Over the past decade, various entertainment industry groups have lobbied hard for tougher anti-piracy measures.

The harder it is for people to download something through unofficial channels, the more revenue will flow to the creators, the argument goes.

However, a new study by Indiana University researcher Antino Kim conducted together with colleagues from the University of Texas-Dallas and the University of Washington, suggests that this is not always the case.

The findings from their economic impact model are published in the latest edition of the MIS Quarterly Journal, in an article titled  “The ‘Invisible Hand’ of Piracy: An Economic Analysis of the Information-Goods Supply Chain.”

According to their analysis, piracy limits the pricing power of both the creator and the retailer. This reduces the impact of double marginalization, which occurs when creators and retailers both add significantly to the price of a product.

Because piracy is seen as a form of “shadow competition” the price of a product, such as an HBO cable subscription, is pushed closer to the economic optimum. At that optimal price point, everyone is better off, including the broader economy.

“When information goods are sold to consumers via a retailer, in certain situations, a moderate level of piracy seems to have a surprisingly positive impact on the profits of the manufacturer and the retailer while, at the same time, enhancing consumer welfare,” Kim and his co-authors write.

“Such a win-win-win situation is not only good for the supply chain but is also beneficial for the overall economy,” they add.

The researchers mention Game of Thrones piracy as an example. The TV-show is widely known to be the most pirated series in history but HBO is not going to extremes to stop the public from sharing these episodes, which may be a good thing.

Following the logic of the paper, the threat of piracy keeps the price of HBO cable subscriptions down. Neither HBO (creator) nor the cable and satellite TV operators (retailer) are overcharging, despite their relative monopolies. This means a better price point and more legitimate consumers.

The authors of the article note that creators and retailers don’t have to encourage piracy all of a sudden. However, turning a blind eye to it may be in their own best interests in some cases.

“The implication is simply that, situated in a real-world context, our manufacturer and retailer should recognize that a certain level of piracy or its threat might actually be beneficial and should, therefore, exercise some moderation in their anti-piracy efforts,” the researchers write.

“This could manifest itself in them tolerating piracy to a certain level, perhaps by turning a blind eye to it. Such a strategy would indeed be consistent with how others have described HBO’s attitude toward piracy of its products,” they add.

The findings are based on an economic model which is limited to retailer sold information goods. Piracy doesn’t always have a positive effect but this research shows that it can help keep market prices balanced, which is an intriguing conclusion.

It highlights a positive aspect of piracy that has been overlooked before are certainly something for companies and governments to be aware of then they consider future anti-piracy measures.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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Russia has firmly established itself as one of the leading countries utilizing site-blocking to counter content considered unfavorable by the state or corporate interests.

Many tens of thousands of platforms are blocked for many reasons, from the promotion of terrorism to copyright infringement. Every week new sites are added to the country’s national blacklist which local ISPs are required to frequently check in order to prevent their subscribers from accessing forbidden platforms.

Given that blocking is supposed to reduce piracy, new research from Russian anti-piracy company WebKontrol throws up a few interesting angles on this online war.

For example, the company says that in 2017, the number of torrent sites offering content to the Russian market sat at around 1,300. However, last year – in the face of overwhelming blocking measures – that number grew to around 2,000.

In 2018, torrent sites accounted for just over a fifth of the ‘pirate’ market (streaming platforms dominate with more than 70%) but due to multiple links to the same content appearing on most platforms, torrent links accounted for around 40% of the available links to pirated material.

Further underlining the importance of torrents, despite a smaller share of the market, the company reports that in 87% of cases, the first public copies of premiere titles appeared on torrent sites first, before spreading out to other platforms such as streaming and hosting sites.

“According to WebKontrol’s, data, out of various website types, the number of streaming resources had increased by 2% – from 69% to 71% [2017 v 2018] – which placed the streaming websites in the leading position,” the company told TF.

“The share of torrent-trackers has also increased by 3% – from 19% to 22%. At the same time, the analysts have noted that the number of link sites and cyberlockers went down from 5% to 3%, and from 6% to 3% respectively.”

In 2017, the number of pirate sites offering content to Russian audiences dropped by 10% but in 2018, WebKontrol detected a 43% increase, amounting to an additional 9,500 sites. But despite this bad news, overall piracy appears to have dipped slightly, with the huge increase in sites put down to site owners’ responses to Russia’s aggressive blocking system.

