Spotify might grab most of the headlines in the world of music streaming but French firm Deezer is also growing in popularity.

Focused more on non-English speaking regions, the music service still has a massive selection of tens of millions of tracks. More importantly for pirates, it also has a loophole or two that allows users to permanently download songs from the service, a huge ‘selling’ point for the compulsive archiver.

One of the most popular third-party tools for achieving this was Deezloader but last year Deezer put pressure on its operators to cease-and-desist.

“On April 27, 2017 we received takedowns and threatened legal action from Deezer if we don’t shut down by April 29. So we decided to shut down Deezloader permanently,” the team announced.

Rather than kill the scene, the attack on Deezloader only seemed to spur things on. Many other apps underwent development in the months that followed but last December it became evident that Deezer (and probably the record labels supplying its content) were growing increasingly tired of these kinds of applications.

The company sent a wave of DMCA notices to developer platform GitHub, targeting several tools, claiming that they are “in total violation of our rights and of the rights of our music licensors.”

GitHub responded quickly by removing access to repositories referencing Deezloader, DeezerDownload, Deeze, Deezerio, Deezit, Deedown, and their associated forks. Deezer also reportedly modified its API, in order to stop or hinder apps already in existence.

However, pirates are a determined bunch and behind the scenes many sought to breathe new life into their projects, to maintain the flow of free music from Deezer. One of those that gained traction was the obviously-titled ‘Deezloader Reborn’ which enjoyed a new lease of life on both Github and Reddit after taking over from DeezLoader V2.3.1.

But in January 2018, Deezer turned up the pressure again, hitting Github with a wave (1,2) of takedown notices targeting various projects. On January 23, Deezer hit Deezloader Reborn itself with the notice detailed below.

The following project, identified in the paragraph below, makes available a hacked version of our Deezer application by describing methods to bypass Deezer’s security measures to unlawfully download its music catalogue, in total violation of our rights and of the rights of our music licensors (phonographic producers, performing artists, songwriters and composers):

https://github.com/ExtendLord/DeezLoader-Reborn

I therefore ask that you immediately take down the project corresponding to the URL above and all of the related forks by others members who have had access or even contributed to such projects.

Not only did Github comply with Deezer’s request, Reddit did too. According to a thread still listed on the site, Reddit removed a post about Deezloader Reborn following a copyright complaint from Deezer.

Two days later Deezer targeted similar projects on Github but by this time, Deezloader Reborn already had new plans. Speaking with TF, project developer ExtendLord said that he wouldn’t be shutting down but would continue on code repository Gitlab instead. Now, however, those plans have also come to an abrupt end after Gitlab took the page down.

Deezloader Reborn – gone from Gitlab

A copy of the page available on Archive.org shows Deezloader Reborn at version 3.0.5 with the ability to download music ready-tagged and in FLAC quality. Links to newer versions are being shared on Reddit but it appears there is no longer a central trusted source for the application.

There’s no official confirmation yet but it seems likely that Deezer was behind the Gitlab takedown. TorrentFreak has contacted ExtendLord who linked us to this page which states that “DeezLoader Reborn is no longer maintained due to DMCA. [Version] 3.1.0 is the last update, no more updates will be made.”

So, at least for now, it appears that Deezloader Reborn will go the way of various other Deezer-reliant applications. That won’t be the end of the story though, that’s a certainty.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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First released in 2010, MediaGet has been around for a while. Initially, the torrent client was available in Russian only, but the team later expanded its reach across the world.

While it’s a relatively small player, it has been installed on millions of computers in recent years. It still has a significant reach, which is what Microsoft also found out recently.

This week the Windows Defender Research team reported that a poisoned version of the BitTorrent client was used to start the Dofoil campaign, which attempted to offload hundreds of thousands of malicious cryptocurrency miners.

Although Windows Defender caught and blocked the culprit within milliseconds, the team further researched the issue to find out how this could have happened.

