries. Now, just a week later, it seems that Spain really has the bit between its teeth.

An announcement from the Guardia Civil (Civil Guard), the oldest law enforcement agency in the country, reveals that almost two dozen websites have just been blocked for infringing intellectual property rights.

“The Civil Guard, within the framework of the ‘Operation CASCADA’, has initiated a campaign to block websites that allow people to download content protected by copyright and disseminate them through links in P2P networks, that is, networks of computers that work without fixed servers,” the Civil Guard said in a statement.

“In this first phase, a total of 23 web domains have been blocked from which direct download links of all kinds of protected audiovisual material such as movies, series, music and video games were accessed, many of them of recent creation and without being released yet in our country.

“High-quality versions of films available on the cinema billboards of our country were offered, although they had not yet been sold in physical or digital format and dubbed with audio in several languages.”

A full list of websites and domains hasn’t yet been provided by the authorities but familiar names including divxtotal.com and gamestorrents.com are confirmed to be included in the first wave.

The Civil Guard, which is organized as a military force under the authority of the Ministry of the Interior and Ministry of Defense, said that the administrators of the sites operate their platforms from abroad, generating advertising revenue from Spanish visitors who are said to make up 80% of the sites’ traffic.

In common with similar sites, the authorities accuse their owners of taking evasive action to avoid being shut down, including hiding the true location of their servers while moving them from country to country and masking domain registration data.

“Cases have been detected in which previously judicially blocked domains were reactivated in a matter of hours, with practically identical domain names or even changing only the extension thereof. In this way, and even if several successive blocks were made, they were able to ‘resurrect’ the web pages again in a very short space of time,” the Civil Guard reports.

“For all these reasons, components of the Department of Telematic Crimes of the Central Operative Unit of the Civil Guard, responsible for the investigation, were forced to implement a series of measures tending to cause a total blockade of them that would be effective and definitive, being currently inaccessible web pages or lacking download links.”

According to the authorities, the sites are now being continuously monitored, with replacement domains being blocked in less than three hours. That doesn’t appear to have been the case yesterday, however.

It’s claimed that the blocked sites were created by “a person of Spanish origin” who subsequently sold them to a company in Argentina. On Thursday, Argentina-based site Dixv.com.ar fired back against the blockade with a new site called Yadivx.com, which is reportedly serving all of the former’s content to users in Spain.

The sites’ owners continue to administer the rogue sites from Argentina, Spanish authorities believe. Only time will tell who will emerge victorious but at least for now, the sites are remaining defiant.

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Australian copyright holders and lawmakers have been struggling to find an adequate response to online piracy for several years.

Progress has been slow, but with pirate site blockades now in effect, there appears to be some movement.

New research published by INCOPRO this week shows that traffic to blocked pirate sites has decreased 53.4% since the first measures were implemented a year ago. In total, usage of the top 250 pirate sites dropped a significant 25.4% in Australia.

In summary, the research confirms that direct traffic to blocked sites has decreased dramatically. Or put differently, the site blocking efforts actually block pirate sites, which by itself should hardly come as a surprise.

In fact, one might wonder how effective the blockades really are when nearly half of all direct traffic to the blocked sites in Australia remains intact and dozens of the country’s ISPs are involved.

On top, it’s also worth mentioning that the research doesn’t take VPN usage into account. Australian interest in VPNs surged after the blockades were announced, so many people are likely to be circumvented the blockades using foreign VPNs.

While VPNs were not factored in, the current research did look at proxy site traffic and concludes that this only substitutes a small portion of the traffic that went to pirate sites before the blockades.

While it’s undoubtedly true that direct traffic to blocked sites has dropped, the research also includes some odd results. For example, it attributes a recent drop in Isohunt.to traffic to the blocking measures, when in reality the site actually shut down.

“ISOHunt usage has been on a downward trend since December 2016, and is now at its lowest on record having reduced by 96.4% since blocking began,” the report reads, drawing on data from Alexa.

But perhaps we’re nitpicking.

Creative Content Australia (CCA) is happy with these results and states that the fight against piracy has claimed a significant victory. However, the anti-piracy group also stressed that more can be done.

“The reduction in piracy is exciting news but that 53% could be 90%,” CCA Chairman Graham Burke says, using the opportunity to take another stab at Google.

“The government has shut the front door, but Google is leading people to the back door, showing no respect for Australian law or courts let alone any regard for the Australian economy and cultural way of life,” Burke adds.

INCOPRO’s research will undoubtedly be used to convince lawmakers that the current site blocking efforts should remain in place.

With this in mind, the release of the report comes at an interesting time. The previously unpublished results were drawn up last December, but were only made public this week, a few days after the Australian Government announced a review of the site blocking measures.

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With dozens of millions of active users a day, uTorrent has long been the most used torrent client.

The software has been around for well over a decade and it’s still used to shift petabytes of data day after day. While there haven’t been many feature updates recently, parent company BitTorrent Inc. was alerted to a serious security vulnerability recently.

The security flaw in question was reported by Google vulnerability researcher Tavis Ormandy, who first reached out to BitTorrent in November last year. Google’s Project Zero allows developers a 90-day window to address security flaws but with this deadline creeping up, BitTorrent had remained quiet.