“The overall traffic of pirate sites is decreasing notwithstanding the fact that the number of such sites is growing rapidly. Presumably, the main reason for this is the newly created mirror sites,” WebKontrol CEO Olga Valigourskaia informs TorrentFreak.

“Administrators of the pirate resources tend to create mirror sites as quickly as possible after their original domains are blocked. Rights holders, on the other hand, instantly block these mirrors using an administrative procedure, so there is no chance for these sites to gain any significant traffic. Some pirates simply stop creating new mirrors after a few blocking procedures.”

Meanwhile, Russia is further investing in site-blocking with the introduction of a new system. Telecoms watchdog Roscomnadzor reports that to date, 660 large telecoms operators have switched to a new mechanism which allows sites to be blocked more efficiently.

“The new mechanism allows service providers to receive data from the Unified Registry [national blacklist] for only updated or changed entries instead of downloading the entire data set,” Roscomnadzor reports.

“Earlier tests have shown that the time taken by operators to reduce access to prohibited resources is reduced from 30–40 minutes to 4–6 minutes.”

Adoption of the new system is not mandatory but given the importance of site-blocking to the Russian government, ISPs are being encouraged to make use of it in order to “increase the effectiveness of measures taken to limit access to illegal resources.”

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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Xiaomi Mi Box S Giveaway Winner Draw

Hello Boom Shakalandians, let’s draw live the winner of the international giveaway of the Xiaomi Mi Box S. If you didn’t make it on time, no worries. A new giveaway is coming soon, so stay tuned!

Sorry for the first 30 secs, I had a windows open and had some sound issues.

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Last week the news broke that the Emmys will make the switch from physical DVD-screeners to online streaming screeners in 2020.

This transition comes with a lot of benefits. For one, it’s much cheaper for companies to put movies on an online screening platform than to manufacture and ship hundreds of thousands of DVDs.

Another advantage, according to some industry insiders, is that it’s easier to keep online screeners out of the hands of pirates.

In recent years there haven’t been many TV-screener leaks. However, if DVD screeners are eventually phased out by other awards shows, such as the Oscars, could that be the end of the screener season madness among pirates?

That’s highly doubtful. While it’s certainly true that online copies can’t get lost in the mail, there are other vulnerabilities. A login and password are easily shared and, once in, pirates can usually find a way to rip of capture a movie of TV-show. That’s what they’re good at, after all.

This is corroborated by pirate release group EVO. Short for EVOLUTiON, EVO has been around for years. The group has standing when it comes to screeners. Just a few weeks ago it leaked “Ralph Breaks The Internet,” one of the first DVD screeners this year.

According to EVO, online screeners are not necessarily more secure and the opposite may be true in some cases. The group mentions that it had access to a digital screener account last year which provided surprisingly little protection.

“We had access to digital screeners and they are indeed easy to leak. The DRM on it is a joke. We had an account last year with three screeners on it and they were pretty much MP4 ready to encode,” the EVO team informs TorrentFreak.

The group adds that online screeners have already leaked in the past, mentioning last year’s release of “Call Me By Your Name” as an example.

The Academy Awards have experimented with online streaming, but there is no sign of a switch yet.  The release group noticed, however, that DVD screener security has been increased. At least, for the disc they worked on.

“From what I’ve seen, doing Ralph, the DVD protection on it was increased, since it was a nightmare to crack,” EVO’s team member tells us.

The group believes that the current security measures around DVD screeners releases work fairly well. After all, there haven’t been too many DVD screener leaks this year. It further notes that the quality of screeners is intentionally kept low to decrease their value, in case they leak.

Legitimate screeners (for the SAG awards)

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Whether online or physical screeners are more secure ultimately depends on the type of protection measures that are implemented for each.

A highly secure DVD with watermarks is more secure than an online stream that’s only protected with a login, and a highly secure online streaming platform is more secure than an unprotected DVD. But none of these are 100% leak-resistant.

The safest conclusion is that piracy will likely remain a problem, no matter what the distribution platform is.

To get more perspectives we reached out to a variety of movie industry insiders, including those who offer secure online screening platforms. Unfortunately, none of them answered, suggesting that it’s a sensitive issue.

Based on previous coverage on the matter, we found that the movie industry hasn’t made its mind up on the security issue either.

Anthony Anderson, director of film security for Universal Pictures, previously told Variety that digital screeners will present new threats, which could make them less secure.

“Before, if you shipped a DVD to the home, you had to steal it from the doorstep. Now you can sit at home and attack the site, which presents a host of issues,” Anderson said.