It turns out that the update process for the application was poisoned. This then enabled a signed version of MediaGet to drop off a compromised version, as can be seen in the diagram below.

“A signed mediaget.exe downloads an update.exe program and runs it on the machine to install a new mediaget.exe. The new mediaget.exe program has the same functionality as the original but with additional backdoor capability,” Microsoft’s team explains.

The update poisoning

The malicious MediaGet version eventually triggered the mass coin miner outbreak. Windows Defender Research stresses that the poisoned version was signed by a third-party software company, not MediaGet itself.

Once the malware was launched the client built a list of command-and-control servers, using embedded NameCoin DNS servers and domains with the non-ICANN-sanctioned .bit TLD, making it harder to shut down.

More detailed information on the attack and how Dofoil was used to infect computers can be found in Microsoft’s full analysis.

MediaGet informs TorrentFreak that hackers compromised the update server to carry out their attack.

“Hackers got access to our update server, using an exploit in the Zabbix service and deeply integrated into our update mechanics. They modified the original version of Mediaget to add their functionality,” MediaGet reveals.

The company says that roughly five percent of all users were affected by the compromised update servers. All affected users were alerted and urged to update their software.

The issue is believed to be fully resolved at MediaGet’s end and they’re working with Microsoft to take care of any copies that may still be floating around in the wild.

“We patched everything and improved our verification system. To all the poisoned users we sent the message about an urgent update. Also, we are in contact with Microsoft, they will clean up all the poisoned versions,” MediaGet concludes.

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Team LibreELEC celebrates its second birthday (and international Pi-Day) with the release of LibreELEC (Krypton) v8.2.4 which brings minor bug-fixes and new firmware to support the Raspberry Pi 3 Model B+ hardware announced this morning. Highlights of the new Pi hardware include: A 1.4GHz 64-bit quad-core ARM Cortex-A53 CPU Dual-band 802.11ac wireless LAN and Bluetooth 4.2 Faster Ethernet (Gigabit Ethernet over USB 2.0) Power-over-Ethernet support (with separate PoE HAT) Improved PXE network and USB mass-storage booting Improved thermal management Improvements to WiFi stability and performance on the 3B+ are noticeable. In private testing over the last two months we have been able to stream typical…

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After being founded in 2009, French site Liberty Land (LL) made its home in Canada. At the time listed among France’s top 200 sites, Liberty Land carried an estimated 30,000 links to a broad range of unlicensed content.

Like many other indexes of its type, LL carried no content itself but hosted links to content hosted elsewhere, on sites like Megaupload and Rapidshare, for example. This didn’t save the operation from an investigation carried out by rightsholder groups SACEM and ALPA, which filed a complaint against Liberty Land with the French authorities in 2010.

Liberty Land

In May 2011 and alongside complaints from police that the people behind Liberty Land had taken extreme measures to hide themselves away, authorities arrested several men linked to the site in Marseille, near Le Havre, and in the Paris suburb of Montreuil.

Despite the men facing a possible five years in jail and fines of up to $700,000, the inquiry dragged on for nearly seven years. The trial of its alleged operators, now aged between 29 and 36-years-old, finally went ahead January 30 in Rennes.

The men faced charges that they unlawfully helped to distribute movies, TV series, games, software, music albums and e-books without permission from rightsholders. In court, one defended the site as being just like Google.

“For me, we had the same role as Google,” he said. “We were an SEO site. There is a difference between what we were doing and the distribution of pirated copies on the street.”

According to the prosecution, the site made considerable revenues from advertising, estimated at more than 300,000 euros between January 2009 and May 2011. The site’s two main administrators reportedly established an offshore company in the British Virgin Islands and a bank account in Latvia where they deposited between 100,000 and 150,000 euros each.

The prosecutor demanded fines for the former site admins and sentences of between six and 12 months in prison. Last week the Rennes Criminal Court rendered its decision, sentencing the four men to suspended sentences of between two and three months. More than 176,000 euros generated by the site was also confiscated by the Court.