Late last month Ormandy again reached out to BitTorrent Inc’s Bram Cohen, fearing that the company might not fix the vulnerability in time.

“I don’t think bittorrent are going to make a 90 day disclosure deadline, do you have any direct contacts who could help? I’m not convinced they understand the severity or urgency,” Ormandy wrote on Twitter.

Nudge

While Google’s security researcher might have expected a more swift response, the issue wasn’t ignored.

BitTorrent Inc has yet to fix the problem in the stable release, but a patch was deployed in the Beta version last week. BitTorrent’s Vice President of Engineering David Rees informed us that this will be promoted to the regular release this week, if all goes well.

While no specific details about the vulnerability have yet to be released, it is likely to be a remote execution flaw. Ormandy previously exposed a similar vulnerability in Transmission, which he said was the “first of a few remote code execution flaws in various popular torrent clients.”

BitTorrent Inc. told us that they have shared their patch with Ormandy, who confirmed that this fixes the security issues.

uTorrent Beta release notes

“We have also sent the build to Tavis and he has confirmed that it addresses all the security issues he reported,” Rees told us. “Since we have not promoted this build to stable, I will reserve reporting on the details of the security issue and its fix for now.”

BitTorrent Inc. plans to release more details about the issue when all clients are patched. Then it will also recommend users to upgrade their clients, so they are no longer at risk, and further information will also be available on Google’s Project Zero site.

Of course, people who are concerned about the issue can already upgrade to the latest uTorrent Beta release right away. Or, assuming that it’s related to the client’s remote control functionality, disable that for now.

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_{Note: uTorrent’s Beta changelog states that the fixes were applied on January 15, but we believe that this should read February 15 instead.}

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This week we have four newcomers in our chart.

Justice League is the most downloaded movie.

The data for our weekly download chart is estimated by TorrentFreak, and is for informational and educational reference only. All the movies in the list are Web-DL/Webrip/HDRip/BDrip/DVDrip unless stated otherwise.

RSS feed for the weekly movie download chart.

This week’s most downloaded movies are:

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There are a lot of things people are not allowed to do under US copyright law, but perhaps just as importantly there are exemptions.

The U.S. Copyright Office is currently considering whether or not to loosen the DMCA’s anti-circumvention provisions, which prevent the public from ‘tinkering’ with DRM-protected content and devices.

These provisions are renewed every three years after the Office hears various arguments from the public. One of the major topics on the agenda this year is the preservation of abandoned games.

The Copyright Office previously included game preservation exemptions to keep these games accessible. This means that libraries, archives, and museums can use emulators and other circumvention tools to make old classics playable.

Late last year several gaming fans including the Museum of Art and Digital Entertainment (the MADE), a nonprofit organization operating in California, argued for an expansion of this exemption to also cover online games. This includes games in the widely popular multiplayer genre, which require a connection to an online server.

“Although the Current Exemption does not cover it, preservation of online video games is now critical,” MADE wrote in its comment to the Copyright Office.

“Online games have become ubiquitous and are only growing in popularity. For example, an estimated fifty-three percent of gamers play multiplayer games at least once a week, and spend, on average, six hours a week playing with others online.”

This week, the Entertainment Software Association (ESA), which acts on behalf of prominent members including Electonic Arts, Nintendo and Ubisoft, opposed the request.

While they are fine with the current game-preservation exemption, expanding it to online games goes too far, they say. This would allow outsiders to recreate online game environments using server code that was never published in public.

It would also allow a broad category of “affiliates” to help with this which, according to the ESA, could include members of the public

“The proponents characterize these as ‘slight modifications’ to the existing exemption. However they are nothing of the sort. The proponents request permission to engage in forms of circumvention that will enable the complete recreation of a hosted video game-service environment and make the video game available for play by a public audience.”

“Worse yet, proponents seek permission to deputize a legion of ‘affiliates’ to assist in their activities,” ESA adds.

The proposed changes would enable and facilitate infringing use, the game companies warn. They fear that outsiders such as MADE will replicate the game servers and allow the public to play these abandoned games, something games companies would generally charge for. This could be seen as direct competition.

MADE, for example, already charges the public to access its museum so they can play games. This can be seen as commercial use under the DMCA, ESA points out.

“Public performance and display of online games within a museum likewise is a commercial use within the meaning of Section 107. MADE charges an admission fee – ‘$10 to play games all day’.

“Under the authority summarized above, public performance and display of copyrighted works to generate entrance fee revenue is a commercial use, even if undertaken by a nonprofit museum,” the ESA adds.

The ESA also stresses that their members already make efforts to revive older games themselves. There is a vibrant and growing market for “retro” games, which games companies are motivated to serve, they say.

The games companies, therefore, urge the Copyright Office to keep the status quo and reject any exemptions for online games.

“In sum, expansion of the video game preservation exemption as contemplated by Class 8 is not a ‘modest’ proposal. Eliminating the important limitations that the Register provided when adopting the current exemption risks the possibility of wide-scale infringement and substantial market harm,” they write.

The Copyright Office will take all arguments into consideration before it makes a final decision. It’s clear that the wishes of game preservation advocates, such as MADE, are hard to unite with the interests of the game companies, so one side will clearly be disappointed with the outcome.

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A copy of ESA’s submissionavailablelble here (pdf).

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