The Television Academy’s decision to make Emmy screeners streaming only doesn’t come as a surprise though. In recent years many insiders have called for a transition and the major studios, including Warner Bros., have online “FYC” platforms in place already.

As far as we know, security concerns are not the main driver behind the switch. Variety’s coverage shows that streaming is simply seen as more practical, modern, and much cheaper by many. The downside is that not everyone likes streaming and that it’s harder to make titles stand out.

As for EVO, they don’t believe that the Academy Awards will follow the Emmys’ example anytime soon.  That said, the group prefers not to get involved with these type of releases too often, as it’s a security threat for them as well.

“Usually, we choose to stay out of the DVDSCR because it’s something that draws to much heat, and the studios are not happy about it. Every year people who actually leak them are arrested. No matter how good you are to erase the watermarks. There is always a trace,” EVO notes.

That’s true for both DVD and online screeners…

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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Belgium, here we come! Team Kodi will be at FOSDEM in Brussels next week. If you live anywhere near, if you’re attending, if you can make the detour – please, come along and meet some of the team.

FOSDEM is an annual, volunteer, non-commercial event that focuses on free and open source software development. It’s primarily aimed at developers, although the talks and stands are open to anyone who’s interested. Its main aim is to simply create a meeting place; it’s a fantastic opportunity for people to mix, chat, share ideas, collaborate, promote awareness, and generally interact with like-minded individuals.

So, every year, thousands of developers from all over the world descend on the Université Libre de Bruxelles to do just that. This year, there’ll be representatives of projects such as Gnome, Mozilla, Debian, Python, GitLab, LibreOffice, Apache, VideoLAN (and many, many more) – and some of the Kodi team as well. We won’t have a stand but, in between attending and delivering talks and generally mingling, we’d love to meet with our friends in the community who might be reading this.

Kodi v18 “Leia” Presentation

Martijn from the team will be presenting the final release of Kodi 18, the next release in everyone’s favourite media centre software. He will be taking people through the latest features to be introduced, as well as some of the changes that have been made “behind the scenes”, and what these mean for developers and users. He’ll also set the scene for what you can expect as we now build on these foundations and move in anger towards v19 development.

Room H.1309, Saturday 2nd February, 11:00-11:25.

Kodi Team Meetup

It doesn’t matter whether you’re a user or developer, whether you work with Kodi or something else, if you have commercial interests, or if you’re simply curious. Pop along if you’re interested; several Team Kodi members will be present to chat at your leisure.

Room H.3242, Saturday 2nd February, 16:00-17:00.

More information on the presentation here, meeting here, and on FOSDEM itself here.

We hope to see you soon!

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After more than ten years in the game, RARBG is one of the most popular and resilient torrent sites on the Internet today.

The site took fourth spot in our 2019 list of most popular torrent sites, a position that has been earned through regular high-quality releases of everything from movies and TV shows through to music, games and adult content.

During the past few days, however, the site took a somewhat unusual step that has had some users scratching their heads. A quick look inside some new video torrents released by the site reveals not only the content itself, but also an initially mysterious file called ‘ RARBG_DO_NOT_MIRROR.exe’.

The presence of an .exe file often raises alarm bells

As a general rule, when video torrents contain an .exe file there is a need for caution. These executables can contain anything and in some cases may be malicious, such as a virus or malware. As a result, experienced torrent users never click them but the same can’t be said about novices.

In this instance, however, there is nothing for regular users to be worried about. Renaming the file to give it a .txt extension reveals that this is just a text file that displays the following information:

“This is not an .exe file. This is just a placeholder to prevent mirroring over other public sites.”

So if it’s just a text file, why would RARBG include it in their torrents? The explanation, it turns out, is pretty straightforward and not directed at users at all.

While the site makes thousands of releases every week, these are easily mirrored on other platforms. Since .exe files are viewed with suspicion by tools used to automate the crawling of the site (most sites don’t allow .exe files to be uploaded in video categories), their inclusion means less diffusion of RARBG torrents to other platforms.

“[The .exe file] is included in torrent files to stop distribution to other public sites,” RARBG confirms in a new addition to its FAQ.

Interestingly, the “.exe” experiment is also having a positive effect on the health of torrents tracked by RARBG. According to the site’s operator, the inclusion of the .exe file in torrents “reduces the average hit&run [people who grab a torrent and then fail to seed] by 35% !”

As mentioned earlier, there is nothing malicious with the .exe file as far as users are concerned and, as the site points out, people can easily ‘untick’ the file in their torrent client and it won’t even be downloaded.