While the men will no doubt be relieved that this extremely long case has reached a conclusion of sorts, it’s not over yet. 20minutes reports that the claims for damages filed by copyright groups including SACEM won’t be decided until September and they are significant, totaling 60 million euros.

Source: TF,


In 2011 and 2012, the US Navy began using BS Contact Geo, a 3D virtual reality application developed by German company Bitmanagement.

The Navy reportedly agreed to purchase licenses for use on 38 computers, but things began to escalate.

While Bitmanagement was hopeful that it could sell additional licenses to the Navy, the software vendor soon discovered the US Government had already installed it on 100,000 computers without extra compensation.

In a Federal Claims Court complaint filed by Bitmanagement two years ago, that figure later increased to hundreds of thousands of computers. Because of the alleged infringement, Bitmanagement demanded damages totaling hundreds of millions of dollars.

In the months that followed both parties conducted discovery and a few days ago the software company filed a motion for partial summary judgment, asking the court to rule that the US Government is liable for copyright infringement.

According to the software company, it’s clear that the US Government crossed a line.

“The Navy admits that it began installing the software onto hundreds of thousands of machines in the summer of 2013, and that it ultimately installed the software onto at least 429,604 computers. When it learned of this mass installation, Bitmanagement was surprised, but confident that it would be compensated for the numerous copies the Government had made,” the motion reads.

“Over time, however, it became clear that the Navy had no intention to pay Bitmanagement for the software it had copied without authorization, as it declined to execute any license on a scale commensurate with what it took,” Bitmanagement adds.

In its defense, the US Government had argued that it bought concurrent-use licenses, which permitted the software to be installed across the Navy network. However, Bitmanagement argues that it is impossible as the reseller that sold the software was only authorized to sell PC licenses.

In addition, the software company points out that the word “concurrent” doesn’t appear in the contracts, nor was there any mention of mass installations.

The Government also argued that Bitmanagement impliedly authorized it to install the software on hundreds of thousands of computers. This defense also makes little sense, the software company counters.

The Navy licensed an earlier version of the software for $30,000, which could be used on 100 computers, so it would seem odd that it could use the later version on hundreds of thousands of computers for only $5,490, the company argues.

“To establish that it had an implied license, the Government must show that Bitmanagement — despite having licensed a less advanced copy of its software to the Government in 2008 on a PC basis that allowed for installation on a total of 100 computers in exchange for $30,000 — later authorized the Government to make an unlimited number of installations of its advanced software product for $5,490.”

The full motion brings up a wide range of other arguments as well which, according to Bitmanagement, make it clear that the US Government is liable for copyright infringement. It, therefore, asks the court for a partial summary judgment.

“Bitmanagement respectfully requests that this Court grant summary judgment as to the Government’s liability for copyright infringement and hold that the Government copied BS Contact Geo beyond the limits of its license, on a scale equal to the hundreds of thousands of unauthorized copies of BS Contact Geo that the Government either installed or made available for installation,” the company concludes.

If the Government is indeed liable the scale of the damages will be decided at a later stage. The software company previously noted that this could be as high as $600 million.

This is not the first time that the U.S. military has been ‘caught’ pirating software. A few years ago it was accused of operating unlicensed logistics software, a case the Obama administration eventually settled for $50 million.

A copy of the motion for partial summary judgment is available here (pdf).

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The movie industry sees movies that are illegally recorded in theaters as one of the biggest piracy threats worldwide.

To combat this, audio and video watermarking tools are used to detect pirates and their favorite locations. In addition, night-vision goggles and other spy tech are employed to monitor moviegoers during high profile film premieres.

Despite these efforts, so-called ‘cam’ releases of hundreds of films still end up on pirate sites.

In fact, the majority of all new pirated movies that appear online can be traced to a digital recording in a movie theater. This can be the movie itself, the audio, or both. The good news for the movie industry is that the total number seems to be dropping somewhat.

According to statistics gathered by the MPAA, 447 illegal recording of its members’ movies were detected in 2017. This is down 11% compared to the year before when 503 titles were recorded. This suggests that enforcement actions and preventive measures are paying off. However, this is not visible everywhere.

This week Kevin Rosenbaum of the International Intellectual Property Alliance (IIPA), which represents various industry groups including the MPAA, informed the US International Trade Commission that camcording piracy is on the rise in Russia.

In his oral testimony, Rosenbaum signaled three key copyright issues in Russia that deserve attention from the US Government.

“First is to dramatically improve enforcement against online piracy, particularly piracy sites and services directed to users outside of Russia,” Rosenbaum said.

In addition, the country also has to address the problem with the Russian collecting societies, to effectively handle music licensing. These currently lack transparency or good governance, IIPA noted.

The third issue that needs attention is camcording piracy. According to IIPA’s statement, there has been a dramatic increase in illegally recorded movies over the past several years.

“Russia must address the problem of camcording motion pictures, which has risen dramatically over the past three years (200% since 2015) and fuels online piracy,” Rosenbaum noted.

In 2015 the movie industry traced 26 camcorded copies to Russia and by last year this number had increased to 78. These releases are linked to movie theaters around the country, from Moscow, Kazan, Tatarstan, St. Petersburg, all the way up to Siberia.

The Russian camcording piracy problem was also highlighted in IIPA’s recent Special 301 submission to the US Trade Representative.

“Russia remains the home to some of the world’s most prolific criminal release groups of motion pictures.” IIPA wrote last month. “The illicit camcords that are sourced from Russia are only of fair quality, but they remain in high demand by international criminal syndicates.”

With help from the Russian-Anti Piracy Organization over a dozen cammers were caught last year. In addition, four criminal cases were launched.

IIPA hopes that these will result in convictions, to create a deterrent effect. In addition, the group highlights that Russia could strengthen its laws, perhaps with a little push from the US.

A copy of Kevin Rosenbaum’s statement before the United States International Trade Commission is available here (pdf). In addition to Russia, it also highlights issues in other countries.

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Over the past several years, the last couple in particular, piracy has stormed millions of homes around the world.

From being a widespread but still fairly geeky occupation among torrenters, movie and TV show piracy can now be achieved by anyone with the ability to click a mouse or push a button on a remote control. Much of this mainstream interest can be placed at the feet of the Kodi media player.

An entirely legal platform in its own right, Kodi can be augmented with third-party add-ons that enable users to access an endless supply of streaming media. As such, piracy-configured Kodi installations are operated by an estimated 26 million people, according to the MPAA.

This popularity has led to much interest from tabloid newspapers in the UK which, for reasons best known to them, choose to both promote and demonize Kodi almost every week. While writing about news events is clearly par for the course, when one considers some of the reports, their content, and what inspired them, something doesn’t seem right.

This week The Express, which has published many overly sensational stories about Kodi in recent times, published another. The title – as always – promised something special.

Sounds like big news….

Reading the text, however, reveals nothing new whatsoever. The piece simply rehashes some of the historic claims that have been leveled at Kodi that can easily apply to any Internet-enabled software or system. But beyond that, some of its content is pretty weird.

The piece is centered on comments from two McAfee security experts – Chief Scientist Raj Samani and Chief Consumer Security Evangelist Gary Davis. It’s unclear whether The Express approached them for comment (if they did, there is no actual story for McAfee to comment on) or whether McAfee offered the comments and The Express built a story around them. Either way, here’s a taster.

“Kodi has been pretty open about the fact that it’s a streaming site but my view has always been if I use Netflix I know that I’m not going to get any issues, if I use Amazon I’m not going to get any issues,” Samani told the publication.