That being said, their presence won’t be welcomed by people looking to mirror RARBG torrents elsewhere. Since the traffic to such platforms could be negatively affected following the rejection of torrents containing an .exe, the job of their operators becomes much more difficult.

Finally, it’s worth reiterating that real .exe files in any torrent – or indeed anywhere on the Internet – should always be approached with caution.

Running these kinds of files without due diligence can be a risky proposition so the default actions should always be to run up-to-date anti-virus/anti-malware software and/or ignore and delete unexpected content, just to be on the safe side.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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Regular Internet providers are being put under increasing pressure for not doing enough to curb copyright infringement.

Music rights company BMG got the ball rolling a few years ago when it won its piracy liability lawsuit against Cox.

Following this defeat, several major record labels including Capitol Records, Warner Bros, and Sony Music filed a lawsuit in a Texas District Court. With help from the RIAA, they sued ISP Grande Communications for allegedly turning a blind eye to its pirating subscribers.

According to the labels, the Internet provider knew that some of its subscribers were frequently distributing copyrighted material, and accused the company of failing to take any meaningful action in response.

The case is now heading to trial, where the ISP might not have a safe harbor defense. However, if it’s up to Grande, the record labels should start the trial without their most important evidence; the “infringement notices” of Rightscorp.

Anti-piracy outfit Rightscorp has a database of close to a billion copyright infringements. While the company’s original business model of automated settlements hasn’t been very lucrative, the notices are gladly used by copyright holders in court.

They were the basis of the BMG v.s Cox lawsuit and in the record labels’ case against Grande they are also front and center.

According to Grande, however, this evidence is unusable. Its attorneys have previously branded it as inaccurate but this month they added an even more damaging claim. The ISP accuses the labels and Rightscorp of destroying vital evidence.

While the notices are all intact, much of the underlying information has been removed. The ISP argues that this makes it impossible to determine precisely how Rightscorp’s system functioned and what information about Grande’s subscribers was collected in each case.

Grande’s attorneys presented their findings to the Texas federal court. They submitted a motion for evidentiary sanctions based on the reported “spoliation” of evidence.

“Plaintiffs and Rightscorp have destroyed all of the evidence necessary to determine how the Rightscorp system operated at any given time relevant to this lawsuit,” Grande’s motion reads.

Recent depositions establish that Rightscorp, the RIAA, Plaintiffs, and their retained experts are all incapable of providing a cogent and detailed explanation of how the Rightscorp system actually functioned at any point during the relevant time period.”

The missing information includes communications with torrent trackers,
data that show if customers were actively sharing certain files, and data that was used to match downloads to copyrighted works. In addition, Rightscorp is also accused of deleting nearly all records from its call-center.

The ISP is convinced that it’s severely disadvantaged by the destruction of evidence. They risk more than a billion dollars in theoretical damages based on notices of which most of the underlying data is gone.

“Plaintiffs intend to rely heavily on Rightscorp’s notices to prove their infringement case. Yet, the destruction of the evidence underlying those notices seriously compromises Grande’s ability to independently evaluate the accuracy of the process, notices and downloads,” the company writes.

Interestingly, this is not the first time that Rightscorp is accused of spoiling evidence. In the Cox case, the anti-piracy outfit was found to have destroyed source code, which resulted in a monetary sanction.

Grande highlights this history and adds that the current issues are even more significant.

As such, Grande sees no other option than to sanction the record labels. They don’t want any monetary punishments. Instead, they request that the court excludes all Rightscorp evidence from trial, which will make it much harder for the labels to make their case.

“Given Plaintiffs’ and Rightscorp’s destruction of virtually all evidence underlying Rightscorp’s allegations, the only just remedy is the exclusion of the Rightscorp evidence. Because Rightscorp destroyed all of the related and underlying evidence, the Rightscorp notices and downloads have effectively been ‘spoiled’,” they conclude.

The record labels have yet to respond to the allegations, after which the court will rule on the matter.

A copy of Grande Communications’ motion for evidentiary sanctions is available here (pdf).

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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Preventing or at least reducing the flood of pirated copies of movies and TV shows online remains a priority for entertainment industry companies everywhere.

In the current environment, most public activity is aimed at distributors, such as torrent and streaming platforms. However, hitting those who supply content from higher up the chain is a long-standing but lesser-publicized strategy.

News coming in from Italy indicates that the authorities there have been looking closely at players who they consider to be particularly big fish.