Ok, stop right there. Kodi admits that it’s a streaming site? Really? Kodi is a piece of software. It’s a media player. It can do many things but Kodi is not a streaming site and no one at Kodi has ever labeled it otherwise. To think that neither McAfee nor the publication caught that one is a bit embarrassing.

The argument that Samani was trying to make is that services like Netflix and Amazon are generally more reliable than third-party sources and there are few people out there who would argue with that.

“Look, ultimately you’ve got to do the research and you’ve got to decide if it’s right for you but personally I don’t use [Kodi] and I know full well that by not using [Kodi] I’m not going to get any issues. If I pay for the service I know exactly what I’m going to get,” he said.

But unlike his colleague who doesn’t use Kodi, Gary Davis has more experience.

McAfee’s Chief Consumer Security Evangelist admits to having used Kodi in the past but more recently decided not to use it when the security issues apparently got too much for him.

“I did use [Kodi] but turned it off as I started getting worried about some of the risks,” he told The Express.

“You may search for something and you may get what you are looking for but you may get something that you are not looking for and that’s where the problem lies with Kodi.”

This idea, that people search for a movie or TV show yet get something else, is bewildering to most experienced Kodi users. If this was indeed the case, on any large scale, people wouldn’t want to use it anymore. That’s clearly not the case.

Also, incorrect content appearing is not the kind of security threat that the likes of McAfee tend to be worried about. However, Davis suggests things can get worse.

“I’m not saying they’ve done anything wrong but if somebody is able to embed code to turn on a microphone or other things or start sending data to a place it shouldn’t go,” he said.

The sentence appears to have some words missing and struggles to make sense but the suggestion is that someone’s Kodi installation could be corrupted to the point that someone people could hijack the user’s microphone.

We are not aware of anything like that happening, ever, via Kodi. There are instances where that has happened completely without it in a completely different context, but that seems here nor there. By the same count, everyone should stop using Windows perhaps?

The big question is why these ‘scary’ Kodi non-stories keep getting published and why experts are prepared to weigh-in on them?

It would be too easy to quickly put it down to some anti-piracy agenda, even though there are plenty of signs that anti-piracy groups have been habitually feeding UK tabloids with information on that front. Indeed, a source at a UK news outlet (that no longer publishes such stories) told TF that they were often prompted to write stories about Kodi and streaming in general, none with a positive spin.

But if it was as simple as that, how does that explain another story run in The Express this week heralding the launch of Kodi’s ‘Leia’ alpha release?

If Kodi is so bad as to warrant an article telling people to avoid it FOREVER on one day, why is it good enough to be promoted on another? It can only come down to the number of clicks – but the clickbait headline should’ve given that away at the start.

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While doing business with clients and suppliers is the usual day-to-day routine for most businesses, companies in the entertainment sector seem keener than most to spend time with those in power.

Whether there’s pressure to be applied in respect of upcoming changes in policy or long-term plans for modifying legislation, at least a few times a year news breaks of rightsholders having private meetings with officials. Most of the time, however, the head-to-heads fly under the radar.

This week, however, the UK government published a response to a Freedom of Information Request which asked for details of meetings between the government and copyright owner organizations, enforcement organizations, and collection societies (think BPI, MPA, FACT, Publishers Association, PRS, etc) including times, dates and topics discussed.

The request asked for details of meetings held between May 2016 and April 2017 but the government declined to provide all of this information since the effort required to extract the information “would exceed the cost limit.”

Given the amount of data published, this isn’t a surprise. Even though the government chose to limit the response to events held between January 16, 2017 and April 17, 2017, the meetings between the government and the above groups number in their dozens.

January 2017 got off to a pretty slow start but week three and beyond saw a flurry of meetings with groups and companies such as ITV, BBC, PRS for Music, Copyright Licensing Agency and several other organizations to discuss the EU’s Digital Single Market proposals.

On January 18, 2017 Time Warner had a meeting to discuss content protection and analytics, followed a day later by the Premier League who were booked in to discuss “illicit streaming devices” (a topic mirrored in March during a meeting with the Audiovisual Anti-Piracy Alliance).

Just a few days later the Police Intellectual Property Crime Unit held a “Partnership Working Group Meeting involving industry” and two days after that the police, Trading Standards, and the EU Police Agency convened to discuss enforcement activity.

January 26, 2017 saw an IP Outreach Workshop involving members of the IP Crime Group. This was potentially a big meeting. The IPCG consists of several regional police forces, PIPCU, National Crime Agency, Crown Prosecution Service, Department of Culture, Media and Sport, Trading Standards, HMRC, IFPI, BPI, FACT, Sky TV, PRS, FAST and the Publishers Association, to name just a few.

As the first month of the year was drawing to a close, Amazon met with the government to discuss “current procedures for removing copyright, design and trademark infringing material from their platform.” A similar meeting was held with eBay on February 1 and on February 20, Facebook had its turn on the same topic.

All three companies had come in for criticism from copyright holders for not doing enough to stem the tide of infringing content available on their platforms, particularly so-called Kodi boxes that provide access to movies, shows, and live TV.

However, in the months that followed they each responded positively, with eBay, Amazon and Facebook announcing restrictions on devices sold. While all three platforms still have a problem with infringing device sales, the situation appears to have improved since last year.

On the final day of January 2017, the MPAA attended a meeting to discuss the looming Digital Economy Bill and digital TV piracy. A couple of days later they were back again for a “business awareness seminar” with other big shots including the Alliance for IP, the Anti-Counterfeiting Group, Trading Standards and the Premier League.

However, given the dozens that took place, perhaps one of the more interesting meetings in terms of the mix of those in attendance took place February 7.

Titled “Organized Crime Task Force Meeting – Belfast” it was attended by the Police Service of Northern Ireland, the National Crime Agency, Trading Standards, HM Revenue and Customs, the Border Force, and (spot the odd one out) the Federation Against Copyright Theft.

This seems to suggest that FACT (a private company) is effectively embedded at the highest level of law enforcement, something that has made people very uncomfortable in the past.

Later in February, there was a roundtable meeting with the Alliance for IP, MPAA, Publishers’ Association, BPI, Premier League and Federation Against Copyright Theft (again) to discuss Brexit, the Digital Single Market, IP enforcement and industrial strategy. A similar meeting was held in March which was attended by UK Music, BPI, PRS, Featured Artists Coalition, and many more.

The full list of meetings, which number in their dozens for just a three-month period, can be found here pdf. Whether the volume is representative of other three-month periods isn’t clear but it seems reasonable to conclude that copyright organizations have the ears of government officials in the UK on an almost continual basis.

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In 2011 Hollywood’s MPAA highlighted SeriesYonkis as one of the most prolific pirate sites on the Internet.

“With a worldwide Alexa rank of 855, Seriesyonkis.com is one the most visited websites in the world for locating and streaming unauthorized copies of motion picture and television content,” Hollywood’s industry group informed the US Government.

While the MPAA was calling for tough enforcement actions, film industry partners in Spain came up with a different plan. They signed an unprecedented deal with the pirate site in 2011, hoping to convert its users into paying customers.

The main figures in this unusual episode are Juan Carlos Tous, the founder of the legal streaming platform Filmin, and SeriesYonkis owner Alexis Hoepfner, who operated the pirate site under his company Burn Media.

With help from lawyer Andy Ramos they negotiated a unique deal that would ‘merge’ both businesses. According to local newspaper El Confidencial, which has seen a copy of the agreement, SeriesYonkis company would get a 23% stake in Filmin, on the condition that pirate links were replaced with legal ones within a set period.

The entire agreement was kept secret by a confidentiality clause, which worked well until a few days ago.

SeriesYonkis also made two loans of 250,000 euros available, which were convertible into shares. In addition to the above, Filmin also offered compensation for every pirate it converted, up to 10 euros per user that signed up for an annual subscription.