The Guardia di Finanza of Pesaro, a department under Italy’s Minister of Economy, reports a long and complex investigation to target the individuals behind a release group they name as ‘FREE / iNCOMiNG’.

Operating between 2010 to 2016, the group is identified as “one of the main groups operating on the Italian and international scenes.” According to the GdF, ‘FREE / iNCOMiNG’ collaborated with foreign groups to which it supplied copies of movies recorded in Italian cinemas, reportedly accounting for 66% of copies of such movies made available online.

The investigation sought to link camcorded copies of movies with players in the group, an effort that was carried out by the Public Prosecutor of Pesaro in coordination with investigators at the Federation for the Protection of Audiovisual and Multimedia Content (FAPAV).

This led to the identification of four suspects with house searches subsequently executed in four regions of Italy (Marche, Piedmont, Lombardy and Puglia) and the seizure of equipment including PCs, smartphones, and media containing an estimated 800,000 files.

“The subsequent analysis of what was seized allowed us to discover that the group members, after the acquisition of the successful films and the major television series broadcast on pay-per-view channels, took care of the assembly and coding for upload on powerful servers,” the investigators reveal.

“The modified files were advertised on websites that, upon payment, facilitated illegal downloading. The group in question also established significant contacts and collaborations with other foreign release groups, thus succeeding in diversifying the sources of income connected to the illicit copies.”

Anti-piracy group FAPAV welcomed the results of the investigation, particularly in respect of the disruption to the supply of movies illegally recorded in theaters.

“According to our estimates, as far as the first cinematographic releases are concerned, in nine cases out of ten the audio and video source of the pirated files is represented by the unauthorized recordings that take place by ‘release groups’ in cinemas,” said Federico Bagnoli Rossi, General Secretary FAPAV.

“Camcording is, therefore, the primary source of piracy, a phenomenon that should not be underestimated considering the huge damage it causes the entire sector. Such recordings, in fact, are usually realized in the very first days following the release of films in theaters or when the works are in their initial phase of exploitation.”

The cases of the four men, whose identities have not been revealed, are said to have been handed to the authorities for action under relevant laws. At least as far as public piracy release databases reveal, iNCOMiNG ceased releases under that specific name around 16 months ago.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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Last year, several major Hollywood studios, Amazon, and Netflix filed a lawsuit against Dragon Media Inc, branding it a supplier of pirate streaming devices.

Under the flag of anti-piracy group ACE, the companies accused Dragon of using the Kodi media player in combination with pirate addons. As such, the company facilitates mass copyright infringement, it was argued.

Dragon Box swiftly responded to the allegations by halting its sales. The company later decided to change its business model, moving from a Kodi-addon platform to a subscription-based service called BlendTV.

The box vendor maintained that this was perfectly legal, but the copyright holders clearly disagreed. This prompted Dragon Box to halt its sales again.

That wasn’t the end though. Last month the boxes returned with yet another service called “My TV Hub.” According to the Hollywood studios, this service is not legitimate either. Growing tired of this “whack-a-mole” they asked the court to intervene.

The ACE members requested a preliminary injunction to halt the infringing activity. It appears, however, that this is no longer required. A few days ago, Dragon Box’s attorney informed the court that they’ve agreed to settle the matter.

“Defendants respectfully notify the Court that the parties have agreed in principle to settle the above-entitled case,” attorney Matthew J. Faust writes.

“At this time, the parties are in the process of preparing a settlement agreement and intend to file the documents related to the final disposition of the case within the next few days,” he adds.

The court responded to the filing by vacating all other hearings and deadlines that were on the docket. However, given the history of this case, it’s probably wise to wait until all paperwork is filed before marking it as resolved.

At the time of writing the Dragon Box website remains online. The boxes themselves are no longer listed for sale, but the site does link to a “Blend TV” subscription which prospective users can buy.

A spokesperson for ACE informed us that they would release more information on the matter in the near future. We will update this article when that arrives.

Source: TF, for the latest info on copyright, file-sharing, torrent sites and more. We also have VPN reviews, discounts, offers and coupons.





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XIAOMI MI BOX S GIVEAWAY

For you, the most loyal Boom Shakalandians, a small token of appreciation. Giveaway of the Xiaomi Mi Box S. It is an international giveaway, so whether you live on top of the Himalayas or near the shore of the Dead Sea, you can participate without hesitation.
Rules Of The Giveaway:
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4. SHARE this video
The lucky winner will be drawn live on this channel this Sunday 27th of January 2019!
Good luck to everyone and thank you for your support!

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