The agreement further stipulated that SeriesYonkis had to apologize for its pirate ways. Point five stressed that SeriesYonkis and other Burn Media sites had to “carry out communication and awareness actions so that the users of the websites understand the need to legally access audiovisual content.”

Interestingly, SeriesYonkis wasn’t planning to go down and let other pirate sites take its traffic. The agreement included a clause that obligated Filmin to spend 25,000 euros to shut down or reduce traffic to other pirate sites.

The episode took place when Spain was about to implement its Sinde law, which would make it hard for local pirate sites in a country that was considered a “safe haven” at the time. However, not everything went according to plan.

The Sinde law didn’t destroy all Spanish pirate sites and six months after signing the agreement, SeriesYonkis stopped deleting pirate links. Even worse, its owner launched several new pirate sites, such as SeriesCoco and SeriesKiwi.

Filmin’s founder was outraged and sent an email demanding answers.

“I would like to hear your opinion on the progress and explanation of your plan with SeriesCoco! I do not understand anything! I thought you were going to decrease, and I see that you are opening portals!! WTF!” Tous wrote.

The deal eventually fell apart. Filmin kept its shares and stopped paying for new referrals. SeriesYonkis’ company Burn Media filed a lawsuit to get back its money, but thus far that hasn’t happened.

According to an insider close to the deal, the idea was brilliant. SeriesYonkis reportedly earned millions of euros at the time, more than Filmin, and used this money to go legal and destroy the competition ahead of a tough new anti-piracy law.

“The pirate not only abandons its weapons, but is integrated into the industry, and uses capital earned from piracy to fight against it,” a source told El Confidencial.

“It was a winning deal for everyone,” another source added, regretting that it didn’t work out. “It was a very bold agreement, something unusual in this sector, that would have changed the scenario if it had worked.”

Today, roughly seven years after the agreement was set into motion, Filmin is one of the larger streaming platforms in Spain. SeriesYonkis is also still around, but was sold by Hoefner in 2016 and no longer links to pirated content.

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With 80 million streaming links to more than 700 video services, Alluc sold itself as the premier streaming link site.

It offered a wide variety of content and over the past thirteen years it grew out to become one of the largest sites of its kind. This week, however, Alluc surprised friend and foe by shutting down.

“The alluc search engine has been discontinued. After 13 years of alluc, we decided to take a break and focus on other projects,” a message posted on the site’s homepage reads.

That the site was popular is not a secret. People used it to find streaming links to nearly everything, from old movies to the latest hit series. The operators mention that they served a billion unique visitors over the past decade, which is an incredible achievement.

Alluc says farewell

What’s less clear, however, is why the site decided to stop now. In the past, we’ve reported on similar sites that threw in the towel because revenue was dwindling, but Alluc told us that is not the case here.

“The decision was not driven by monetary reasons. We started alluc when we were still in high-school and it became into something bigger and better than we could have ever imagined when we started it,” Alluc’s Sebastian tells us.

“But now it’s time for us to move on. We hope to have contributed a lot to the video space and to have helped out a lot of people during these 13 years of running alluc full time.”

While Alluc could be used to find both authorized and unauthorized content, the movie industry saw it as a blatant pirate site. This resulted in a site blocking request in Australia, among other things.

Alluc, however, always rejected the ‘pirate’ label and saw itself as an “uncensored” search engine. While they are shutting down now, they still see a future for similar services.

“There will always be a future for uncensored search and I hope us shutting down alluc can help to create the vacuum needed to incentivize new sites of similar quality and scope or even a decentralized solution to be created by others,” Sebastian tells us.

Time will tell whether another site will indeed jump in to fill the gap.

Alluc’s API, which is used by third-party apps and services to find streaming links, will remain available until the end of the month when it will shut down. Meanwhile, Alluc’s search engine framework lives on at pron.tv, an adult-themed site.

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